When an uptight young man and his fiancee move into the house of his wild music producer of a mother, the resulting clash shakes everyone up.
An Officer And A Gentleman (Dir. Taylor Hackford 1981): Zack Mayo is a young loner with a bad attitude. Tempted by the glamour and admiration of the life of a Navy pilot he decides to sign up for Officer Candidate School. After thirteen tortuous weeks under Gunnery Sergeant Emil Foley (Gossett Jnr.) he slowly begins to learn the importance of discipline love and friendship. Foley warns Zack about the local girls who will do anything to catch themselves a pilot for a husband
Titles Comprise:Matilda: Unfortunately for Matilda, her father Harry (Danny DeVito) is a used car salesman who bamboozles innocent customers and her mother Zinnia (Rhea Perlman) lives for bingo and soap operas. Far from noticing what a special child Matilda is, they barely notice her at all! They bundle Matilda off to Cruncham Hall, a bleak school where students cower before the whip hand and fist of a hulking monster, headmistress Miss Trunchball (Pam Ferris). But amid Crunchem's darkness, Matilda discovers remarkable skills - including a very special talent that allows her to turn the table on the wicked grown ups in her world!Madeline: Madeline and her eleven friends live at school run by Miss Clavel (Frances McDormand) in an old house in Paris. The smallest of the girls, Madeline, is also the most adventurous! She loses her appendix but gains an awesome scare, falls into the River Seine only to be rescued by a dog called Genevieve, and matches wits with Pepito, the devilish son of a Spanish Ambassador who moves in next door. However, when stuffy Lord Covington puts the future of the school in jeopardy, it's up to Madeline and her friends to save the day!
Set on an island off the coast of New England in the 1960s, as a young boy and girl fall in love they are moved to run away together. Various factions of the town mobilize to search for them and the town is turned upside down.
The debut film of director Joel Coen and his brother-producer Ethan Coen, 1983's Blood Simple is grisly comic noir that marries the feverish toughness of pulp thrillers with the ghoulishness of even pulpier horror. (Imagine the novels of Jim Thompson somehow fused with the comic tabloid Weird Tales and you get the idea.) The story concerns a Texas bar owner (Dan Hedaya) who hires a seedy private detective (M Emmett Walsh) to follow his cheating wife (Frances McDormand in her first film appearance) and then kill her and her lover (John Getz). The gumshoe turns the tables on his client and suddenly a bad situation gets much, much worse, with some violent goings-on that are as elemental as they are shocking. (A scene in which a character who has been buried alive suddenly emerges from his own grave instantly becomes an archetypal nightmare.) Shot by Barry Sonnenfeld before he became an A-list director in Hollywood, Blood Simple established the hyperreal look and feel of the Coens' productions (undoubtedly inspired a bit by filmmaker Sam Raimi, whose The Evil Dead had just been coedited by Joel). Sections of the film have proved to be an endurance test for art-house movie fans, particularly an extended climax that involves one shock after another but ends with a laugh at the absurdity of criminal ambition. This is definitely one of the triumphs of the 1980s and the American independent film scene in general. --Tom Keogh, Amazon.com
Based on Elizabeth Strout's Pulitzer Prize-winning novel of the same name Olive Kitteridge tells the poignantly sweet acerbically funny and devastatingly tragic story of a seemingly placid New England town wrought with illicit affairs crime and tragedy told through the lens of Olive (Frances McDormand) whose wicked wit and harsh demeanor mask a warm but troubled heart and staunch moral center. The story which spans 25 years focuses on Olive a middle-school math teacher and her relationships with her husband Henry (Richard Jenkins) the good-hearted town pharmacist and their son Christopher (John Gallagher Jr) who chafes at his mother's parenting style and other denizens of their community. Episodes: Pharmacy Incoming Tide A Different Road Security
In 1939 London middle-aged governess Miss Pettigrew has a glamorous change of career and life when she becomes social secretary for an actress and singer.
Titles Comprise: Fargo:William H. Macy plays Jerry Lundegaard a Minneapolis car salesman who is by all accounts a loser. He is desperately in debt so decides to hires two thugs (who are bigger losers than he is) to kidnap his wife in the hope that his wealthy father-in-law (who bullies him regularly) will pay the ransom. When one of the kidnappers goes off the rails and events career out of control it falls to Marge Gunderson Chief of the Brainerd Police Department to set things right. Raising Arizona:Ex-con Hi and ex-cop Ed meet marry and long for a child in the wilds of Arizona. When Ed discovers she's barren the God-given solution is presented: to snatch a baby from a set of quins. Thus begins a series of kidnappings capers and rum goings-on that revolve around the helpless yet universally-loveable child. Hi's convict friends his boss and even the Lone Biker Of The Apocalypse become involved in the ever-twisting plot in the quest to own the baby. Millers Crossing:The year is 1929. The place is an gangster-ridden American city run by Leo (Albert Finney). But the real power lies with Tom (Gabriel Byrne) the power behind the man. Their friendship is severed when they both fall in love with the same woman (Marcia Gay Harden) and a bloody gang war erupts...
