Natalie Dessay: Debussy - Pell'as Et M'lisande
Six feature-length episodes of the acclaimed Swedish crime drama based on the novels by Henning Mankel. Rolf Lassgard stars as Kurt Wallander a jaded police detective ground down over the years by difficult events in his personal life. Wallander is nonetheless respected for his skills as a detective and tends to be tasked with solving the toughest cases the town of Ystad has to offer. The episodes are: 'Pyramid' 'Firewall: Part One' Firewall: Part Two' 'One Step Behind' 'The Man Who Smiled: Part One' and 'The Man Who Smiled: Part Two'.
Perhaps best known as the writer of Alain Resnais classic cine-conundrum Last Year of Marienbad, Alain Robbe-Grillet was also the director a number of stylish & controversial and which starred such icons of French cinema as Jean-Louis Trintignant (Haneke's (Amour, Bertolucci's The Conformist) , Marie-France Pisier (Truffaut's Stolen Kisses and Bed and Board) and Isabelle Huppert (Claire Denis White Material, Haneke's Amour). Impossible to see for decades, these enigmatic, sexually-charged fi.
A series of now-legendary stage comedies from the 1920s and '30s, the Aldwych Farces broke theatre box-office records and made the transition to celluloid with a run of hit films making stars of Tom Walls, Ralph Lynn and Robertson Hare. Most were penned by leading comic playwright Ben Travers and peopled by a regular cast of silly-ass aristocrats, battleaxe wives and put-upon husbands; nimble wordplay and finely crafted buffoonery were their hallmarks and the public loved them.Though only ten adaptations were made on film, the influence of these enduringly popular films was great and can be seen in some of the key British comedies from the first half of the 20th century. This ongoing range will include not only the Aldwych Farces themselves but those films that they influenced. They are presented here as brand-new transfers from original film elements in their original aspect ratio.LADY IN DANGER (1934)A businessman is compelled to help the queen of a strife-torn country leaving his fiancée distinctly unimpressed.Black and White / 65 mins / 1.37:1 / Mono / EnglishPOT LUCK (1936)A retired Scotland Yard inspector meets mayhem on the trail of a gang of thieves who have purloined a priceless antique vase.Black and White / 69 mins / 1.37:1 / Mono / English
Nice type Alex (David Hess). If you didn't know him you could even be fooled when he amuses himself by playing the ""nice guy"". For some time he's been wearing one more necklace. He ripped it off a girl: Susan whom he then raped and killed. His brain flipped. Tonight he wants to go out and have fun with Ricki (Giovanni Lombardo Radice). Ricki's a strange guy. He's highly strung and the slightest thing will crack him up. They're about to leave when two kids Tom and Liza (Annie Be
One of the most heroic and inspirational leaders of World War Two General George S. Patton (George C. Scott) is seriously injured in a car accident just a few weeks after the end of the war and is not expected to survive. This is the story of the last few months of the General's life and the Army Medical Corps efforts to save him. As he lies immobile in a hospital bed surrounded by the pessimistic doctors and his worried wife he waits for death and reminisces about his happy younger days. This film also shows Patton's earlier career as a fledgling tank commander during the First World War.
United Kingdom released, PAL/Region 2 DVD: LANGUAGES: English ( Mono ), SPECIAL FEATURES: Black & White, Interactive Menu, Remastered, Scene Access, SYNOPSIS: Dance hall gal Lil (Marie Windsor) is a very versatile woman - she can sing, she can ride, she plays cards and she knows how to forge - all of which make her attractive to several gentlemen, including secret service agent Tom Horn (George Montgomery). Horn's been sent West to round up a gang of counterfeiters. He starts by gaining the confidence of one of the ringleaders, Lil, and she leads him to Logan (Rod Cameron), the brains behind the operation. When Lil finds out that Horn is a Fed, she's tempted to fill him full of holes. The only problem is, he's taken her heart. ...Dakota Lil
Stanley Kubrick's daring last film is many things. It is a compelling psychosexual journey. A haunting dreamscape. A riveting tale of suspense. A major milestone in the careers of stars Tom Cruise and Nicole Kidman. And a worthy final chapter to a great director's career. Cruise plays Dr William Hartford who plunges into an erotic foray that threatens his marriage - and may even ensnare him in a lurid murder mystery - after his wife's (Kidman) admission of sexual longings. As the story sweeps from doubt and fear to self-discovery and reconciliation Kubrick orchestrates it with masterful flourishes. Graceful tracking shots controlled pacing rich colours startling images: bravura traits that make Kubrick a filmmaker for the ages are here to keep everyone's eyes wide open.
