Billionaire Jean-Marc Clement (Montand) learns that he is to be satirized in an off-Broadway revue. He goes to the theatre where he sees Amanda (Monroe) rehearsing a song and the director thinks him an actor suited to play himself in the revue. Clement takes the part to see more of Amanda but for how long can he keep his identity and his intentions a secret?
How To Marry A Millionaire (1953) Marilyn delivers one of the finest comedic performances of her career in this outrageously funny film co-starring Betty Grable and Lauren Bacall! Three beautiful models plan to snag rich husbands by pooling their funds and renting a posh Manhattan penthouse in which to lure their victims. What follows is a series of near-marital mishaps where love prevails over money proving that even gold-diggers sometimes have hearts of gold! There's N
Released to mark the 40th anniversary of her death in 1962, The Diamond Collection brings together all of Marilyn Monroe's films for 20th Century Fox. This handsome box set stands as a salutary reminder of the considerable achievements of an actress who still reigns supreme as the greatest screen goddess of them all. The uninitiated might be surprised at the versatility of someone whose legend is founded so much on her image as a sex symbol. In particular, her touching performance as the abused second-rate bar singer Cherie in Bus Stop (1956) is a rounded study of a woman still capable of dreaming when life has done everything to dull her. The box set as a whole offers plenty of evidence that while she certainly specialised in a unique and complex variation on the blonde bombshell stereotype--embodied in her timeless performances as Lorelei Lee (Gentlemen Prefer Blondes) and short-sighted Pola in How to Marry a Millionaire, both 1953--she could certainly diversify. The documentary, Marilyn Monroe: The Final Days, provides a sympathetic take on the troubles and behaviour which led to her being sacked from her final picture, Something's Got to Give. The presentation of the restored footage from that movie is less successful, though, as the glimpses of Monroe's incandescent screen presence, belying her illness and depression, leave a palpable sadness in their wake. Better by far to focus on her earlier work. Whatever the role, her luminous beauty and statuesque figure, combined with an unselfconsciously joyful sexuality and an on-screen vulnerability, were always at their best under the careful guidance of directors like Billy Wilder and Otto Preminger. These qualities continue to give her an enduring appeal. On the DVD: The Diamond Collection has been digitally restored using, for the most part, the original negatives, making this a sumptuous package for any Monroe fan. Niagara and Gentlemen Prefer Blondes are both presented in standard 4:3 ratio but the rest--filmed in Cinemascope and presented here in letterbox format--are certainly better-served by widescreen viewing. The colours, like Monroe, come alive. The sound quality is crisp and Monroe's singing--she had limited but genuine musical talent--has polished up well. Multiple extras include before-and-after restoration comparisons, trailers from various countries, stills and posters, and newsreel footage. Eleven discs of Marilyn in one box, this is a veritable feast indeed. --Piers Ford
LetÂ’s Make Love is a curious picture in many ways: Marilyn Monroe was the superstar, Yves Montand new to Hollywood, but she seems peripheral to the action and he's in almost every scene. Meanwhile director George Cukor, always happy with theatrical material, can't make the off-off-Broadway milieu come to believable life. In short, Let's Make Love lacks the sparkle promised by its talent roster, and for Monroe especially the bloom is off the rose. This 1960 film was her next to last, and she appears weary, although isolated moments have the old oomph (and she has a terrific romp through her first number, Cole Porter's "My Heart Belongs to Daddy"). Cameos by Milton Berle, Bing Crosby, and Gene Kelly increase the time-capsule feeling. The biggest failing is the lack of chemistry between Monroe and Montand, yet off-screen they had a romance during filming. A curious picture indeed.--Robert Horton, Amazon.com
A most extraordinary experience awaits those with a taste for the strange and the bizarrre in the small town of Black River Falls. Rocked by an inexplicable confluence of events in the late 1890s this sleepy Wisconsin town generated some of the most unlikely news reports and stories ever told. Previously harmless residents - including children - commit a series of gruesome violent murders. Sightings of ghosts and reports of haunting and possession run rife. Shocking dreamlike and s
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
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