The second of the BBC's well-regarded serialisations of John Le Carré's espionage bestsellers, Smiley's People is slightly less compulsively watchable than Tinker, Tailor, Soldier, Spy if only because Tinker, Tailor had a much stronger plot premise (who is the mole in British Intelligence?) than Smiley's People, which takes a very long time to come into focus. Retired spymaster George Smiley (Alec Guinness) wanders around Europe and visits a succession of desperate or eccentric characters as he plays a game which finally leads to another confrontation with and a possible victory over his Moriarty-like Soviet arch-nemesis Karla (an expressive but silent Patrick Stewart). Directed by Simon Langton and coscripted by John Hopkins and Le Carré this is a leisurely mystery. It offers a cannily generous central performance from Guinness, who never takes off his scarf and does his best to fade into the background while a succession of striking character players hold centre screen; but slowly and by sheer presence he begins to dominate the panoramic view of European treachery, deception, and disappointment. Among the terrific supporting cast are Michel Lonsdale, Mario Adorf, Vladek Sheybal, Michael Gough, Alan Rickman (a tiny, early role as a hotel clerk), Beryl Reid, Ingrid Pitt, Bernard Hepton, Michael Elphick, Rosalie Crutchley, Michael Byrne, Bill Paterson, and Maureen Lipman. Smiley's People is more interested in character than thrills, with each cameo contributing another view of the human cost of the cold war: most of the old friends Smiley seeks out react to his reappearance by saying they never wanted to see him again, and victory is only possible because Smiley discovers that his opposite number has a weakness that makes him almost sympathetic. It was originally broadcast in six hour-long episodes, and its intelligent approach works better if you watch episode-length chunks, letting one sink in before going on. --Kim Newman
¢ ITALIAN COLLECTION #21 ¢ HIGH-DEFINITION BLU-RAY PRESENTATION ¢ 2.0 English Dual Mono ¢ 2.0 Italian Dual Mono with English Subtitles ¢ Audio Commentary with Italian Cinema Experts Troy Howarth, Nathaniel Thompson and Eugenio Ercolani ¢ When Butterflies Turned to Glass - Interview with Director Aldo Lado ¢ Glass Doll Theories - A Video Essay by Pier Maria Bocchi ¢ Lado's Trilogy of Terror - A Video Essay by Mike Foster ¢ Interview with Expert Stephen Thrower ¢ The Need to Sing - Interview with Singer Edda Dell'Orso ¢ Cutting Glass Dolls - Interview with Editor Mario Morra ¢ Czech Mate - Feature Length Retrospective Documentary with Aldo Lado and Jean Sorel ¢ Einmal Italien und Zurück [Once to Italy and Back] - Interview with Co-Producer Dieter Geissler ¢ English Trailer ¢ Italian Trailer ¢ Presented in a rigid slipcase featuring new artwork by Graham Humphreys, and containing perfect bound book, and double-sided poster
The corpse of reporter Gregory Moore (Jean Sorel) is found in a Prague plaza and brought to the local morgue. But Moore is actually alive, trapped inside his dead body and desperately recalling how the mysterious disappearance of his beautiful girlfriend (Barbara Bach) led to a terrifying conspiracy of depravity. Can a reporter with no visible signs of life solve this perverse puzzle before he meets his ultimate deadline?
