When Karen and Fred Schouten finally conceive a child they feel it is the most important achievement of their lives. But their unborn baby develops a brain defect which means that it will only survive for a few hours after birth. Out of this tragedy however comes a gift of hope and life. For Alice and Gordon Hole whose baby will die unless he receives a heart transplant it could be the answer to a desperate prayer...
Dr. Dolittle 3Maya Dolittle (Kyla Pratt) just wants to be a normal teenager but there's one small problem: she's inherited her father's uncanny ability to talk to animals. Her special skill keeps landing her in the doghouse with her parents and it's driving her friends completely ape! At a summer dude ranch Maya tries to hide her unique talent so she can fit in but when her friends are in trouble she comes to the rescue as only a Dolittle can - enlisting the aid of the ranch's uproarious and outrageous talking animals. This hilarious third instalment of the wildly popular Dr. Dolittle series is more family fun than a barrel of monkeys... and a lot easier to clean up after! Dr. Dolittle 4Maya Dolittle (Kyla Pratt) and her loyal dog Lucky are back in a heartwarming adventure of presidential proportions! When Daisy the U.S. President's dog starts misbehaving the Secret Service shows up at the Dolittle home seeking help. With the doctor away high school senior Maya - who inherited her father's gift for animal speak - is called into action. Now it's up to Maya and Lucky to stop a canine catastrophe from becoming a major national crisis!
Sam Bell (Sam Rockwell) is nearing the completion of his 3-year-long contract with Lunar Industries, mining Earth's primary source of energy on the dark side of the moon. Alone with only the base's vigilant computer Gerty (voiced by Oscar-Winner Kevin Spacey, 1999 Best Actor, American Beauty) as his sole companion, Bell's extended isolation has taken its toll. His only link to the outside world comes from satellite messages from his wife and young daughter. He longs to return home, but a terrible accident on the lunar surface leads to a disturbing discovery that contributes to his growing sense of paranoia and dislocation so many miles away from home. Moon is an engrossing, intelligent sci-fi thriller that ranks with genre classics like 2001: A Space Odyssey. UHD release Sam Bell (Academy Award®-winner Sam Rockwell, Best Supporting Actor, 2017, Three Billboards Outside Ebbing, Missouri) is nearing the completion of his 3-year-long contract with Lunar Industries, mining Earth's primary
The Filth and the Fury is an irreverent, shocking portrait of the most notorious rock group of all time.
With the original conspiracy plot arc fallen into a muddle of loose ends no-one could possibly fathom, once-hungry lead actors on the verge of big screen careers and making demands for more time off or shots at writing and directing, and the initial wish list of monsters-of-the-week long exhausted, it's a miracle The X Files is still making its airdates, let alone managing something pretty good every other show and something outstanding at least once every four episodes. Season seven opens with a dreary two-parter ("Sixth Extinction" and "Amor Fati") and winds up with the traditional incomprehensible cliffhanger ("Requiem"), but along the way includes a clutch of shows that may not match the originality of earlier seasons but still effortlessly equal any other fantasy-horror-sf on American television. Highlights in this clutch: "Hungry", a brain-eating mutant story told from the point of view of a monster who tries to control his appetite by going to eating disorder self-help groups; "The Goldberg Variation", a crime comedy about a weaselly little man who has the gift of incredible good luck, which means Wile E Coyote-style doom for anyone who crosses him; "The Amazing Maleeni", guest-starring Ricky Jay in a rare non-fantastic crime story about a feud between stage magicians that turns out to be a cover for a heist; "X-Cops", a brilliant skit on the US TV docusoap Cops with Mulder and Scully caught on camera as they track an apparent werewolf in Los Angeles (season-best acting from David Duchovny and Gillian Anderson); "Theef", a complex revenge drama with gaunt Billy Drago as a hillbilly medicine man stalking a slick doctor; "Brand X", a horror comic tale of corruption in the tobacco industry; "Hollywood AD" (written and directed by Duchovny), in which Tea Leoni and Garry Shandling are cast as Scully and Mulder in a crass movie version of a real-life X file; and "Je Souhaite", a deadpan comedy about a wry, cynical genie at the mercy of trailer trash masters who haven't an idea what to wish for. Among the disasters are: "Fight Club", a grossly laboured comedy; "All Things", Gillian Anderson's riotously pretentious religious-themed writing-directing debut; "En Ami", written and understood by William B Davis, the cigarette-smoking villain; and the very silly "First Person Shooter", the lamest killer video-game plot imaginable courtesy of distinguished guest writer William Gibson. Still essential, despite the occasional pits, but yet again you go away thinking that the next season had better come up with some answers. --Kim Newman
Sequel to the 2003 cult movie in which Nick (Eric Lively) discovers he can change the past via remembering forgotten memories due to blackouts. As he changes past events though they have unexpected consequences in the present.
