First broadcast in 1967, Captain Scarlet and the Mysterons was the most grown-up of all Gerry Anderson's SuperMarionation adventures. There are gadgets and toy-friendly machines galore, of course--like the Spectrum Pursuit Vehicle, the Angel Aircraft and Cloudbase itself--but, unlike the colourful fantasies of Stingray and Thunderbirds, this series' concern with an implacable, vengeful enemy, conspiracies and double-agents drew its inspiration from James Bond and the Cold War spy dramas of the 1960s. Special effects whiz Derek Meddings imbues the action sequences with a truly Bondian grandeur and, like the sinister Spectre of the Bond films, the Martian Mysterons seem all the more hostile for their unseen presence, their agents infiltrating every organisation dedicated to their destruction just as it seemed the Soviets were doing at the time. The indestructible Captain Scarlet is killed then resurrected every week (though not like South Park's Kenny), and more often than not the unstoppable Mysterons emerge triumphant, and always undefeated. The varied cast of Spectrum agents and their voice characterisations also aim at verisimilitude (Captain Scarlet, voiced by Francis Matt hews, sounds like a grim Cary Grant), while the puppetry is more realistic than ever. This box set contains all 32 episodes, with newly remastered picture and Dolby 5.1 surround sound. The DVD box also includes extra features on each disc, plus a sixth documentary disc, "Captain Scarlet: S.I.G.". In its new digital incarnation, Captain Scarlet and the Mysterons still looks and sounds like the epitome of 60s cool. --Mark Walker
The Wedding Planner While celebrating her newest and most lucrative account - the wedding of Internet tycoon Fran Donelly (Bridgette Wilson)- Mary is rescued from a near-fatal collision with a runaway dumpster by handsome pediatrician Steve Edison (Matthew McConaughey). After spending the most enchanting evening of their lives together Mary thinks she's finally found a reason to believe in love. What she doesn't know is that cupid and her career are about to collide head-on... Down With Love When best-selling feminist author Barbara Novak (Zellweger) becomes the target of dashing playboy Catcher Block (McGregor) the sparks they generate will fly you to the moon and back! Set in the early sixties every frame pops with 60's technicolour. One Fine Day Melanie Parker (Pfeiffer) is juggling single parenthood with a career as an architect. Jack Taylor (Clooney) is a commitment-shy newspaper columnist who only has his daughter every other weekend. When their kids miss a school field trip Melanie and Jack agree to take shifts babysitting for the day resulting in twelve hours of hilarious misadventures with one unexpected twist.
This lushly produced fantasy has gained a loyal following since its release in 1985, and it gave a welcome boost to the careers of Matthew Broderick, Michelle Pfeiffer and Rutger Hauer. You have to ignore the overly aggressive music score by Andrew Powell, music director of the Alan Parsons Project (critic Pauline Kael aptly dubbed it "disco-medieval") and director Richard Donner's reckless allowance of anachronistic dialogue and uninspired storytelling, but there's a certain charm to the movie's combination of romance and heroism. Broderick plays a young thief who comes to the aid of tragic lovers Isabeau (Pfeiffer), who is cursed to become a hawk every day at sunrise and Navarre (Hauer) who turns into a wolf at sunset. The curse was cast by an evil sorcerer-bishop (John Wood), and as Broderick eludes the bishop's henchmen, Navarre struggles to conquer the villain, lift the curse and be reunited with his love in human form. The tragedy of this lovers' dilemma keeps the movie going, and Broderick is well cast as a young, medieval variation of Woody Allen. --Jeff Shannon
Best of enemies. Deadliest of friends. They are fast friends and worse foes. One is Billy the Kid (Kris Kristofferson) a law unto himself. The other is the law: Sheriff Pat Garrett (James Coburn) who once rode with Billy. Set to a bristling score by Bob Dylan (who also plays Billy's sidekick Alias) and with a `Who's Who' of iconic Western players Sam Peckinpah's saga of one of the West's great legends is now restored to its intended glory. For the first time since it left
Duel Academy, one of the most prestigious schools in Duel Monster's history. There students learn the fundamentals of becoming not just duelists, but large business owners. Yuki Judai is a new student with only one thing on his mind, to become the next King Of Games. Judai meets several friends, teachers, and even enemies at the large Dueling school. There he'll have to face off against several different Dorms to become number one duelist. Slifer Red, Ra Yellow, and Obelisk Blue are the three dorms. Will Judai be able to pass all of them? Based on Kazuki Takahashi's world famous anime and manga Yu-Gi-Oh!
