Leaving the city behind for a weekend of booze and bonding seven friends find themselves stranded in the countryside when a storm ruins their plans. The remote town of Middle Spring located in the middle of the Texas bible belt is more than happy to welcome them. The townsfolk are slap-bang in the middle of BBQ season and there’s always room at their table for a few more warm bodies… especially when the visitors are top of the menu and the religious folk believe they’re doing God’s work. Extras: Making of documentary trailers and more.
The pre-Titanic Leonardo DiCaprio stars as Jim Carroll, the poet and musician who spent much of his adolescence addicted to heroin and shooting hoops with fellow Catholic high-school kids. As a biography, the film doesn't amount to more than the sum of its gritty scenes of smack use, violence, perversions (poor Bruno Kirby plays a lecherous coach who comes on to young Jim), and the usual scream-and-puke dramas that go along with a cold-turkey session. Director Scott Kalvert doesn't seem to realise that most people don't know who Carroll is and therefore can't possibly understand why they should care about his gutterball youth. DiCaprio, having nowhere to go with his performance but maintain Carroll's tailspin, is boring and redundant. Some kind of allusion to the literary and rock & roll life that follows the mess we're watching might have been helpful. The DVD release offers the choice of a full or widescreen (letterbox) picture, plus interviews. --Tom Keogh, Amazon.com
Terror reigns. Panic and paranoia take their toll. No one knows why the dead are returning to life only that the living are eviscerated victims. In a remote wooden farmhouse seven people fight for their lives against ever-increasing numbers of flesh eating ghouls. One by one they are whittled down until in a memorable shock finale only a lone hero remains cowering in the cellar while legions of ravenous zombies run amok. As the sun goes rises he emerges into a new dawn.... has he survived the Night Of The Living Dead?
In separate stories five wedded couples learn that they are not legally married...
The Prince and the Showgirl (1957) was Marilyn Monroe's only British-made film and scores highly for curiosity value. There's something rather outrageous about this iconic American star playing a second-rate hoofer living in a theatrical boarding house in Brixton. Monroe herself is predictably good and touching as Elsie Marina, plucked from the chorus to entertain the Regent of Carpathia for the evening and ultimately smoothing his rough edges. There is, however, a rather uphill feeling all the way. The making of the movie was by all accounts a troubled experience for everybody concerned. Monroe, increasingly unreliable and exasperating, had an unsympathetic director in Laurence Olivier, also playing the Regent Charles, who hardly had the patience for a star of her mercurial talents with her own ideas of professional behaviour. His own performance as the Balkan royal is hammy and mannered and there isn't even a damp squib of sexual chemistry between them. Terence Rattigan's script, based on his successful play, is far too wordy and stage-bound. But somehow Monroe effervesces through all this adversity, aided considerably by British character actor Richard Wattis and the great Sybil Thorndyke, who became her ally during the difficult filming. Not vintage Marilyn but fascinating all the same, and she looks fantastic. On the DVD: The Prince and the Showgirl is presented in 4:3 with an occasionally muffled, apparently mono, soundtrack, giving this DVD a rather dusty quality which is in keeping with the vintage British 1950s production values. Extras include a cast list, original trailer and newsreel footage of the announcement that Marilyn was to make the film with Olivier, referred to at that stage as The Sleeping Prince. --Piers Ford
The enchanting sequel to the Emmy award-winning Anne of Green Gables tells the continuing story of Anne Shirley as she makes the transition from a romantic impetuous orphan to an outspoken adventurous and accomplished young teacher.
Ensemble drama from acclaimed director Robert Altman centered around a group of ballet dancers, with a focus on one young dancer (Neve Campbell) who's poised to become a principal performer.
