Norman Jewison's dystopian Rollerball portrays a near-future in the aftermath of the Corporate Wars, in which nations have crumbled and conglomerates rule. In place of freedom the people are given bread and circuses: material comfort and rollerball itself. Played on a circular, slanted track by men on skates and motorbikes, this extreme sport is the ultimate extrapolation of the primitive blood lust implicit in many team sports. James Caan is outstanding as Jonathan E, star player with the Houston team. In the elegant detachment of Jewison's direction, emphasised by the stark, alienating use of classical music, there are echoes of Stanley Kubrick's 2001: A Space Odyssey. Notwithstanding the brilliantly staged arena sequences, Rollerball is essentially about freedom versus conformity and the corruption of unfettered capitalism, with Caan leading an existential rebellion in the tradition of Ray Bradbury's Fahrenheit 451 which leads to a chilling, apocalyptic finale. Certainly the most prophetic film of the 1970s, Rollerball has an intelligence and power overlooked by those who simply denounce its brutal violence. On the DVD: Rollerball arrives on DVD with clear three-channel Dolby Digital sound, although obviously it lacks the impact of a more modern 5.1 soundtrack. The 1.77:1 transfer is anamorphically enhanced and is generally very sharp and detailed with excellent colour. Some scenes show a lot of grain, but this is presumably a consequence of having to shoot with very fast lenses to capture the swift and dramatic action under indoor lighting conditions. "Return to the Arena--The Making of Rollerball" is a new 25-minute documentary (4:3 with letterboxed film clips) that features Jewison, Harrison and various other personnel reminiscing about the making of the film. The highlight of the extras are commentary tacks from the Jewison and Harrison, and while there is inevitably some overlap of information, and some quite lengthy gaps in Harrison's track, there is also much to interest the serious film buff. Also included is an original seven-minute promotional featurette "From Rome to Rollerball: The Full Circle", the chilling original trailer, the teaser trailer and a trailer for the remake.--Gary S Dalkin
James Bond (Roger Moore) may have met his match in Francisco Scaramanga (Christopher Lee), a world-renowned assassin whose weapon of choice is a distinctive gold pistol. When Scaramanga seizes the priceless Solex Agitator energy converter, Agent 007 must recover the device and confront the trained killer in a heart-stopping duel to the death!
Sculptor Paul meets a former great love again after a long time - but is much more impressed by her 15 years old daughter Laura who looks now like her mother when Paul was in love with her. Laura likes him very much too but her jealous mother prevents any further contact. She allows him to make a sculpture of Laura but only from photos...
James Bond (Roger Moore) may have met his match in Octopussy (Maud Adams) an entrancing beauty involved in a devastating military plot to destroy detente. From the palaces of India to a speeding circus train in Germany and a mid-air battle on the wing of a high-flying jet only Agent 007 can stop the nightmarish scheme!
James Bond has been marked for death, and he'll need all his lethal instincts and seductive charm to survive in this action-packed adventure! Roger Moore returns as Agent 007 and faces off in a deadly game of cat-and-mouse with assassin Francisco Scaramanga (Christopher Lee). Featuring a wild automobile chase through Bangkok and Bond's stunning confrontation with an entire martial-arts school, The Man with the Golden Gun delivers nonstop excitement!
Roger Moore was nearing the end of his reign as James Bond when he made Octopussy, and he looks a little worn out. But the movie itself infuses some new blood into the old franchise, with a frisky pace and a pair of sturdy villains. Maud Adams--who'd also been in The Man with the Golden Gun--plays the improbably named Octopussy, while old smoothie Louis Jourdan is her crafty partner in crime. There's an island populated only by women, as well as a fantastic sequence with a hand-to-hand fight on a plane--and on top of a plane. The film even has an extra emotional punch, since this time 007 is not only following the orders of Her Majesty's Secret Service, but he is also exacting a personal revenge: a fellow double-0 agent has been killed. Two Bond films were actually released in 1983 within a few months of each other, as Octopussy was followed by Sean Connery's comeback in Never Say Never Again. The success of both pictures proved that there was still plenty of mileage left in the old licence to kill, though Moore had one more workout--A View to a Kill--before hanging it up. And that title? The franchise had already used up the titles to Ian Fleming's novels, so Octopussy was taken from a lesser-known Fleming short story. --Robert Horton, Amazon.com On the DVD: The high standard of these 007 discs is maintained here, with another extra-packed selection. The "Inside Octopussy" documentary details the making of the movie, which faced competition from Sean Connery's Never Say Never Again, as well as being handicapped by a potentially risible title. The initial story was developed by George Macdonald Fraser, author of the "Flashman" books, whose knowledge of Indian history and locales proved invaluable. Roger Moore prevaricated about signing on as Bond, so American James Brolin was screen-tested instead. The movie also produced the worst accident of the series while filming the train sequence and the stuntman involved was hospitalised for six months. Director John Glen provides a solo commentary that reveals a wealth of technical detail and also that this is one of his favourite Bond movies. Rita Coolidge performs "All Time High", and there are also some storyboard sequences and trailers. --Mark Walker