This brand-new restoration of the 1951 British comedy The Galloping Major directed by Henry Cornelius is based on an idea by Basil Radford. After a successful day at the races, Major Arthur Hill (Basil Radford) and Harold Temple (Hugh Griffith) decide to raise a £300 syndicate to buy a certain racehorse. With excited help from their friends (Janette Scott, Jimmy Hanley, Rene Ray, Joyce Grenfell, A. E. Matthews) they get the money, but things don't go so smoothly from here. First, they accidently buy the wrong horse which proves to have more of an affinity for jumping than racing. They then decide to train it themselves as a jumper under the new name The Galloping Major . However, on the night before the Grand National, the horse mysteriously disappears... Product Features NEW Locations featurette with Historian Richard Dacre Betting On Success - Matthew Sweet On the Galloping Major Stills Gallery
Enjoyable on many levels ... OK, it's enjoyable on only one level--if you're a big fan of Mike Myers's screwball idea of funny. That this script had been through a lot of hands in Hollywood before Myers agreed to star in it (using his Wayne's World clout) seems amazing as most of the truly funny bits here seem to be straight from Myers. Most memorable is his role as his own irascible Scottish father, screaming at his youngest son and talking about the Bay City Rollers. But Myers also plays Charlie, a bookshop owner/poet who falls in love with a "hardhearted harbinger of haggis", the local butcher (Nancy Travis), who may also be a serial killer. Mostly enjoyable, but there's also some weird stuff here. Try as you might, you may never rid yourself of the image of Brenda Fricker and Anthony LaPaglia making out. Also features a great soundtrack with Soul Asylum and Toad the Wet Sprocket. --Keith Simanton
Lily James and Sam Riley star in this comedy horror retelling of Jane Austen's classic based on Seth Grahame-Smith's parody novel. When the deceased come back from the dead following the black plague familiar characters including Elizabeth Bennet (James) and Mr Darcy (Riley) have more to worry about than love and relationships as both men and women unite to fight off a horde of zombies. The cast also features Lena Headey, Matt Smith, Douglas Booth and Charles Dance.
Ghosts haunting spooky old factories? Hip kids being brainwashed? The Darkopalypse about to engulf the world? Scooby-Doo, where are you? But the gang have all fallen out and dissolved the Mystery Inc partnership for good. Jinkeys! Luckily a strange invitation to solve a mystery on Spooky Island has unwittingly reunited the now-flopped members of the team. Can ghoul-getting gang get along again? The latest in a long line of live-actioned-up retro cartoon faves, Scooby-Doo features superb action set-pieces and seamlessly blended live actor/CGI interaction--our eponymous hero is rendered with particular panache. What's more, the special effects are backed by a scarily well-written script and some frighteningly good performances. The Buffy-tastic Sarah Michelle Gellar was born to be Daphne, and Matthew Lillard is show-stealing as the dream-to-play Shaggy. The characters themselves are darkly developed--Fred is now a vain egotist, Velma a last-picked-at-sport geek and Daphne a Clueless-style airhead. Happily, Shaggy and Scooby are still a pair of snack-happy gormless goofs for whom friendship outweighs all else. Scooby-Doo manages to be great fun for the kids without neglecting the fans of the original (1969!) series. Alongside the fun, frights and frantic action are clever in-jokes and even a few hints at some rather adult goings on--Shaggy getting "toasted" in a smokey hippy-style camper van may explain why he's always so peckish. Throw in a surprise appearance from a love-to-hate familiar face, some Charlie's Angels-style wire work and a storming rap-rock soundtrack and this'll frighten the life out of the competition. If you're thinking of missing it--Scooby-Don't. On the DVD: Scooby-Doo is beautifully realised in this anamorphic widescreen transfer--the picture is crisp, the colour dazzling and the sound crystal-clear. The menu screen is entertainingly presented with plenty of extras to explore. Highlights include the "Daphne Fight Scene", the Outcast music video and the "making-of" short "Unmasking the Mystery", which features a rare appearance from an ancient Joseph Barbera and reveals the cast and crew to be a personable, fun-loving bunch. The real stand-out here, though, is the "Alternative Scenes" section. The dropped scenes--which include a superb cartoon intro sequence--really add an extra level of understanding to the film, and one suspects that it's only because of today's attention-span challenged audiences that some of the best bits ended up on the cutting-room floor. --Paul Eisinger
