Captain Scarlet and the Mysterons: The Complete Series Blu-Ray:One of Gerry and Sylvia Anderson's best-loved series, Captain Scarlet and the Mysterons brought a new level of realism and sophistication to Century 21's endlessly popular Supermarionation productions. To mark its fiftieth anniversary, the series has been remastered in HD from the original 35mm film elements for this Blu-ray edition - it has never looked better! The year is 2068; after a misunderstanding leading to an attack on their Martian city, the Mysterons declare war on the inhabitants of Earth. Ranged against this devastatingly powerful enemy is Spectrum, a worldwide security organisation - its leading operative: Captain Scarlet. Having been captured and replicated by the Mysterons, but breaking free of their control, he now possesses extraordinary powers that make him Spectrum's most powerful agent in the fight to save humanity!
The classic children's TV cartoon show about a cowardly dog and his mystery investigating pals comes to the big screen in a live action version, complete with a computer generated Scooby!
Leonardo DiCaprio and Matt Damon star in Martin Scorese's gritty gangster thriller.
Big Momma's House: Disguise the limit in this hilarious heavyweight hit that's ""bigger than Mrs. Doubtfire and badder than Tootsie"" (Mike Cidoni ABC-TV). ""Martin Lawrence brings down the house"" (E! Online) as crafty FBI agent Malcolm Turner - he's willing to go through thick and thin in order to catch an escaped federal prisoner. ""Nia Long is captivating"" (Checkout.com) as Sherry the con's sexy former flame - she might have the skinny on millions in stolen bank loot and she'
The success of the first year meant that Stargate SG-1's second series could afford to spread its wings. In only the second episode, Carter is temporarily possessed by a good Goa'uld. This immediately allowed for both any amount of quick fix inside knowledge as well as story off-shoots, now that the show was bent on franchise longevity. There appeared to be information overload (splinter group Tok'ra, Earth's second Gate, Machello, endless Apophis encounters), as the finely interwoven threads of alien histories and inter-relationships were developed. But thankfully, SG-1 never lost sight of the need for great individual stories. There was a planet of Native American Indians; a planet on the edge of a Black Hole; a planet of aliens sensitive to sound. Even a planet run by Dwight Schultz! Better still, they found time to have fun with their universe, too. "1969" remains one of the best comic romps the series has enjoyed, and is a near-perfect self-contained time-travel story to boot. The team of actors had obviously bonded early on in the first year. It may be a bit of a military faux pas that there is only ever four of them leading every major explorative expedition, but the limited number of principals is actually something else the show has always had in its favour, allowing quality screen time to be spent on each of them from the outset (although Richard Dean Anderson would probably rather not have spent an entire episode impaled by a spike). --Paul Tonks
First broadcast in 1967, Captain Scarlet and the Mysterons was the most grown-up of all Gerry Anderson's SuperMarionation adventures. There are gadgets and toy-friendly machines galore, of course--like the Spectrum Pursuit Vehicle, the Angel Aircraft and Cloudbase itself--but, unlike the colourful fantasies of Stingray and Thunderbirds, this series' concern with an implacable, vengeful enemy, conspiracies and double-agents drew its inspiration from James Bond and the Cold War spy dramas of the 1960s. Special effects whiz Derek Meddings imbues the action sequences with a truly Bondian grandeur and, like the sinister Spectre of the Bond films, the Martian Mysterons seem all the more hostile for their unseen presence, their agents infiltrating every organisation dedicated to their destruction just as it seemed the Soviets were doing at the time. The indestructible Captain Scarlet is killed then resurrected every week (though not like South Park's Kenny), and more often than not the unstoppable Mysterons emerge triumphant, and always undefeated. The varied cast of Spectrum agents and their voice characterisations also aim at verisimilitude (Captain Scarlet, voiced by Francis Matt hews, sounds like a grim Cary Grant), while the puppetry is more realistic than ever. This box set contains all 32 episodes, with newly remastered picture and Dolby 5.1 surround sound. The DVD box also includes extra features on each disc, plus a sixth documentary disc, "Captain Scarlet: S.I.G.". In its new digital incarnation, Captain Scarlet and the Mysterons still looks and sounds like the epitome of 60s cool. --Mark Walker
Sean and Beverly Lincoln are a happily married English couple, who are also the creators of a hit British TV show. Their life seems complete. That is until a hugely powerful and charismatic US network president persuades them to move to Los Angeles to recreate their show for American television. Things begin to unravel as soon as Sean and Beverly arrive in LA. It soon becomes clear that the network president has never even seen their show. To make matters worse, he insists that they replace their brilliant lead actor, an erudite Royal Shakespeare veteran, with Matt LeBlanc!
