Shocking and highly controversial at the time of release, The Snake Pit broke new ground in Hollywood cinema for its depiction of mental illness and its treatment. Olivia de Havilland (Gone with the Wind; The Heiress), delivers an astounding performance as a young bride who suffers a breakdown and finds herself committed to an asylum. Director Anatole Litvak (Sorry, Wrong Number; Anastasia) had to fight to persuade producer Darryl Zanuck to back the film, but the result remains one of the most potent and powerful films to tackle the subject and was an influence on later works such as Sam Fuller's Shock Corridor (1963), Robert Rossen's Lilith (1964) and Miloš Forman's One Flew Over the Cuckoo's Nest (1975). Extras: 4K remaster from original negative Original mono audio Audio commentary with author and film historian Aubrey Solomons The Battles of Olivia de Havilland (2019): critic and film historian Pamela Hutchinson discusses the revered actor's illustrious career Neil Sinyard on The Snake Pit' (2019): a new appreciation by the author and film historian Theatrical trailer Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by Lindsay Hallam, an overview of contemporary critical responses, and film credits World premiere on Blu-ray All extras subject to change
Every day the girls face life death and lunacy on the wards of St. Margaret's; every night they let off steam with a dangerous appetite for uncomplicated sex and unruly misbehaviour. Anji is set on an arranged marriage and Beth is determined to settle down with a rich consultant. In the meantime however they're both happy to practice their bedside manners. For single mum Lia juggling work and home can prove tricky. And acting sister Kate soon finds out that juggling work and love is even trickier... Still they can always rely on each other. And if the drugs don't work it's probably because the junior doctor's taken them. Featuring every episode from the first series!
This sprawling family saga follows a Hungarian-Jewish family across three generations, and stars Ralph Fiennes as the father, the son, and the grandson in three distinctly different roles. As a Europudding vehicle for Fiennes and a top-drawer cast (including Jennifer Ehle, Rachel Weisz, Deborah Unger, Miriam Margolyes and William Hurt), Sunshine delivers on all fronts: there's glossy melodrama, high-moral seriousness as history wears the family down like the wind, and leitmotifs--the family elixir called "Sunshine" that founds their fortune, semi-incestuous adulterous liaisons, photographs and faces--that thread the epic three-hour narrative together. Fiennes begins as a stiff Budapest lawyer-cum-officer and judge during the First World War, torn when anti-Semitism raises its head. His son is a champion fencer who denounces the family faith to attain advancement but ends up in the Nazi-run labour camps all the same. The last in the line, a policeman this time, must navigate the Stalinist forces of repression and endures through the 1956 uprising to take back the family name and faith. And yet as a film by director István Szabó (Colonel Redl, Mephisto), it's a bit of a soggy disappointment lacking the bile and spit and visual inventiveness that makes the best of his other works so outstanding. Perhaps the fact that Szabó is directing an all-English speaking cast is the problem, leaving the film feeling strangely old-fashioned and paradoxically lacking a sense of place (despite much of it being filmed in Hungary itself). Although there are some charged emotional beats throughout, pretty costumes, and lots of entertainingly tasteful bonking sequences, the fencing sequences in particular become tooth-pullingly tedious and the whole thing seems to drag, especially as it takes itself so seriously. --Leslie Felperin
The Lucky Ones
"Body of Lies" is based on Washington Post columnist David Ignatius' 2007 novel about a CIA operative, Roger Ferris (Leonardo DiCaprio), who uncovers a lead on a major terrorist leader suspected to be operating out of Jordan.
