Narcos tells the true-life story of the growth and spread of cocaine drug cartels across the globe and attendant efforts of law enforcement to meet them head on in brutal, bloody conflict. It centers around the notorious Colombian cocaine kingpin Pablo Escobar (Wagner Moura) and Steve Murphy (Holbrook), a DEA agent sent to Colombia on a U.S. mission to capture and ultimately kill him.
This first sequel to Dirty Harry was written by a couple of strong voices, writer-directors Michael Cimino (The Deer Hunter) and John Milius (Farewell to the King). But that doesn't mean the film is particularly good. After Don Siegel's ferociously dark style in the first movie, Ted Post's blocky, television-ish direction in Magnum Force is a huge letdown. The story doesn't win any prizes, either. Eastwood's San Francisco detective Harry Callahan (apparently having retrieved his badge after throwing it away at the end of Dirty Harry) takes on a vigilante squad within the city's police force. David Soul is pretty convincing as the major spokesman for these right-wing avengers. Eastwood, on the other hand, had already turned Callahan from fascinating outsider in Siegel's film to purveyor of tough-guy shtick in this one. --Tom Keogh
The sky is raining fish. Skyscrapers sit in mountains of sand. Bandits sleep in trunks of used cars. It's a world of the future. A world called Planet Earth. And he's one man just trying to survive. In Besson's haunting beautifully realised vision of a post-apocalyptic world few have held onto life and fewer still to humanity. An unknown trauma has robbed mankind of their ability to speak and they remain mute in the unexplained wreckage of what once was. The Man (Pierre Jolivet) is an isolated survivor wandering the hostile streets of a collapsed civilization. He lives in a long-abandoned office building fighting off attacks from nearby thugs and gathering together disused car parts for a makeshift airplane hoping to fly away from his sombre prison. Escape however offers little respite as he leaves one dead city for another. In the midst of this new wasteland The Man encounters his nemesis The Brute (Jean Reno); a violent aggressor who becomes determined to destroy him. By chance he stumbles into a derelict hospital and finds there an old doctor who is hiding from The Brute. Together the two seek sanctuary from The Brute and gradually in the grey and sterile world a friendship begins to grow. Luc Besson's debut feature film Le Dernier Combat has been much lauded by audiences and critics alike since its release in 1984 and enjoys a richly deserved cult status in the annuls of film history.
Join the master adventurer and iconic director Werner Herzog (Grizzly Man, Rescue Dawn) in this extraordinary 3D blu-ray, as he ventures on a new epic journey.Overcoming considerable challenges, Herzog captures the stunning majesty of the Chauvet Cave in southern France, where the world's oldest cave paintings have been discovered. Herzog reveals a breathtaking subterranean world including the 32,000-year-old artworks. With his humorous and engaging narration Herzog refelcts on our primal desire to communicate and represent the world around us, evolution and our place within it, and ultimately what it means to be human.
One of Hammer's most enduringly popular films and a benchmark for 1970s horror Countess Dracula stars Ingrid Pitt in an iconic career-defining role as the aged countess who must regularly bathe in virgins' blood to regain her fading youth. Genre stalwart Peter Sasdy directs arguably his best Hammer film from a script by award-winning writer Jeremy Paul and showcasing a rousing score from composer Harry Robinson. Countess Dracula is featured here in a brand-new High Definition transfer from the original film elements in its as-exhibited theatrical aspect ratio. In medieval Hungary Countess Elisabeth Nádasdy an embittered ageing widow discovers by accident that virgin's blood causes her skin become youthful and smooth. Determined to retain her new youth at all costs the Countess coerces her lover to abduct a string of young virgins to keep her supplied with the blood she now craves to stay beautiful... Special Features: Audio commentary with Ingrid Pitt and horror experts Kim Newman and Stephen Jones Original Theatrical Trailer Archive interview with Ingrid Pitt 50 Years of Hammer - news feature Thriller episode Conceptions of Murder episode
René Clément's (Forbidden Games Gervasise) 1960's stylish thriller Plein Soleil is adapted from Patricia Highsmith's novel The Talented Mr. Ripley. Alain Delon (le Cercle Rouge Le Samourai) stars as Tom Ripley an American who travels to Europe on an all-expenses-paid mission to convince his friend the charismatic playboy Philippe Greenleaf (Maurice Ronet - Le Feu Follet) to travel to San Francisco at the request of the wealthy Greenleaf family. Initially the pair enjoys the good life in Italy often to the anger and dismay of Philippe's much put-upon fiancée Marge (Marie Laforet). However as Tom's funds begin to run dry it becomes more and more apparent that Philippe has no intention of returning to the U.S. forcing Tom to consider more calculated means of maintaining his extravagant lifestyle. Special Features: Interview with Alain Délon The Restoration of Plein Soleil Réné Clémént: At the Heart of the New Wave - a documentary by Dominque Maillet
7 complete strangers of widely varying personality characteristics are involuntarily placed in an endless kafkaesque maze containing deadly traps.
