There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow between science and superstition and it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination. It is an area we call...The Twilight Zone! All the episodes from Season 5!
There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow between science and superstition and it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination. It is an area we call...The Twilight Zone! This fantastic 6 DVD boxed set contains all 36 episodes from Rod Serling's classic groundbreaking series. Episodes comprise: 1. Where Is Everybody? 2. One For The Angels 3. Mr. Denton On Doomsday 4. Sixteen Millimeter Shrine 5. Walking Distance 6. Escape Clause 7. The Lonely 8. Time Enough At Last 9. Perchance To Dream 10. Judgment Night 11. And When The Sky Was Opened 12. What You Need 13. The Four Of Us Are Dying 14. Third From The Sun 15. I Shot An Arrow Into The Air 16. The Hitch-Hiker 17. The Fever 18. The Last Flight 19. The Purple Testament 20. Elegy 21. Mirror Image 22. The Monsters Are Due On Maple Street 23. A World Of Difference 24. Long Live Walter Jameson 25. People Are Alike All Over 26. Execution 27. The Big Tall Wish 28. A Nice Place To Visit 29. Nightmare As A Child 30. A Stop At Willoughby 31. The Chaser 32. A Passage For Trumpet 33. Mr. Bevis 34. The After Hours 35. The Mighty Casey 36. A World Of His Own
A group of Mexican revolutionaries murder a town priest and a number of his christian followers. Ten years later a widow arrives in town intent to take revenge from her husband's killers. This film starts in spectacular fashion as a gang of rebels gun down the entire congregation of a church young and old including the priest. The barbaric nature of this opening continues throughout A Town Called Hell. The majority of the movie is set in the Mexican town of Bastardo which is under the leadership of Don Carlos (Telly Savalas). A hearse arrives at the gates with an empty coffin and two passengers - Alvira (Stella Stevens) a blonde widower clothed in black and her mysterious unnamed companion (Dudley Sutton). She is searching for the man that killed her husband and offers Carlos gold if he will hand over the guilty man - who she believes to be named Aguila.
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on an astounding first-season budget of 3.25 million pounds, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course, the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to physical law. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on an astounding first-season budget of 3.25 million pounds, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course, the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to physical law. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
When it was made there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm, which causes the moon to break away from Earth orbit and travel endlessly through space. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for the premise of the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to any physical laws. And in "Earthbound" aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are valid complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena the crew encounter on their journey through the Galaxy. --Jim Gay, Amazon.com
""Oh just one more thing..."" Peter Falk stars as Lt. Columbo in this box set featuring the first four seasons. Expect plenty of cigar-chewing slouching and suspects being questioned about their shoes! Season 1: 1. Murder By The Book 2. Death Lends A Hand 3. Dead Weight 4. Suitable For Framing 5. Lady In Waiting 6. Short Fuse 7. Blueprint For Murder Series 2: 1. tude in Black 2. The Greenhouse Jungle 3. The Most Crucial Game 4. Dagger of the Mind 5. Requiem for a Falling Star 6. A Stitch in Crime 7. The Most Dangerous Match 8. Double Shock Series 3: 1. Lovely but Lethal 2. Any Old Port in a Storm 3. Candidate for Crime 4. Double Exposure 5. Publish or Perish 6. Mind over Mayhem 7. Swan Song 8. A Friend in Deed Series 4: 1. An Exercise In Fatality 2. Negative Reaction 3. By Dawn's Early Light 4. Troubled Waters 5. Playback 6. A Deadly State Of Mind
The Metamorph: Koenig goes to rescue two captured pilots from the planet Psychon but comes to meet Mentor a man lording over a world of virtual zombies who work for him as miners. Koenig believes he is capable of defeating Mentor and preventing him using a biological computer that feeds on the minds and bodies of his slaves. The Exiles: Travelling through space are fifty cylinder-shaped objects. When Koenig recovers one inside is a young man named Cantar. This is the mark of the trouble to come as Cantar and his wife force their way into the power station and use its energy to transport them to their own planet from which they were exiled. One Moment of Humanity: Zamara a striking alien woman materialises aboard Moonbase and takes two people back to her own planet. However Zamara and her accomplice Zarl are in fact super-androids developed by successive generations of self-reproducing computers and want to wipe out the humans who invented them. All That Glisters: After scanning a planet which contains Milgonite a rare mineral vital to Alpha's life support system the Alphans are eager to visit it. However by the time that they discover that there is no Milgonite only a deceptive lethal drug it is too late. The deadly rock is already aboard Alpha.
