From GUILLERMO DEL TORO, CARLTON CUSE and CHUCK HOGAN comes a chillingly original series. When a freak virus tracing back to ancient vampirism strikes New York, it gives rise to bloodthirsty human hybrids. Hoping to destroy the creatures and the evil Master behind the outbreak, the CDC's Dr. Eph Goodweather (Corey Stoll) develops a deadly bio weapon. Teaming with a mysterious Holocaust survivor (David Bradley), and searching clues found in an ancient book, Eph races against time amidst great personal loss in an effort to save humanity, in this thrilling, post-apocalyptic story. All four blood-curdling seasons are here, packed with special features and in-depth behind-the-scenes access. Features: In the Beginning A Novel Approach Setrakian's Lair Audio Commentary on Selected Episodes Deleted Scenes Meet the Crew of The Strain The White Room Gag Reels Beyond the Page Sentient Strigo The Strain: Under Siege Companion Series and Intro with Carlton Cuse Vamp Boom Music Video Coping with The Strain: A Therapy Session And More!
Mr. Peabody the most accomplished dog in the world and his mischievous boy Sherman use their time machine - The WABAC - to go on the most outrageous adventures known to man or dog. But when Sherman takes The WABAC out for a joyride to impress his friend Penny they accidentally rip a hole in the... Moreuniverse wreaking havoc on the most important events in world history. Before they forever alter the past present and future Mr. Peabody must come to their rescue ultimately facing the most daunting challenge of any era: figuring out how to be a parent. Together the time traveling trio will make their mark on history.
Up-and-coming young lawyer Andrew Beckett (Tom Hanks) has just been fired by his prestigious law firm. They say he hasn't got what it takes. Andrew knows it's because he's got AIDS. Determined to defend his professional reputation Andrew hires fierce brilliant personal-injury attorney Joe Miller (Denzel Washington) to sue his former employers for wrongful dismissal. Joe is initially reluctant to take on the case. Although he as grown up knowing the pain of prejudice he's never
The balance of power. After shocking developments including Jon's bloody fate at the hands of Castle Black mutineers, Daenerys' near-demise at the fighting pits of Meereen and Cersei's public humiliation in the streets of King's Landing survivors from all parts of Westeros and Essos regroup to press forward, inexorably, toward their uncertain individual fates. Familiar faces will forge new alliances to bolster their strategic chances at survival, while new characters will emerge to challenge the balance of power in the East, West, North and South. Special Features Includes over 2 hours of bonus features
The film boasts the best of the Bond title songs (this one sung on a dreamy track by Nancy Sinatra), but the movie itself is one of the weaker ones of the Sean Connery phase of the 007 franchise. The story concerns an effort by the evil organisation SPECTRE to start a world war, but the not-so-super villain behind the plot is the awfully civilised Donald Pleasence. The thin script is by Roald Dahl (shouldn't we have expected a better Bond nemesis from the creator of mad genius Willy Wonka?), and direction is by British veteran Lewis Gilbert (Alfie). But the movie can't hold a candle to Dr. No, From Russia with Love, or Goldfinger. --Tom Keogh, Amazon.comOn the DVD: This was another troubled production according to the insightful "making of" documentary: director and producers luckily avoided boarding a plane out of Tokyo that crashed and killed everyone on board; the Japanese actresses couldn't speak English and one threatened suicide if she was dropped from the part; and the aerial cameraman filming the helicopter fight had his leg sliced off by a rotor blade. Maurice Binder's evocative main title designs are the subject of the second documentary, "Silhouettes", in which his colleagues voiceboth their admiration of his art and frustration at his chaotic working practices. The commentary is another edited selection of interviews with principal cast and crew. An animated storyboard sequence, trailers, radio spots and a handsome booklet add up to another winning entry in this series. --Mark Walker