Stanley Baker's O'Donovan is sent to steal the plans of a rival company's racing car designs, to ensure his employers win the competition. However, when opening a safe containing the plans, he triggers an alarm leading to a gun battle where he kills a number of people. James Robertson Justice alarmed by the scandal surrounding the killings orders his agent be killed surreptitiously to hide his involvement with the plot.
A married couple are terrorized by a series of videotapes planted on their front porch.
Is it a sitcom? Is it a serious documentary about the Catholic priesthood? No, it's The Very Best of Father Ted, a choice collection of episodes from Graham Linehan and Arthur Matthews' affably surreal sitcom. Ted's the normal one, as evidenced by his moving Song for Europe entry, "My Lovely Horse"--a modern classic if ever there wasn't one. Gasp as "poor idiot boy" Father Dougal becomes a rollerblading fiend in "Cigarettes and Alcohol and Rollerblading"; be amazed as super Ted saves Craggy Island from a deadly milk-float in the stunning blockbuster sequel "Speed 3" (well, it's faster and more fun than Speed 2); fall off the window-sill as devoted housekeeper Mrs Doyle utters the line that's almost Shakespearean in its sublimity, "Cup of tea, Father?". Graham Norton pops up to annoy everyone in "The Mainland", there's a whole host of Elvis impersonators in "Competition Time", and meanwhile Father Jack doesn't need an excuse to hit the bottle (or to smash one over someone's head) in any episode. Not saying Mass has probably never been so much fun. On the DVD: The Very Best of Father Ted on disc has six episodes as opposed to five on the video release: the extra one is the Christmas special, "A Christmassy Ted". Extra features are selected commentaries by Graham Linehan and Ardal O'Hanlan, a clip compilation of each character, and a rather poor photo gallery. Picture is 4:3 and sound basic stereo. --Gary S Dalkin
Every episode from all six series of the BBC drama following the mixed fortunes of the Howard family. When Tom Howard (Maurice Colbourne) is made redundant, he decides to follow his dream of designing and building boats and uses his redundancy payout to purchase a struggling boatyard. His wife Jan (Jan Harvey) is not impressed with his risky new venture and his decision puts a strain on their relationship. Meanwhile in the coastal town of Tarrant, daily life is full of love, lies, secrets and scheming...
John Steed and his new accomplices Purdey and Gambit find themselves facing new and deadly dangers in the bizarre world of espionage...
From its very beginning in 1995, Graham Linehan and Arthur Matthews' affable sitcom Father Ted occupied a previously undiscovered niche in TV comedy: by turns endearing and surreal, it was always effortlessly hilarious. Ted's the almost normal one, fighting the good fight to keep his sanity amid the chaos of his own household, where he lives with "poor idiot boy" Father Dougal, psychotically devoted housekeeper Mrs Doyle and foul-mouthed Father Jack, who doesn't need an excuse to hit the bottle (or smash one over someone's head) in any episode and whose vocabulary consists of just three immortal words: "Drink, Feck, Girls!"The first series opens with "Good Luck, Father Ted" as we learn just how dreary life on Craggy Island really is when Funland arrives (which boasts such attractions as Freak Pointing and the Spinning Cat!). Everyone's patience is tested further when "Entertaining Father Stone"--quite possibly the most boring man on Earth--in the second episode. Proving bad publicity can be good publicity, Ted and Dougal then accidentally manage to attract audiences to the blasphemous film "The Passion of St Tibulus". Their ingenuity is tested to the limit in "Competition Time" as they become "The Three Ages of Elvis". Dermot Morgan's Ted is at his most sympathetic in "And God Created Women" when he gets the wrong end of the stick about the intentions of romantic novelist Polly Clarke. Then, lastly, in " Grant Unto Him Eternal Rest", everyone rallies round at Father Jack's "funeral" to reminisce about what a fine priest and good-natured fellow he was! These six episodes made for a wonderful series debut; catchphrases were born ("Drink!"), as were regular characters (Jim Norton's sinister Bishop Brennan); and like Mrs Doyle's ever-wandering facial mole, audiences wanted it to "go on go on go on".On the DVD: the only extra is an exceedingly self-deprecatory commentary from co-writer Graham Linehan, who explains the origins of the characters and how he wrote in collaboration with Arthur Matthews. He frequently and hilariously compares himself with others (chiefly Mel Brooks on Young Frankensteinand The Producers). Fans will be delighted to hear many jokes that nearly made it into the show, but will undoubtedly end up somewhere else! --Paul Tonks
Emerging from the Play for Today anthology series in 1975 Philip Martin's near two-hour-length play Gangsters proved so popular that a series was commissioned and followed eighteen months later. Following the lead of such gritty cop dramas as The Sweeney Gangsters revealed a world of racial segregation and ghettos in the style of American television; and it didn't hold back on the violence or bad language either. Former SAS officer John Kline (Maurice C
Detective Ray Morgan accidentally kills the son of a mob boss. The mob boss orders to have Morgan killed unknowing that the assassin killed Morgan's wife and kids. Now Morgan's got nothing to lose and is out for revenge..and he'll do it his own way.