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds--an astounding amount--and ran for two seasons from 1975 to 77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances are: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from its orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propel it out of orbit and sent it flying through space without regard for any physical laws. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds, an astounding amount, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. The moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth's orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, and has been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticized the show for its premise in the opening episode "Breakaway," which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth's orbit and flying through space without regard to any physical laws. In "Earthbound," aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the Galaxy. --Jim Gay, Amazon.com
The epic Old Testiment story of Hebrew patriarch Abraham and his descendants. A star-studded cast brings these compelling stories to life featuring: Abraham's call to find the promised land; the stories of Isaac Rebeccah Esau and Jacob; Joseph's remarkable rise to power despite being sold into slavery by his brothers; Moses receiving the ten commandments and the liberation of the jews from Egypt.
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds--an astounding amount--and ran for two seasons from 1975 to 77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances are: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from its orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propel it out of orbit and sent it flying through space without regard for any physical laws. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
Seed of Destruction: Whilst exploring a bizarre asteroid Koenig is detained and replaced by a double. The fake Koenig returns to Moonbase with a crystal which is discovered will draw all the energy from Moonbase in order to revitalise its home the steroid where the real Koenig is still a prisoner. The Beta Cloud: After a cloud of space dust causes a mystery illness on Alpha an Eagle crew is sent to track the storm cloud. They return with a terrifying space creature which they discovered is their agent and wants the Moonbase life support system. Tony and Maya must fight to defeat the space creature. A Matter of Balance: When Koenig and Shermeen decide to explore an apparently lifeless planet Shermeen wanders into a temple and comes under the spell of a Vindrus. She wants to help Vindrus' doomed race but soon learns that for each Vindrus saved one Alphan will be doomed and that she is the first in line. Space Warp: Two crises strike the Alphans simultaneously. Koenig and Tony who are checking out a derelict spaceship in when Eagle One encounter a space warp and end up five light years away while Maya is stricken down by a fever and changes into a range of creatures. Before long she changes into a space animal and escapes to the moon surface. Koenig and Tony began to find a way back through.
Behind the passion... Behind the lust... Lies our greatest fear. 'Brat Pack' star Molly Ringwald (Sixteen Candles, The Breakfast Club, Pretty In Pink), Oscar-winners Lee Grant (Mulholland Drive), Oscar Winning Martin Landau (Ed Wood, Mission: Impossible and The Simpsons), and Perry King (The Day After Tomorrow) head the cast of this acclaimed drama that tells the true story of Alison Gertz, a young woman whose courageous battle with a life-threatening disease became an inspiration to thousands of other young people. One moment of passion changed Alison Gertz's life forever when a one-night stand led to her contracting one of the most dreaded diseases of modern times: AIDS. An aspiring commercial artist, Alison was young, white and upwardly mobile, from a strong, upper-middle-class family. She was also heterosexual, not promiscuous, had never used intravenous drugs or had a blood transfusion. Yet her life - and those of her family members - were changed radically by her diagnosis of having AIDS at the age of 22. But what, for Alison, seemed like the beginning of the end, turned into a personal crusade that would touch the lives of millions. Fatal Love also stars Christopher Meloni (Law & Order: Special Victims Unit). It is written by Deborah Joy Levine (creator of the TV series The Division) and directed by Tom McLoughlin (The Unsaid, D.C.Sniper: 23 Days of Fear, Behind the Mask, Murder Of Innocence).
