An enchanting adaptation of the classic children's book by Philippa Pearce about Tom Long who has to spend the summer at his aunt's house.
A classic of shock cinema, Wes Craven's tale follows a family vacation which turns into a holiday from hell.
A successful talk show host leaves Los Angeles to reunite with his family in the Deep South.
""...This is the USS Nimitz. Where the Hell are we...?"" Trapped inside the boundaries of time and space... 102 aircraft.... 6000 men.... all missing. It is 1980 and the USS Nimitz puts to sea off of Pearl Harbor for routine exercises. After encountering a strange storm and losing all contact with the US Pacific Fleet nuclear war with the Soviet Union is assumed and the USS Nimitz arms herself for battle. However after encountering Japanese Zero scout planes and finding Pearl Harbor filled with pre-World War II battleships it is realized that the storm the Nimitz went through caused the ship to travel back in time: to December 6th 1941.
For anyone who wants to catch a glimpse of the Los Angeles "lounge" scene that was in vogue during the early and mid-1990s, here's the movie that virtually defined that brief but colourful nightlife milieu. As an added bonus, it just happens to be a very funny, observant story about love, loss and male bonding among a group of friends who struggle to find decent jobs by day, and lurk through Hollywood's hottest nightclubs by night. A sort of latter-day Rat Pack, they include Mike (writer-actor Jon Favreau) and his closest buddy, Trent (Vince Vaughn), who are waiting for the big show-biz break that seems to be eluding them. Mike's twisted up about the girlfriend he left back East to pursue his going-nowhere standup comedy career, and Trent uses the word "money" as an adjective ("Man, we look totally money tonight") with such frequency that you may find yourself slipping into lounge-lizard mode after watching the movie. One of the most noteworthy indie-film success stories of the 90s, Swingers is a time-capsule comedy that seized its moment in the spotlight, launched several promising careers and continues to maintain its lasting appeal. --Jeff Shannon
After narrowly escaping an attempted rape Marjorie is haunted by the fact that her attacker knows where she lives. But when he appears on her doorstep and subjects her to a non-stop barrage of physical and mental assaults Marjorie manages to disarm and capture him. Filled with fear and hostility she conspires with her roommates to take the law into their own hands. But as her rage consumes her Marjorie shocks her friends with a proposal that challenges the perilously thin line bet
With a tantalising "what-if?" scenario and a respectable cast of Hollywood veterans, The Final Countdown plays like a grand-scale episode of The Twilight Zone. It's really no more than that, and time-travel movies have grown far more sophisticated since this popular 1980 release, but there's still some life remaining in the movie's basic premise: what if a modern-era navy aircraft carrier--in this case the real-life nuclear-powered USS Nimitz--was caught in an anomalous storm and thrust 40 years backwards in time to the eve of Japan's attack on Pearl Harbor? Will the ship's commander (Kirk Douglas) interfere with history? Will the visiting systems analyst (Martin Sheen) convince him not to? Will a rescued senator from 1941 (Charles Durning) play an unexpected role in the future of American politics? Veteran TV director Don Taylor doesn't do much with the ideas posed by this potentially intriguing plot; he seems more interested in satisfying aviation buffs with loving footage of F-14 "Jolly Roger" fighter jets, made possible by the navy's generous cooperation. That makes The Final Countdown a better navy film than a fully fledged time-travel fantasy, but there's a nice little twist at the end, and the plot holes are easy to ignore. James Cameron would've done it better, but this popcorn thriller makes an enjoyable double bill with The Philadelphia Experiment. --Jeff Shannon
One Million Years B.C. might be about as palaeontologically accurate as The Flintstones, but it's still a lasting kitsch masterpiece, as much for Raquel Welchs Amazonian presence in an abbreviated fur bikini as for Ray Harryhausens wonderful stop-motion dinosaurs. A rare big-budget venture from Hammer Films, this 1966 version of the 1940 Victor Mature classic One Million B.C. is set in a fantasised prehistory where Caucasian cavemen coexist with dinosaurs. Loana (Welch) of the Shell People teaches Tumak (John Richardson) of the Rock Tribe that harmonious cooperation on the beach is a better way of life than rule-of-the-mightiest savagery in caves. Every quarter of an hour, the gibberish-spouting ("Akita akita"), skin-wearing, remarkably clean cave folk are inconvenienced by special effects: a giant sea turtle, a hungry Allosaur, a Triceratops/Iguanodon battle, a Pterodactyl that wants to feed Raquel to its chicks, a major volcanic upheaval. Poster icon Welch gets stiff competition from a lithe Martine Beswick in a cat fight, and the camp goings-on are given real screen presence by gorgeous, primitive Canary Isles locations and an epic score from Mario Nascimbene. On the DVD: One Million Years B.C. arrives on DVD with minimal extras: a wonderfully ballyhoo-intensive trailer, plus nice little retrospective chats with Welch and Harryhausen. The picture is an anamorphic print of the original 1.85:1 ratio, and sound is Dolby mono.--Kim Newman
The fourth season of classic American soap opera Dynasty.
