Emmy award-winning actress Tatiana Maslany returns for the exhilarating fourth series of Orphan Black. With the threat of the Castor clones no longer plaguing them, the sisterhood's future looks bright. That is, until the past comes crashing back into their lives with the return of Neolution the organisation that has been pulling the strings all along. Forced to emerge from her Icelandic safe house, Sarah is led down a dangerous path back to the clone that started it all: Beth Childs. As Sarah begins to crack under the overwhelming pressure of keeping her family safe, the sisters are pushed in disparate directions. But in order to survive, they will need to band together like never before, or be torn apart forever.
Back for another gripping season, Sarah (Golden Globe® nominee Tatiana Maslany) is now in a desperate race to find her missing daughter Kira. Her scorched earth tactics have sparked a war with the pro-clone Rachel, dividing and endangering all the clones. With Alison's carefully crafted suburban world spinning out of control, and the genetic illness affecting Cosima threatening them all, Sarah must negotiate a dangerous world of new enemies and shifting allegiances to get to the bottom of the experiment that made them who they are. As Sarah discovers more about her past, mysterious newcomers appear, but can they be trusted? "Heart-stoppingly addictive television" Guardian
Back for another gripping season, Sarah (Golden Globe® nominee Tatiana Maslany) is now in a desperate race to find her missing daughter Kira. Her scorched earth tactics have sparked a war with the pro-clone Rachel, dividing and endangering all the clones. With Alison's carefully crafted suburban world spinning out of control, and the genetic illness affecting Cosima threatening them all, Sarah must negotiate a dangerous world of new enemies and shifting allegiances to get to the bottom of the experiment that made them who they are. As Sarah discovers more about her past, mysterious newcomers appear, but can they be trusted? "Heart-stoppingly addictive television" Guardian
Titanic is a four part serial created by BAFTA-winning producer Nigel Stafford-Clark (Warriors; The Way We Live Now; Bleak House) and written by Oscar and Emmy winner Julian Fellowes (Gosford Park; Downton Abbey) to mark the hundredth anniversary of the world's most famous maritime disaster in April 1912. It sets out to tell the story not just of a single ship, but of an entire society - one that was heading towards its own nemesis in the shape of the First World War as carelessly as Titanic towards the iceberg.This world, soon to vanish forever, is brought alive by a cast of over 80, featuring the cream of acting talent from Britain and beyond, including Linus Roache (Law & Order; Batman Begins), Geraldine Somerville (Harry Potter; Cracker), Celia Imrie (Bridget Jones's Diary; Kingdom), Toby Jones (My Week with Marilyn; Tinker Tailor Soldier Spy; Captain America), Maria Doyle Kennedy (The Tudors; The Commitments), Perdita Weeks (The Promise; The Tudors; Lost in Austen), Jenna-Louise Coleman (Waterloo Road; Emmerdale), Steven Waddington (Sleepy Hollow; Last of the Mohicans), Lyndsey Marshal (Hereafter; Being Human; Rome), Ruth Bradley (Primeval), Peter McDonald (The Damned United; City of Vice) and Timothy West (Bleak House; Ever After; The Day of the Jackal) amongst many others.All human life is on Titanic as she sets out on her maiden voyage. The upper-class family with their suffragette daughter and their warring servants; the wealthy elite of American society; the Irish lawyer in Second Class with his embittered wife; the young cabin steward and the impetuous Italian waiter who falls for her; the Catholic engineer fleeing Belfast with his wife and family to escape the sectarian conflict; the mysterious stranger in Steerage fleeing who knows what. And then there are the officers and crew. As their stories interweave and we find our first impressions are often undermined by what we learn, there is one thing that we know for certain and they do not - that not all of them will survive.
