This Thames comedy series stars BAFTA-nominated Maureen Lipman as a recently widowed woman who must not only deal with her grief but also find a way to make ends meet and keep her bank manager at bay; her co-stars include Martin Clunes Gary Waldhorn and Carol Hawkins. Running for two series All at No. 20 is co-produced by sitcom veteran Peter Frazer-Jones with scripts by novelist Alex Shearer and former Sez Les contributor Richard Ommanney. This set comprises both series. Sheila Haddon's husband died eighteen months ago sans life insurance leaving her with nothing but cherished memories and a hefty mortgage on 'No. 20'. Now Sheila and daughter Monica are faced with the awful prospect of having to sell their beloved family home. The soft-hearted but independent Sheila doesn't relish the thought of calling on the help of old family friend Richard Beamish – perhaps lodgers will prove the solution to her predicament?
Please note this is a region 2 DVD and will require a region 2 or region free DVD player in order to play. In 1906, Sir Arthur Conan Doyle, having lost his first wife, was overcome with grief; even Sherlock Holmes and Dr Watson refused his call. It was only when his secretary, Woodie, presented him with an apparent real-life miscarriage of justice, that he could be roused to action. The case in question was that of George Edalji, a Parsee solicitor, who was imprisoned for writing obscene letters and killing livestock in Great Wyrley, Staffordshire. George needed Arthurs help to clear his name. However, as the twists and turns of the case unfold, Arthur himself questions Georges innocence. It is only by finding the true culprit, that Arthur can finally put the case, and his grief, to rest; whilst simultaneously becoming influential in a major reform to the English judicial system.
This Christmas the pupils of St Bernadette's and their much-loved, madcap teacher Mr Poppy (Marc Wootton) are back for their biggest adventure yet involving fantastic flashmobs, excitable elves, Christmas carols and of course Archie the donkey. When their new teacher Mr Shepherd (Martin Clunes) loses his memory and forgets all about Christmas, as well as his fiancée Sophie (Catherine Tate) and the whereabouts of the beloved Archie, it's up to the pupils of St Bernadette's to save the day. Led by the ever enthusiastic Mr Poppy, they embark on a Christmas journey like never before - but time is against them if they are to help Mr Shepherd get to New York in time for his magical yuletide wedding.
Much-loved comic actor Martin Clunes (Doc Martin Islands of Britain) explores his personal fascination with horses in an appealing light-hearted study of the noble beast. Martin once again travels around the world to trace the origins and evolution of the horse and to explore man's relationship and reliance upon them. A skilful rider and owner of several horses himself Martin will be jumping into the saddle at every opportunity bringing the story to life with his trademark gentle humour.
The ultimate small-screen representation of Loaded-era lad culture--albeit a culture constantly being undermined by its usually sharper female counterpart--there seems little argument that Men Behaving Badly was one of 1990s' definitive sitcoms. Certainly the booze-oriented, birds-obsessed antics of Martin Clunes' Gary and Neil Morrissey's Tony have become every bit as connected to Britain's collective funny bone as Basil Fawlty's inept hostelry or Ernie Wise's short, hairy legs. Yet, the series could easily have been cancelled when ITV viewers failed to respond to the original version, which featured Clunes sharing his flat with someone named Dermot, played by Harry Enfield. Indeed, it was only when the third series moved to the BBC and was then broadcast in a post-watershed slot--allowing writer Simon Nye greater freedom to explore his characters' saucier ruminations--that the show began to gain a significant audience. By then, of course, Morrissey had become firmly ensconced on the collective pizza-stained sofa, while more screen time was allocated to the boys' respective foils, Caroline Quentin and Leslie Ash. Often glibly dismissed as a lame-brained succession of gags about sex and flatulence, the later series not only featured great performances and sharp-as-nails writing but also sported a contemporary attitude that dared to go where angels, and certainly most other sitcoms, feared to tread. Or, as Gary was once moved to comment about soft-porn lesbian epic Love in a Women's Prison: "It's a serious study of repressed sexuality in a pressure-cooker environment." Series 6 includes: "Stag Night" in which Gary agrees with Dorothy's suggestion they get married ("We've tried everything else.") provoking potentially disastrous stag-night shenanigans; "Wedding" in which Gary and Dorothy's wedding day fails to run smoothly. ("I don't want to get married--I haven't slept with enough women," he complains. "Do you want to squeeze one in?"); "Jealousy" in which the quartet make the grave error of going away for a weekend in the country; "Watching TV" concerns a quiet night in with Captain Kirk & Co ("On the Starship Enterprise, when no one's looking, do you think they all swivel round in their chairs really fast?"); "Ten" in which the communal boat is rocked by the simultaneous arrival of Dorothy's nephew and Deborah's mother; and "Sofa" in which Tony buys a snake. --Clark Collis The DVD version also features a quiz.
