The original BBC radio adventures of Arthur Dent (an ape-descendant whose anger at the apparently inexplicable destruction of his home planet Earth, situated in an obscure corner of the outer spiral arm of the galaxy, is expressed in frequent irritation at friendly automatic doors and vending machines) and his travelling companions, Ford Prefect (an itinerant towel-carrying hitch-hiker originally from a small planet somewhere in the vicinity of Betelgeuse), Zaphod Beeblebrox (the notorious ex-Galactic President and patron of Eccentrica Galumbits, the triple-breasted whore of Eroticon Six) and Marvin the Paranoid Android (who's still suffering from that terrible pain in all the diodes down his left side) proved to be such a success for the BBC that its transition to TV was (almost) inevitable. In 1981 several key members of the radio cast made the move to the small screen. Simon Jones' bewildered Arthur Dent remains the central character, shambling around in his dressing gown (a fact easy to forget on radio); Mark Wing-Davey's Zaphod Beeblebrox is the same as his boastful radio persona, even if the second head utterly fails to convince. Unfortunately, newcomers David Dixon (as Ford Prefect) and the irritating Sandra Dickinson (as Trillian) are no match for their radio predecessors.The problem here is not so much the low-budget look as the script itself, which is lovingly faithful to the radio series in a way that Douglas Adams' novels aren't. The Hitchhiker's Guide to the Galaxy was a lucid, satirical, occasionally profound, utterly unique comic invention on radio. As such, it has nothing to gain from TV. The script needs no visual elaboration--that's best left to the listener's own imagination. Only the animated renditions of the Guide itself enhance Peter Jones' wonderfully dry narration; otherwise--paradoxically, perhaps--by supplying images the concept is oddly diminished here.On the DVD: A suitably eclectic not to say eccentric collection of extra features makes this a wholly satisfying two-disc set, neatly packaged in a fold-out slipcase. On the second disc there's an hour-long "making of" documentary from 1992 featuring contributions from the cast and crew, including Douglas Adams; and then there's even more in a 20-minute section entitled "Don't Panic!". A fascinating behind-the-scenes peek at filming as the clock runs out on studio time and a look at the recording of the original radio series complete the first part. Then navigate to the "Outer Planets" to find outtakes, a deleted scene, Zaphod's animatronic second head on Tomorrow's World and Peter Jones's witty and shambolic introduction to the first episode, plus more besides. The series itself is presented in standard 4:3 ratio and Dolby stereo. --Mark Walker
For the first time in the history of the universe, the complete Hitcher's Guide to the Galaxy is available in high definition! The cult classic British series from the mind of Douglas Adams is back in this very special edition. Featuring all episodes in full HD and 5.1 audio plus over 5 ½ hours of new and existing bonus material. Unbeknownst to its inhabitants, Earth is to be demolished to make way for an intergalactic highway. Arthur Dent (Simon Jones), an unassuming Englishman, is whisked off the planet to safety by his alien friend Ford Prefect (David Dixon), and launched on a dizzying journey through space and time (with only a towel, and a fish to help them) to discover the meaning of life itself.
One of Britain's greatest dramatists the award-winning playwright Jack Rosenthal created some of the most critically-acclaimed and popular single plays of the last forty years. Instantly recognisable by their warmth and humour Rosenthal's scripts were always popular with the viewing public and were invariably big ratings winners. Alongside single plays he also honed his craft on a diverse range of television shows - from Coronation Street (for which he was one of the key writ
Written by award-winning screen-writer and novelist Frederic Raphael, The Glittering Prizes is the critically acclaimed series of six teleplays chronicling the changing lives of friends who first meet at Cambridge University. Tom Conti (Shirley Valentine, Merry Christmas Mr. Lawrence) stars as would-be novelist Adam Morris with Mark Wing-Davey and Nigel Havers among his college peers. Barbara Kellerman, Malcolm Stoddard, Connie Booth, Miriam Margolyes and Tim Pigott-Smith also feature among.
An old, old story as told circa 1980, Breaking Glass, written and directed by Brian Gibson, follows the path of Stardust not to mention A Star is Born and most other films about showbusiness, by following the rise of a talented young hopeful who learns that success comes with strings. Kate Crowley (Hazel O'Connor) begins as a bleached New Wave ranter, fly-posting on the tube and yelling songs about dehumanisation over fascist chants in rowdy pubs, but ends up a stoned glam zombie dressed as a robot, packaging her anger for the benefit of corporate music biz baddies and retreating to a sanatorium. The plot may be familiar, but the film still works, thanks to persuasive central performances from O'Connor, who wrote her own songs and shows real acting muscle that sadly didn't lead to anything like a film career, and Phil Daniels as her hustling manager/boyfriend/conscience. The fine supporting cast includes Jon Finch and Jonathan Pryce as a Bond villain-style record producer and a deaf junkie sax player, with glimpses of later perennials such as Jim Broadbent and Richard Griffiths. Made and set at the start of the 1980s, it catches its times exactly: a "Rock Against 1984" outdoor gig that turns into a riot, a routine police harrassment of a band rehearsal, a power cut that transforms a concert into a before-its-time "unplugged" session. Credits trivia: the executive producer was Dodi al Fayed. On the DVD: A nice letterboxed transfer looks a bit soft and grainy--but that's the way it's supposed to be. The only extras are cribbed-from-the-IMDB filmographies, a trailer with a wonderfully unconvincing narration and an image gallery (posters, ads and stills). --Kim Newman
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