Chitty Chitty Bang Bang (Dir. Ken Hughes 1968): Everything Caractacus Potts invents goes wrong - even his sweets are full of holes. So how can he have created a car that not only drives but floats and flies as well? Find out as the fantasmagorical Chitty Chitty Bang Bang takes your family on a magical musical adventure you won't forget. Chitty Chitty Bang Bang has never looked or sounded better. With its catchy tunes including the Oscar nominated theme tune (Best Song 1968) marvelous cast and enchanting storyline this delightful film is first-class family entertainment and definitely far toot sweet to miss! Annie (Dir. John Huston 1982): A plucky red-haired girl dreams of a life away outside her orphanage and its gin-soaked tyrant Miss Hannigan (played to perfection by Carol Burnett). One day Annie meets the famous billionaire Daddy Warbucks and the pair share spectacular times in 1930's New York City. But Miss Hannigan and her zany villainous colleagues are determined to spoil the fun for America's favourite orphan... Oliver! (Dir. Carol Reed 1968): Young Oliver Twist (Mark Lester) is an orphan who escapes the cheerless life of the workhouse and takes to the streets of 19th-Century London. He''s immediately taken in by a band of street urchins headed by the lovable villain Fagin (Ron Moody) his fiendish henchman Bill Sikes (Oliver Reed) and his loyal apprentice The Artful Dodger (Jack Wild). Through his education in the fine points of pick-pocketing Oliver makes away with an unexpected treasure... a home and a family of his own.
Anyone who's watched Family Guy knows that its creator Seth MacFarlane has a lot of hang-ups. As outrageous as many of them are in their animated TV show forum, they get a real rundown in Ted, MacFarlane's multi-hyphenate debut in feature films. As the director, producer, cowriter, and voice artist behind the title character, MacFarlane riffs on pop culture, drug culture, religion, sex, bodily functions, and all things '80s with the kind of abandon that borders on offensive to pretty much anyone--if only it all weren't so spot-on funny. Ted is an utterly believable CGI teddy bear who comes to life in the arms of a friendless 8-year-old boy named John, who quickly grows up to be Mark Wahlberg. John has made a wish that the pudgy plush be a friend for forever, a deal that they both hold on to with genuine poignancy as the years roll by. Ted grows right along with John in voice, manner, attitude, and bad habits until they're both unmotivated layabouts who would rather do nothing more than swill beer, smoke dope, and watch the absurdly iconic '80s movie Flash Gordon over and over again to the exclusion of most everything else in life. John has managed to pick up a girlfriend named Lori (Mila Kunis), who somehow tolerates the pair of them--at least for a little while. Eventually she's annoyed enough with John for not putting away his childish things, thoughts, and behaviours that she demands Ted move out and let them move on as adults. Among all the conceits that Ted embraces is the fact that this fully anthropomorphized stuffed bear started life as a global celebrity sensation before everyone forgot about him. Now he's just a blue-collar Boston nobody who sucks on a bong, chases women, and makes dirty jokes at every opportunity while nobody pays attention. This could have been a generic lowbrow buddy movie in the Judd Apatow mold, which might have been a little funny with a human slob in the Ted role. But MacFarlane brings to the remarkably expressive CGI creation an astonishing and often shocking dynamic with his voice characterization and the consistently clever situations, which whiz by in a structure that's pretty similar to an episode of Family Guy. There are frequent non sequitur digressions and offhanded one-liners that MacFarlane could never get away with on TV. But in the raunchy, anything-goes world of Ted it's all fair game. In addition to farts, drugs, bodily functions, and all manner of sexual vulgarity, it's the slams or homages to the 1980s that are the butt of many of the best zingers or recurring jokes. There are several cameo appearances that may make for delighted double takes. And Sam Jones, the star of the ill-fated Flash Gordon, plays a version of himself that makes a running gag all the more ingenious and demonstrates how far MacFarlane will go to bring comedy down to his level of hilarity. Mark Wahlberg should be commended for being game enough to participate and absolutely shows the comedy chops to make his scenes with Ted come alive. Technically the movie is a wonder as the two-foot Ted blends into the real world with complete believability even as he spouts some of the most outrageous dialogue this side of The Hangover. Ted may be an acquired taste for those who have a dislike for MacFarlane's comic sensibility--and there are a lot of people who do. But as a laughable lowbrow adventure that delivers virtually nonstop unexpected laughs with a little heart to back it up, Ted is a surprising comic novelty that may even win over some of the most vituperative MacFarlane haters. --Ted Fry
