Professor Gus Egan and his team of scientists are exploring the depths of Scotland's mysterious Loch Ness to prove his theory that it was once a prehistoric breeding ground for ancient marine reptiles. Suddenly a fault-line ruptures deep below the surface of the Loch and Gus disappears in an underwater earthquake. Unbeknownst to the team the rupture has reopened a passageway to the depths of the North Sea and given new life to the most fabled creature ever known to man - the legendary Loch Ness monster.
The last film in the Look Who's Talking minifranchise goes to the dogs, literally, to keep the series' major gimmick intact--letting the audience hear the thoughts of the little newcomers in the Ubriacco family. The kids who were once babies in the two prior films can now babble for themselves, so the script finds the adult characters taking in two mutts who do a "Lady and the Tramp" thing while we listen in. Travolta (rescued a year later in 1994's Pulp Fiction) and Alley mark time while Danny De Vito and Diane Keaton provide the most entertainment performing the dogs' voices. Not awful, but not necessary either, and a long way from the small but real qualities of the first film. --Tom Keogh
Available for the first time on DVD! When a carjacking leaves L.A. screenwriter Eric Thornsen recovering from a gunshot wound to the abdomen his wife Alicia nurses him back to health in the country. However when a stranded motorist requests refuge for the night their nightmare is only just beginning... Murder is the coldest affair...
Available for the first time on DVD! Advertising Executive Richard Moore has been neglecting his beautiful wife Faith. Believing that her husband is having an affair she has a one-night stand with a handsome stranger by the name of Walter... Instantly regretting her extra-marital activities she spurns Walter and returns to her oblivious husband... However Walter isn't happy and his attraction to her develops into obsession. If he can't have her no one can...
Video 86 - 98 (2 Discs)
Based on a novel by Barbara Cartland, A Ghost in Monte Carlo is an undemanding period romp packed full of twists and turns. The perfect cinematic equivalent of Cartland's literary style, the film is a glossy, star-filled but ultimately shallow exercise. Lysette Anthony is the wide-eyed innocent Mistral, released from her convent upbringing into the care of her Aunt Emilie (Sarah Miles). On arriving in glamorous Monte Carlo, she immediately strikes up a relationship with a dashing young lord and sets out to experience her newfound freedom. Matters take an unexpected, darker turn as Mistral finds herself caught up in the plotting of her aunt and in increasing danger. The performances range from Anthony's passable purity to a ludicrously over-the-top turn from Miles. The much-vaunted all-star casting amounts to a series of brief cameos from the likes of Oliver Reed, Joanna Lumley, Lewis Collins and Gareth Hunt--presumably at the request of executive producer Lord Lew Grade. It's fun for what it is but only as long as you leave any critical sensibilities on hold. On the DVD:A Ghost in Monte Carlo is essentially a video release transferred directly to DVD. The sound is digitally remastered and there is a very poor interactive menu to guide you through the various chapters but no extras. --Phil Udell
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