Leave Her to Heaven is one of the most unblinkingly perverse movies ever offered up as a prestige picture by a major studio in the golden age of Hollywood. Gene Tierney, whose lambent eyes, porcelain features, and sweep of healthy-American-girl hair customarily made her a 20th Century Fox icon of purity, scored an Oscar nomination playing a demonically obsessive daughter of privilege with her own monstrous notion of love. By the time she crosses eyebeams with popular novelist Cornel Wilde on a New Mexico-bound train, her jealous manipulations have driven her parents apart and her father to his grave. Well, no, not grave: Wilde soon gets to watch her gallop a glorious palomino across a red-rock horizon as she metronomically sows Dad's ashes to the winds. Mere screen moments later, she's jettisoned rising-politico fiancé Vincent Price and accepted a marriage proposal the besotted/bewildered Wilde hasn't quite made. Can the wrecking of his and several other lives be far behind? Not to mention a murder or two. Fox gave Ben Ames Williams's bestselling novel (probably just the sort of book Wilde's character writes) the Class-A treatment. Alfred Newman's tympani-heavy music score signals both grandeur and pervasive psychosis, while spectacular, dust-jacket-worthy locations and Oscar-destined Technicolor cinematography by Leon Shamroy ensure our fixed gaze. Impeccably directed by the veteran John M. Stahl (who'd made the original Back Street, Imitation of Life, and Magnificent Obsession a decade earlier), the result is at once cuckoo and hieratic, and weirdly mesmerizing. Bet Luis Buñuel loved it. --Richard T. Jameson
Based on Ernest Hemingway's tragic wartime romance
Director Michele Soavi does the impossible by squeezing a few more drops of blood out from the slasher genre. Not only that, Soavi lensed one of the most beautiful and suspenseful horror movies of the 1980s. A genuinely haunting horror where the killer dressed as an owl goes to bloody work with a chainsaw that slices through flesh and bone...
Ernest Hemingway's tragic wartime romance comes to vivid life in this classic 1932 film starring Oscar winners Gary Cooper and Helen Hayes. The cataclysm of WW1 sets the stage for an impassioned story of star-crossed love between a daring American ambulance driver (Cooper) and an English nurse (Hayes) in an army hospital. The tumult of war conspires to push the pair together and then wrench them apart in what becomes an ultimate test of love. Boasting beautiful cinematogrpahy and poe
This dense adaption of Ernest Hemmingway's novel features Gary Cooper as American soldier Lt. Henry and his illfated love affair with British Nurse Catherine portrayed by Hellen Hayes during World War I. Filmed in beautiful Italy the two lovers will stop at nothing to be together but Lt. Henry's internal struggles ultimately threaten the relationship. Hemmingway's theme of questioning the nature of war and fighting is fully recognised under Frank Borzage's direction.
This dense adaption of Ernest Hemmingway's novel features Gary Cooper as American soldier Lt. Henry and his illfated love affair with British Nurse Catherine portrayed by Hellen Hayes during World War I. Filmed in beautiful Italy the two lovers will stop at nothing to be together but Lt. Henry's internal struggles ultimately threaten the relationship. Hemmingway's theme of questioning the nature of war and fighting is fully recognised under Frank Borzage's direction.
The manipulative Ellen (Tierney) lures the handsome Richard (Wilde) into marriage despite knowing him just a few days and while she is engaged to a politician. Richard soon learns that Ellen's selfish possessive love has previously ruined other people's lives so when his brother drowns while in Ellen's care Richard grows increasingly suspicious of her insatiable devotion...
The 1932 version of A Farewell to Arms owes as much to the shimmering house style of Paramount Pictures as it does the novel by Ernest Hemingway. If Hemingway purists can get past the romanticising of the book, however, this film offers its own glossy appeal. On the Italian front in World War I an American ambulance driver (Gary Cooper) falls in love with a nurse (Helen Hayes). Cooper was a Hemingway friend in real life, and later played the hero of Hemingway's For Whom the Bell Tolls; his boyish simplicity is just right for director Frank Borzage's heartfelt approach. The Oscar-winning cinematography of ace cameraman Charles Lang is the kind of lush black and white that can capture the glow from a cigarette as it plays across Cooper's darkened face--a breathtaking touch. The jaded battle scenes show the influence of the hit film version of All Quiet on the Western Front, especially in a gripping montage depicting Cooper's progress alone through the war zone. Hemingway would have none of it, of course; he once disdainfully wrote that "in the first picture version Lt. Henry deserted because he didn't get any mail and then the whole Italian Army went along, it seems, to keep him company". This is first and foremost a love story, however, and as such it succeeds beautifully, right through to the remarkably intense ending. --Robert Horton, Amazon.com
This dense adaption of Ernest Hemmingway's novel features Gary Cooper as American soldier Lt. Henry and his ill-fated love affair with British Nurse Catherine portrayed by Hellen Hayes during World War I. Filmed in beautiful Italy the two lovers will stop at nothing to be together but Lt. Henry's internal struggles ultimately threaten the relationship. Hemmingway's theme of questioning the nature of war and fighting is fully recognised under Frank Borzage's direction.
A struggling writer Jeff (Rowe) is drawn to a mysterious woman Kelly (Blanchard) and has a passionate but turbulent romance with her. Jeff is simultaneously attracted and confused by this woman who seems emotionally disturbed. The two drift apart until Kelly discovers that she is pregnant. Jeff's father Tony (Keitel) begins a war to save his son from this troubled woman. Father and son are torn apart by this beautiful woman whose behavior becomes more unpredictable and even more violent - finally causing Tony to pressure his son to abandon her and the baby. Jeff fights to raise the baby and even offers to marry Kelly. Desperate for peace in her own life Kelly flees to the desert taking the baby with her. Crushed Jeff is torn between the love for his child and the love for his father. Will an unexpected twist bring the reconciliation Jeff so desires or will it ultimately be his final undoing...
A Farewell To Arms
Farewell To Arms (Dir. Frank Borzage 1932): Ernest Hemingway's tragic wartime romance comes to vivid life in this classic 1932 film starring Oscar winners Gary Cooper and Helen Hayes. The cataclysm of WW1 sets the stage for an impassioned story of star-crossed love between a daring American ambulance driver (Cooper) and an English nurse (Hayes) in an army hospital. The tumult of war conspires to push the pair together and then wrench them apart in what becomes an ultimate tes
A tale of the love between ambulance driver Lt. Henry and Nurse Catherine Barkley during World War I. The action takes place in Italy and the two fall in love during the war and will stop at nothing to be together. The film also analyses Lt. Henry's feelings on war and the purpose of fighting.
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