Director Tim Burton's eagerly awaited new take on the story of an astronaut (Mark Wahlberg) who crashlands on a strange planet, only to find a civilisation where Apes are the dominant species!
Michael Caine stars in this 60s classic as the leader of a team of thieves who plan to use minis to help them perform the heist of the century.
Titles Comprise:The Other Guys:Misfit NYPD detectives Gamble and Hoitz (Will Ferrell and Mark Wahlberg) are sentenced to life behind the desk. They hate each other and the monotony of their meaningless jobs, as they're forced to live in the shadow of the two biggest and most badass cops on the force (Samuel L. Jackson and Dwayne Johnson). But when those guys go down for the count, opportunity knocks for Gamble and Hoitz. Stumbling onto what could be one of the biggest crimes in years, can The Other Guys step up their game to solve the case without killing each other and destroying NYC in the process? From the director of Step Brothers and Talladega Nights: The Ballad of Ricky Bobby.Hot Fuzz:Messers Pegg and Frost return with this rollickingly hilarious take on the cop action movie. Top London cop, Constable Nicholas Angel (Pegg), finds himself reassigned to the sleepy West Country village of Sandford. The quaintness is soon to be interrupted though as a series of grisly accidents sweeps the village. Convinced of foul play Angel and his new partner, Danny Butterman (Frost) swing into action!
George Clooney & Mark Wahlberg star in this spectacular tale of a fishing boat caught at sea during the worse storm ever recorded.
Shooter is an action-packed thriller starring Mark Wahlberg as Bob Lee Swagger a former Army sniper who leaves the military after a mission goes bad. After he is reluctantly pressed back into service Swagger is double-crossed again. With two bullets in him and the subject of a nationwide manhunt Swagger begins his revenge which will take down the most powerful people in the country.
The criminal anarchy is hilarious when a foursome of full-time hit men looking to score some extra cash kidnap the boss' god-daughter. And when beleaguered wise guy Mel is set up to take the fall underworld antics and domestic absurdities collide for a working weekend no one will soon forget...
Anyone who's watched Family Guy knows that its creator Seth MacFarlane has a lot of hang-ups. As outrageous as many of them are in their animated TV show forum, they get a real rundown in Ted, MacFarlane's multi-hyphenate debut in feature films. As the director, producer, cowriter, and voice artist behind the title character, MacFarlane riffs on pop culture, drug culture, religion, sex, bodily functions, and all things '80s with the kind of abandon that borders on offensive to pretty much anyone--if only it all weren't so spot-on funny. Ted is an utterly believable CGI teddy bear who comes to life in the arms of a friendless 8-year-old boy named John, who quickly grows up to be Mark Wahlberg. John has made a wish that the pudgy plush be a friend for forever, a deal that they both hold on to with genuine poignancy as the years roll by. Ted grows right along with John in voice, manner, attitude, and bad habits until they're both unmotivated layabouts who would rather do nothing more than swill beer, smoke dope, and watch the absurdly iconic '80s movie Flash Gordon over and over again to the exclusion of most everything else in life. John has managed to pick up a girlfriend named Lori (Mila Kunis), who somehow tolerates the pair of them--at least for a little while. Eventually she's annoyed enough with John for not putting away his childish things, thoughts, and behaviours that she demands Ted move out and let them move on as adults. Among all the conceits that Ted embraces is the fact that this fully anthropomorphized stuffed bear started life as a global celebrity sensation before everyone forgot about him. Now