THE SCREEN STRETCHES TO NEW HORIZONS TO TELL THE EPIC STORY OF THE SOUTHWEST! After making his first bonafide classic in Ride the High Country, director Sam Peckinpah took a step towards the epic with Major Dundee. The film would, in many ways, define the rest of his career both on screen and off, as the drama behind the camera matched the action in front of it. Charlton Heston stars as Major Amos Dundee, a vainglorious Union Cavalry officer, who mounts an expedition to hunt down Apache war chief Sierra Charriba. Building his own army of criminals, ex-slaves and Confederate POWs - among them one Captain Ben Tyreen (Richard Harris), whose intense former friendship with Dundee is tainted with a sense of betrayal on both sides - Dundee heads into Mexico, his eye fixed firmly on a last shot at greatness. Legendarily acerbic, Major Dundee would be the first time that Peckinpah had a movie taken away from him. While a director's cut may be lost to us, this Limited Edition shows us the thrilling, morally complex epic that Peckinpah was aiming for. Beautifully shot and with a stellar supporting cast including James Coburn, Warren Oates, and L.Q. Jones, it remains a stunning achievement and an essential experience for anyone interested in the life and cinema of Bloody Sam. Special Features The 136-minute Extended Version of the film from a 4K scan, as well as the original 122-minute Theatrical Version 60-page perfect bound booklet featuring new writing by Farran Nehme, Roderick Heath and Jeremy Carr plus select archive material Limited edition packaging featuring newly commissioned artwork by Tony Stella Fold out poster featuring original and newly commissioned artwork by Tony Stella DISC ONE - EXTENDED VERSION High Definition Blu-ray (1080p) presentation from a 4K scan by Sony Pictures DTS-HD MA 5.1 surround audio with new score by Christopher Caliendo Lossless original mono audio with original score by Daniele Amfitheatrof Optional English subtitles for the deaf and hard of hearing Audio commentary with Nick Redman, David Weddle, Garner Simmons, Paul Seydor Audio commentary by historian and critics Glenn Erickson & Alan K. Strode Audio commentary by historian and critic Glenn Erickson Moby Dick on Horseback, a brand new visual essay by David Cairns Passion & Poetry: The Dundee Odyssey, a feature length documentary about the making of Major Dundee by Mike Siegel, featuring James Coburn, Senta Berger, Mario Adorf, L.Q. Jones, R.G. Armstrong, Gordon Dawson Passion & Poetry: Peckinpah Anecdotes, nine actors talk about working with legendary director Sam Peckinpah, featuring Kris Kristofferson, Ernest Borgnine, James Coburn, David Warner, Ali MacGraw, L.Q. Jones, Bo Hopkins, R.G. Armstrong, Isela Vega Mike Siegel: About the Passion & Poetry Project, in which filmmaker Mike Siegel talks about his beginnings and his ongoing historical project about director Sam Peckinpah Extensive stills galleries, featuring rare on set, behind the scenes, and marketing materials 2005 re-release trailer DISC TWO - THEATRICAL VERSION (LIMITED EDITION EXCLUSIVE) High Definition Blu-ray (1080p) presentation from a 2K scan Lossless original mono audio Optional English subtitles for the deaf and hard of hearing Riding for a Fall, a vintage behind the scenes featurette Extended/deleted scenes Silent Outtakes Select extended/deleted scenes and outtakes with commentary by historian and critic Glenn Erickson giving context on how they were intended to appear in Peckinpah's vision of the film Original US, UK and German theatrical trailers Stills gallery
In the 1970s the crime film flourished in Italy as the country went through years of political and social unrest, the so-called Years of Lead'. Italian movie producers would capitalise on these times by producing cheap, violent movies about national organised crime and corruption, establishing the genre of the poliziotteschi. One of the most celebrated poliziottesco directors was Fernando Di Leo, a director as concerned with telling entertaining stories as he was with creating socially relevant backdrops. In Di Leo's The Italian Connection, the New York mob dispatch two hitmen (Henry Silva, The Boss and Woody Strode, Once Upon a Time in the West) to apprehend pimp Luca Canali (Mario Adorf, Milano Calibro 9), who they believe to have stolen a shipment of heroin. The local mob also join the hunt, but despite being outnumbered Luca refuses to go quietly and fights back against his pursuers, leading a thrilling series of chases and shootouts, and a trail of bloody destruction. A noted influence on Quentin Tarantino's Pulp Fiction, this is the poliziottesco at its most entertaining and action-packed.
The naked body of schoolgirl leads the police to a teenage prostitution ring as vice & corruption explode onto the Italian streets in a blaze of machete-wielding fury. When suspects in the case are killed by a mysterious stranger clad in motorbike leathers the police realise that the trail of corruption goes all the way to the top and set their sights on busting the case wide open. But as the body count rises the crash-helmet-wearing motor-psycho colours the mean streets red in a bid to stop them. Massimo Dallamano's masterful hybrid of giallo mystery and piloziotteschi thriller is interwoven with breakneck chase-sequences and a deeply cool soundtrack to create a landmark in 70s European cinema.
Ten strangers are gathered in a house where they are told that they are each responsible for the dead of an innocent person and that justice is about to be served. One by one the guests are disposed of according to the poem Ten Little Indians. As the group of survivors decreases they try to work out who is the killer.