HERE'S TO BEING YOUNG STAYING YOUNG AND DYING YOUNG. Marking TV star Daphne Zuniga's debut in a leading role, The Initiation ranks amongst the finest of the college-based stalk-and-slash flicks now finally restored in glorious High-Definition! Kelly's new sorority has a special initiation ritual in store for her an after-hours break-in of her father's department store. But what begins as a night of harmless college fun turns sour when, once inside the enormous mall, Kelly and her fellow pledges find themselves locked in for the night with a deadly intruder stalking the corridors. Arriving in 1984, The Initiation might have been late to the slasher party, but, alongside the likes of The House on Sorority Row and The Mutilator, it remains one of the stronger entries to emerge in the latter days of the slice-and-dice boom. SPECIAL EDITION CONTENTS: Brand new restoration from original film elements High Definition Blu-ray (1080p) presentation Original Uncompressed Mono PCM audio Optional English subtitles for the deaf and hard of hearing Brand new audio commentary by The Hysteria Continues Brand new interview with actor Christopher Bradley Brand new interview with actress Joy Jones Original Theatrical Trailer Reversible sleeve featuring original and newly commissioned artwork by Justin Osbourn FIRST PRESSING ONLY: Collector's booklet featuring new writing on the film by critic James Oliver
Here Come The Girls
Night Of The Living Dead George Romero's Night Of The Living Dead is a black and white classic that spawned the zombie genre from its 1968 release. At a cemetery in the American south a fleash-eating zombie rises from the dead to claim the first victim of a nightmarish plague. Increasing in number the hideous cannibals gather outside a farmhouse where seven desperate mortals shelter from the gathering night and the hideous clawing of the undead outside... Dawn Of The Dead As the oil runs out as the Three Mile Island nuclear plant sprays radiation into the atmosphere like an atomic teakettle that someone forgot to take off the burner and as the dollar gradually becomes more and more transparent Romero invites us into a crazed bedlam where zombies stagger up and down escalators stare with dulled fascination at department store dummies wearing fur coats and try to eat perfume bottles. The movie's four protagonists at first segregate themselves from this world and then unknowingly become part of it. The only difference is that they're not dead. At least not yet... Stephen King - Rolling Stone Magazine. Day Of The Dead (WS 1.85:1 / Dolby Digital (2.0) Stereo) The walking dead have taken over the world and only a small band of the living survive. This motley group of scientists and soldiers are barricaded in an abandoned missile silo where the chief scientist is conducting grotesque research experiments to find a way of controlling the ravenous marauding Zombies. Tensions meanwhile become intolerable especially when the self appointed psychotic military leader discovers that some of his soldiers have been used as guinea pigs in the zombie experiments. A last ditch battle results in the darkest day of horror the world has ever known. Exclusive Bonus Disc! Includes two documentaries ('Document Of The Dead' and 'Night Of The Living Dead') and an all-new photo gallery from all three movies!
A major heist goes off as planned, until bad luck and double crosses cause everything to unravel.
Released to mark the 40th anniversary of her death in 1962, The Diamond Collection brings together all of Marilyn Monroe's films for 20th Century Fox. This handsome box set stands as a salutary reminder of the considerable achievements of an actress who still reigns supreme as the greatest screen goddess of them all. The uninitiated might be surprised at the versatility of someone whose legend is founded so much on her image as a sex symbol. In particular, her touching performance as the abused second-rate bar singer Cherie in Bus Stop (1956) is a rounded study of a woman still capable of dreaming when life has done everything to dull her. The box set as a whole offers plenty of evidence that while she certainly specialised in a unique and complex variation on the blonde bombshell stereotype--embodied in her timeless performances as Lorelei Lee (Gentlemen Prefer Blondes) and short-sighted Pola in How to Marry a Millionaire, both 1953--she could certainly diversify. The documentary, Marilyn Monroe: The Final Days, provides a sympathetic take on the troubles and behaviour which led to her being sacked from her final picture, Something's Got to Give. The presentation of the restored footage from that movie is less successful, though, as the glimpses of Monroe's incandescent screen presence, belying her illness and depression, leave a palpable sadness in their wake. Better by far to focus on her earlier work. Whatever the role, her luminous beauty and statuesque figure, combined with an unselfconsciously joyful sexuality and an on-screen vulnerability, were always at their best under the careful guidance of directors like Billy Wilder and Otto Preminger. These qualities continue to give her an enduring appeal. On the DVD: The Diamond Collection has been digitally restored using, for the most part, the original negatives, making this a sumptuous package for any Monroe fan. Niagara and Gentlemen Prefer Blondes are both presented in standard 4:3 ratio but the rest--filmed in Cinemascope and presented here in letterbox format--are certainly better-served by widescreen viewing. The colours, like Monroe, come alive. The sound quality is crisp and Monroe's singing--she had limited but genuine musical talent--has polished up well. Multiple extras include before-and-after restoration comparisons, trailers from various countries, stills and posters, and newsreel footage. Eleven discs of Marilyn in one box, this is a veritable feast indeed. --Piers Ford
Clerks delivers with wholesale hilarity! It's one wild day in the life of a pair of overworked counter jockeys whose razor-sharp wit and on-the-job antics give a whole new meaning to customer service! Even while braving a nonstop parade of unpredictable shoppers the clerks manage to play hockey on the roof visit a funeral home and straighten out their offbeat love lives. The boss is nowhere in sight so you can bet anything can and will happen when these guys are left to run the store!
