Not Previously Released In The UK! A charter plane crashes into the middle of the AmazonjJungle in an area known as 'Dinosaur Valley' so called because of a substantial fossil find in the area. Assorted archeologists models alcoholic wives Vietnam vets etc... have to battle their way through flesh eating Voodoo tribes piranhas quicksand crocodiles and more in this flesheating entrail rending bullet hitting body impaling previously unavailable tale.
A low-life criminal who falls in love with older ladies meets his match in Annette wiser and beautiful. Falling head over heels for her he is sucked into her world of violent crime where there are no bounds no rules and no conscience.
Vacas (1992): Director Julio Medem presents a saga spanning over half a century of the twisted goings on between two families in Northern Spain. Carmelo Gomez and Candido Uranga star as the fathers sons and grandsons locked through the ages in an absurdly stubborn and emotionally exhausting conflict. From the Carlist Wars of 1875 to the more famous Spanish Civil War of the thirties Vacas proves that sometimes there seems to be no escape from how family ties dictate our fate. Also starring Ana Torrent Emma Suarez and Pilar Bardem. The Red Squirrel (1992): 'The Red Squirrel' is an anti-macho parable by Spanish director Julio Medem; an intriguing story that draws its characters and audience into a complex game of lies and deceit it demonstrates the director's extraordinary and fresh visual style. Contemplating suicide as he stands against the parapet of a pier one summer night ex-pop star Jota (Nancho Nova) is interrupted by a sudden motorcycle crash. Rushing to the scene he discovers the biker to be a young attractive woman with amnesia (Emma Suarez). Masquerading as her boyfriend he names her Lisa invents a shared history for the two of them and whisks her off on a holiday to the Red Squirrel campsite. Here he reinforces his deception by parading the facade of their long-term relationship in front of other the campers. However it is not long before Jota has to confront the surprising consequences of his lie as there is more to Lisa than meets the eye... A film full of ingenious mesmerising and cryptic images The Red Squirrel made a huge impact at Cannes Film Festival in 1992. Tierra (1996): Angel an exterminator recently released from a mental hospital comes to rid a small Spanish town of tiny grubs in the soil. The local wine-making industry has found these pests responsible for giving their product an ""earthy"" taste that has divided local opinion. While in town Angel becomes involved with two beautiful and very different women and impacts their lives on a grand scale. Can either of these women accept the fact that Angel travels with a ""ghost"" of himself or that he routinely speaks with the deseased townspeople?
The Nutty Professor: Eddie Murphy stars as Dr Sherman Klump a kind ""calorically challenged"" genetics professor who longs to shed his 400-pound frame in order to win the heart of beautiful Jada Pinkett. So with one swig of his experimental fat-reducing serum Sherman becomes ""Buddy Love"" a fast-talking pumped-up plumped-down Don Juan. Can Sherman stop his buff alter ego before it's too late or will Buddy have the last laugh? Nutty Professor 2: America's funniest family is back for seconds! Eddie Murphy is hilarious when he stars as the entire Klump family in this enormous comedy blockbuster sequel to the Nutty Professer. The hilarity begins when professor Sherman Klump finds romance with fellow DNA specialist Denise Gaines (Janet Jackson) and discovers a brilliant formula that reverses aging. But Sherman's thin and obnoxious alter ego Buddy Love wants out... and a big piece of the action. And when Buddy gets loose things get seriously nutty. Now it's up to Mama Papa Ernie and Granny Klump to throw their weight around and save the day in this whopping gut-busting comedy.
