Yesterday, everyone knew The Beatles. Today, only Jack remembers their songs. He's about to become a very big deal. From Academy Award®-winning director DANNY BOYLE (Slumdog Millionaire, Trainspotting, 28 Days Later) and RICHARD CURTIS, the Oscar®-nominated screenwriter of Four Weddings and a Funeral, Love Actually and Notting Hill, comes a rock 'n' roll comedy about music, dreams, friendship, and the long and winding road that leads to the love of your life. Jack Malik (HIMESH PATEL, BBC's EastEnders) is a struggling singer-songwriter in a tiny English seaside town whose dreams of fame are rapidly fading, despite the fierce devotion and support of his childhood best friend, Ellie (LILY JAMES, Mamma Mia! Here We Go Again). Then, after a freak bus accident during a mysterious global blackout, Jack wakes up to discover that The Beatles have never existed and he finds himself with a very complicated problem indeed. Performing songs by the greatest band in history to a world that has never heard them, and with a little help from his steel-hearted American agent, Debra (Emmy Award winner KATE MCKINNON, TV's Saturday Night Live), and his kind-but-wildly-unreliable roadie Rocky (JOEL FRY, HBO's Game of Thrones), Jack's fame explodes. But as his star rises, he risks losing Elliethe one person who always believed in him. With the door between his old and new life closing, Jack will need to get back to where he once belonged and prove that all you need is love.
Yesterday, everyone knew The Beatles. Today, only Jack remembers their songs. He's about to become a very big deal. From Academy Award®-winning director DANNY BOYLE (Slumdog Millionaire, Trainspotting, 28 Days Later) and RICHARD CURTIS, the Oscar®-nominated screenwriter of Four Weddings and a Funeral, Love Actually and Notting Hill, comes a rock 'n' roll comedy about music, dreams, friendship, and the long and winding road that leads to the love of your life. Jack Malik (HIMESH PATEL, BBC's EastEnders) is a struggling singer-songwriter in a tiny English seaside town whose dreams of fame are rapidly fading, despite the fierce devotion and support of his childhood best friend, Ellie (LILY JAMES, Mamma Mia! Here We Go Again). Then, after a freak bus accident during a mysterious global blackout, Jack wakes up to discover that The Beatles have never existed and he finds himself with a very complicated problem indeed. Performing songs by the greatest band in history to a world that has never heard them, and with a little help from his steel-hearted American agent, Debra (Emmy Award winner KATE MCKINNON, TV's Saturday Night Live), and his kind-but-wildly-unreliable roadie Rocky (JOEL FRY, HBO's Game of Thrones), Jack's fame explodes. But as his star rises, he risks losing Elliethe one person who always believed in him. With the door between his old and new life closing, Jack will need to get back to where he once belonged and prove that all you need is love.
As BOYS ON FILM reaches the end of its teenage years we take a look at those unique boys; the boys who make the world a better and more exciting place. The boys who will go one step further and always impress. The boys who are not always what they seem
Despite making many other distinguished films in his long, wandering career, Francis Ford Coppola will always be known as the man who directed The Godfather trilogy, a series that has dominated and defined their creator in a way perhaps no other director can understand. Coppola has never been able to leave them alone, whether returning after 15 years to make a trilogy of the diptych, or re-editing the first two films into chronological order for a separate video release as The Godfather Saga. The films are an Italian-American Shakespearian cycle: they tell a tale of a vicious mobster and his extended personal and professional families (once the stuff of righteous moral comeuppance), and they dared to present themselves with an epic sweep and an unapologetically tragic tone. Murder, it turned out, was a serious business. The first film remains a towering achievement, brilliantly cast and conceived. The entry of Michael Corleone into the family business, the transition of power from his father, the ruthless dispatch of his enemies--all this is told with an assurance that is breathtaking to behold. And it turned out to be merely prologue; two years later The Godfather, Part II balanced Michael's ever-greater acquisition of power and influence during the fall of Cuba with the story of his father's own youthful rise from immigrant slums. The stakes were higher, the story's construction more elaborate and the isolated despair at the end wholly earned. (Has there ever been a cinematic performance greater than Al Pacino's Michael, so smart and ambitious, marching through the years into what he knows is his own doom with eyes open and hungry?) The Godfather, Part III was mostly written off as an attempted cash-in but it is a wholly worthy conclusion, less slow than autumnally patient and almost merciless in the way it brings Michael's past sins crashing down around him even as he tries to redeem himself. --Bruce Reid, Amazon.com On the DVD: Contained in a tasteful slipcase, the three movies come individually packaged, with the second instalment spread across two discs. The anamorphic transfers are acceptable without being spectacular, with Part 3 looking best of all. Francis Ford Coppola--obviously a DVD fan--provides an exhaustive and enthusiastic