Major Dundee was Sam Peckinpah's first big-budget film and was also the first to be taken away and released in a shortened version. But now 40 years later most of the missing footage has been located and reinserted with the entire soundtrack remixed in 5.1 Dolby Digital and a completely new score composed. The new scenes complete the electrifying depiction of an oppressive Union officer who leads a squad of Rebel prisoners ex-slaves and criminals into Mexico to hunt down a band of murdering Apaches which raises the question: who represents a greater threat?
When the body of American journalist Gregory Moore (Jean Sorel, Perversion Story) is discovered in the beautiful Malá Strana area of Prague, the body is moved to the morgue for an autopsy. Only thing is, Gregory is still alive and has been paralyzed in a death-like state. As the ultimate deadline draws near, Gregory's mind races to recall why this happened to him and who is behind a spat of kidnappings of gorgeous local women, including his girlfriend Mira (Barbara Bach, The Unseen). Aldo Lado's remarkable film is an atmospheric delight that boasts an incredible score from the maestro himself, Ennio Morricone (The Good, The Bad & The Ugly), and more than deserves it's reputation as one of the finest examples of the giallo genre. 88 Films are proud to present this stone cold classic of Italian cinema, in pristine HD, for the first time in the UK! SPECIAL FEATURES New 2K Restoration from the Original Camera Negative Restored English Soundtrack Restored Italian soundtrack with English subtitles English Trailer Italian Trailer TECHNICAL SPECS Region Code: 2 Picture Format: 2.35:1 Audio Format: Mono Language: English / Italian Certification: 18 Running Time: 97 Mins Approx
'You can't backstab someone like Ugo Piazza! You'd better not even touch someone like Ugo Piazza!' Perhaps the one true film noir to emerge from Italy, Milano Calibro 9 is a gritty, ultra-violent masterpiece and an essential entry in the cannon of Italian crime cinema. Centering on the character of ex-con Ugo Piazza (played with stone-cold precision by Gastone Moschin) the film also benefits from the presence of giallo regular Barbara Bouchet and her considerable charms. Released aft.
Oskar is born in Germany in 1924 with an advanced intellect. Repulsed by the hypocrisy of adults and the irresponsibility of society, he refuses to grow older after his third birthday. While the chaotic world around him careers toward the madness and folly of World War II, Oskar pounds incessantly on his beloved tin drum and perfects his uncannily piercing shrieks. The Tin Drum, which earned the Palme d'Or at Cannes and the Academy Award for best foreign-language film, is a visionary adaptation from VOLKER SCHLÃNDORFF (Young Törless) of Nobel laureate Günter Grass's acclaimed novel, characterized by surreal imagery, arresting eroticism, and clear-eyed satire. SPECIAL EDITION FEATURES New, restored high-definition digital transfer of the complete version, approved by director Volker Schlöndorff Newly remastered 5.1 surround soundtrack, approved by Schlöndorff and presented in DTS-HD Master Audio New interview with Schlöndorff about the making of The Tin Drum and the creation of the 2010 restored, complete version New interview with film scholar Timothy Corrigan German audio recording from 1987 of author Günter Grass reading an excerpt from his novel The Tin Drum with musical accompaniment, illustrated with the corresponding scene from the film Television interview excerpts featuring Schlöndorff, Grass, actors David Bennent and Mario Adorf, and co-writer Jean-Claude Carrière reflecting on their experiences making the film Trailer New English subtitle translation PLUS: A booklet featuring an essay by critic Michael Atkinson and 1978 statements by Grass about the adaptation of his novel
In 1970, young first-time director Dario Argento (Deep Red, Suspiria) made his indelible mark on Italian cinema with The Bird with the Crystal Plumage a film which redefined the giallo' genre of murder-mystery thrillers and catapulted him to international stardom. Sam Dalmas (Tony Musante, We Own the Night), an American writer living in Rome, inadvertently witnesses a brutal attack on a woman (Eva Renzi, Funeral in Berlin) in a modern art gallery. Powerless to help, he grows increasingly obsessed with the incident. Convinced that something he saw that night holds the key to identifying the maniac terrorising Rome, he launches his own investigation parallel to that of the police, heedless of the danger to both himself and his girlfriend Giulia (Suzy Kendall, Spasmo) A staggeringly assured debut, The Bird with the Crystal Plumage establishes the key traits that would define Argento's filmography, including lavish visuals and a flare for wildly inventive, brutal scenes of violence. With sumptuous cinematography by Vittorio Storaro (Apocalypse Now) and a seductive score by legendary composer Ennio Morricone (Once Upon a Time in the West), this landmark film has never looked or sounded better in this new, 4K-restored edition from Arrow Video!
