Ebulliently imaginative and far more cleverly presented than you would expect from a TV miniseries, this adaptation of Gulliver's Travels succeeds by never pandering to the lowest common denominator. Closely based on Jonathan Swift's 1726 classic, it is enhanced by dazzling special effects from Jim Henson Productions and a superb, multi-ethnic cast. The biggest surprise is Ted Danson in the title role--one of his best performances, even if he is the only person in England with an American accent. He conveys amusement, amazement and intelligence as he travels from one strange country into another. Not that anyone back in Blighty believes Mr Gulliver's tales of little people or giants. The story is told in flashback from an insane asylum, where he is forcibly confined. This far outshines several previous adaptations of Swift's satirical novel. --Rochelle O'Gorman, Amazon.com
From executive producer George Lucas and the pages of Marvel Comics comes Howard the Duck, an unbelievably funny comedy about a fast-talking, cigar-chomping, beer-loving duck from a parallel universe who crashes to Earth and somehow winds up in Cleveland. As Howard attempts to return to his own planet, he falls in love with rock singer Beverly Switzler (Lea Thompson, Back to the Future) and must battle an evil invader known as the Dark Overlord. This wacky, elaborately produced spoof of life, love, comic books and horror movies featuring out-of-this-world special effects is a treasure the whole family can enjoy.
Before he grew up and started to become a serious filmmaker, Robert Zemeckis created arguably the most unashamedly entertaining film trilogy ever with his Back to the Future series. It's here that Zemeckis came closest to emulating his mentor Steven Spielberg, and here, too, that he showed his own talent for combining flashy visual effects and knock-about comedy. The vivacious screenplays, cowritten with Bob Gale, are chock full of forwards and backwards-looking jokes, 1950s nostalgia and wry nods to other movies. Michael J Fox and Christopher Lloyd, both alumni of successful small-screen sitcoms (Family Ties and Taxi respectively), bring a frenetic energy to their roles, but also the warmth and likability needed to carry the audience with them through time. Don't try and unravel the time-travel thread running throughout, as that way lie paradoxes: just accept its inherent absurdity and enjoy the ride. Marty McFly travels from 1985 to 1955 in a souped-up DeLorean sports car (Back to the Future), then forward in time to 2015 and back to 1955 again (Back to the Future II), before going all the way back to the Old West of 1885 (Back to the Future III). Matters become progressively more complicated as actions in the past have repercussions for the future, and vice versa. Marty learns life-lessons and Doc finds love at last; the joyful, helter-skelter pace never slackens for an instant. --Mark Walker On the DVD: Back to the Future travels through time to the DVD era with a three-disc set charting the much-loved trilogy in full, along with an abundance of special features. The real joy in this box set is the "Making of the Trilogy" featurette, which spans the three discs and offers a wealth of information on the films. The deleted scenes have not faired well with age, with the visuals and sound suffering immensely. On Disc One the anecdotes can be played along with the film as subtitles, which is more than can be said for the commentary with Robert Zemeckis and Bob Gale recorded at the California University, which is simply a Q & A session--not played along with the movie--and would have been stronger as a filmed special feature. But all in all as three-disc sets go it doesn't get much better than this--and you won't need 1.21 gigawatts of electricity to enjoy it. --Nikki Disney
Founder of the world famous 'Motown Sound ' Mary Wells is considered not only one of the best female singers in the music industry but also a vital part of the success of the prestigious label. Her intimate and assertive voice mixed with a soulful urgency gave Wells a distinctive sound. On July 28 1992 the First Lady of Motown died. She was just 49. Gone was the soft beautiful voice of Mary Wells... but never forgotten. Tracklist: 1. You Beat Me To The Punch 2. The O
On stage and together for the first time on DVD watch some of the most significant motown solo artists and vocal girl groups of the sixties live in concert. With sassy vocals and polished street corner harmonies these motown divas will take you back with all of your favourite songs that paved the way for music as it is today. These sisters are doing it live bringing those memories rushing back! Tracklisting: 1. Martha Reeves - Jimmy Mack 2. Mary Wells - Bye Bye Baby 3. Th
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