The Laconic tough guy finally gets the box set treatment featuring three of his finest celluloid performances. The Enemy Below (1957): Robert Mitchum and Curt Jurgens star in this gripping World War II drama about an American destroyer and a German U-boat stalking each other at sea. As both men try to out-think and out-manouevre each other the chase becomes a deadly chess game in which any mistake can bring instant defeat and death. Winner of the 1957 Academy Award for Be
Jacques Becker's Touchez Pas au Grisbi occupies a significant part in French cinema history. Max (Jean Gabin, La Grande Illusion) and Riton (René Dary) are two ageing gangsters who manage to pull off their final heist, a spectacular gold bullion robbery at Orly airport. All is well until Max's former girlfriend Josy (Jeanne Moreau, Jules et Jim) tips off a rival gangster, Angelo (Lino Ventura). The latter kidnaps Ritton and threatens to kill him unless Max hands over the spoils from his robbery Helping to birth the French policier, a European transposition of the fantastic American gangster films of the 1940s, Touchez Pas au Grisbi exerted a huge influence on subsequent directors such as Jean-Pierre Melville.
Set in LA among the same narcissistic, vain and pop culture-obsessed generation already celebrated in Kevin Smith's Clerks and Doug Liman's Swingers, Free Enterprise is a smart-aleck comedy that consciously holds a mirror up to the lives of twenty- and thirtysomethings everywhere. Anyone who grew up in the shadows of Star Trek and Star Wars will find plenty to laugh about and identify with here. The loose premise follows two self-professed geeks: Mark (Eric McCormack), in a delightful spin on Logan's Run, is agonising about reaching his 30th birthday before he has achieved anything much at all, while his slacker pal Robert (Rafer Wiegel) neglects his daytime editing job to woo a comic-reading, nerdy yet totally babelicious wish-fulfilment girlfriend. The great joy of the movie, however, is not the constant parade of witty movie in-jokes, but the appearance of William Shatner as himself. He plays a washed-up, boozy actor desperately touting to anyone who will listen his idea for "William Shatner's William Shakespeare's Julius Caesar: The Musical" (words W. Shakespeare, music W. Shatner), displaying all the while a refreshing gift for comic understatement. Shatner brings real pathos and self-deprecating humour to the depiction of the gulf between the other characters' hero-worship of his on-screen persona and his subjective reality as a misunderstood actor. By the time he gets round to performing a mind-boggling bizarre rap version of Marc Anthony's soliloquy, the ageing Captain Kirk has redeemed himself, both in the eyes of the characters and the viewing audience. --Mark Walker
Bob Hope stars as Sidney Melbourne (A.K.A. The Lemon Drop Kid named so after his love of the simple candy) a con man who offers a friendly ""sure thing"" horse tip to the girlfriend of mobster Moose Moran at the race track. When the horse loses and Moose's original pick wins Moose gives Sidney until Christmas to pay back the money he lost or his thug Sam-the-Surgeon will ""open"" Sidney after Christmas. To pay back the money he owes Moose Sidney enlists some pals to hit the street corners of New York dressed as Santa Claus accepting donations for a bogus elderly ladies' home. The calamity starts when gangster Oxford Charlie (Lloyd Nolan) tries to move in on Sidney's scam. What follows is vintage Hope shenanigans highlighted by a heart-warming rendition of the Christmas classic ""Silver Bells"" sung by Hope and Marilyn Maxwell (who appeared with Hope in the 1953 film Off Limits). Also starring William Frawley (I Love Lucy) and Tor Johnson (Plan 9 From Outer Space).
Marilyn Monroe sizzles in this tense masterful thriller. While the seductive Rose Loomis (Monroe) and her husband George (Joseph Cotten) vacation in a charming guest cabin at spectacular Niagara Falls Rose and her lover plot to kill George. But things go terribly wrong and soon an innocent honeymooning couple find themselves swept up in the crime.
This popular Anglia sitcom focuses on the experiences of three very different Women's Land Army volunteers who find themselves in the Norfolk village of Clayfield, sharing a hasty education in agricultural matters, more than a few mishaps, and a little romance along the way. Originally screened in 1977, Backs to the Land features a memorable theme sung by Anne Shelton, one of Britain's most cherished wartime entertainers.In this second series, debutante Daphne bids a fond farewell to Crabtree farm and fellow Land Army girls Jenny and Shirley; her replacement is flirty aspiring actress Bunny Burroughs, whose theatrical airs and graces prompt serious doubts about her aptitude for manual labour. The farm also becomes home to a tearaway evacuee family and an Army captain, while farmer Tom Whitlow finds he has a romantic rival in the form of a dashing Polish airman...
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