Set in a small West German town in 1957, where, with the help of the Economic Miracle, a booming economy is generating a new sense of optimism. In the town brothel, Villa Fink, Lola (Barbara Sukowa), a young high-class prostitute with a zest for life, is the star of the show. Her favourite client is the influential developer Schuckert (Mario Adorf), who enjoys spending time at Villa Fink with city officials important to his construction business. When Von Bohm (Armin Mueller-Stahl), an upright, energetic building commissioner with a liberal, social-democratic outlook, arrives in the town, he falls in love with Lola without being aware where she works by night. Although he is shocked when he learns of her true identity, he nevertheless marries her to the satisfaction of all concerned. Ultimately neither Lola, Von Bohm nor Schuckert are really concerned with what has happened in the past or the morality of their decisions the main thing is that they get what they want. Fassbinder himself said in 1980 that THE MARRIAGE OF MARIA BRAUN and LOLA are films about the country as it is today. To understand the present, what a country has and will become, one needs to understand the whole story. The BRD Trilogy, which also includes VERONIKA VOSS, represents RWF's attempt to create an overall picture of West Germany at the time, its double moral standards, and the hazards and dangers these implied.
An American writer (Tony Musante - Toma TV series) traveling in Rome is the only witness to an attempted murder by a sinister figure in a raincoat and black leather gloves though he is powerless to do anything to stop them. With a feeling that something is not quite right about the scene he has witnessed and the police's inability to make any progress he launches his own personal investigation - and nearly loses his life in the process. While this modern day Jack-the-Ripper type is slithering through the dark byways of Rome slicing up pretty girls director Dario Argento is carving up the emotions of terrified viewers. Dark deeds are mixed with black comedy worthy of Hitchcock in a film of almost unbearable tension and nail-biting suspense.
When Katharina Blum spends the night with an alleged terrorist her quiet ordered life falls into ruins. Suddenly a suspect Katharina is subject to a vicious smear campaign by the police and a ruthless tabloid journalist testing the limits of her dignity and her sanity. Volker Schlondorff and Margarethe von Trotta's powerful adaptation of Heinrich Boll's novel is a stinging commentary on state power individual freedom and media manipulation - as relevant today as on the day of its release in 1975.
The narrator of the film is little Oscar a precocious child of a permissive petty bourgeois couple. He decides to stop growing on his third birthday as if refusing to enter the sordid sexuality of his surroundings and the unstoppable growth of Nazism the same year that Hitler came to power. With his noisy tin drum always at his side and a piercing scream that can shatter glass Oscar makes his disturbing but often darkly comic way through Hitler's Germany... This powerful adapt
One of the most acclaimed and controversial post-war German filmmakers Rainer Werner Fassbinder created a prolific and extraordinarily influential body of work that revolutionised cinema. Lola: Conceived as a homage to Josef Von Sternberg's 'The Blue Angel' 'Lola' is a biting satire of capitalist greed starring Barbara Sukowa as the eponymous cabaret singer and call girl. Why Does Herr R Run Amok?: Fassbinder's savage and provocative portrait of middle-class banality and alienation follows the monotonous daily routines of the mild-mannered Herr R. Until one evening he finds that he can take no more. Martha: Margit Carstensen stars as a young woman who finds herself slowly stripped of her freedom by her sadistic and tyrannical husband. Fassbinder's bold homage to Douglas Sirk's 1950s Technicolor melodramas finds him at his most wickedly perverse and stylistically assured. I Don't Just Want You To Love Me: Fassbinder's friends and closest colleagues remember him in this documentary profile which also includes interviews with Fassbinder himself and excerpts from his work.
The world's most loved fairytale is back in a whole new fantastic imagining in Pinocchio. When a piece of pine-wood falls into the hands of the poor old toymaker Geppetto, he carves it into a puppet which he names Pinocchio. To Geppetto's delight, Pinocchio comes to life - and like most little boys, he's full of reckless whims and wild ideas! His crazy escapades lead him into a series of madcap adventures from joining the circus to visiting the inside of whale! Along his journey, and throughout all the fun, Pinocchio learns to be considerate and courageous and learns what it takes to become a real boy.
Bird With A Crystal Plumage (aka L'uccello dalle piume di cristallo)
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