he's just a blue-collar Boston nobody who sucks on a bong, chases women, and makes dirty jokes at every opportunity while nobody pays attention. This could have been a generic lowbrow buddy movie in the Judd Apatow mold, which might have been a little funny with a human slob in the Ted role. But MacFarlane brings to the remarkably expressive CGI creation an astonishing and often shocking dynamic with his voice characterization and the consistently clever situations, which whiz by in a structure that's pretty similar to an episode of Family Guy. There are frequent non sequitur digressions and offhanded one-liners that MacFarlane could never get away with on TV. But in the raunchy, anything-goes world of Ted it's all fair game. In addition to farts, drugs, bodily functions, and all manner of sexual vulgarity, it's the slams or homages to the 1980s that are the butt of many of the best zingers or recurring jokes. There are several cameo appearances that may make for delighted double takes. And Sam Jones, the star of the ill-fated Flash Gordon, plays a version of himself that makes a running gag all the more ingenious and demonstrates how far MacFarlane will go to bring comedy down to his level of hilarity. Mark Wahlberg should be commended for being game enough to participate and absolutely shows the comedy chops to make his scenes with Ted come alive. Technically the movie is a wonder as the two-foot Ted blends into the real world with complete believability even as he spouts some of the most outrageous dialogue this side of The Hangover. Ted may be an acquired taste for those who have a dislike for MacFarlane's comic sensibility--and there are a lot of people who do. But as a laughable lowbrow adventure that delivers virtually nonstop unexpected laughs with a little heart to back it up, Ted is a surprising comic novelty that may even win over some of the most vituperative MacFarlane haters. --Ted Fry
Mark Wahlberg leads the cast of Contraband, a fast-paced thriller about a man trying to stay out of a world he worked so hard to leave behind and the family he'll do anything to protect. Set in New Orleans, the film explores the cutthroat underground world of international smuggling-full of desperate criminals and corrupt officials, high-stakes and big payoffs-where loyalty rarely exists and death is one wrong turn away. Chris Farraday (Wahlberg) long ago abandoned his life of crime, ...
The Italian Job (1969): Charlie Croker is out of jail and on the make with an ingenious plan for the heist of the century. Aided and abetted by top criminal mastermind Mr. Bridger Charlie sets off with an ace team of villains and three very special minis to lift 000 000 from under the noses of the Turin Polizi. The trouble is with the cops and the Mafia on his tail Charlie finds that grabbing the money is kid's stuff compared to getting away with it... The Italian Job (2003): After a master thief loses his heist in a double-cross he and his team set out to re-steal the loot - by creating the largest traffic jam in L.A. history!
When their beloved foster mother is killed in a holdup Four Brothers reunite in their old Detroit neighbourhood with revenge on their minds. Mark Wahlberg plays the brawl-hungry leader Bobby. His brother Angel (Tyrese Gibson) is a rowdy sailor with a high-strung Latina girlfriend (Sofia Vergara). Garrett Hedlun plays the young rock and roller of the clan. And Outkast's Andre - 3000 - Benjamin is the family man whose tenuous mob connection may link him to the killers. Terrence Howard (Hustle And Flow) is the well-meaning but ineffectual detective who tries to put a lid on the boys' rebelliousness. Director John Singleton ably blends his action skills (Shaft 2 Fast 2 Furious) and his gift for capturing the warm heart at the centre of violent urban masculinity (Boyz In The Hood) to create a cooked-to-perfection gangster stew.