When evil threatens International Rescue blasts-off to sort things out. Somewhere in the Pacific the rescue organisation is always on the lookout for trouble. The founder and co-ordinator of the group is astronaut Jeff Tracy whose sons serve as pilots of the group's five super-secret craft - the Thunderbirds. As the Tracys work for the good of mankind they must try to stop the villainy of The Hood who is determined to undermine the organisation and learn the secrets of the Thunderbirds aircraft. Thunderbirds delivers high-flying action and adventure through the imaginative use of Gerry Anderson's Supermarionation and the special effects of Academy Award' winner Derek Meddings.
In this new psychological thriller, as an Evil takes over the world beyond their front doorstep, the only protection for a mother, and her twin sons is their house and their family's protective bond. Needing to stay connected at all times even tethering themselves with ropes they cling to one another, urging each other to never let go. But when one of the boys questions if the evil is real, the ties that bind them together are severed, triggering a terrifying fight for survival.
No one tries very hard in Big Momma's House, so your enjoyment of this Martin Lawrence vehicle pretty much depends on how much amusement you're able to derive from a guy dressed up as a very ample woman. The setup is of the eye-rolling, only-in-Hollywood nature: Lawrence, as detective Malcolm Turner, is after a killer, and apparently the only way to capture him is to pose as the bad guy's ex-girlfriend's grandmother, who--the film cannot stress this point too much--is quite large. Apparently, Sherry (Nia Long), the young woman in question--she's as attractive as Big Momma is, well, you know--is none too bright, for she falls for Malcolm's ruse, which of course ostensibly amuses mainly because it's so transparent. She at least has an excuse--she hasn't seen Big Momma in two years--but Big Momma's oblivious friends must be functional morons. Screenwriters Darryl Quarles and Don Rhymer didn't tax themselves very much, as they have Malcolm-as-Big-Momma going through fairly predictable motions--botching a meal and delivering a baby unconventionally (Big Momma's a midwife), but ruling at basketball and self-defence and protecting Sherry while trying vainly not to flirt with her. Paul Giamatti is wasted as Malcolm's partner; director Raja Gosnell's clunky sense of comic rhythm is bewildering, because he used to be an editor (he brought a similar lack of magic to Home Alone 3). Lawrence won't have anyone forgetting Tony Curtis and Jack Lemmon in Some Like It Hot, Dustin Hoffman in Tootsie, or Robin Williams in Mrs Doubtfire anytime soon. Eddie Murphy in The Nutty Professor 2: The Klumps is far more accomplished, versatile, and funny. --David Kronke, Amazon.com
With epic battle scenes reminiscent of Tora! Tora! Tora!, Battle of the Pacific is a classic war movie told from both Japanese and American perspectives.
Good cop. Bad alien. Big trouble! Jack Kane (Lundgren) is an unorthodox Houston cop out to stop a yuppie criminal gang known as the White Boys. However his investigation is about to get a rather odd but deadly extra-terrestrial dimension! Reluctantly partnered with FBI agent Laurence Smith Kane begins to realise that an alien presence is on the streets collecting a priceless intergalactic drug that can only be found in the human brain...
First broadcast in 1967, Captain Scarlet and the Mysterons was the most grown-up of all Gerry Anderson's SuperMarionation adventures. There are gadgets and toy-friendly machines galore, of course--like the Spectrum Pursuit Vehicle, the Angel Aircraft and Cloudbase itself--but, unlike the colourful fantasies of Stingray and Thunderbirds, this series' concern with an implacable, vengeful enemy, conspiracies and double-agents drew its inspiration from James Bond and the Cold War spy dramas of the 1960s. Special effects whiz Derek Meddings imbues the action sequences with a truly Bondian grandeur and, like the sinister Spectre of the Bond films, the Martian Mysterons seem all the more hostile for their unseen presence, their agents infiltrating every organisation dedicated to their destruction just as it seemed the Soviets were doing at the time. The indestructible Captain Scarlet is killed then resurrected every week (though not like South Park's Kenny), and more often than not the unstoppable Mysterons emerge triumphant, and always undefeated. The varied cast of Spectrum agents and their voice characterisations also aim at verisimilitude (Captain Scarlet, voiced by Francis Matt hews, sounds like a grim Cary Grant), while the puppetry is more realistic than ever. Now with newly remastered picture and Dolby 5.1 surround sound, Captain Scarlet and the Mysterons still looks and sounds like the epitome of 60s cool. --Mark Walker
Boogeyman 3
UFC 9 - Motor City Madness: 1. Dan Severn vs Ken Shamrock 2. Amaury Bitetti vs Don Frye 3. Mark Hall vs Koji Kitao 4. Mark Schultz vs Gary Goodridge 5. Rafael Carino vs Matt Anderson 6. Zane Frazier vs Cal Worsham UFC 10: The Tournament: 1. Mark Coleman vs Don Frye 2. Mark Coleman vs Gary Goodridge 3. Don Frye vs Brian Johnston 4. John Campetella vs Gary Goodridge 5. Mark Coleman vs Moti Horenstein 6. Scotty Fiedler vs Brian Johnston 7. Mark Hall vs Don Frye
The making of a horror movie takes on a terrifying reality for students at the most prestigious film school in the country in 'Urban Legends: Final Cut' the suspenseful follow up to the smash hit 'Urban Legend'. At Alpine University someone is determined to win the best film award at any cost - even if it means eliminating the competition. No one is safe and everyone is a suspect. 'Urban Legends: Final Cut' is an edge-of-your-seat thriller that will keep you guessing until the shocking climax.