Differing from the original release this special edition DVD contains the three part bogeylicious story (as seen on the BBC) and over an hours worth of bogey picking extras! Based on two very different worlds; the home of 'drycleaners' (that's humans to you and I) and the dark damp world of Bogeydom where Fungus and his family live it s'not quite the life of slime you'd expect. Fungus' job is to venture 'up top' to scare drycleaners. Unfortunately one adventure backfires creating the Bogeypeople's worst crisis - a Drycleaner has discovered their existence.... This is repulsive yet strangely compulsive viewing for all the family!
James Hilton's beloved novel Goodbye Mr Chips is tenderly remade here in this 2002 TV production. Martin Clunes plays the schoolteacher over a 50-year period, from his first day as a novice Latin instructor until his death at 83 as retired headmaster. The world and Mr Chipping change dramatically over the decades. He marries a proto-feminist (Victoria Hamilton) who nicknames him "Chips" and gives him courage to test his humanitarian impulses. World War I hits home in many ways--a long list of the school's graduates die or are maimed and Chips struggles with the discriminatory exile of his best friend, the German teacher. Despite obvious breaks for commercials, this film has a graceful honesty that transcends the sometimes sentimental storyline. The casual cruelty at the all-boys' school may make parents flinch more than their children, rendering this a safe choice for family viewing. --Kimberly Heinrichs
Includes the classic Christmas special plus a bumper selection of outtakes and bloopers!
This box set features the entire sixth series of the classic British Television drama Inspector Morse. Episodes comprise: 1. Dead On Time: Morse becomes deeply involved when a Don apparently commits suicide. The man's wife Susan was once engaged to Morse who makes no secret of the fact that he is still in love with her... 2. Happy Families: A wealthy industrialist is murdered yet his family seem uninterested until a second murder occurs... 3. The Death
The pageant of boorishness and slobbery known as Men Behaving Badly launched itself upon an unsuspecting audience in 1992. Over the course of six episodes, Gary (Martin Clunes), the disgruntled manager of a security alarm company, struggles to break up with his long-suffering girlfriend Dorothy (Caroline Quentin) while competing with his aimless flatmate Dermot (Harry Enfield) for the attentions of their fetching new upstairs neighbour Deborah (Leslie Ash). The plots are built on contrivances like a chess match over opera tickets or an attempt at seduction via a synthesized flamenco guitar, but the humor always springs from the petty, careless, and generally inane behavior of Dermot and Gary. Gary persuades Dorothy to accept an open relationship, then becomes consumed with jealousy when she sees another man; Dermot tries to persuade Deborah to relieve their basic needs while her boyfriend is in Singapore. It could be tiresome squalor--and according to reviews, the American remake of the show (featuring Rob Schneider and Ron Eldard) was just that--but Clunes and Enfield invest this pair of clods with enough humanity to make their mishaps both excruciating and funny. Enfield left after this first sextet of episodes; Clunes and Enfield's replacement Neil Morrissey took the show to five more series, but Enfield's charming dimness makes this first series worth a look. --Bret Fetzer
Martin Clunes returns as the bored sales executive in this update of Leonard Rossiter's classic 1970s sitcom The Fall and Rise of Reginald Perrin. After a disastrous work conference, Reggie has fled to the beach, where he faces a choice between walking out to sea or starting a new life. With Fay Ripley and Neil Stuke.