Brian The Brain: A spaceship approaching the Moon identifies itself as one of the four 'Swift' ships that left Earth in 1996 and disappeared. Inside there is no crew; just a lively computer named Brian the Brain. Once aboard it kidnaps Helena and Koenig. New Adam New Eve: A man appears claiming to be God and selects two couple to begin a new Earth. The couples (Helena with Tony Verdeschi and Koenig with Maya) are mismatched but using his powers 'God' makes it seem alright. However it is discovered that God is not God but instead Magus a cosmic magician. The AB Chrysalis: After regular bombardments by enormous electrical waves one more such wave could spell final destruction for Moonbase Alpha. Koenig visits the source of the bombardments a nearby planet and discovers a civilisation where people are in a chrysalis stage protected only by their computer which sees Moonbase as a threat to them and is therefore attacking it. Catacombs of the Moon: In the Catacombs of the Moon engineer Patrick Osgood is searching for titanium to save his wife's life in heart surgery and because it is vital to the Moonbase Alpha's life support system. Osgood fails to find any metal and takes his wife into the catacombs only to go missing. Koenig decides to release some titanium from the store but now must find the Osgoods.
The Bringers of Wonder (Part One): After crashing his Eagle Koenig is dragged from the wreckage unconscious. Meanwhile a faster-than-light-ship arrives on the Moon (the 'superswift'). One of the crew Guido announces that transport will soon be coming from Earth to rescue the Alphans but when Koenig regains consciousness he sees hideous aliens who plan to kill him. The Bringers of Wonder (Part Two): Having survived Koenig suggests that it could have been the brain machine which kept him from being deceived. Meanwhile the aliens are planning to manipulate three Alphans into blowing up the Moon's nuclear waste dumps to create energy. It is soon left to Maya Helena and Koenig to defeat the aliens. The Lambda Factor: A pretty young Alpha technician dies a horrible death. Maya discovers that a huge gaseous cloud is giving off Lambda waves which could give some people paranormal powers. Carolyn takes over the Commander Centre and Moonbase. Koenig must fight a mental battle against her to decide the future of Moonbase. The Seance Spectre: The planet Tora is sighted but is on a collision course with the Moon. A small group of angered Alphans use their laser guns to take over the Command Center made off-limits by Koenig. They hold a seance and claim Tora would be habitable. Koenig regains control but is faced with the ever-impending crash with Tora and the rebel opposition which could jeopardise things further.
Journey To Where: Hopes are high when a message is received by neutrone transmission from Earth. But although the moon has been in outer space for only a few months it is 2120 AD on Earth. On the message is the technology which will allow the Alphans to return to Earth. However when Koenig Helena and Alan Carter decide to try it out they find themselves on Earth in 1339 during a Civil War. The Taybor: Taybor materialises on the Moon an interstellar trader with an excellent spaceship that travels through hyper-space. Koenig offers the entire Moon in exchange for the secret of Taybor's hyper-spacial travel. But Taybor wants Maya and when Koenig refuses Taybor kidnaps her. The Rules of Luton: Temporarily left on Luton a planet with lush vegetation Koenig and Maya explore. But when Koenig eats some flowers and Maya smells some flowers a thunderous voice booms out accusing them of murder. Their damage to the planet is unforgivable and they must face the consequences. The Mark of Archanon: A metallic cabinet long buried beneath the surface of the moon is recovered. Inside are Pasc and his son Etrec from the planet Archanon. Pasc was part of a team sent on a mission of goodwill but the hatred and violence on Earth was contagious. Pasc uses his new lease of life to make up for past misdeeds.
Visionary filmmakers Tim Burton (The Corpse Bride, Charlie and The Chocolate Factory) and Timur Bekmambetov (Wanted, Nightwatch) join forces to produce wunderkind director Shane Acker's distinctively original and thrilling tale. 9 stars Elijah Wood, John C. Reilly, Jennifer Connelly, Martin Landau, Christopher Plummer and Crispin Glover and features the music of Danny Elfman. When 9 (The Lord of the Ring's Elijah Wood) first comes to life, he finds himself in a post-apocalyptic world. All humans are gone, and it is only by chance that he discovers a small community of others like him taking refuge from fearsome machines that roam the earth intent on their extinction. Despite being the neophyte of the group, 9 convinces the others that hiding will do them no good. They must take the offensive if they are to survive, and they must discover why the machines want to destroy them in the first place. As they'll soon come to learn, the very future of civilization may depend on them.
A contrivance in which a Hollywood producer (Martin Landau) is trapped on an elevator by screenplay writer/elevator operator (Arye Gross) provides a basis for presentation of some interesting short filmplays.
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