Thunderbirds Are Go followed the remarkable success of the Thunderbirds television series, bringing the three-dimensional puppet animation adventures of International Rescue to the big screen. Set in the 21st century, there is no attempt to explain the background story: as in the TV show International Rescue is a private family organisation who use hi-tech craft to rescue anyone in peril. Here it is the first manned flight to Mars which is in danger, as International Rescue foils a sabotage attempt at the launch, then race to avert disaster when the spaceship returns to earth. What could have made a 50-minute TV episode is expanded to feature length with Martian "rock monsters" and a surreal dream-sequence involving Alan Tracy, Lady Penelope and "Cliff Richard Jnr" & the Shadows, with a new song performed by the real Cliff and the Shadows. In the cinemas this was competing against another British children's TV SF spin-off, the equally colourful Daleks' Invasion Earth 2150AD, and would be followed by Thunderbird 6 (1968). Yet apart from more complex model work, a bigger orchestra and even bigger explosions, on TV this plays like a widescreen double-length episode. On the DVD: The mono sound is powerful, with Barry Gray's stirring music suffering intermittent distortion. Presented in anamorphic widescreen the picture is very good, with strong colours and only minimal grain, though the print does show occasional damage. Unfortunately the original extremely wide 2.74:1 Techniscope image is cropped to more conventional 2.35:1, to the extent that the careful compositions are noticeably damaged, which director David Lane refers to in his joint commentary with producer Sylvia Anderson (who also played Lady Penelope). 35 years after the event their commentary is packed with details of the filming process and full of information about the many problems of and solutions to making an animated feature. Both Anderson fans and budding animators will find this a real education. The original, rather battered, trailer is included, as are galleries of behind the scenes photos, promotional artwork and posters. Altogether it's rather FABulous. --Gary S Dalkin
First broadcast in 1967, Captain Scarlet and the Mysterons was the most grown-up of all Gerry Anderson's SuperMarionation adventures. There are gadgets and toy-friendly machines galore, of course--like the Spectrum Pursuit Vehicle, the Angel Aircraft and Cloudbase itself--but, unlike the colourful fantasies of Stingray and Thunderbirds, this series' concern with an implacable, vengeful enemy, conspiracies and double-agents drew its inspiration from James Bond and the Cold War spy dramas of the 1960s. Special effects whiz Derek Meddings imbues the action sequences with a truly Bondian grandeur and, like the sinister Spectre of the Bond films, the Martian Mysterons seem all the more hostile for their unseen presence, their agents infiltrating every organisation dedicated to their destruction just as it seemed the Soviets were doing at the time. The indestructible Captain Scarlet is killed then resurrected every week (though not like South Park's Kenny), and more often than not the unstoppable Mysterons emerge triumphant, and always undefeated. The varied cast of Spectrum agents and their voice characterisations also aim at verisimilitude (Captain Scarlet, voiced by Francis Matt hews, sounds like a grim Cary Grant), while the puppetry is more realistic than ever. This box set contains all 32 episodes, with newly remastered picture and Dolby 5.1 surround sound. The DVD box also includes extra features on each disc, plus a sixth documentary disc, "Captain Scarlet: S.I.G.". In its new digital incarnation, Captain Scarlet and the Mysterons still looks and sounds like the epitome of 60s cool. --Mark Walker
Julien Duvivier taps into postwar France's paranoia in a long unavailable thriller, adapted from a Georges Simenon novel Proud, eccentric, and antisocial, Monsieur Hire (Michel Simon) has always kept to himself. But after a woman turns up dead in the Paris suburb where he lives, he feels drawn to a pretty young newcomer to town (Viviane Romance), discovers that his neighbours are only too ready to be suspicious of him, and is framed for the murder. Based on a novel by Georges Simenon, the first film made by Julien Duvivier after his return to France from Hollywood, finds the acclaimed poetic realist applying his consummate craft to darker, moodier ends. Propelled by its two deeply nuanced lead performances, the tensely noirish Panique exposes the dangers of the knivesout mob mentality, delivering a pointed allegory of the behaviour of Duvivier's countrymen during the war. SPECIAL EDITION FEATURES: New 2K digital restoration, with uncompressed monaural soundtrack The Art of Subtitling, a new short documentary by Bruce Goldstein, founder and copresident of Rialto Pictures, about the history of subtitles New interview with author Pierre Simenon, the son of novelist Georges Simenon Conversation from 2015 between critics Guillemette Odicino and Eric Libiot about director Julien Duvivier and the film's production history Rialto Pictures rerelease trailer New English subtitle translation by Duvivier expert Lenny Borger PLUS: Essays by film scholar James Quandt and Borger