Just like her father Maya Dolittle has the amazing ability to talk to animals and together with her loyal dog pal Lucky she must go on a heartwarming adventure of presidential proportions! Maya's dream of going to vet school is put on hold when she gets a call from the president of the United States. It seems the First Dog is out of control and the president needs Maya's help. Now it's up to Maya and Lucky to stop a canine catastrophe from becoming a major national crisis!
It has become traditional for The X-Files to kick off each new season with a humourless conspiracy two-parter, and Season 9 is no exception: in The X Files: Nothing Important Happened Today David Duchovnys Mulder is gone, along with everything in his apartment, and Gillian Andersons Scully is mostly at home with her perhaps-telekinetic baby, which leaves the bulk of the investigation to promising new characters Doggett (Robert Patrick) and Reyes (Annabeth Gish).The A-plot features Lucy Lawless as a water-breathing terminatrix who could be an alien, a government experiment or a mermaid without it making any difference, but too much time is spent on impossible-to-follow subplots about internal FBI politics and everyones intricate backstory (if ever a release needed a "previously..." prologue, this is it). Usually, the series gets over these heart-sinking openers and livens up a bit, but this time theres a feeling that this is the end of the line for a thoroughly battered premise.Chris Carter joins Gene Roddenberry in the exclusive category of producer-creators who turn in the worst scripts for their own shows, and all the strengths of The X-Files (shivers, wit, provocative ideas) are missing in action here as the engine grinds on empty.On the DVD: The X-Files: Nothing Important Happened Today on disc arrives with two three-minute filler featurettes, focusing on Gishs character and the making of this show. The good news is that this anamorphic widescreen release is the best The X-Files has ever looked in a television format, showing that however dramatically exhausted it might be, the show remains technically impressive. --Kim Newman
As with earlier releases, The X-Files: Providence splices together two episodes, "Provenance" and "Providence", into a pseudo-movie. Again, the results fall way below the series average as the long-dead alien conspiracy business is flogged, with a lot of running around and ominous rumbling still not adding up to anything like an actual story. FBI agent Neal McDonaugh (of Minority Report) inexplicably survives a flaming motorcycle crash, leaving behind brass rubbings taken from an alien spaceship, then shows up and tries to murder Scully's psychokinetic baby, who is promptly kidnapped by a UFO cult. In Part 2, Scully (Gillian Anderson) and Reyes (Annabeth Gish) fend off enemies and friends within the bureau as they track down the cultists, who are having trouble with a spaceship they've dug up, and a typical pointless climax has things happen without the characters doing anything to contribute. Even at this late, post-Duchovny stage in the game, The X-Files has turned out some fine stand-alone episodes, but these dreary wallowings go a long way towards explaining why only diehards are still watching. After the child says "I made this" at the end of the credits, it's becoming very hard not to shout "well, clean it up then". On the DVD: The X-Files: Providence, as with Nothing Important Happened Today, arrives in a great-looking anamorphic widescreen transfer. There are two slight promotional "featurettes"--three-minute clips/talking heads promos focusing on the episode "Providence" and actor Cary Elwes' character. --Kim Newman
The sixth series of The X-Files picks up after the events of the big-screen movie. So it is that "The Beginning" attempts to fit the film into the TV chronology before moving on to tackle plot points left dangling from series five's "The End" (note the guard asleep at the nuclear power plant console is named Homer!). Between story arc threads are several pleasing one-off excursions: time travel to a Bermuda Triangle boatload of Nazis ("Triangle"); further temporal escapades akin to Groundhog Day ("Monday"); a demonic baby case featuring genre stalwart Bruce Campbell ("Terms of Endearment"); and "The Dreamland, Parts 1 and 2", in which David Duchovny gets to play someone else via personality switching. Back in the conspiracy scheme of things, Mulder chases "S.R. 819", a Senate resolution tying conspiracies together; "Two Fathers" and "One Son" indicates that the abductee experiments are intended to cure the black oil disease; and the year finishes with "BioGenesis", in which a beach-buried UFO has Scully and the audience wondering if we are from Mars. --Paul Tonks