Stretching from the Stone Age to the year 2000, Simon Schama's Complete History of Britain does not pretend to be a definitive chronicle of the turbulent events which buffeted and shaped the British Isles. What Schama does do, however, is tell the story in vivid and gripping narrative terms, free of the fustiness of traditional academe, personalising key historical events by examining the major characters at the centre of them. Not all historians would approve of the history depicted here as shaped principally by the actions of great men and women rather than by more abstract developments, but Schama's way of telling it is a good deal more enthralling as a result. Schama successfully gives lie to the idea that the history of Britain has been moderate and temperate, passing down the generations as stately as a galleon, taking on board sensible ideas but steering clear of sillier, revolutionary ones. Nonsense. Schama retells British history the way it was--as bloody, convulsive, precarious, hot-blooded and several times within an inch of haring off onto an entirely different course. Schama seems almost to delight in the goriness of history. Themes returned to repeatedly include the wars between the Scots and the Irish and the Catholic/Protestant conflicts--only the Irish question remains unresolved by the new millennium. As Britain becomes a constitutional monarchy, Schama talks less of Kings and Queens but of poets and idea-makers like Orwell. Still, with his pungent, direct manner and against an evocative visual and aural backdrop, Schama makes history seem as though it happened yesterday, the bloodstains not yet dry. On the DVD: The Complete History of Britain extras are generously packaged on a separate disc and include the original score and a Simon Schama biography. There's an interesting "promotional message" to camera in which Schama explains the role of a cab driver, Wally, in inspiring the series, along with an interview with Mark Lawson in which Schama stresses the deliberate subjectivity of these programmes and an inaugural BBC History lecture in which he defends TV's ability to transpose history to camera. --David Stubbs
This brand-new restoration of the 1951 British comedy The Galloping Major directed by Henry Cornelius is based on an idea by Basil Radford. After a successful day at the races, Major Arthur Hill (Basil Radford) and Harold Temple (Hugh Griffith) decide to raise a £300 syndicate to buy a certain racehorse. With excited help from their friends (Janette Scott, Jimmy Hanley, Rene Ray, Joyce Grenfell, A. E. Matthews) they get the money, but things don't go so smoothly from here. First, they accidently buy the wrong horse which proves to have more of an affinity for jumping than racing. They then decide to train it themselves as a jumper under the new name The Galloping Major . However, on the night before the Grand National, the horse mysteriously disappears... Product Features NEW Locations featurette with Historian Richard Dacre Betting On Success - Matthew Sweet On the Galloping Major Stills Gallery
Yu-Gi-Oh! The Movie: Bonds Beyond Time For the first time ever, all three Yu Gi Oh heroes are united for their first adventure together! Yusei Fudo pursues the mysterious stranger who has stolen his most powerful duel monsters card. After falling through a time-slip, Yusei meets Judai Yuki and Yugi Muto, two of the greatest duelists of all time. They agree to help Yusei in his battle to defeat the evil Paradox, who is planning to destroy Pegasus and thus prevent the Duel Monsters from ever being created. Will our heroes save the day? Find out in this action-packed adventure! Yu-Gi-Oh! The Movie: Dark Side of Dimensions The stakes have never been higher; the rivalries never as fierce; the risks never so great. One wrong moveone card shortand it's game over for good. A decade in the making, Yu-Gi-Oh! The Dark Side of Dimensions features new designs and an all-new story from the original creator of the global phenomenon, Kazuki Takahashi. His masterful tale features anime's most beloved characters in their long-awaited return: Yugi Muto, Seto Kaiba, and their faithful friends Joey Wheeler, Tristan Taylor Téa Gardner, and Bakura. It's the most highly anticipated re-YU-nion ever! Special Features: Recap Trailer Japanese Version