'Dirty Tricks' follows the hapless exploits of an unscrupulous English tutor at a seedy language school in Oxford. On the surface he is an eternal student: charming witty and accomplished. Beneath the facade however he displays a brilliant and ruthless talent for lying and manipulating everyone around him. Our 'hero' becomes friendly with wealthy couple Dennis and Karen Parsons but his initial feelings of bitterness regarding their success become complicated by a frenzied affair wit
The ultimate small-screen representation of Loaded-era lad culture--albeit a culture constantly being undermined by its usually sharper female counterpart--there seems little argument that Men Behaving Badly was one of 1990s' definitive sitcoms. Certainly the booze-oriented, birds-obsessed antics of Martin Clunes' Gary and Neil Morrissey' Tony have become every bit as connected to Britain's collective funny bone as Basil Fawlty's inept hostelry or Ernie Wise's short, hairy legs. Yet, the series could easily have been cancelled when ITV viewers failed to respond to the original version, which featured Clunes sharing his flat with someone named Dermot, played by Harry Enfield. Indeed, it was only when the third series moved to the BBC and was then broadcast in a post-watershed slot--allowing writer Simon Nye greater freedom to explore his characters' saucier ruminations--that the show began to gain a significant audience. By then, of course, Morrissey had become firmly ensconced on the collective pizza-stained sofa, while more screen time was allocated to the boys' respective foils, Caroline Quentin and Leslie Ash. Often glibly dismissed as a lame-brained succession of gags about sex and flatulence, the later series not only featured great performances and sharp-as-nails writing but also sported a contemporary attitude that dared to go where angels, and certainly most other sitcoms, feared to tread. Or, as Gary was once moved to comment about soft-porn lesbian epic Love in a Women's Prison: "It's a serious study of repressed sexuality in a pressure-cooker environment." Series 2 includes: "Gary and Tony", in which Tony moves into the Gary's flat and makes his first disastrous attempt to woo upstairs-neighbour Deborah; "Rent Boy" in which Gary thinks Tony is gay; "How to Bump Your Girlfriend" in which no sooner has Tony got back together with his old girlfriend and filled her in about Gary ("nice bloke, ears like the FA Cup") than he decides to give her the shove; "Troublesome Twelve Inch" in which Gary tries to sell a rare record belonging to Dorothy without her knowing; "Going Nowhere" in which Tony buys a van to impress Deborah who in turn gets stuck in a lift with Gary; and "People Behaving Irritatingly" in which Tony's brother and missus visit the flat much to Gary's annoyance ("It's not enough that they were at it all last night, now they're trying to set up a national sperm bank in my bath.) --Clark Collis
Simon Nye's modern reworking of Beauty And The Beast stars Martin Clunes as Tom Fitzhenry an ugly reclusive aristoccrat who lives on his beautiful slightly decaying estate. He despairs of ever having a relationship with a woman. Tom never leaves his home unless venturing out to attend to his roses. Tom is forced to hire a plumber for an urgent job to the mansion. Along comes cathy a quirky vivacious barmaid from the council estate in the village who carries out the plumbing work
The ultimate small-screen representation of Loaded-era lad culture--albeit a culture constantly being undermined by its usually sharper female counterpart--there seems little argument that Men Behaving Badly was one of 1990s' definitive sitcoms. Certainly the booze-oriented, birds-obsessed antics of Martin Clunes' Gary and Neil Morrissey's Tony have become every bit as connected to Britain's collective funny bone as Basil Fawlty's inept hostelry or Ernie Wise's short, hairy legs. Yet, the series could easily have been cancelled when ITV viewers failed to respond to the original version, which featured Clunes sharing his flat with someone named Dermot, played by Harry Enfield. Indeed, it was only when the third series moved to the BBC and was then broadcast in a post-watershed slot--allowing writer Simon Nye greater freedom to explore his characters' saucier ruminations--that the show began to gain a significant audience. By then, of course, Morrissey had become firmly ensconced on the collective pizza-stained sofa, while more screen time was allocated to the boys' respective foils, Caroline Quentin and Leslie Ash. Often glibly dismissed as a lame-brained succession of gags about sex and flatulence, the later series not only featured great performances and sharp-as-nails writing but also sported a contemporary attitude that dared to go where angels, and certainly most other sitcoms, feared to tread. Or, as Gary was once moved to comment about soft-porn lesbian epic Love in a Women's Prison: "It's a serious study of repressed sexuality in a pressure-cooker environment." Series 3 includes: "Lovers" in which Gary becomes worried that he hasn't slept with enough women; "Bed" in which Dorothy and Gary experience problems in the boudoir ("What's the matter? We always have sex after I've cooked for us. That's why I do it."); "Casual Ties" in which a depressed Deborah decides to sell her flat and go travelling, while Tony fails to cheer her up by impersonating different types of Cheese; "Weekend" in which Tony gets a job at The Crown; "Cleaning Lady" in which Tony reconsiders his professional options ("I could be an escort." "What, a car?" asks Gary); "Marriage" in which Gary joins Dorothy for a candlelit dinner ("Why she couldn't find a restaurant with proper lighting I don't know"). --Clark Collis
