Federico Fellini's epic 1980 fantasia introduced the start of the Maestro's delirious late period. A surrealist tour-de-force filmed on soundstages and locations alike, and overflowing with the same sensory (and sensual) invention heretofore found only in the classic movie-musicals (and Fellini's own oeuvre), La citta delle donne [City of Women] taps into the era's restless youth-culture, coalescing into nothing less than Fellini's post-punk opus. Marcello Mastroianni appears as Fellini's alter ego in a semi-reprise of his character from 8-1/2, Snaporaz. As though passing into a dream, the charismatic avatar finds himself initiated into a phantasmagoric world where women - or an idea of women - have taken power, and which is structured like an array of psychosexual set-pieces - culminating in a bravura hot-air balloon that decisively sticks the anti up into climax. A great adventure through the looking-glass, as it were, of Fellini's own phallic lens and life-long libidinal ruminations, La citta delle donne sharply divided critics at the 1980 Festival de Cannes, some of whom had merely anticipated a nostalgic retread of the earlier Mastroianni works. What they were greeted with, and what remains today, is, in the words of Serge Daney, a victory of cinema. The Masters of Cinema Series is proud to present La citta delle donne on Blu-ray and DVD in Gaumont's glorious new HD restoration. Special Features: HD Restoration of the Film, presented in 1080p on the Blu-ray Newly Translated Optional Subtitles Substantial Booklet Containing Writing on the Film, Vintage Exerpts and Rare Archival Imagery
A bumper box set of films featuring the iconic Mae West! My Little Chickadee (Dir. Edward F. Cline 1940): Suspected of being in a relationship with local criminal 'the Masked Bandit' Flower Belle Lee (Mae West) is run out of town; and told she can't return until she's earn't some 'respectability' (read marriage). Setting off for calmer shores Flower meets the con-man Cuthbert J. Twillie (W.C. Fields); marrying each other for 'respectability' (or the bag of money on his per
Set in the world of CART (Championship Auto Racing Teams), a seasoned race car driver (Sylvester Stallone) is hired to mentor an up-and-coming racer.
This 1986 production of Madama Butterfly strives, with its Japanese director and designer, for authenticity in the Japanese setting, yet is somehow entirely Italian at the same time. Yasuko Hayashi's Cio-Cio-San is surprisingly tough, rejecting the arguments of her uncle and the marriage broker with more anger than usual, and her suicide is as much a moral statement of integrity as a sentimental gesture. Accordingly, Dvorsky's sexually magnetic Pinkerton is even less sympathetic--you can see what she sees in him, but he is arrogant and a user, except when he is being lyrical--and Zancanaro's Sharpless, the consul who expedites Pinkerton's betrayal of his wife but develops his own compassion for her, is all the more complex and interesting. The production has real charm as well as authenticity on its side; the staging of the love duet is impressive in its use of shadow and delicate light. Maazel's interpretation has a forceful energy that the recording impressively conveys. --Roz KaveneyOn the DVD: The DVD has scene selection, and subtitles in German, French and English; the menu adds Spanish.
From producer Antonio Banderas comes The Missing Lynx an original animated comedy-adventure that will charm and excite viewers of all ages. Meet Felix; a jinxed lynx who's clumsy as he is unlucky. After one of his countless mishaps he finds himself in the Animal Recovery Centre but his luck worsens further when the centre is attacked! The animals find themselves pursued by an eccentric millionaire named Noah who has hired Newmann the self-proclaimed greatest hunter in the world to collect animals for an Ark he is building. Felix assembles a ragtag band of animals - Gus a paranoid chameleon; Beety a daredevil goat; Astarte a brave falcon and Rupert a poor-sighted mole - to foil Noah's plans and these crazy comrades learn the value of working together in this unlikely tale of friendship and heroism.