Norman Jewison's dystopian Rollerball portrays a near-future in the aftermath of the Corporate Wars, in which nations have crumbled and conglomerates rule. In place of freedom the people are given bread and circuses: material comfort and rollerball itself. Played on a circular, slanted track by men on skates and motorbikes, this extreme sport is the ultimate extrapolation of the primitive blood lust implicit in many team sports. James Caan is outstanding as Jonathan E, star player with the Houston team. In the elegant detachment of Jewison's direction, emphasised by the stark, alienating use of classical music, there are echoes of Stanley Kubrick's 2001: A Space Odyssey. Notwithstanding the brilliantly staged arena sequences, Rollerball is essentially about freedom versus conformity and the corruption of unfettered capitalism, with Caan leading an existential rebellion in the tradition of Ray Bradbury's Fahrenheit 451 which leads to a chilling, apocalyptic finale. Certainly the most prophetic film of the 1970s, Rollerball has an intelligence and power overlooked by those who simply denounce its brutal violence. On the DVD: Rollerball arrives on DVD with clear three-channel Dolby Digital sound, although obviously it lacks the impact of a more modern 5.1 soundtrack. The 1.77:1 transfer is anamorphically enhanced and is generally very sharp and detailed with excellent colour. Some scenes show a lot of grain, but this is presumably a consequence of having to shoot with very fast lenses to capture the swift and dramatic action under indoor lighting conditions. "Return to the Arena--The Making of Rollerball" is a new 25-minute documentary (4:3 with letterboxed film clips) that features Jewison, Harrison and various other personnel reminiscing about the making of the film. The highlight of the extras are commentary tacks from the Jewison and Harrison, and while there is inevitably some overlap of information, and some quite lengthy gaps in Harrison's track, there is also much to interest the serious film buff. Also included is an original seven-minute promotional featurette "From Rome to Rollerball: The Full Circle", the chilling original trailer, the teaser trailer and a trailer for the remake.--Gary S Dalkin
From a thrilling jet chase to a climactic countdown to nuclear disaster, James Bond is back in an electrifying adventure that pushes the limit for nonstop excitement. Roger Moore portrays the immortal action hero, perfectly capturing Agent 007's deadly expertise, acerbic wit and overpowering sex appeal as he investigates the murder of a fellow agent who was clutching a priceless Fabergé egg at the time of his death.
This fantastic box set comprises every Roger Moore performance as the irrepressible 007. Titles Comprise: 1. Live And Let Die (1973) 2. The Man With The Golden Gun (1974) 3 .The Spy Who Loved Me (1977) 4. Moonraker (1979) 5. For Your Eyes Only (1981) 6. Octopussy (1983) 7. A View To A Kill (1985) For individual synopses and special features please refer to the singular Ultimate Edition of each film.
James Bond (Roger Moore) may have met his match in Octopussy (Maud Adams), an entrancing beauty involved in a devastating military plot to destroy detente. From the palaces of India to a speeding circus train in Germany and a mid-air battle on the wing of a high-flying jet, only Agent 007 can stop the nightmarish scheme!
James Bond (Roger Moore) may have met his match in Francisco Scaramanga (Christopher Lee) a world-renowned assassin whose weapon of choice is a distinctive gold pistol. When Scaramanga seizes the priceless Solex Agitator energy converter Agent 007 must recover the device and confront the trained killer in a heart-stopping duel to the death!
In the year 2018, violence and crime have been totally eliminated from society and given outlet in the brutal blood sport of rollerball, a high-velocity blend of football, hockey, and motor-cross racing sponsored by the multinational corporations that now control the world following the collapse of traditional politics. James Caan plays Jonathan ., the reigning superstar of rollerball, whose corporate controllers fear that Jonathan's popularity has endowed him with too much power. They begin to pressure him according to their own ruthless set of rules, but Jonathan has rules of his own--ones for a man determined to retain his soul in a world gone mad. As directed by Norman Jewison (who was enjoying a peak of success during the early and mid-1970s), Rollerball creates a believable society that's been rendered passive and compliant by the homogenisation of corporate dictatorships, where the control and flow of information is the only currency of any importance. It's a world in which natural human aggressions have been sublimated and vented through the religious fervour toward rollerball and its players. Rollerball now looks like one of those 1970s science fiction films (another example being Logan's Run) that seems a bit dated and quaint, but its ideas are still provocative and fascinating, and the production is visually impressive. --Jeff Shannon, Amazon.com
James Bond (Roger Moore) may have met his match in Octopussy (Maud Adams) an entrancing beauty involved in a devastating military plot to destroy detente. From the palaces of India to a speeding circus train in Germany and a mid-air battle on the wing of a high-flying jet only Agent 007 can stop the nightmarish scheme!