Dave (Kelly) and Locky (O'Shea) are a couple of old-timers who have found the perfect scam offering solace and peace to the bereaved and an injection of cash to their pockets. Posing as a medium in touch with the other side Dave acts as the front man whilst his partner relays messages from 'beyond the grave'. All is going swimmingly until Larry the kingpin from the local mob gets killed and his wife wants to know where he's hidden his last haul. Unable to refuse a request from
In the fifth and final series of Orphan Black, starring the Emmy® award-winning actress Tatiana Maslany, Neolution is pushing the boundaries of science beyond what anyone thought possible. But at what cost? The mysterious P. T. Westmoreland is the key to all of it. Seemingly 170 years old, he is on the brink of bringing his project to its sinister conclusion. For Sarah and her sisters, this is the start of a deadly endgame that will have extreme consequences not just for them, but for the future of the entire human race. Can they finally expose the terrifying secrets at the heart of this corrupt corporation? Extras: CLOSER LOOK X 10 CLONE-CENTRIC THE EPIC CLONE SHOT THE BEGINNING OF THE END ISLAND OF LOST SOULS OUT OF THE BLACK
Sarah is a streetwise outsider currently on the run from a bad relationship and painfully separated from her own daughter. When an eerily lookalike stranger commits a shocking suicide right in front of her Sarah sees a potential solution to all her problems by assuming the dead woman’s identity boyfriend and bank account. But instead she stumbles headlong into a kaleidoscopic thriller mystery and soon uncovers an earth-shattering secret: she is a clone. As Sarah searches for answers she soon learns there are more like her out there genetically identical individuals nurtured in wildly different circumstances. And someone is trying to kill them off one by one…
Miss Julie is a claustrophobic class study set within a 19th-century Count's kitchen. It chronicles the events of one midsummer night when the housemistress--an obstinate and confused Julie (Saffron Burrows)--is beaten in a round of sexual gaming with footman Peter Mullan. Based on the play by August Strindberg, the film maintains a constant sense of theatre by only having three speaking parts (the other coming from Maria Doyle Kennedy as Christine, the long-suffering cook and fiancée), just one set and a penchant for hand-held camerawork by director Mike Figgis. Known for his experimental approach to storytelling, this is technically a predecessor to Figgis' Timecode, since the all-important rape scene is conveyed through a disorientating split-screen technique. He'd worked with fellow Brit Burrows before on The Loss of Sexual Innocence and One Night Stand, but gives the gal with the outsized cheekbones top billing here and is rewarded with a thoroughly rounded performance. Backed by the director's own musical score, this melodrama has a very personal feel to it. --Paul Tonks
'Gregory's 2 Girls' is part thriller, part romantic comedy and finds Gregory still dreaming his way through life and still looking for romance.
A Thousand Times Good Night tells the moving story of leading wartime photojournalist Rebecca (Binoche) who is torn between a passion for her dangerous job and her loving but worried family. This affecting film which won the Special Grand Prix of the Jury at the Montreal Film Festival 2013 resonates with Poppe whose own experiences from his years as a wartime photographer for Reuters and other media are reflected in the film. Rebecca is one of the world's top war photographers. On assignment while photographing a female suicide bomber in Kabul she gets to near and gets badly hurt. Back home another bomb drops. Her husband and daughters can no longer bear the thought of her dying while at work. She is given an ultimatum: Her work or her family life. The choice seems obvious. Rebecca swears to Marcus that she will never go to a war zone again. Yet the conviction that her photos can make a difference keeps pulling at her resolve making it difficult for her to live a normal life as a mother and wife. Then comes an offer to photograph a refugee camp in Kenya a place allegedly so safe that daughter Steph is allowed to join her mother...
The deadliest gangsters are those with a cause. Belfast 1975. A bomb goes off in a crowded pub and battle lines are drawn. Loyalist and Republican bosses are negotiating a cease-fire but the foot soldiers want vengeance. Leonard a high-ranking Loyalist orders his men to keep control but gang leader Kenny wants blood. Innocently caught in the cross-fire is Kenny's childhood friend whose involvement places events on a personal level. Tough decisions need to be made as Liam and Kenny find themselves trapped in an escalating spiral of violence from which there is no escape.
Adapted by Nichola Bruce from the acclaimed photographic novel by Timothy O'Grady and Steve Pyke 'I Could Read The Sky' is a haunting and lyrical film about identity love loss and the isolation and loneliness of the immigrant. Dermot Healy movingly portrays a man reflecting upon his life from his rural upbringing on the West Coast of Ireland to his journey to London and experiences in the vividly modern metropolis. Driven by a dynamic music soundtrack that draws from both envir
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