"Actor: Margit Saad"

• The Rebel - Fully Restored | Blu Ray | (30/09/2019) from £18.98   |  Saving you £N/A (N/A%)   |  RRP £N/A

  Sitcom legend Tony Hancock makes his feature film-starring debut in this clever comedy from long-time collaborators Ray Galton and Alan Simpson. A witty satire that vigorously ridicules effete pseudo-intellectualism, middle-class pretensions and bohemian artiness, The Rebel is presented here as a brand-new High Definition restoration from the original camera negative in its original theatrical aspect ratio. A self-taught artist with an enthusiasm that far exceeds any ability, Anthony Hancock throws in his monotonous office job to live the dream. His genius unappreciated by the local peasantry he decides there's only one place for his talents to flower - amongst the beatniks and bohemians of Paris! Special Features: Limited edition booklet containing the script for The Day Off - what would have been Galton and Simpson's second film for Hancock had he not turned it down Theatrical trailer Image gallery

• The Rebel | DVD | (27/03/2023) from £10.99   |  Saving you £N/A (N/A%)   |  RRP £N/A

• The Rebel - Fully Restored | DVD | (30/09/2019) from £15.98   |  Saving you £N/A (N/A%)   |  RRP £N/A

  Sitcom legend Tony Hancock makes his feature film-starring debut in this clever comedy from long-time collaborators Ray Galton and Alan Simpson. A witty satire that vigorously ridicules effete pseudo-intellectualism, middle-class pretensions and bohemian artiness, The Rebel is presented here as a brand-new restoration from the original camera negative in its original theatrical aspect ratio. A self-taught artist with an enthusiasm that far exceeds any ability, Anthony Hancock throws in his monotonous office job to live the dream. His genius unappreciated by the local peasantry he decides there's only one place for his talents to flower - amongst the beatniks and bohemians of Paris!

• The Rebel | DVD | (28/01/2013) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

  The Rebel is a 1961 comedy film starring Tony Hancock (Hancock's Half Hour). Hancock plays a downtrodden London office clerk who gives up his job to pursue his dream of being an artist. With an enthusiasm far exceeding any artistic talent, he sets to work on his masterpiece Aphrodite at the Waterhole, moving to Paris where he expects his genius will be appreciated. While his ideas and persona gain acceptance among the art set, legitimate critics scoff at his work. He manages, however to achieve success when the work of his former roommate, a genuinely talented painter, becomes confused with his own.

• The Criminal | Blu Ray | (16/09/2019) from £14.39   |  Saving you £N/A (N/A%)   |  RRP £N/A

  Ex-con Johnny (Stanley Baker) used his time in prison wisely to plan the biggest robbery of his career. The robbery goes smoothly and Johnny goes to bury the money in a field until the heat is off, as agreed with friend and racketeer Mike Carter (Sam Wanamaker) and the rest of the gang. In a moment of weakness, Johnny pockets five hundred odd pounds from the haul. Coupled with a tip-off from his ex-girlfriend (Jill Bennett) this proves to be his undoing and Johnny is soon back in prison. The rest of the gang try in vain to get the location of the money out of him without success until Mike hits upon the idea of a break-out using Johnny's new love Suzanne (Margit Saad) as bait.

• The Morecambe And Wise Movie Collection | DVD | (20/05/2002) from £24.95   |  Saving you £0.04 (0.16%)   |  RRP £24.99

  The Morecambe & Wise Collection brings together the total cinematic oeuvre of Eric Morecambe and Ernie Wise: The Intelligence Men (1965), That Riviera Touch (1966) and The Magnificent Two (1967). Though intermittently amusing, they serve mostly to confirm that Morecambe & Wise did the smart thing in devoting the majority of their career to television sketch show. Their comedy was most potent in small doses. The Intelligence Men is an obvious but likeable parody of the early Bond films and sets the pattern for all three films: Eric and Ernie as two well-meaning blunderers cast into an unfamiliar milieu (in this case, international espionage) and forced to survive armed with little more than a repertoire of wince-inducing puns. That Riviera Touch is an obvious but likeable parody of the heist genre. Again, Eric and Ernie are cast as hapless ingénues, in this case a pair of traffic wardens whose holiday in France intersects with the plottings of a gang of jewel thieves. If anything, it’s even more contrived than that sounds, but the scenes in which Eric cleans out the casino by accident are wonderfully understated, and a reminder of a peerless comic actor. The Magnificent Two, the final and by some distance the least funny of the three, is an updated though rather laboured subversion of the Spaghetti Western, relying rather too much on the notion that anything and everything to do with foreigners is inherently hilarious. On the DVD: The Morecambe & Wise Collection has English subtitles for all three discs and all include the original cinematic trailer. That Riviera Touch is presented in 4:3 format, the remaining two in 16:9. As special features go, these are annoyingly desultory for a release that will certainly only be purchased by die-hard fans. It wouldn’t have killed the producers to commission some liner notes at the very least.--Andrew Mueller

• The Magnificent Two | DVD | (20/05/2002) from £6.16   |  Saving you £3.83 (62.18%)   |  RRP £9.99

  Not only do our two amigos Eric and Ernie find themselves selling toys to make ends meet but they end up selling them in Latin America. The land where revolutions are the national sport and the seoritas the national past time. Things can only become more bizarre when Eric is persuaded by a hot blooded Latin beauty and the threat of being shot to pose as a dead rebel leader...

• Tony Hancock: The Rebel / The Punch And Judy Man | DVD | (14/04/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

  The Rebel (1961) and The Punch and Judy Man (1963) are the only two feature films made expressly as star vehicles for the great television comic Tony Hancock. The Rebel is by far the more ambitious, being in colour with Parisian locations, a large cast, and not least a supporting role for international star George Sanders. The opening rebellion against office life surely inspired The Fall and Rise of Reginald Perrin, while references follow to Look Back in Anger (1958) and Billy Wilder's The Apartment (1960) and Some Like It Hot (1959). Hancock goes to Paris to follow his artistic muse and as he rises through the art world his naivety is taken for genius, allowing for some very funny moments and spot-on satire, which are just as relevant today as 40 years ago. Filmed in black-and-white in Bognor Regis, The Punch and Judy Man is a more modest yet evocative portrait of life in a small coastal resort. Hancock is the titular beach entertainer who is happy to live from day to day with the affable companionship of John Le Mesurier and Hugh Lloyd. The problem is he's burdened with a socially ambitious wife, Sylvia Syms. Gentle humour comes from Hancock's frustrations as a proto-Basil Fawlty, and the film, packed with familiar British character actors, has an old-fashioned charm. It makes for an enjoyable supporting feature to The Rebel, which is undoubtedly a minor classic. On the DVD: Tony Hancock Double Feature presents both films at 4:3 ratio. The earlier film looks decidedly cropped in several scenes, though the latter survives the reformatting largely unscathed. The Rebel's colour is faded and the image grainy, while The Punch and Judy Man generally has a much stronger black and white image. Even so, there is some flickering and print damage. The music is distorted in The Rebel but the mono sound is fine during The Punch and Judy Man. There are no extras. --Gary S Dalkin