commentary for all three movies, although awkwardly these have to be accessed from the Set Up menu. The fifth bonus disc is a real goldmine: the major feature is a 70-minute documentary covering all three productions, which includes fascinating early screen-test footage. There's also a 1971 making-of featurette about the first instalment, plus several shorter pieces with Coppola, Mario Puzo and others talking about specific aspects of the series, including a treasurable recording of composer Nino Rota performing the famous theme. Another section contains all the Oscar-acceptance speeches and Coppola's introduction to the TV edit, plus a whole raft of additional scenes that were inserted in the 1977 re-edited version. Text pieces include a chronology, a Corleone family tree and biographies of cast and crew. Overall, this is a handsome and valuable package that does justice to these wonderful movies. --Mark Walker
Loki Season 2 picks up in the aftermath of the shocking season one finale when Loki finds himself in a battle for the soul of the Time Variance Authority. Along with Mobius, Hunter B-15 and a team of new and returning characters, Loki navigates an ever-expanding and increasingly dangerous multiverse in search of Sylvie, Judge Renslayer, Miss Minutes and the truth of what it means to possess free will and glorious purpose. Exclusive concept art cards, over an hour of bonus material in 4k or Blu-ray format::Assembled: The Making Of Loki Season 2, Loki Through Time, Gag Reel, Deleted Scenes
Containing both 4K UHD and Blu ray dics Marvel Studios Loki features the God of Mischief as he steps out of his brothers shadow. Set after the events of Avengers Endgame, this action-packed, time-defying thriller stars Tom Hiddleston as the title characters with Owen Wilson as agent Mobius.
Goldie Hawn and Susan Sarandon star as two former rock groupies from the 60s reunited in the present day. One is a waitress, nostalgic for the old days, and the other is a prominent socialite eager to forget her past.
Yesterday, everyone knew The Beatles. Today, only Jack remembers their songs. He's about to become a very big deal. From Academy Award®-winning director DANNY BOYLE (Slumdog Millionaire, Trainspotting, 28 Days Later) and RICHARD CURTIS, the Oscar®-nominated screenwriter of Four Weddings and a Funeral, Love Actually and Notting Hill, comes a rock 'n' roll comedy about music, dreams, friendship, and the long and winding road that leads to the love of your life. Jack Malik (HIMESH PATEL, BBC's EastEnders) is a struggling singer-songwriter in a tiny English seaside town whose dreams of fame are rapidly fading, despite the fierce devotion and support of his childhood best friend, Ellie (LILY JAMES, Mamma Mia! Here We Go Again). Then, after a freak bus accident during a mysterious global blackout, Jack wakes up to discover that The Beatles have never existed and he finds himself with a very complicated problem indeed. Performing songs by the greatest band in history to a world that has never heard them, and with a little help from his steel-hearted American agent, Debra (Emmy Award winner KATE MCKINNON, TV's Saturday Night Live), and his kind-but-wildly-unreliable roadie Rocky (JOEL FRY, HBO's Game of Thrones), Jack's fame explodes. But as his star rises, he risks losing Elliethe one person who always believed in him. With the door between his old and new life closing, Jack will need to get back to where he once belonged and prove that all you need is love.
Zeffirelli's 1963 Milan production of La Boheme, preserved in this 1965 film, provides a richly satisfying take on Puccini's much-loved romantic tragedy. The staging is opulent, not least in the way Zeffirelli opens up the Cafe Momus and turns it into a warm, vibrant haven for the bohemians and their followers. But it's the relationships which really matter here. Puccini's score--conducted with restrained passion by Herbert von Karajan--develops in a wonderfully linear way, with some of his most intensely moving arias and duets underpinning the evolution of the bohemian artists, particularly Rodolfo and Marcello, from immature egotists to rounded human beings, touched by tragedy. The film does look dated now--Mirella Freni's Mimi, sung with moving clarity, has the doe-eyed look of a 1960s pop star and the camera work is a tad unsophisticated--but the singing still puts the listener through the wringer. Gianni Raimondi's Rodolfo ("Che gelida manina") struggles manfully to come to terms with his emotional shortcomings and Adriana Martino (Musetta) has some fine comic moments before playing her vital part in the overwhelming sadness of the final scenes. Soul food for the tragically inclined. On the DVD: La Boheme has no extras here, but excellent booklet notes accompany the disc. The PCM Stereo soundtrack has been digitally remastered to decent effect. The 4:3 picture format inevitably imposes some limitations and the 1960s video quality is a little dull, but after all, this is a product of its time and a vital record of one of Zeffirelli's most successful productions.--Piers Ford
Sergio Martino directs this Italian horror starring Suzy Kendall and Tina Aumont. Two college girls are butchered by a masked killer who leaves a scarf at the scene. A classmate of the dead girls has seen the scarf before - but where? Her attempts to track down the culprit become more urgent as the hacksaw-wielding maniac sets about a killing spree across the Italian countryside.
