Steamboat Bill Jr dates from 1928 and is the last great film Buster Keaton made before he gave up his independence and signed for MGM. Buster is the rather fey son of an elderly steamboat owner who is being driven out of business by a wealthy competitor. More by accident than intention Buster turns things around and gets the girl as well. The last 15 minutes are truly astonishing: a storm sequence in which a whole town is blown apart, with Buster experiencing a series of amazing escapes as buildings fall down around his ears. On the DVD: The print is a good one, best seen in the 4:3 ration, with unobtrusive organ music added. As a nautical extra there's The Boat, a 1921 short (the print not in such a good state as the feature), in which in the course of launching his newly built craft Buster manages to wreck his house, tip his car into the river and sink the boat. And that's only the beginning. --Ed Buscombe
Buster Keaton at his very best, with his trademark stoic, deadpan expressions that earned him the nickname The Great Stone Face . The General. Consistently ranked among the greatest films ever made. THE GENERAL is so brilliantly conceived and executed that it continues to inspire awe and laughter with every viewing. Rejected by the Confederate army as unfit, and taken for a coward by his beloved Annabelle Lee (Marion Mack), young Johnny Gray (Keaton) is given a chance to redeem himself when Yankee spies steal his cherished locomotive. Johnny wages a one-man war against hijackers, an errant cannon and the unpredictable hand of fate while roaring along the iron rails. Steamboat Bill Jr. The last of the independent features made in the prime of Buster Keaton s career. STEAMBOAT BILL, JR. is a large-scale follow-up to The General. Keaton stars as William Canfield, Jr., a Boston collegian who returns to his deep-southern roots to reunite with his father, a crusty riverboat captain (Ernest Torrence) who is engaged in a bitter rivalry with a riverboat king coincidentally, the father of Willies sweetheart (Marion Byron). Keaton s athleticism and gift for inventive visual humor are in top form, and the cyclone that devastates a town (and sends houses literally crashing down around him) is perhaps the most ambitious, awe-inspiring and hilarious slapstick sequence ever created. THE NAVIGATOR. In a return to the pampered youth role he had played in The Saphead (and would return to in Battling Butler), Keaton stars as Rollo Treadway, an inexperienced lad of extraordinary wealth and surprisingly little common sense, who finds himself adrift on The Navigator with no one else on board except an equally naive girl (Kathryn McGuire). After discovering each other s presence in an ingenious ballet of unintentional hide-and-seek, the couple resourcefully fashion a home for themselves aboard the derelict boat, in spite of their unfamiliarity with the tools of domesticity. They then embark on a series of misadventures on the ocean floor (where Rollo in a diving suit must parry the attacks of an aggressive swordfish) and upon the high seas, surrounded by a fleet of menacing cannibals, where the film reaches its explosively funny climax, with the aid of a crate of rocket flares.
Steamboat Bill Jnr. / 1928: A spoiled young man is forced by his father to learn the ropes of river-boating on the Mississippi. After a series of mishaps which land the captain in jail Buster tries unsuccessfully to spring him. The highlight comes in the shape of a hurricane which smashes and destroys buildings and the pier and allows Buster to prove his worth by saving the Captain who is up to his neck in water. Convict 13 / 1920: Golf is the game that brings out the best in
Buster Keaton's 1926 masterpiece The General shows the great stone-faced comedian at the height of his powers. Buster is a train driver from the South who's caught up in the American Civil War. The film is basically an extended chase, with trains pursuing each other up the track. The level of stuntwork (including a huge train wreck) has to be seen to be believed, but it's the deftness and elegance of Keaton's comedy that is ultimately most memorable. For many, Buster Keaton is the greatest comedian of the silent era rated even above Chaplin, and College (1927) is one of his finest films. A poor student who has to work his way through college, Buster is desperate to win the attention of a pretty girl so takes up sports. Through every disaster, the great "stone face" as he was nicknamed betrays not a flicker of emotion, enduring all humiliations with aplomb. College shows Keaton at the top of his form. Steamboat Bill Jr dates from 1928 and is the last great film Buster Keaton made before he gave up his independence. Buster is the rather fey son of an elderly steamboat owner who is being driven out of business by a wealthy competitor. More by accident than intention Buster turns things around and gets the girl as well. The last 15 minutes are truly astonishing: a storm sequence in which a whole town is blown apart, with Buster experiencing a series of amazing escapes as buildings fall down around his ears. Tragically, the following year he lost his independence when he signed for MGM. His career collapsed, his marriage broke up and he became an alcoholic, never to regain former glories. On the DVD: The organ music accompanying this silent feature is pleasantly unobtrusive, and apart from a short section in the middle where it deteriorates, the print quality is a reasonable 4.3. In addition there are five excellent Keaton shorts, One Week (1920), The Boat (1921) Cops (1922), The Blacksmith (1922) and The Balloonatic (1923). --Ed Buscombe
Steamboat Bill Jr dates from 1928 and is the last great film Buster Keaton made before he gave up his independence and signed for MGM. Buster is the rather fey son of an elderly steamboat owner who is being driven out of business by a wealthy competitor. More by accident than intention Buster turns things around and gets the girl as well. The last 15 minutes are truly astonishing: a storm sequence in which a whole town is blown apart, with Buster experiencing a series of amazing escapes as buildings fall down around his ears. On the DVD: The print is a good one, best seen in the 4:3 ration, with unobtrusive organ music added. As a nautical extra there's The Boat, a 1921 short (the print not in such a good state as the feature), in which in the course of launching his newly built craft Buster manages to wreck his house, tip his car into the river and sink the boat. And that's only the beginning. --Ed Buscombe
Steamboat Bill Jr dates from 1928 and is the last great film Buster Keaton made before he gave up his independence and signed for MGM. Buster is the rather fey son of an elderly steamboat owner who is being driven out of business by a wealthy competitor. More by accident than intention Buster turns things around and gets the girl as well. The last 15 minutes are truly astonishing: a storm sequence in which a whole town is blown apart, with Buster experiencing a series of amazing escapes as buildings fall down around his ears. On the DVD: The print is a good one, best seen in the 4:3 ration, with unobtrusive organ music added. As a nautical extra there's The Boat, a 1921 short (the print not in such a good state as the feature), in which in the course of launching his newly built craft Buster manages to wreck his house, tip his car into the river and sink the boat. And that's only the beginning. --Ed Buscombe
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