While Urban Legends: Final Cut is not nearly as terrifying or inventive as its predecessor, the film does offer up a fairly suspenseful whodunit that fans of the teen-horror genre will likely appreciate. Amy Mayfield, the film's heroine (played by fresh-faced Jennifer Morrison), the daughter of an Oscar-winning documentary filmmaker, is trying to make a name for herself at Alpine University, "the greatest film school that ever existed". Along with several other students she is competing for the coveted Hitchcock award, which virtually guarantees the winner a successful career in Hollywood. When the film school's resident genius and likely winner of the award is found dead, suspicions arise. As other film students are killed off one by one, everyone becomes a suspect. Would someone kill to win the prestigious award? While striving to be Hitchcockian in theme (as evidenced by its multiple references to the director himself), the film never quite moves beyond cliché. Many scenes are a little too reminiscent of other popular teen-horror flicks such as Scream (the anonymous masked killer, though not nearly as frightening), The Blair Witch Project (Amy is chased through desolate woods by her stalker), and Friday the 13th (Amy hides from the killer in a lake setting eerily similar to the one where Jason lurked so many years ago). These elements seem just a little worn out. Morrison gives a serviceable performance, and Loretta Devine, from the original Urban Legend, adds humour as a Foxy Brown-worshiping security guard. The film manages to keep you guessing until its conclusion, and a sequence set in an abandoned amusement park is truly creepy. But ultimately Urban Legends: Final Cut lacks the originality to make a name for itself among the many films of its genre. --Mindy Ruehmann, Amazon.com
From the acclaimed director of The Blair Witch Project. When reconnaissance satellites pick a radioactive heat signature in a remote tribal region of Afghanistan CIA Agent Ben Keynes and his highly trained Special Ops team are sent in to investigate the phenomenon. Amid the bedlam of the war torn region the Agency fears that AlQaida has finally got its hands on a nuclear weapon. As the team head into the barren Afghan desert it soon becomes clear that this threat may be coming from something infinitely more powerful and definitely not human. How do you fight an enemy that is not of this world?
Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here.As to the characters, the clean-cut Tracey boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catch phrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood.On this DVD: The four episodes are: "The Cham Cham", "Security Hazard", "Atlantic Inferno" and "Path of Destruction".
First broadcast in 1967, Captain Scarlet and the Mysterons was the most grown-up of all Gerry Anderson's SuperMarionation adventures. There are gadgets and toy-friendly machines galore, of course--like the Spectrum Pursuit Vehicle, the Angel Aircraft and Cloudbase itself--but, unlike the colourful fantasies of Stingray and Thunderbirds, this series' concern with an implacable, vengeful enemy, conspiracies and double-agents drew its inspiration from James Bond and the Cold War spy dramas of the 1960s. Special effects whiz Derek Meddings imbues the action sequences with a truly Bondian grandeur and, like the sinister Spectre of the Bond films, the Martian Mysterons seem all the more hostile for their unseen presence, their agents infiltrating every organisation dedicated to their destruction just as it seemed the Soviets were doing at the time. The indestructible Captain Scarlet is killed then resurrected every week (though not like South Park's Kenny), and more often than not the unstoppable Mysterons emerge triumphant, and always undefeated. The varied cast of Spectrum agents and their voice characterisations also aim at verisimilitude (Captain Scarlet, voiced by Francis Matt hews, sounds like a grim Cary Grant), while the puppetry is more realistic than ever. Now with newly remastered picture and Dolby 5.1 surround sound, Captain Scarlet and the Mysterons still looks and sounds like the epitome of 60s cool. --Mark Walker
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