The Lady In The Van Based on the true story of Miss Shepherd (played by the magnificent Maggie Smith), a woman of uncertain origins temporarily parks her van in Alan Bennett's (Alex Jennings) London driveway and proceeds to live there for 15 years. What begins as a begrudged favour becomes a relationship that will change both their lives. Acclaimed director Nicholas Hytner reunites with iconic writer Alan Bennett to create this rare and touching portrait. A Street Cat Named Bob Based on the true life story and international bestselling book, A STREET CAT NAMED BOB is a moving and uplifting film that will touch the heart of everyone. When London busker and recovering drug addict James Bowen (Luke Treadaway) finds injured ginger street cat Bob in his sheltered accommodation, he has no idea just how much his life is about to change. Features: The Lady In The Van The Making of The Lady In The Van featurette The Visual Effects featurette Playing the Lady: Maggie Smith as Miss Shepherd featurette Commentary with Nicholas Hytner Deleted Scenes A Street Cat Named Bob Behind the Scenes Featurette
A tale of secrets, lies and high fashion from writer Oliver Goldstick (Pretty Little Liars, Ugly Betty). A gripping relationship drama where scandal and secrets plague a fashion family's pursuit of success. Set in an illustrious Parisian couture house in 1947, the series explores the grit behind the glamour, and treachery beneath the glittering trappings of a business run by two clashing brothers. Paul is the acceptable face and business brain while reckless Claude is the creative genius in secret. They're nothing without each other, but rivalry, deception and hateful bargains made to survive the Nazi occupation threaten to topple this first family of fashion at every turn. Reinvention and transformation are fashion's ultimate metaphors. But can the Sabines escape their past? Starring: Richard Coyle (Life of Crime) , Frances de la Tour (The Lady in the Van) , Tom Riley (Da Vinci's Demons) , Mamie Gummer (The Good Wife) , Jenna Thiam (The Returned) , Max Deacon (Into the Storm) Writer: Oliver Goldstick (Ugly Betty, Pretty Little Liars) Director: Dearbhla Walsh (Penny Dreadful, The Tudors) Producer: Selwyn Roberts (Parade's End) Special Features: Designing the Times From Rags to Riches
When it comes to on-screen sex and violence it takes a lot to unnerve the French authorities, but Baise-Moi managed it. Three days after the film opened it was pulled from over 60 cinemas across the country, causing a major rumpus, and only allowed back after it had been reclassified X, a category normally reserved for hard-core porn. The title translates literally as "Fuck me", which pretty well sums up the brash, in-your-face style of the film. The classification was not inappropriate, given that the film features plenty of genuine, unsimulated sex. Anyone hoping for arousal, though, might do better to look elsewhere. Baise-Moi is written and directed by Virginie Despentes and Coralie Trinh Thi, working from Despentes' novel, and stars Karen Bach and Rafaella Anderson. Despentes is an ex-prostitute, while Trinh Thi, Bach and Anderson have all acted in porno movies, and what they give us here is sex as female vengeance, a screwing-and-killing rampage that turns the tables on a violent male world. The movie's been compared to Thelma and Louise, but a closer comparison might be with Henry, Portrait of a Serial Killer. As in most porno movies, the plot is the merest pretext. Nadine (Bach) is a part-time prostitute, Manu (Anderson) is a rape victim. When they meet up both have just killed, more by chance than design. On a whim they link up and take off across country, screwing and killing almost every man they meet. They kill a few women, too, just to even things up. The film's shot on crude digital video; technique is minimal and the acting is rudimentary. There's a certain raw energy that prevents the film from becoming totally depressing but the brief running time (77 minutes) comes as something of a relief. --Philip Kemp
Tony Robinson and the Time Team return to DVD!
The next thrilling instalment of the franchise from Blumhouse! One night is not enough as members of an underground movement, no longer satisfied with the annual night of anarchy and murder, decide to overtake America through an unending campaign of mayhem and massacre. No one is safe. On the morning after the Purge, a masked gang of killers attacks a wealthy Texas ranching family and their workers. Exposed by daylight, the two families are forced to band together and fight back as the country spirals into chaos and the United States begins to disintegrate around them.