The award-winning hit comedy returns for a second helping, as things get even odder in the Goodman household... Each week twenty-something brothers Adam and Jonny go back to Mum and Dad's house for Friday night dinner, and each week Mum and Dad get ready for an evening of domestic squabbling, food-related pranking and lashings of 'crimble crumble'. In this series, Adam goes out with a girl who smells like Mum, Jonny gets a girlfriend who's twice his age, Dad dries fish in the downstairs cupboard, Mum is forced out the house by a mouse, neighbour Jim makes a birthday cake for his dog, Grandma gets a new boyfriend who tries to fight Dad and we meet Dad's mother - 'Horrible Grandma'. Extras: Series 1 Recap & Behind the Scenes with cast and crew
All the music fun and excitement under the sea resurface in this magical special edition of Disney's 28th animated masterpiece. Awash with breathtaking animation unforgettably colorful characters and two Academy Awards for score and song ""Under The Sea "" The Little Mermaid is one of Disney's most cherished films. Ariel the fun-loving and mischievous mermaid is enchanted with all things human. Disregarding her father's order to stay away from the world above the sea she swims to the surface and in a raging storm rescues the prince of her dreams. Determined to be human she strikes a bargain with the devious sea witch Ursula and trades her fins and beautiful voice for legs. With her best friend the adorable and chatty Flounder and her reluctant chaperone Sebastian the hilarious reggae-singing Caribbean crab at her side Ariel must win the prince's love and save her father's kingdom -- all in a heart-pounding race against time!
NOTICE: Polish Release, cover may contain Polish text/markings. The disk has English audio and subtitles.
Directed by F. Gary Gray (The Fate of the Furious, Straight Outta Compton), The Italian Job gets a stylish and non-stop high octane upgrade in 4K Ultra HD⢠with Dolby Vision and HDR-10. Charlie Croker (Mark Wahlberg) pulled off the crime of a lifetime, but he didn't plan on being double-crossed. Now he wants more than the job's payoff...he wants payback. Along with an expert safecracker (Charlize Theron), Croker and his team take off to re-steal the loot and end up in a pulse-pounding, pedal-to-the-metal chase that careens up, down, above and below the streets of Los Angeles. Special Features Pedal to the Metal: The Making of The Italian Job Putting the Words on the Page for The Italian Job The Italian Job Driving School The Mighty Minis of The Italian Job High Octane: Stunts from The Italian Job Deleted Scenes
This melodrama adapted from a story by D.H. Lawrence sees two country girls Yvette (Joanna Shimkus) and her sister Lucille (Harriet Harper) return home after attending a provincial school. Yvette is smitten by the sight of a handsome gypsy (Franco Nero). Her stern matriarchal grandmother (Fay Compton) objects but Yvette continues to see the dashing young man who awakens her sexual curiosity. She is comforted by Mrs. Fawcett (Honor Blackman) and Major Eastwood (Mark Burns) two people living in sin much to the chagrin of the moralistic townsfolk.
In 1976 Niki Lauda survived one of the most famous crashes in Formula One history. Using previously unseen footage, LAUDA: THE UNTOLD STORY explains what happened on that fateful, and near fatal day at the Nurburgring, then follows Lauda s courageous journey to recovery culminating in a miraculous comeback in Monza just weeks later. The film also investigates the impact that his crash had, not just on his own life, but on the sport as a whole, looking at the safety developments from the 1900s to the present day. Featuring exclusive access to Mercedes HQ and interviews with Lauda, his family, and motorsports legends past and present including Sir Jackie Stewart, David Coulthard, Mark Webber, Lewis Hamilton, Nico Rosberg, Hans-Joachim Stuck and Jochen Mass. LAUDA: THE UNTOLD STORY is a must-see for all motorsport fans.
