The Krays: Gary and Martin Kemp star in this brutally stark account of the absolute rulers of London's East End underworld through their reign of terror in the 1950's and 1960's. Their power was born from fear their respect demanded by brutality so horrific that eventually even their own turned against them. Chinks begin to appear in the seemingly impregnable armour of 'The Krays' and London breathed a sigh of relief in 1969 as they were sentenced to 30 years each thus marking the end of their bloody career. Bronson: In 1974 a misguided 19 year old decided he wanted to make a name for himself and so armed with a sawn-off shotgun and a head full of dreams he attempted to rob a post office. Swiftly apprehended and originally sentenced to 7 years in jail Michael Peterson has subsequently been behind bars for 34 years and transformed into Charles Bronson Britain's most notorious prisoner. For this controversial but critically acclaimed film from director Nicolas Winding Refn (the Pusher trilogy) Tom Hardy physically transformed himself for the role and gives a performance described by The Sun as utterly brilliant.
How Much Are You Worth? Conrad a director at a high-powered advertising agency is in mourning for his lost relationship. To ease the pain he hires a male prostitute Tyler for $200 and finds himself in danger of falling in love again. Although Conrad is getting more involved he understands things have to remain on a financial level and offers Tyler a job at the agency on condition that he has sex with him twice a week. But the effects of Tyler's entry into the workforc
Max is a small-time criminal who trades in stolen goods. One day an equally ruthless criminal named Jack turns up at his warehouse apartment falsely claiming to be his brother. The smoothly persuasive Jack soon talks Max into joining him in the biggest score of his life a million dollar scam which involves some sixteenth century pistols known as The Spanish Judges....
One of a series of revisionist Vietnam cinema released in the late 1980s, Stanley Kubrick's Full Metal Jacket is essentially split into two stories linked by a number of characters. The film follows new recruit Joker (Matthew Modine) and his fellow soldiers through their basic training and into combat in Vietnam. The first half is a chilling portrayal of military brutality and de-humanisation, mainly at the hands of Sgt Hartman (played at a level of staggering intensity by ex-Marine Lee Ermey), that centres around the tragic character of Private Pyle, a young man pushed to the edge of his endurance. The tone of the film is no less harsh when transported to the combat zone as we see the results of the training process in action: the young men turned into unquestioning killing machines. Joker is perhaps the one exception, a soldier with "Born to Kill" written on his helmet who also sports a peace sign on his lapel. But the film finds itself caught in the trap of many of the war movies of the time--how to create audience empathy with characters who are essentially in the wrong. It's a dilemma that Full Metal Jacket never really solves, although as a spectacle the film is a masterpiece. Made in the days before CGI became the norm, the battle sequences--filmed, rather bizarrely, in London's Docklands before its redevelopment--are hugely realistic and are perhaps the key moments of the movie, heightening the disorientation and fear felt by the soldiers. By offering no more than a snapshot of the Vietnam conflict (the action deals with one individual skirmish), Kubrick cleverly leaves any judgement on the war to the audience, although clearly attempting to influence them. The fate of the characters who survive is also left in the balance, but we can perhaps imagine what awaits them. On the DVD: Part of a series of Kubrick DVD reissues, Full Metal Jacket has been treated to the full remastering and restoration treatment. The battle sequences have benefited the most, gaining a new audio and visual crispness and clarity that adds to their already impressive sense of realism--you can almost feel the heat searing from the screen and the explosions detonating around you. Maybe not the best war film ever made, as some may claim, but certainly one to take you right to the heart of the action. --Phil Udell
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