The British spy with a licence to kill takes on his dark underworld double, a classy assassin who kills with golden bullets at £1 million a hit. Roger Moore, in his second outing as James Bond, meets Christopher Lee's Scaramanga, one of the most magnetic villains in the entire series, in this entertaining but rather wan entry in the 007 sweepstakes. Bond's globetrotting search takes him to Hong Kong, Bangkok, and finally China, where Scaramanga turns his island retreat into a twisted theme park for a deadly game of wits between the gunmen, moderated by Scaramanga's diminutive man Friday Nick Nack (Fantasy Island's Hervé Villechaize). Britt Ekland does her best as an embarrassingly inept Bond girl, a clumsy, dim agent named Mary Goodnight who looks fetching in a bikini, while Maud Adams is Scaramanga's tough but haunted lover and assistant. Clifton James, the redneck sheriff from Live and Let Die, makes an ill-advised appearance as a racist tourist. He briefly teams up with 007 in what is otherwise the film's highlight, a high-energy chase through the crowded streets of Bangkok that climaxes with a breathtaking mid-air corkscrew jump. Bond and company are let down by a lazy script, but Moore balances the overplayed humour with a steely performance and Lee's charm and enthusiasm makes Scaramanga a cool, deadly, and thoroughly enchanting adversary. --Sean Axmaker, Amazon.com
The British spy with a licence to kill takes on his dark underworld double, a classy assassin who kills with golden bullets at £1 million a hit. Roger Moore, in his second outing as James Bond, meets Christopher Lee's Scaramanga, one of the most magnetic villains in the entire series, in this entertaining but rather wan entry in the 007 sweepstakes. Bond's globetrotting search takes him to Hong Kong, Bangkok, and finally China, where Scaramanga turns his island retreat into a twisted theme park for a deadly game of wits between the gunmen, moderated by Scaramanga's diminutive man Friday Nick Nack (Fantasy Island's Hervé Villechaize). Britt Ekland does her best as an embarrassingly inept Bond girl, a clumsy, dim agent named Mary Goodnight who looks fetching in a bikini, while Maud Adams is Scaramanga's tough but haunted lover and assistant. Clifton James, the redneck sheriff from Live and Let Die, makes an ill-advised appearance as a racist tourist. He briefly teams up with 007 in what is otherwise the film's highlight, a high-energy chase through the crowded streets of Bangkok that climaxes with a breathtaking mid-air corkscrew jump. Bond and company are let down by a lazy script, but Moore balances the overplayed humour with a steely performance and Lee's charm and enthusiasm makes Scaramanga a cool, deadly, and thoroughly enchanting adversary. --Sean Axmaker, Amazon.com
Roger Moore was nearing the end of his reign as James Bond when he made Octopussy, and he looks a little worn out. But the movie itself infuses some new blood into the old franchise, with a frisky pace and a pair of sturdy villains. Maud Adams--who'd also been in The Man with the Golden Gun--plays the improbably named Octopussy, while old smoothie Louis Jourdan is her crafty partner in crime. There's an island populated only by women, as well as a fantastic sequence with a hand-to-hand fight on a plane--and on top of a plane. The film even has an extra emotional punch, since this time 007 is not only following the orders of Her Majesty's Secret Service, but he is also exacting a personal revenge: a fellow double-0 agent has been killed. Two Bond films were actually released in 1983 within a few months of each other, as Octopussy was followed by Sean Connery's comeback in Never Say Never Again. The success of both pictures proved that there was still plenty of mileage left in the old licence to kill, though Moore had one more workout--A View to a Kill--before hanging it up. And that title? The franchise had already used up the titles to Ian Fleming's novels, so Octopussy was taken from a lesser-known Fleming short story. --Robert Horton, Amazon.com On the DVD: The high standard of these 007 discs is maintained here, with another extra-packed selection. The "Inside Octopussy" documentary details the making of the movie, which faced competition from Sean Connery's Never Say Never Again, as well as being handicapped by a potentially risible title. The initial story was developed by George Macdonald Fraser, author of the "Flashman" books, whose knowledge of Indian history and locales proved invaluable. Roger Moore prevaricated about signing on as Bond, so American James Brolin was screen-tested instead. The movie also produced the worst accident of the series while filming the train sequence and the stuntman involved was hospitalised for six months. Director John Glen provides a solo commentary that reveals a wealth of technical detail and also that this is one of his favourite Bond movies. Rita Coolidge performs "All Time High", and there are also some storyboard sequences and trailers. --Mark Walker
James Bond (Roger Moore) may have met his match in Francisco Scaramanga (Christopher Lee) a world-renowned assassin whose weapon of choice is a distinctive gold pistol. When Scaramanga seizes the priceless Solex Agitator energy converter Agent 007 must recover the device and confront the trained killer in a heart-stopping duel to the death!
Creature From The Haunted Sea: A mobster hits on a plan while smuggling a deposed general and a fortune in gold out of Cuba on his yacht. He and his crew will scare the general and kill his guards by faking the attacks of a sea monster and thus keep the gold for themselves. Unfortunately a sea monster actually is attacking them leading to all sorts of complications. The Devil Bat: Driven by the thrill of vengeance a crazy scientist devises a particularly diabolical m
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