Snow White and the Seven Dwarfs was nicknamed "Disney's Folly" by contemporary observers; they doubted that the short cartoons shown before the main film could ever successfully make the transition from filler to feature presentation. Surely, no one would sit still for over an hour to watch an animated film, their eyes smarting from the bright colours on screen? Fortunately, Walt Disney and his army of artists persisted and the world's first full-length animated feature was finally released in 1937 to widespread acclaim.Adapted from the Grimm fairytale, Snow White and the Seven Dwarfs is chillingly dark in places, reflecting its roots in European folklore, but the deft Disney touch ensures that the overall tone remains light and the story develops apace, swept along on the perfect musical score. Any lingering gloom is quickly dispelled by the superbly characterised dwarfs and by the humorous antics of the various irresistible fauna that threaten to steal the show in several scenes. The pioneering animation is breathtaking and songs such as "Heigh Ho, Heigh Ho" and "Whistle While You Work", now firmly embedded in popular culture, are seamlessly interwoven with the action.Snow White and the Seven Dwarfs happens to be an interesting technological milestone in cinema history--it is also an enduring masterpiece of family entertainment. To the millions who have fallen under its spell over the years, this magical fairy tale remains one of Disney's most enchanting and best-loved films. Only Grumpy could resist. --Helen Baker
When it comes to American independent cinema, there s no one quite like Jim Jarmusch, the celebrated auteur behind such classics as Stranger Than Paradise and Only Lovers Left Alive. Eschewing his usual American landscapes in favour of a variety of locations throughout urban and rural Spain, his 2009 anti-thriller The Limits of Control remains one of his most alluring and multi-layered creations. An enigmatic loner (Isaach de Bankolé, Black Panther, Ghost Dog: The Way of the Samurai) arrives in Spain, instructed to make contact with a series of strangers in different locations throughout the country, each of whom provides a cryptic clue which propels him further towards his mysterious goal. But who is the Lone Man? Why is he here? And how does the recurring figure of an alluring femme fatale (Paz de la Huerta, Enter the Void) fit into the puzzle? Boasting stunning cinematography by the award-winning Christopher Doyle (In the Mood for Love) and featuring cameos from an array of celebrated character actors, including Tilda Swinton (The Grand Budapest Hotel), Gael GarcÃa Bernal (Y Tu Mamá También) and the late John Hurt (Tinker Tailor Soldier Spy), The Limits of Control is a languid, hauntingly beautiful film that combines the best of American and European arthouse sensibilities. Special Edition Contents: High Definition Blu-rayTM (1080p) presentation Original lossless DTS-HD Master Audio 5.1 and PCM 2.0 stereo soundtracks Optional English subtitles for the deaf and hard of hearing An American in Europe, a new video interview with Geoff Andrew, author of Stranger Than Paradise: Maverick Film-Makers in Recent American Cinema The Rituals of Control, a new video essay on the film by author and critic Amy Simmons Behind Jim Jarmusch, an archival documentary on the making of the film Untitled Landscapes, an archival featurette showcasing the film s locations Theatrical trailer
Here Come The Girls
Decades on from its release, and featuring an all-star cast that includes Jean-Pierre Laud, Anne Wiazemsky, Franco Citti, Pierre Clmenti, and Marco Ferreri, Pigsty [Porcile] remains one of Pier Paolo Pasolini's most controversial and wilfully provocative works – a deranged parody of cinema as revolutionary act. It comprises parallel stories: (1) Clmenti and Citti as cannibalistic savages who rampage a world outside of any distinct time or place, and who push against the boundaries of human morality; (2) Godard-regulars Laud and Wiazemsky as a romantically engaged couple in a contemporary Germany painted as a morass of industrialisation, fascist impulse, and bestial instincts. Special Features: New high-definition transfer in the film's original aspect ratio Original Italian theatrical trailer Newly translated optional English subtitles Illustrated booklet featuring rare archival imagery, the words of Pasolini, and more!