You only live twiceOnce when you are bornand once When you look death in the face. The fifth film in the Bond series 'You Only Live Twice' unveils the sinister visage of Ernst Stavro Blofeld for the very first time! The film is also memorable for its incredible ''400 000 set of Blofeld's Volcano operational base complete with the rocket laucher helicopter landing pad monorail and massive shutter. Q's invention 'Little Nellie' - a one man miniature helicopter - also makes a big impact. An American space mission is interrupted when one of their capsules is literally swallowed up by what they suspect is a Russian spaceship. The Americans threaten to retaliate but the British think otherwise. Everything depends on Bond as he goes undercover in Japan and discovers that Blofeld is the creator of these interceptor rockets...
Philadelphia wasn't the first movie about AIDS (it followed such worthy independent films as Parting Glances and Longtime Companion), but it was the first Hollywood studio picture to take AIDS as its primary subject. In that sense, Philadelphia is a historically important film. As such, it's worth remembering that director Jonathan Demme (Melvin and Howard, Something Wild, The Silence of the Lambs) wasn't interested in preaching to the converted; he set out to make a film that would connect with a mainstream audience. And he succeeded. Philadelphia was not only a hit, it also won Oscars for Bruce Springsteen's haunting "The Streets of Philadelphia," and for Tom Hanks as the gay lawyer Andrew Beckett who is unjustly fired by his firm because he has AIDS. Denzel Washington is another lawyer (functioning as the mainstream-audience surrogate) who reluctantly takes Beckett's case and learns to overcome his misconceptions about the disease, about those who contract it, and about gay people in general. The combined warmth and humanism of Hanks and Demme were absolutely essential to making this picture a success. The cast also features Jason Robards, Antonio Banderas (as Beckett's lover), Joanne Woodward, and Robert Ridgely, and, of course, those Demme regulars Charles Napier, Tracey Walter and Roger Corman. --Jim Emerson
Stand by for another action-packed adventure from the amazing international rescue team! Thunderbirds Are Go: The excitement begins as Zero X a 21st Century spacecraft is leaving the earth's atmosphere bound for Mars with five men on board. The craft is suddenly blasted by a mysterious explosion. Sabotage! Can the Tracy team uncover the perpetrators and save the next launch? Thunderbird Six: The trouble begins when rescue team member Alan Tracy sets out on a holida
Patrick Swayze returns to our screens as rebellious dance teacher Johnny Castle in the re-release of this classic '80s hit.
In an oeuvre permeated with ambivalence toward bourgeois life director Jean Renoir speculates on the result of the abandonment of those values in Boudu Saved From Drowning. Producer Michel Simon stars as Boudu a vagabond who attempts suicide by throwing himself into the Seine grieving over the loss of his dog. But Eduaord Lestingois (Charles Granval) a humane bookseller rescues him and takes him into his home hoping to reform the shaggy bum. Shortly thereafter anarchy
Double bill of festive family adventures directed by Douglas Barr. In 'Northpole' (2014) the magical land where Santa Claus (Robert Wagner) lives is powered by the festive spirit generated by people around the world. However, as modern life takes over and people have less time to spend with their families over Christmas, Northpole is rapidly losing power and so it is left to one young boy, Kevin (Max Charles), to convince his family to save Christmas. In 'Northpole - Open for Christmas' (2015) Mackenzie Warren (Lori Loughlin) hopes to sell The Northern Lights Inn that she has inherited from her late aunt, and enlists the help of handyman Ian (Dermot Mulroney) to fix up the place. Ian and his daughter are charmed by the inn but can't revive Mackenzie's childhood love for the building. But Santa needs the inn to survive so he sends Clementine the elf (Bailee Madison) to restore Mackenzie's holiday cheer. Can they all work their magic on her and save the inn?