Dead Or Alive (2000): Welcome to Shinjuku - city of darkness and corruption and the setting for this stunning movie by Japanese director Takashi Miike. Here rapid-fire shoot-outs and twisted acts of perverse violence provide the backdrop for a vicious war between the Japanese Yakuza and the Chinese Triads and make for one of the most dizzying and spectacular openings ever committed to film. Ryuichi is a gangster who is driven by a desire for power and the memory of his deprived childhood. His younger brother Toji has just returned from studying in the U.S. Between them they are about to learn some harsh lessons about life on the wrong side of the law. Meanwhile Detective Jojima finds himself drawn deeper into the world of the Yakuza as he continues to make dirty deals he hopes will help raise the money to pay for his daughter's life-saving operation. Uncompromising and fearlessly original Takashi's 'Dead Or Alive' takes a mind-bending journey into the dark and twisted world of ruthless gangsters dealers strippers and hookers... Dead Or Alive 2: Birds (2000): With Dead or Alive the extraordinarily gifted and prolific Miike Takashi created one of the most extreme and visually stunning films of his career. With Dead or Alive 2 he pushes the boundaries further than ever before. When Otamoko (Sho Aikawa) is hired to assassinate a ruthless gangster he is surprised to find a mysterious gunman make the hit before he gets the chance to pull the trigger. Deciding to take the money for the job he failed to complete Otamoko flees the city with Japanese Yakuza and the Chinese Triads hot on his trail. Hiding out on the island where he grew up he runs into the man who killed his target; an old friend named Sawada (Riki Takeuchi). Together they plan to use their shooting skills to rid the earth of evil and set out to hit the gang bosses and drug dealers who make the world a worse place. Dead Or Alive: Final (2002): Set in a post apocalyptic Yokohama where the population is kept under rigid control by a half crazed mayor Riki Takeuchi is a hard boiled cop and Show Aikawa a mellowed out drifter that hooks up with a gang of rebels. When the gang kidnap Takeuchi's son the wheels are set in motion that leads to an inevitable showdown.
The Way We Were (Dir. Sydney Pollack) (1973): Screen legends Barbra Streisand and Robert Redford make movie magic as the captivating star-crossed lovers Katie Morosky and Hubbell Gardiner. Theirs is a classic love story sparked by the attraction of opposites played out against the backdrop of American life during times of foreign war domestic prosperity and McCarthy-era paranoia in Hollywood. Winner of two Academy Awards (Best Song 'The Way We Were' and Best Score) The Way We Were is the timeless romance that cannot be forgotten. Out Of Africa (Dir. Sydney Pollack) (1985): Meryl Streep stars as Karen Blixen the restless wife of European aristocrat and plantation owner Baron Bror Blixen (Brandauer). When Bror departs to hunt big game and chase women the running of their East African coffee plantation falls to Karen. She throws herself into this task with the same determination and spirit she brings to her passionate but sporadic affair with free-spirited British hunter Denys Finch Hatton (Robert Redford). While enduring her husband's infidelities and the eventual destruction of their beloved land she entertains Denys and befriends the workers. Hatton shares Karen's profound love for the African landscape but is unwilling to sacrifice his independence for their relationship...
The Ages of Lulu is a gruelling sexual odyssey from Spanish director Bigas Luna, made immediately prior to his popular trilogy Jamón, jamón (1992), Golden Balls (1993) and The Tit and the Moon (1994). Starting as the somewhat queasy story of the young Lulu's affair with the manipulative Pablo (Oscar Ladoire), the movie takes a much darker turn once they are wed. It is conventional cinematic wisdom that there's no such thing as sex after marriage, but here Lulu's husband incomprehensibly leads her into blindfolded incest, then is heartbroken when she reacts with disgust. Soon Lulu (superbly played by Francesca Neri from ingénue to hardened 30-something), is paying gay men for group sex, eventually becoming an unwilling attraction in a commercial sado-machochistic orgy. The closest most UK audiences will have come to this before is in Ken Russell's The Devils (1971) and Crimes of Passion (1984), and it is surely one of the most gut-churningly nightmarish scenes ever passed for home viewing. While Ages of Lulu may function as a reactionary warning against the wilder shores of sex, Luna's intention remains unsatisfyingly enigmatic, since the script is under-written and psychologically unconvincing. The end result is pretentious, repellent pornography which degrades human beings of any sexual persuasion. On the DVD: The Ages of Lulu is transferred at an anamorphically enhanced 1.78:1 and image quality is very good, though in some scenes very slightly soft. The film can be watched with or without English subtitles, and the sound is unremarkable stereo. The main extras are a seven-page essay on Bigas Luna and five pages detailing the now restored 110 seconds of cuts made to the 1998 video release. The main title still contains 65 seconds of alternate footage to the cinema original for legal reasons. Also included are filmographies of Lunas and Oscar Ladoire, two trailers plus trailers for six other films. --Gary S Dalkin
Depraved. Decadent. Damned. A fully restored and uncensored Director's Cut of this infamous Tinto Brass erotic classic presented in its original widescreen format completely uncut and featuring 21 minutes of never-seen-before footage! Based on actual events the story takes place in Berlin in 1939 at the start of World War II. SS Officer Helmut Wallenburg (Helmut Berger) is instructed by his superiors to set up an elite brothel the eponymous Salon Kitty specially designed to serve high-ranking Nazi officials and foreign diplomats. In order to cater to the clients' darkest perversions and desires sufficiently Wallenburg is also charged with finding and rigorously training twenty beautiful and intelligent women who are not only dedicated to the ideals of National Socialism but are also prepared to perform the most extreme acts of debauchery imaginable. What these prostitutes and their customers don't know is that the brothel is bugged and is being used to collect intelligence and to monitor the clients' loyalty to the Nazi Party and its cause. Wallenburg exploits his position feeding his insatiable need to dominate and using the information he receives to blackmail his way to the top. Meanwhile one of the prostitutes Marguerite (Teresa Ann Savoy) discovers the truth about the brothel when a soldier she loves is executed for revealing to her his plans to defect from the Party. With the help of the brothel's madam Kitty (Ingrid Thulin) Marguerite plots to turn the tables on Wallenburg and exact her revenge...