Take Hollywood romantic comedy at its fluffiest, stir in a few Farrelly Brothers-style bodily-function jokes, season with pratfalls, add a soupcon of Hitchcock and you've got Head Over Heels, the perfect way to while away 85 minutes without putting the least strain on your brain cells. Our heroine, Amanda, is a shy retiring young lady with a dusty museum job and a non-existent love-life. (She's played by the dishy blonde Monica Potter, which gives you a fair idea of this movie's grip on reality). Having moved into a palatial Manhattan apartment (yeah, right) shared with four wannabe supermodels she meets--via a randy Great Dane--the handsome guy from across the courtyard. But it seems he has a deep, dark secret in his life. Mark Waters' film gets a lot of mileage out of poking fun at the bubble-headed attitudes of the model girls, which might well provoke mutterings about pots and kettles in more censorious quarters. But the whole confection's so innocuous and eager to please that it's hard to stay as irritated with it as it deserves. Potter (or occasionally her body double) executes her pratfalls gamely, her flatmates pose elegantly, and Mr Maybe-Right Freddie Prinze Jr grins boyishly--even if his subsequent metamorphosis into an action hero takes a bit of swallowing. Waters' direction keeps things moving briskly enough to prevent us musing on the idiocy of the whole enterprise. The insert inside the box suggests that "if you enjoyed this title" you should try Taxi Driver or Being John Malkovich. Could someone at Columbia TriStar be having a little joke? On the DVD: not much to mention. There's a trailer, brief cast and director biogs, production notes and a 12-minute shooting-of featurette in which, as usual, everybody was just wonderful and they all adored each other from the get-go. Anamorphic widescreen (2.35:1) and Dolby Digital 5.1 sound ensure a suitably glossy presentation. --Philip Kemp
After his mother unexpectedly dies, 17-year-old Ethan discovers he is the owner of a horse he never even knew existed. He travels cross country to live with his grandparents. Next door live three children who are taking riding lessons at the same farm where his mother's horse is boarded. Their lives intersect when they all have to deal with the school bully. This is a delightful family movie that will appeal to children, teens, horse-lovers and people of all ages.
YOU ARE NOT ALONE. An ingeniously unique and unpredictable combo of horror, humour and heart, A Ghost Waits is a DIY labour of love years in the making from first-time writer/director Adam Stovall and producer/star MacLeod Andrews. Tasked with renovating a neglected rental home, handyman Jack (MacLeod Andrews, They Look Like People, Doctor Sleep) quickly finds out why the tenants keep leaving in droves - this house is haunted. The ghost in question is Muriel (Natalie Walker), herself employed from beyond the veil to keep the home vacant. Against the odds, Jack and Muriel find they have a lot in common... pulse notwithstanding. Having found a kindred spirit in an otherwise lonely existence, they must fight for their newfound affection as pressure mounts for them each to fulfil their cross-purposes . From its opening spectral assault to its achingly poignant conclusion - as well as a witty depiction of afterlife bureaucracy in the vein of Beetlejuice and A Matter of Life and Death - A Ghost Waits has shocked and surprised audiences around the world, and now makes its home video debut stacked with insightful bonus features that take you inside the process of creating this phantasmagorical monochrome marvel. Special Features High Definition (1080p) Blu-ray presentation Original uncompressed stereo audio Optional English subtitles for the deaf and hard-of-hearing Audio commentary by writer/director Adam Stovall Audio commentary by Adam Stovall and MacLeod Andrews Audio commentary by the cast and crew Humanity and the Afterlife in 'A Ghost Waits', a new video essay by Isabel Custodio exploring the film's themes and cinematic forebears Eight interviews with cast and crew moderated by critic and programmer tt stern-enzi Interview and post-film Q&A with Adam Stovall moderated by Alan Jones at Frightfest Glasgow 2020 Outtakes Easter eggs Theatrical trailer Image gallery Reversible sleeve featuring newly commissioned artwork by Sister Hyde and original artwork by Julie Hill FIRST PRESSING ONLY: Illustrated collectors' booklet featuring new writing by Craig Ian Mann
The lonely caretaker of a crumbling petrol station sees his little niche threatened and his life changed forever.
Stranger on Horseback: Judge Thorne (Joel McCrea) is a circuit judge who comes to a small western town which is under the feudal thumb of the Bannerman family.Four Fast Guns: After blasting the 'town-tamer' that was meant to travel to the town of Purgatory, gunfighter Tom Sabin (James Craig) takes his place and rides into Purgatory.Outlaw Women: Dr. Bob Ridgeway (Allan Nixon) is leaving the town of Silver Creek because there is nothing for him to do but pull slugs out of gunfighters.