When Frank DaVinci's (Joey Travolta) wedding day turns into a massacre he finds himself in the middle of a war between rogue CIA agents and the underworld. The mysterious Collette (Anna Nicole Smith) has the key to unlock dangerous secrets but is she a trustworthy friend or a deadly enemy?
Five teenage friends avidly take up a challenge from a spooky innkeeper - to spend a night in an eerie crypt in return for a prize that has remained unclaimed for centuries. In spite of a warning that the place is haunted by every imaginable horror from beyond the grave the friends refuse to believe they will come to harm ...provided they stick together. Will they survive? Will they overcome the terror...and win the bet? You'll hold your breath. Original music by Simon Boswell.
Tracklisting:1). You Will Be My Music2). Quando Quando Quando3). Feelings4). Mary In The Morning5). Spanish Eyes6). Strangers In The Night7). Lonely Is A Man Without Love8). Speak Softly9). Granada10). Malafemmena11). Aldila12). Come Into My Life13). I've Gotta Be Me14). Here In My Heart15). Volare.
Herbert von Karajan (1908-1989) one of the twentieth century''s most fascinating and complex geniuses dominated the post-war classical music world like a colossus. He won unprecedented musical power and public acclaim; received far more adulation sold far more records and made far more money than any other classical musician of his era. He also had many detractors -those alienated by his superstar status; those who found the purity and beauty of his music-making cold and superficial; those repelled by his headstrong ambition and endlessly demanding pursuit of his artistic ideals; and those for whom he was forever tainted by the shadow of the Third Reich. Yet his musical playboy image was at odds with the private man who was in reality a shy often solitary figure possessed of great directness simplicity and wit who craved inner quiet and concentration and was deeply loyal to his closest associates. He loved the peace and quiet of lakes and mountains as much as he did his private aeroplane and his fast cars. Charismatic and enigmatic Karajan was also the construct that was 'Karajan''. This film reveals the phenomenon of the man and his music. And it is Karajan himself in archive interviews who talks of events in his life and relates them to his work as a conductor. Herbert von Karajan''s life both on and off the podium is charted. From the influential experiences of his childhood and student days; through his emergence as a young conductor with a reputation for being brilliant but difficult; to his years at the forefkont of classical music; and his last decade when despite failing health and beset by acrimonious musical politics he continued to push himself to the limits of his creative and physical powers. The documentary also touches on the controversial issue of Karajan''s membership of the Nazi Party; his rivalry with FurtwSingler; his fitful association with Walter Legge of EM1 and with the Philharmonia orchestra founded by Legge in 1945; his fascination with science technology art and architecture in relation to music and his conducting style and rapport with his musicians. All are brought into focus and illustrated with a wealth of archive material. And throughout the film there is Karajan''s music drawn from the many sound and audiovisual recordings he made during the course of his extraordinary career. Extracts fiom works by Beethoven Mozart Wagner J.S. Bach Puccini Johann Strauss II Mahler Verdi Richard Strauss and Schoenberg testify to the vast range of the classical repertoire he mastered and summon up the sublime beauty of his music-making.
Zeffirellis 1963 Milan production of La Boheme, preserved in this 1965 film, provides a richly satisfying take on Puccinis much-loved romantic tragedy. The staging is opulent, not least in the way Zeffirelli opens up the Cafe Momus and turns it into a warm, vibrant haven for the bohemians and their followers. But its the relationships which really matter here. Puccinis score--conducted with restrained passion by Herbert von Karajan--develops in a wonderfully linear way, with some of his most intensely moving arias and duets underpinning the evolution of the bohemian artists, particularly Rodolfo and Marcello, from immature egotists to rounded human beings, touched by tragedy. The film does look dated now--Mirella Frenis Mimi, sung with moving clarity, has the doe-eyed look of a 1960s pop star and the camera work is a tad unsophisticated--but the singing still puts the listener through the wringer. Gianni Raimondis Rodolfo ("Che gelida manina") struggles manfully to come to terms with his emotional shortcomings and Adriana Martino (Musetta) has some fine comic moments before playing her vital part in the overwhelming sadness of the final scenes. Soul food for the tragically inclined. On the DVD: La Boheme has no extras here, but excellent booklet notes accompany the disc. The PCM Stereo soundtrack has been digitally remastered to decent effect. The 4:3 picture format inevitably imposes some limitations and the 1960s video quality is a little dull, but after all, this is a product of its time and a vital record of one of Zeffirellis most successful productions.--Piers Ford
Featuring more jazz guitar legends including Barney Kessel and Jim Hall.
A character driven murder mystery set in the rural mid-west. David Meyers returns to the small town in an attempt to silence the demons of his past. Shortly after his arrival David's father is found dead of an apparent suicide. Or is it? Buried secrets of the town begin to unfold as the corner begins to suspect the suicide was staged. The Sheriff must work quickly to solve the crime and stem the tide of a rapidly growing obsession between David and Jason's sister. The outwardly peac
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