An Italian sex comedy in which Marcello Mastroianni plays a Major who is impotent unless an element of danger is present in his wooing. When his lecherous psychiatrist tries to convince him to give up women it becomes obvious that the doctor has an agenda of his own.
Famous still photographer David Hamilton liked to step behind the film camera on occasion and explore similar themes in each medium. Three young girls adjusting to adolescence and their own sexuality after being stranded by a boat wreck in the Mediterranean Innocence purity and sexuality were Hamilton's main preoccupations and this is clearly revealed in Premiers Desirs. Highly charged erotica.
Dario Argento's 2001 feature Sleepless didn't receive a cinematic release in the UK, and it's not hard to see why. The movie often feels like Argento on auto-pilot, rehashing images and ideas and camera angles from his more inspired films like Suspiria or Tenebrae. The dialogue is leaden, the plot is a plodding whodunnit (and most of the time it's hard to care who) and the acting, with the exception of the veteran Max von Sydow, is mostly atrocious and crudely dubbed. But then again, no one ever came to an Argento movie for the plot or the dialogue, and least of all for the acting. The key to his mastery has always been the atmosphere of a nightmare that he conjures up, with all its jagged imagery and complete absence of narrative logic. The less sense it makes, the scarier it gets. Sleepless never attains anywhere near a level of nightmarish intensity, but it has its moments--especially the least rational ones. Although the plot involves no elements of the supernatural, and everything is finally (if cumbersomely) explained, it's episodes like the first killing (where the murderer traps his victim on a speeding train he couldn't possibly have boarded) that strike most effectively home. The action involves a retired police inspector (von Sydow) lured back to investigate a series of killings in Turin that replicate murders he was assigned to 17 years earlier. As always with Argento, knives figure prominently, as do prowling steadicam tracking shots, old dark houses and females butchered in any number of gory and far-fetched ways. The film looks unfailingly good, courtesy of its rich dark palate of colours, Ronnie Taylor's sinuous camera, and Argento's favourite group Goblin contribute an edgy, insidious score. On the DVD: Sleepless on DVD comes with a clear, sharp transfer that's a pleasure to watch, with no loss of detail even in the many underlit scenes. Picture is matched for clarity by the terrific 5.1 Dolby Digital sound. This, unlike the truncated US and German DVD releases, is the full 117-minute original, shown in 1.85:1 widescreen. The two-disc set includes a generous helping of extras: stills gallery, the theatrical trailer (in Italian only, though), a 15-minute "making of" featurette, plus an informative one-hour documentary, Dario Argento--An Eye for Horror, narrated by Mark Kermode and previously shown on Channel Four at Christmas 2001.--Philip Kemp
Justine is one of the most lavish and bizarre erotic shockers ever made by the notorious Jess Franco bursting with wanton nudity sexual perversion and an all star cast... Romina Power (18 year old daughter of Tyrone power) stars as Justine a nubile young Virgin cast out of a French orphanage and thrust into a depraved world of Prostitution predatory lesbians a fugitive murderess (Mercedes McCambridge) bondage branding and one supremely sadistic monk (an outrageous performance
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