Ferris Bueller's Day Off: Ferris Bueller. Larger than life. Blessed with a magical sense of serendipity. He's a model for all those who take themselves too seriously. A guy who knows the value of a day off. Ferris Bueller's Day Off chronicles the events in the day of a rather magical young man Ferris (Matthew Broderick). One spring day toward the end of his senior year Ferris gives in to an overwhelming urge to cut school and head for downtown Chicago with his girl (Mia Sa
A wayward chemistry professor (Curtis) and his friend (Martin) imitate spies in a desperate attempt to justify a kiss between Curtis and one of his students to his jealous wife JANET Janet Leigh. The situation becomes chaotic once the pair are mistaken for genuine FBI agents by real Russian spies!
Following the 1942 Bataan Death March thousands of U.S. and Filipino soldiers were imprisoned by the Japanese in a POW camp in Cabantauan in the Philippines. Brutalized starved and tortured the prisoners languished in the camp for nearly three years. But in January 1945 an American battalion with the help of Filipino guerrillas planned a daring mission - some called it suicide - to rescue the five hundred U.S. soldiers still alive there. This film tells that story in glorious detail. The story is based on two books The Great Raid: Rescuing The Doomed Ghosts Of Bataan And Corregidor by William B. Breuer and Ghost Soldiiers: The Epic Account Of World War II's Greatest Rescue Mission by Hampton Sides. In addition several men involved in the raid served as consultants on the project. The result is a thrilling agonizing and unforgettable war movie like they used to make in the 1940s and 1950s a celebration of the human spirit. The Great Raid stars Benjamin Bratt as Lt. Colonel Mucci an offbeat military man who puts his faith in young Captain Prince (James Franco) to lead the dangerous mission. Among the men imprisoned in the camp are Joseph Fiennes as the ailing Major Gibson and Marton Csokas as Captain Redding who is always trying to escape. Connie Nielsen adds romantic tension as a war widow smuggling much-needed medicine into the camp.
Suspecting that the Pimpernal is an English aristocrat Chauvelin is sent to England to discover the identity of the mystery man. Once there Chauvelin meets his former lover the beautiful French actress Marguerite who is married to a foppish English aristocrat. Marguerite reluctantly gives Chauvelin information to find the elusive Pimpernel and has unwittingly betrayed him...
James Hilton's beloved novel Goodbye Mr Chips is tenderly remade here in this 2002 TV production. Martin Clunes plays the schoolteacher over a 50-year period, from his first day as a novice Latin instructor until his death at 83 as retired headmaster. The world and Mr Chipping change dramatically over the decades. He marries a proto-feminist (Victoria Hamilton) who nicknames him "Chips" and gives him courage to test his humanitarian impulses. World War I hits home in many ways--a long list of the school's graduates die or are maimed and Chips struggles with the discriminatory exile of his best friend, the German teacher. Despite obvious breaks for commercials, this film has a graceful honesty that transcends the sometimes sentimental storyline. The casual cruelty at the all-boys' school may make parents flinch more than their children, rendering this a safe choice for family viewing. --Kimberly Heinrichs
""You don't understand. I coulda had class. I coulda been a contender. I coulda been somebody instead of a bum which is what I am let's face it."" - Terry Malloy (Marlon Brando) Marlon Brando is the longshoreman who finds himself increasingly isolated when he challenges the might and power of the tough New York City dockers' Union. Rod Steiger is his elder brother torn between loyalty to union and love of family. Lee J. Cobb is the powerful union boss while Eva Marie Saint
Following the success of Karel Reisz's 'Saturday Night and Sunday Morning' Alan Sillitoe adapted another of his works for the screen this time a short story of a disillusioned teenager rebelling against the system to make Tony Richardson's 'The Loneliness of the Long Distance Runner' one of the great British films of the 1960s. Newcomer Tom Courtenay is compelling as the sullen defiant Colin refusing to follow his dying father into a factory job railing against the capitalist bosses and preferring to make a living from petty thieving. Arrested for burglary and sent to borstal Colin discovers a talent for cross-country running earning him special treatment from the governor (Michael Redgrave) and the chance to redeem himself from anti-social tearaway to sports day hero. With Colin a favourite to win against a local public school tensions build as the day approaches...
Werner Ernst is an overworked intern who only wants what is best for his elderly comatose patient--until he falls for the ailing man's beautiful daughter Felicia. The seductive Felicia has ten million reasons to let her father ""die with dignity "" while her deeply religious sister has her own motives for keeping him alive. Caught between passion and duty Werner descends into a moral mine field where the physician's god-like powers of life and death depend on knowing right from wrong-
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