UFC 15 - Bout List: 1. Maurice Smith vs Tank Abbott 2. Mark Kerr vs Dwane Cason 3. Vitor Belfort vs Randy Couture 4. Dave Beneteau vs Carlos Barreto 5. Mark Kerr vs Greg Scott 6. Houston Dorr vs Dwane Cason 7. Alex Hunter vs Harry Moskowitz UFC 16 - Bout List: 1. Frank Shamrock vs Igor Zinoviev 2. Kimo vs Tsuyoshi Koshaka 3. Chris Brennan vs Pat Miletich 4. Kevin Jackson vs Jerry Bohlander 5. Pat Miletich vs Townsend Saunders 6. Mike Burnett vs Eugenio Tadeu
A collection of Sexploitation movies from Shameless Screen Entertainment (Love Goddess of the Cannibals, Satan Baby Doll & The Beast in Space). These BBFC-baiting mind-frying stories of gory carnage and sex push 18 cert to its outer regions like no other films. Literally jaw-dropping stunning. Special Features: Specially commissioned booklet and box-set artwork
Astronaut Taylor crash lands on a distant planet ruled by apes who use a primitive race of humans for experimentation and sport. Soon Taylor finds himself among the hunted his life in the hands of a benevolent chimpanzee scientist... Winner of an Honorary Academy Award for Outstanding Make-up Achievement and nominated for two Oscars (1968 Best Costume Design and Best Original Score) Planet of the Apes is grand entertainment from its visually arresting beginning to the chilli
One of the great directorial debuts, Ridley Scott's The Duellists is an extraordinary achievement which weaves an epic-in-miniature set around the edges of the Napoleonic Wars. Based on a story by Joseph Conrad, in turn inspired by real events and filmed in part where those events took place, this is the tale of a 15-year conflict between two French army officers: the level-headed Armand D'Hubert (Keith Carradine) and the obsessive Gabriel Feraud (Harvey Keitel). Each time they meet they duel, until the original purpose of the conflict is all but lost. Beyond the two American stars, who fill their roles with rare commitment--accents not withstanding--Scott assembled a stellar cast: Albert Finney, Edward Fox, Pete Postlethwaite, Diana Quick, Cristina Raines, Robert Stephens, Tom Conti, John McEnery, Maurice Colbourne and Jenny Runacre. The production values are astonishing and the film revels in the exquisite painterly visuals which have become a Scott trademark. Howard Blake's elegiac theme adds immeasurably to the impact of a film influenced by Stanley Kubrick's Barry Lyndon (1974), and anticipating Scott's own Best Picture Oscar-winning Gladiator (2000). A haunting work of spectral beauty, it is also a worthy companion to Scott's shamefully neglected 1492: Conquest of Paradise (1992). On the DVD: The Duellists is transferred at 1.77:1 with full sound atmospherically remixed in Dolby Digital 5.1. A new 29-minute documentary finds Scott discussing The Duellists with Kevin (Robin Hood: Prince of Thieves) Reynolds, which is particularly enlightening given the relative merits of the two swashbucklers. Scott's absorbing commentary track provides an in-depth look into the film-making process. Equally, film music aficionados will be delighted to find not just an isolated music track, but an informative commentary by composer Howard Blake, though he does sometimes talk over the beginning or end of cues. Most unusual but very welcome is the inclusion of Scott's first short film, Boy and Bicycle (1965), a 25-minute b/w mood piece starring Tony Scott, with music by John Barry. Other extras are a storyboard-to-screen comparison, the American trailer and four galleries of posters, stills and production photos. --Gary S Dalkin
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