'A small transgression provokes a vertiginous avalanche of Evil - until the moment the forces of Good arrive' - Robert Bresson Bresson's classic film adapted from a story by Tolstoy tells of the tragic train of events which ensue when two schoolboys pass a forged banknote in a photography shop. The note is passed to the unwitting Yvon a delivery driver who is arrested for possessing it. Despite being let off by the court Yvon loses his job and becomes trapped in a disastrous sp
Tom Hanks wanted to prove his dramatic talent in the mid-1980s, and Nothing in Common gave him a ripe opportunity. Playing an emotionally immature Chicago advertising executive, Hanks offers a prototype of his later, better role in Big--the joking man-child with seemingly limitless reserves of energetic humour, perfectly suited to director Garry Marshall's trademark blend of featherweight comedy and sentiment. The movie wanders aimlessly before settling into its dramatic groove, involving Hanks caring for his ageing, diabetic father (Jackie Gleason, well cast in his final screen role) after his mother (Eva Marie Saint) files for divorce and strikes out on her own. Like Marshall's Pretty Woman, the film hits several grace notes and finds unexpected depth in its characters and their need for loving connections. Meanwhile, there's cheesy nostalgia in the 80s trappings, including songs by Carly Simon and Christopher Cross. --Jeff Shannon, Amazon.com
The trus story of a family who suddenly realise that their young daughter is dying from anorexia. They must risk their relationship and their daughter's love in order to try to save her life...
In the docks of Jimmy McGovern's BAFTA Award winning second series of Accused stands a sensational ensemble of British acting talent. They are the innocent the guilty and the somewhere in between. Starring Olivia Colman (Broadchurch) Sean Bean (Game of Thrones) Sheridan Smith (Mrs Biggs) Anne Marie Duff (Parade's End) Anna Maxwell Martin (The Bletchley Circle) and Stephen Graham (Boardwalk Empire) Accused Series 2 is directed by David Blair (The Street Accused) and Ashley Pearce (Downton Abbey). These modern-day morality plays are fraught with emotion as they delve into the tangled issues of gender stereotypes a mother's unconditional love familial grief and paranoia as well as challenging the justice system itself. With cases of gang violence murder sexual assault and crimes of passion are these everyday defendants the guilty or the victims? Special Features: Jimmy McGovern Filmography Photo Gallery Cast Filmographies Subtitles
The Legacy is a modern family portrait. A description of the '68 generation and their children. A narrative about the sharp traces and consequences left by an intense time of upheaval upon modern family life - whether it takes place in a seemingly liberated and progressive artist's home or in a more traditional community-oriented, provincial and handball-minded environment. The serial plays out at the legendary manor Grønnegaard, southern Funen, where the internationally renowned artist Veronika Grønnegaard has lived an eccentric and colorful life since the wild sixties. The serial follows Veronika's four adult children whose free and chaotic childhood at Grønnegaard has left its mark on them in very different ways. They live scattered to the four winds until Veronika dies and they gather to wind up the estate. Just before she dies, Veronika leaves the manor to her daughter Signe, who was given up for adoption. Signe lives with her partner in a quiet residential area in the local town...
After 15 years of hit movies, Abbott and Costello departed from Universal studios in the twilight of their partnership with 1955's Abbott and Costello Meet the Mummy, the last of their monster comedies. Decked out in desert safari gear, the boys go looking for a job with an Egyptologist and wind up in the middle of a conspiracy concerning the murdered professor, an ancient mummy, and a magical medallion that, true to form, bumbling Costello manages to eat for dinner. Marie Windsor, the boss lady of a gang of treasure-hunting crooks, dresses in a harem outfit to vamp for our chubby little hero, and the eternally stiff Richard Deacon hilariously plays the leader of an Egyptian mummy cult like a high school principal decked out for Halloween. Directed by longtime collaborator Charles Lamont, it's a typical Abbott and Costello farce with disappearing corpses, mistaken identities and wacky word plays ("Take your pick" riffs on "Who's on first" with garden tools). While not as clever or spirited as their original monster mash Abbott and Costello Meet Frankenstein, the vaudeville veterans are still masters of the double-take and fast-talk patter, and the picture climaxes with a screwball chase that involves not one, not two, but three mummies skittering through the phoniest looking pyramid this side of community theatre. You were expecting realism? The boys appeared together once more on film, in Dance with Me, Henry, and then split up. --Sean Axmaker, Amazon.com
Please wait. Loading...
This site uses cookies.
More details in our privacy policy