William Shawcross' (Martin Clunes) search for love is hampered by his work: not many women want to date an undertaker. He decides to take matters into his own hands and regsiters with a dating agency. Things start to look up when he is captivated by dark haried beauty Mary (Julie Graham) on one of the agency videos. Mary's an attractive divorced mother of two; and working as a midwife she only meets men who are expectant fathers and married doctors. Once the two get together there
The ultimate small-screen representation of Loaded-era lad culture--albeit a culture constantly being undermined by its usually sharper female counterpart--there seems little argument that Men Behaving Badly was one of 1990s' definitive sitcoms. Certainly the booze-oriented, birds-obsessed antics of Martin Clunes' Gary and Neil Morrissey's Tony have become every bit as connected to Britain's collective funny bone as Basil Fawlty's inept hostelry or Ernie Wise's short, hairy legs. Yet, the series could easily have been cancelled when ITV viewers failed to respond to the original version, which featured Clunes sharing his flat with someone named Dermot, played by Harry Enfield. Indeed, it was only when the third series moved to the BBC and was then broadcast in a post-watershed slot--allowing writer Simon Nye greater freedom to explore his characters' saucier ruminations--that the show began to gain a significant audience. By then, of course, Morrissey had become firmly ensconced on the collective pizza-stained sofa, while more screen time was allocated to the boys' respective foils, Caroline Quentin and Leslie Ash. Often glibly dismissed as a lame-brained succession of gags about sex and flatulence, the later series not only featured great performances and sharp-as-nails writing but also sported a contemporary attitude that dared to go where angels, and certainly most other sitcoms, feared to tread. Or, as Gary was once moved to comment about soft-porn lesbian epic Love in a Women's Prison: "It's a serious study of repressed sexuality in a pressure-cooker environment." Series 4 includes: "Babies" in which Dorothy gets broody. ("I suppose the big question is do I really want children with a man who still has a Fungus the Bogeyman pillowcase."; "Infidelity" in which Gary thinks Dorothy may be having an affair; "Pornography" in which Deborah invites Dorothy and her new boyfriend to a dinner party, much to Gary's chagrin; "3 Girlfriends" in which Dorothy has some unpleasant news for Gary; "Drunk" in which Gary's fresh start with Dorothy is put at risk by his local's extensive range of guest lagers; "In Bed with Dorothy" in which Dorothy's recuperative powers are tested following an appendectomy when Gary "shoulders the burden of caring for her". Meanwhile Tony discovers he needs glasses ("No one in our family wears glasses. We just go from brilliant eyesight to ... dead."); "Playing Away" in which Gary harbours hopes that a creative-writing course he is attending with Deborah will turn into a dirty one. --Clark Collis
William Shawcross' (Martin Clunes) search for love is hampered by his work: not many women want to date an undertaker. He decides to take matters into his own hands and regsiters with a dating agency. Things start to look up when he is captivated by dark haried beauty Mary (Julie Graham) on one of the agency videos. Mary's an attractive divorced mother of two; and working as a midwife she only meets men who are expectant fathers and married doctors. Once the two get together there
William Shawcross' (Martin Clunes) search for love is hampered by his work: not many women want to date an undertaker. He decides to take matters into his own hands and regsiters with a dating agency. Things start to look up when he is captivated by dark haried beauty Mary (Julie Graham) on one of the agency videos. Mary's an attractive divorced mother of two; and working as a midwife she only meets men who are expectant fathers and married doctors. Once the two get together there
Men Behaving Badly - The Final Trilogy.Performance:Sex is beautiful and natural, until Gary and Dorothy decide they want to make a baby. Tony is about to move in with Deborah when she goes into hospital with a bad leg. Tony faces up to the dilemma could he live with a one-legged woman but not to worry, the most important thing is: it's Karaoke Night at The Crown.Gary In Love:Dazzled by the prospect of a free hotel suite, Deborah, Tony and Dorothy join Gary for a weekend in Worthing in November. Tony and Gary get drunk and smuggles a municipal landmark back to their hotel, then wonder how to dispose of it. Dorothy thinks she is pregnant and Gary thinks he is falling in love with Wendy. Tony decides only he can sort it out...Delivery:Tony has got a job as a postman and is finally taking life seriously - too seriously for Deborah who realises she preferred him when he was carefree and stupid. Gary's office is closing down, not that he can bring himself to tell the staff. Dorothy is very pregnant and already worried about having another helpless flatulent, breast-fixated little bastard in the house...
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