Filmed in VIDECOLOR--[explosions, drum roll, music builds to a climax]--and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a)the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here. As to the characters, the clean-cut Tracey boys take second place in the audience's affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catchphrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood. On this DVD: The four episodes are: "Vault of Death", "The Mighty Atom", "City of Fire" and "The Imposters". Amazon.com
Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here.As to the characters, the clean-cut Tracey boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catch phrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood.On this DVD: The four episodes are: "The Man from MI5", "Cry Wolf", "Danger at Ocean Deep" and "Move and You're Dead".
Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here.As to the characters, the clean-cut Tracey boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catch phrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood.On this DVD: The four episodes are: "Edge of Impact", "Day of Disaster", Thirty Minutes After Noon" and "Desperate Intruder".
The Newton Boys were the most successful bank robbers in the history of the United States. They never killed anyone, never snitched and only robbed banks (just bigger thieves, in their opinion), until their final deal, which was a botched train robbery for $3 million. Engagingly played by Matthew McConaughey, Ethan Hawke, Skeet Ulrich and Vincent D'Onofrio, the Boys don't have the kind of flaws of more brutal criminals that make for more volatile dramas. The film ambles along in a leisurely way to tell its story of the Newtons' bank-robbing career, with an ever-present air of reverent Americana. This may make some viewers impatient and cause a glow in others. It seems like a departure for director Richard Linklater (Slacker and Dazed and Confused)--a costumer to be sure but Linklater's deliberately amiable pace perfectly balances the Boys' personalities. You may wander into this movie and feel right at home. The golden-hued cinematography of Peter James (Driving Miss Daisy) adds a level of comfort that makes everything warm-like. The end credits intercut archival footage of two of the real-life Newton boys toward the end of their lives, one from a 1980 appearance with Johnny Carson on The Tonight Show. --Jim Gay
A tough and contemporary story of intrigue set in Paris London and New York. Wulfgar a feared terrorist announces his prescence in New York and two cops Deke Desilva and Willis Fox are given the task of finding him and putting an end to his reign of terror. A deadly game of cat and mouse ensues which leads to an explosive confrontation.
Dead Poets Society (1989): Academy Award winner Robin Williams delivers a brilliant performance in one of Hollywood's most compelling and thought-provoking motion pictures. Williams portrays passionate English professor John Keating who in an age of crew cuts sport coats and cheerless conformity inspires his students to live life to the fullest exclaiming... ""Carpe diem lads! Seize the day. Make your lives extraordinary!"" The charismatic teacher's emotionally charged challenge is met by his students with irrepressible enthusiasm - changing their lives forever. Magnificently directed by Peter Weir (The Truman Show) Dead Poets Society earned unparalleled praise among audiences and critics alike. Discover for yourself what all the cheering's about. (Dir. Peter Weir Cert. PG) Good Will Hunting (1997): Will Hunting (Damon) is a headstrong working-class genius. After one too many run-ins with the law Will's last chance is a psychology professor (Williams). Experience this powerful and unforgettable movie. From highly acclaimed director Gus Van Sant this triumphant story was nominated for 9 Academy Awards - winning Oscars for Robin Williams and hot newcomers Matt Damon and Ben Affleck and also features nominee Minnie Driver. (Dir. Gus Van Sant Cert. 15)
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