To celebrate the 20th anniversary of the first Harry Potter book, the British Library is hosting an exhibition of the real-life magical history behind JK Rowling's beloved classics. With exclusive access to a priceless collection of artefacts, take a tour around this mesmerising show. Rowling herself examines the most exciting items on display, and opens her private archive to reveal drawings and drafts that have been hidden away for years. And, as opening night arrives, famous fans marvel at this fascinating trove of delights, like Harry Potter seeing Diagon Alley for the first time. A behind the scenes look into the exhibition with JK Rowling Narrated by Imelda Staunton Readings from Harry Potter film actors: David Thewlis, Evanna Lynch, Warwick Davies, Miriam Margoyles & Mark Williams Rowling's imaginary world illuminated by her illustrator Jim Kay
One of the most sublimely silly products to emanate from Roger Corman's studio, The Raven has the very loosest of connections with the Edgar Allen Poe poem that gives it its title and which Vincent Price intones sepulchrally at the beginning. A retiring magician, Craven (Price) has opted out of the power struggles of peers such as Dr Scarabus (Boris Karloff) to brood on his dead wife and bring up his daughter. The arrival of Bledlo (Peter Lorre), an incompetent drunk whom Scarabus has turned into the raven of the title, involves him in everything he had renounced--life is complicated further by the arrival of Bledlo's son Rexford, played by a staggeringly young Jack Nicholson. The special effects are almost perfunctory, yet the culminating magical duel between Price and Karloff is inventive and charming; this is one of those films that looks as if the actors enjoyed making it; while the script by Richard Matheson has a blithe awareness of its own shortcomings that makes it hard to dislike. On the DVD: The Raven comes to DVD with very boxy remastered mono sound, but is presented in its original widescreen 2.35:1 ratio, formatted for 16:9 TVs. The only extra is the original theatrical trailer. --Roz Kaveney
The residents of Lark Rise and Candleford return to the screen in this warm-hearted adaptation of Flora Thompson's novel. It's Christmas and the residents of both Lark Rise and Candleford come together to celebrate this special time of year...but the arrival of a dashing stranger is set to cause a stir. Who is he and what is his business in Candleford? Furthermore will his head be turned by any of the ladies?
As the residents of Lark Rise and Candleford return in this warm-hearted series could the fortunes of the Timmins family be about to change? A journalist named Daniel arrives to deliver the news that Emma has been left some money. There's a substantial sum to be claimed if Emma can prove her right to the money and there's a rags to riches story in it for Daniel's newspaper. As Robert and Emma contemplate their change in fortunes Laura who is fascinated to meet a real writer shows Daniel around Lark Rise. Elsewhere the Pratt sisters are keeping secrets from one another; Margaret confides in Dorcas that she and Thomas are trying for a baby and Minnie - in her attempt to live by Dorcas's advice of always telling the truth - ends up offending almost everyone who comes to the post office. Set at the end of the 19th century this gentle tender and visually stunning drama series has already sold to more than 15 territories and remains a critics' favourite.
A Gothic-comedy masterpiece, The League of Gentlemen Christmas Special is a horrific anthology of three related stories, all set in Royston Vasey, which takes its inspiration as much from the writings of MR James and Edgar Allan Poe as the low-budget Hammer and Amicus shockers that the team parody so affectionately. The stories are all linked by the Dickensian device of Reverend Bernice receiving unexpected guests on Christmas Eve: the first concerns troubled married couple Charlie and Stella becoming unwittingly involved in voodoo and witchcraft; the second features the horrendous Herr Lipp in a Nosferatu skit that reveals the terrible truth about what really goes on in Duisburg; while the third, and best, tells of the horrible hereditary curse that afflicted Dr Chinnery's great-grandfather. This one-off special distils all the League's penchant for disturbing, twisted characterisation and macabre humour into a single hour; the result is one of the most daring "comedies" ever seen on British TV. On the DVD: The League of Gentlemen Christmas Special on disc contains the hour-long main feature accompanied by a diverse and entertaining array of extras. There's another illuminating group commentary; a 20-minute documentary "Tales from Behind the Crypt", in which we get to see excerpts from the team's first ensemble effort, "Highgate House of Horror"; a chat with composer Jody Talbot; and the League themselves "In Conversation" with Paul Jackson in the complete Radio 4 broadcast. A selection of out-takes, extended scenes, character biographies and a photo gallery are all worthwhile, but best of all is a Jackanory special with Mark Gatiss as the Victorian Dr Chinnery telling the Gothic tale of "The Curse of the Karrit Poor", a spot-on Arthur Conan Doyle spoof. --Mark Walker
Director Tim Burton's eagerly awaited new take on the story of an astronaut (Mark Wahlberg) who crashlands on a strange planet, only to find a civilisation where Apes are the dominant species!
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