The greatest trilogy in film history, presented in the most ambitious sets in DVD history, comes to a grand conclusion with the extended edition of The Lord of the Rings: The Return of the King. Not only is the third and final installment of Peter Jackson's adaptation of the works of J.R.R. Tolkien the longest of the three, but a full 50 minutes of new material pushes the running time to a whopping 4 hours and 10 minutes. The new scenes are welcome, and the bonus features maintain the high bar set by the first two films, The Fellowship of the Ring and The Two Towers. What's New? One of the scenes cut from the theatrical release but included here, the resolution of the Saruman storyline, generated a lot of publicity when the movie opened, as actor Christopher Lee complained in the press about losing his only appearance. It's an excellent scene, one Jackson calls "pure Tolkien," and provides better context for Pippin to find the wizard's palantir in the water, but it's not critical to the film. In fact, "valuable but not critical" might sum up the ROTK extended edition. It's evident that Jackson made the right cuts for the theatrical run, but the extra material provides depth and ties up a number of loose ends, and for those sorry to see the trilogy end (and who isn't?) it's a welcome chance to spend another hour in Middle-earth. Some choice moments are Gandalf's (Ian McKellen) confrontation with the Witch King (we find out what happened to the wizard's staff), the chilling Mouth of Sauron at the gates of Mordor, and Frodo (Elijah Wood) and Sam (Sean Astin) being mistaken for Orc soldiers. We get to see more of Éowyn (Miranda Otto), both with Aragorn and on the battlefield, even fighting the hideously deformed Orc lieutenant, Gothmog. We also see her in one of the most anticipated new scenes, the Houses of Healing after the battle of the Pelennor Fields. It doesn't present Aragorn (Viggo Mortensen) as a savior as the book did, but it shows the initial meeting between Éowyn and Faramir (David Wenham), a relationship that received only a meaningful glance in the theatrical cut. If you want to completely immerse yourself in Peter Jackson's marvelous and massive achievement, only the extended edition will do. And for those who complained, no, there are no new endings, not even the scouring of the Shire, which many fans were hoping to see. Nor is there a scene of Denethor (John Noble) with the palantir, which would have better explained both his foresight and his madness. As Jackson notes, when cuts are made, the secondary characters are the first to go, so there is a new scene of Aragorn finding the palantir in Denethor's robes. Another big difference is Aragorn's confrontation with the King of the Dead. In the theatrical version, we didn't know whether the King had accepted Aragorn's offer when the pirate ships pulled into the harbor; here Jackson assumes that viewers have already experienced that tension, and instead has the army of the dead join the battle in an earlier scene (an extended cameo for Jackson). One can debate which is more effective, but that's why the film is available in both versions. If you feel like watching the relatively shorter version you saw in the theaters, you can. If you want to completely immerse yourself in Peter Jackson's marvelous and massive achievement, only the extended edition will do. How Are the Bonus Features? To complete the experience, The Return of the King provides the same sprawling set of features as the previous extended editions: four commentary tracks, sharp picture and thrilling sound, and two discs of excellent documentary material far superior to the recycled material in the theatrical edition. Those who have listened to the seven hours of commentary for the first two extended editions may wonder if they need to hear more, but there was no commentary for the earlier ROTK DVD, so it's still entertaining to hear him break down the film (he says the beacon scene is one of his favorites), discuss differences from the book, point out cameos, and poke fun at himself and the extended-edition concept ("So this is the complete full strangulation, never seen before, here exclusively on DVD!"). The documentaries (some lasting 30 minutes or longer) are of their usual outstanding quality, and there's a riveting storyboard/animatic sequence of the climactic scene, which includes a one-on-one battle between Aragorn and Sauron. One DVD Set to Rule Them All Peter Jackson's trilogy has set the standard for fantasy films by adapting the Holy Grail of fantasy stories with a combination of fidelity to the original source and his own vision, supplemented by outstanding writing, near-perfect casting, glorious special effects, and evocative New Zealand locales. The extended editions without exception have set the standard for the DVD medium by providing a richer film experience that pulls the three films together and further embraces Tolkien's world, a reference-quality home theater experience, and generous, intelligent, and engrossing bonus features. --David Horiuchi
Dreams are not lived on the sidelines. Inspired by the true story of Vince Papale (Mark Wahlberg) a man with nothing to lose who ignored the staggering odds and made his dream come true. When the coach (Greg Kinnear) of Papale's beloved hometown football team hosted an unprecedented open tryout the public consensus was that it was a waste of time - no one good enough to play professional football was going to be found this way. Certainly no one like Papale - a down-on-his-luck 30 year-old substitute teacher and part-time bartender who never even played college football. But against these odds Papale made the team and soon found himself living every fan's fantasy - moving from his cheap seats in the upper deck to standing on the field as a professional football player.
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