The fourth in the hilarious Bob Hope/Bing Crosby 'Road To...' series is a blizzard of laughs with Bob and Bing playing turn-of-the-century vaudevillians who search for Klondike gold - and find the beautiful Dorothy Lamour instead! After stealing the map to a gold mine from two Alaskan ne'er-do-wells Hope and Crosby assume the identities of the bad guys swagger into Skagway and meet saloon singer Lamour. A series of misadventures ensues as the boys Lamour the criminals and other c
Horror directed by Jackie Kong. After being convinced by their uncle to help him resurrect the ancient goddess Sheetar (Tanya Papanicolas), brothers and restaurant owners Michael and George Tutman (Rick Burks and Carl Crew) embark on a vicious killing spree in order to gather enough female body parts to stitch together and summon the goddess. With their victims all customers at their popular diner, detectives Sheba Jackson (Lanette La France) and Mark Shepard (Roger Dauer) face a race against time to stop them before the body count rises and the Tutman's plans are completed.
In delivering non-18-rated excitement, Alien vs. Predator is an acceptably average science-fiction action thriller with some noteworthy highlights, even if it squanders its opportunity to intelligently combine two popular franchises. Rabid fans can justifiably ask "Is that all there is?" after a decade of development hell and eager anticipation, but we're compensated by reasonably logical connections to the Alien legacy and the still-kicking Predator franchise (which hinted at AVP rivalry at the end of Predator 2); some cleverly claustrophobic sets, tense atmosphere and impressive digital effects; and a climactic AVP smackdown that's not half bad. This disposable junk should've been better, but nobody who's seen Mortal Kombat or Resident Evil should be surprised by writer-director Paul W.S. Anderson's lack of imagination. As a brisk, 90-minute exercise in generic thrills, however, Anderson's work is occasionally impressive... right up to his shameless opening for yet another sequel. --Jeff Shannon
Albert Lewin's adaptation of the 'Flying Dutchman' legend transposes the story into an upper-class English-speaking community in a small port in 1930s Spain. James Mason stars as Hendrick van der Zee, a man cursed to travel the seven seas until he can find a woman willing to die for his love. He certainly does not think he has discovered her when he meets beautiful, spoiled, nightclub singer and femme fatale Pandora Reynolds (Ava Gardner), who is engaged to be married to racing driver Stephen Cameron (Nigel Patrick) but is also being courted by hotheaded bullfighter Juan Montalvo (Mario Cabre). However, the pair soon discover that love can blossom in the unlikeliest of places.
Just days before the Eden Wildlife Zoo s grand reopening, a monkey begins exhibiting signs of a strange virus which makes the animal extremely aggressive. When an effort to save it fails, it confounds the laws of nature and returns as a terrifying zombie monkey, killing its handlers and infecting others of its kind. As the newly-undead Capuchins break free and rampage through the enclosures, they viciously attack the other animals and spread the contagion. As the whole zoo rapidly becomes infested with these abominations, the zoo keepers find themselves under siege and outnumbered, and have only hours to stop the outbreak before the Zoombie creatures reach the birds of prey exhibit. If the birds become zombified and escape, a plague of the squawking-dead threatens to end the world as we know it...
This cracking Brit-noir crime thriller features relatively early roles for Googie Withers James Hayter future Bond star Bernard Lee and Broadway veteran Jack La Rue who would become familiar to cinemagoers as one of Hollywood's most dependable screen gangsters. Released in Britain in 1939 Murder in Soho is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. One of the brightest spots in Soho was the Cotton Club run by American Steve Marco. Steve was proud of his club's reputation; it was an excellent 'blind' for more important activities. So when double-crossing Joe Lane threatened to tell the police of Steve's past Joe had to be murdered. Steve was not going to have anyone destroy what had taken years to build... Special Features: Image Gallery Original Script PDF
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