The Last Survivors, starring Hayley Lu Richardson and Booboo Stewart, follows two teenagers battling to survive in a barren valley where they must fight off a gang of bloodthirsty mercenaries.
When a British ship sinks in foreign waters the world's superpowers begin a feverish race to find its cargo: a nuclear submarine control system. And 007 (Roger Moore) is thrust into one of his most riveting adventures as he rushes to join the search...and prevent global devastation!
Marina (Demi Moore), a blonde Southern belle with a clairvoyant streak, sees signs--a shooting star with two tails, a snowglobe that washes up on the beach, a wedding band inside of a fish--telling her that her true love is about to come ashore. And soon enough, a boat lands on the beach in front of her home; only the guy inside is a stout butcher from New York City named Leo (George Dzundza). Still, portents are portents, and the next thing you know she's married and running barefoot around a butcher's shop in Greenwich Village, where she inspires various residents with her predictions. Leo, however, is frightened by his wife's abilities and encourages her to see Alex (Jeff Daniels), a psychiatrist who works across the street. To placate him, she does--and soon begins to suspect that she's misread her signs and married the wrong man. The Butcher's Wife could use a little more humour about Marina's powers (her pronouncements are dizzyingly earnest) but the movie is buoyed up by a fantastic supporting cast, particularly Margaret Colin as a soap opera actress, Frances McDormand as a lesbian dress shop owner and Mary Steenburgen as a dowdy church choir leader who just wants to sing the blues. Like Marina, you know what's going to happen but the cast manages to make getting there charming. --Bret Fetzer
First broadcast in 1967, Captain Scarlet and the Mysterons was the most grown-up of all Gerry Anderson's SuperMarionation adventures. There are gadgets and toy-friendly machines galore, of course--like the Spectrum Pursuit Vehicle, the Angel Aircraft and Cloudbase itself--but, unlike the colourful fantasies of Stingray and Thunderbirds, this series' concern with an implacable, vengeful enemy, conspiracies and double-agents drew its inspiration from James Bond and the Cold War spy dramas of the 1960s. Special effects whiz Derek Meddings imbues the action sequences with a truly Bondian grandeur and, like the sinister Spectre of the Bond films, the Martian Mysterons seem all the more hostile for their unseen presence, their agents infiltrating every organisation dedicated to their destruction just as it seemed the Soviets were doing at the time. The indestructible Captain Scarlet is killed then resurrected every week (though not like South Park's Kenny), and more often than not the unstoppable Mysterons emerge triumphant, and always undefeated. The varied cast of Spectrum agents and their voice characterisations also aim at verisimilitude (Captain Scarlet, voiced by Francis Matt hews, sounds like a grim Cary Grant), while the puppetry is more realistic than ever. Now with newly remastered picture and Dolby 5.1 surround sound, Captain Scarlet and the Mysterons still looks and sounds like the epitome of 60s cool. --Mark Walker
Mr. Peabody the most accomplished dog in the world and his mischievous boy Sherman use their time machine - The WABAC - to go on the most outrageous adventures known to man or dog. But when Sherman takes The WABAC out for a joyride to impress his friend Penny they accidentally rip a hole in the... Moreuniverse wreaking havoc on the most important events in world history. Before they forever alter the past present and future Mr. Peabody must come to their rescue ultimately facing the most daunting challenge of any era: figuring out how to be a parent. Together the time traveling trio will make their mark on history.
Four convicts volunteer for a salvage space mission which turns into a nightmare when the crew begin disappearing.
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