The Book of Acts takes you on a journey with the physician Apostle Luke (Dean Jones - Herbie the Love Bug Other Peoples Money Clear and Present Danger Mandie and the Secret Tunnel) as he tells the enthralling story of danger struggles and triumph that marks the birth of the Christian Church. The Book of Acts vividly shares the mystery and wonder that follows the resurrection of Jesus. Walk with the risen Lord. Watch as He is taken up to heaven. Experience the transforming power of Pentecost and be inspired by the passion of Peter (James Brolin - Nailed Last Chance Harvey) and John (Andre Jacobs - Invictus In My Country) as they send a flame of faith throughout Jerusalem and the world.
Elijah Wood stars in this gritty look at the violent underworld of football hooliganism.
John Carpenter's Assault On Precinct 13 is a riveting low-budget thriller from 1976, in which a nearly abandoned police station is held under siege by a heavily armed gang called Street Thunder. Inside the station, cut off from contact and isolated, convicts heading for death row and the cops must now join forces or die. That's the basic plot, but what Carpenter does with it is remarkable. Drawing specific inspiration from the classic Howard Hawks Western Rio Bravo (which included a similar siege on disadvantaged heroes), Carpenter used his simple setting for a tense, tightly constructed series of action sequences, emphasising low-key character development and escalating tension. Few who've seen the film can forget the "ice cream cone" scene in which a young girl is caught up in the action by patronising a seemingly harmless ice cream van. It's here, and in other equally memorable scenes, that Carpenter demonstrates his knack for injecting terror into the mundane details of daily life, propelling this potent thriller to cult favourite status and long-standing critical acclaim. From this Carpenter went on to make the original Halloween, one of the most profitable independent films of all time. --Jeff Shannon, Amazon.com
Enemy Mine is, in essence, a sci-fi remake of John BoormanÂ’s Hell in the Pacific (1969), only instead of a US pilot and a Japanese naval officer stranded on a Pacific island during WWII, here we have a lizard-like Draconian (Louis Gossett Jr.) and his mortal enemy, Earthling Dennis Quaid, both having crash-landed on a hostile planet during a brutal space battle. Forced to rely on one another for survival, they overcome their differences and become fast friends. (You can almost hear them break into an off-key version of "It's a Small World".) German director Wolfgang Petersen, so brutally honest with his film Das Boot, turns warm and cuddly on us with this intergalactic buddy movie. Although the script sets us up for an intriguing encounter, it ultimately settles for a simple and sentimental resolution. Noteworthy set design and strong performances, especially by Gossett, push this beyond mere mediocrity. His performance is fascinating, as he must speak in an alien tongue, which he maintains with artistry and consistency.--Rochelle O'Gorman, Amazon.com On the DVD: Enemy Mine on disc is presented anamorphically in its original 2.35:1 theatrical ratio with a vivid Dolby 4.0 soundtrack. Thankfully picture and sound are excellent, since the extra features are lamentably poor, consisting merely of the theatrical trailer and three (yes, three) "behind the scenes" still pictures. The disc is also equipped with multiple language and subtitle options.--Mark Walker
College students at a Boston college become fascinated by the events of the three missing filmmakers in Maryland, so they decide to go into the same woods and find out what really happened.
In The Foreign Legion: Jonesy and Lou are in Algeria looking for a wrestler they are promoting. Sergeant Axmann tricks them into joining the Foreign Legion after which they discover Axmann's collaboration with the nasty Sheik Hamud El Khalid. Meet The Keystone Cops: Harry and Willie buy the Edison Movie Studio in the year 1912 from Joseph Gorman a confidence man. They follow Gorman to Hollywood where as stunt men they find him directing movies as Sergei Trumanoff and stealing the studio payroll.
After the Lord of the Rings trilogy, Elijah Wood could've opted for further big budget epics, but took a sharp left turn with this better-than-average B-movie. Released just after Everything is Illuminated, another offbeat entry, Wood plays journalism student Matt Buckner. In the prologue, he's expelled from Harvard when his over-privileged roommate sets him up to take the fall for his own misdeeds. With nowhere to go, Matt decides to visit his sister, Shannon (Claire Forlani), in London. He's already got a chip on his shoulder when he falls under the sway of Shannon's brother-in-law, Pete (Charlie Hunnam), head of West Ham's football "firm," the Green Street Elite. Matt soon gets caught up in their thuggish antics—to tragic effect. In her feature debut, German-born Lexi Alexander makes a mostly convincing case for the attractions of violence to the emotionally vulnerable, as opposed to the emotionally numb pugilists of the more satirical Fight Club. Unlike David Fincher (by way of Chuck Palahniuk), she plays it straight, except for the stylised fight sequences. Consequently, humour is in short supply, but the young Brit cast, especially Leo Gregory as the surly Bovver, is charismatic and Wood makes his character as believable as possible, i.e. he may seem miscast, but that's the point. Although there's no (direct) correlation between the two, Green Street makes a fine taster for Bill Buford's Among the Thugs, the ultimate dissection of the hooligan mentality. --Kathleen C. Fennessy
Offenbach composed over 100 operettas, and yet is primarily remembered now only for The Tales of Hoffman and for having written the "Can-Can". This live Concert of Music by Offenbach aims to put the record straight and show that at least some of his other works deserve the chance to be staged. Fortunately the composer has found almost ideal advocates in conductor Marc Minkowski and mezzo Anne Sofie von Otter. The latter takes a respectful but unstuffy approach to the scores (the orchestral numbers Souvenirs d'Aix-les-Bains and the Barbe Bleue Ouverture are played with exquisite attention to detail, especially in some sighing woodwind solos) and von Otter shows that she is as great a comedienne as she is a singer. From the blowsy Grande Duchesse de Gerolstein declaring her love for soldiers in tight uniforms to the outrageous yodelling of the Colonel's Widow from La Vie Parisienne, she hits just the right note of inspired lunacy and frothiness. And there are some delicious costume changes too, including a grotesque bumpkin hat that's almost as big as the mezzo herself ("Duo des Alsaciens"). There's even more unintentional comedy in the English subtitles, which must be among the worst ever produced: "myself every night what I do coming here to seat" is one solipsistic oddity. Oliver Becker directs well for the small screen, capturing the fizz of a lively event. On the DVD: A Concert of Music by Offenbach is presented in 4:3 ratio, with LPCM Stereo, AC3 Digital 5.1 and DTS 5.1 sound options. The picture quality is fine, although the foreground and background of the stage seem to be presented in one rather flat surface. There are subtitles in English, German, French, Spanish and Italian. --Warwick Thompson
Based on the novel by Ernest Hemingway and featuring a terrific cast of Hollywood greats The Sun Also Rises finally arrives on DVD. American news correspondent Jake Barnes (Tyrone Power) relocates to Paris after receiving serious injuries during WWI which have rendered him impotent. Barnes links up with several other lost souls including the lavicious Lady Brett Ashley (Ava Gardner) and drunkard Mike Campbell (Errol Flynn). In their search for new thrills Barnes and his coh
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