In Season 4 of The X-Files, Scully is a bit upset by her on-off terminal cancer and Mulder is supposed to shoot himself in the season finale (did anyone believe that?), but in episode after episode the characters still plod dutifully around atrocity sites tossing off wry witticisms in that bland investigative demeanour out of fashion among TV cops since Dragnet. Perhaps the best achievement of this season is "Home", the most unpleasant horror story ever presented on prime-time US TV. It's not a comfortable show--confronted with this ghastly parade of incest, inbreeding, infanticide and mutilation, you'd think M & S would drop the jokes for once--but shows a willingness to expand the envelope. By contrast, ventures into golem, reincarnation, witchcraft and Invisible Man territory throw up run-of-the-mill body counts, spotlighting another recurrent problem. For heroes, M & S rarely do anything positive: they work out what is happening after all the killer's intended victims have been snuffed ("Kaddish"), let the monster get away ("Sanguinarium") and cause tragedies ("The Field Where I Died"). No wonder they're stuck in the FBI basement where they can do the least damage. The series has settled enough to play variations on earlier hits: following the liver vampire, we have a melanin vampire ("Teliko") and a cancer vampire ("Leonard Betts"), and return engagements for the oily contact lens aliens and the weasely ex-Agent Krycek ("Tunguska"/"Terma"). Occasional detours into send-up or post-modernism are indulged, yielding both the season's best episode ("Small Potatoes") and its most disappointing ("Musings of a Cigarette-Smoking Man"). "Small Potatoes", with the mimic mutant who tries out Mulder's life and realises what a loser he is (how many other pin-up series heroes get answerphone messages from their favourite phone-sex lines?), works as a genuine sci-fi mystery--for once featuring a mutant who doesn't have to kill people to live--and as character insight. --Kim Newman
Dennis Potter has long been acknowledged as one of the most significant writers of the twentieth century. Though he had considerable successes with the series format (such as The Singing Detective and Casanova) it is generally accepted that his strongest work is the single play of which he did many for both the BBC and ITV. In celebration of both Potter's body of work and the fiftieth anniversary of ITV this collection celebrates three of his most signif
A young man is arrested for the rape and murder of a woman in a deserted building. All evidence against him seems undisputable but his father is not convinced and in his rage he takes the jury hostage.
Screwedwas another nail in the coffin of former Saturday Night Livewisecracker Norm MacDonald, following his dismal previous film, Dirty Work. However, while Screwedisn't particularly funny (the jokes about dentures, dog poop and dead bodies are pretty much as old as the hills), the plot exerts a perverse interest; for most of the film, it's genuinely unpredictable. MacDonald plays Willard, the butler-chauffer, all-purpose flunky of Mrs. Crock, the wealthy, penny-pinching owner of a pastry company. Fed up with her abuse, Willard and his friend Rusty (David Chappelle from Blue Streak and 200 Cigarettes) conspire to kidnap her dog Muffin. But Muffin escapes and returns home; the ransom note is assumed to be for Willard himself. Rusty and Willard run with the idea, sending in a videotape of himself being held prisoner. When a detective starts getting a little too close, they panic and decide to fake Willard's death. Okay, none of it makes much sense, but in a world of ridiculously formulaic films which slavishly follow every screenwriting cliché Screwed seems like a brief oasis of narrative invention. Of course, it still isn't funny. And by the end, it's lost whatever spark of imagination that got it started. Too bad. It's written by Scott Alexander and Larry Karaszewski, the screenwriters responsible for Problem Child, but also for Ed Wood and The People vs Larry Flynt--they should stick to biographies. --Bret Fetzer, Amazon.com
Chauffeur Willard Fillmore (Norm MacDonald) is over-abused and under-appreciated by his boss from hell Miss Crock (Elaine Stritch). Desperate for a payback he enlists the help of his hotheaded best friend Rusty (Dave Chappell) and they decide to dognap Miss Crock's precious pooch and hold it for ransom. But when the dog escapes and Miss Crock thinks Willard's the one being held for a price they must get help from the creepy and crazy mortician Grover Cleaver (Danny DeVito) to cash in on the payoff. Now the three have triple the trouble and triple the fun as they try to get even without getting screwed!
Disease specialist Samantha Carter (Turner) must team up with Dr. Nick Baldwin (Sabato Jr.) to track down a deadly virus causing a series of mysterious deaths...
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