William H. Macy plays Jerry Lundegaard, a Minneapolis car salesman who is, by all accounts, a loser. He is desperately in debt, so decides to hires two thugs (who are bigger losers than he is) to kidnap his wife in the hope that his wealthy father-in-law (who bullies him regularly) will pay the ransom. When one of the kidnappers goes off the rails and events career out of control, it falls to Marge Gunderson, Chief of the Brainerd Police Department, to set things right. Arguably the best of...
Charlize Theron stars in this drama based on the first major successful sexual harassment case in the United States.
With The Man Who Wasn't There the Coen brothers--those ironic geniuses of left-field bizarre--have pulled off another side-swerve into the unexpected. A movie "about a hairdresser who wants to become a dry-cleaner" as the brothers gleefully claim to have pitched it, it's set in 1949 in the small Northern California town of Santa Rosa (venue for Hitchcock's 1943 classic Shadow of a Doubt) and filmed in lustrous, deep-shadowy black-and-white--an affectionate, though never slavish, tribute to the great era of film noir. Not only in its austere monochrome but in its tone, it comes as a total contrast to the Coens' previous film, the cheerfully picaresque O Brother, Where Art Thou?. Though they toss in plenty of surreal gags, including a whole running thread about flying saucers (this is Roswell-era America, after all), the overall mood is quiet, reflective and even--something quite new for the Coens--compassionate. Their protagonist, barber Ed Crane (Billy Bob Thornton, proving himself one of the great chameleon actors of our time), is a man trapped by his own impassivity--inside him, a seething mass of emotion that he's utterly unable to express. In true Coen style, his frustration leads him into a fatal move that spirals disastrously out of control. Thornton is ably supported by a whole gallery of Coen regulars--Frances McDormand, Jon Polito, Tony Shalhoub--plus James Gandolfini (The Sopranos) and an amazingly assured turn from Scarlett Johansson (Ghost World). The dialogue, as you'd expect, is masterly, while the brothers' regular collaborators Director of Photography Roger Deakins and production designer Dennis Gassner work wonders of period evocation, and Carter Burwell contributes a haunting score. On the DVD: The Man Who Wasn't There comes to DVD in a sharp, clean 1.85:1 anamorphic transfer that captures all the depth and subtlety of Deakins' superb photography, impeccably matched by the crystal-clear Dolby 5.1 Surround Sound. A lavish helping of extras includes a trailer and two TV spots, stills photo gallery, filmographies, a 16-minute "making of" featurette, an overlong (47 minutes) interview with Deakins, a batch of deleted scenes, and best of all, the voice-over commentary. This gives us not just Joel and Ethan, but Billy Bob as well, chatting and chortling and clearly enjoying every second of the movie they've made. Their enthusiasm is irresistible. -Philip Kemp
Inspired by director Cameron Crowe's own experiences and set in the 1970s, the film follows a fifteen year old wannabe journalist who gets the opportunity to interview and go on the road with a hard living rock band.
The debut film of director Joel Coen and his brother-producer Ethan Coen, 1983's Blood Simple is grisly comic noir that marries the feverish toughness of pulp thrillers with the ghoulishness of even pulpier horror. (Imagine the novels of Jim Thompson somehow fused with the comic tabloid Weird Tales and you get the idea.) The story concerns a Texas bar owner (Dan Hedaya) who hires a seedy private detective (M Emmett Walsh) to follow his cheating wife (Frances McDormand in her first film appearance) and then kill her and her lover (John Getz). The gumshoe turns the tables on his client and suddenly a bad situation gets much, much worse, with some violent goings-on that are as elemental as they are shocking. (A scene in which a character who has been buried alive suddenly emerges from his own grave instantly becomes an archetypal nightmare.) Shot by Barry Sonnenfeld before he became an A-list director in Hollywood, Blood Simple established the hyperreal look and feel of the Coens' productions (undoubtedly inspired a bit by filmmaker Sam Raimi, whose The Evil Dead had just been coedited by Joel). Sections of the film have proved to be an endurance test for art-house movie fans, particularly an extended climax that involves one shock after another but ends with a laugh at the absurdity of criminal ambition. This is definitely one of the triumphs of the 1980s and the American independent film scene in general. --Tom Keogh, Amazon.com
American activists Paul Sullivan (Dourif) and his fiancee Ingrid Jessner (McDormand) journey to Belfast to probe allegations of brutal human rights abuses by British security forces. When Paul is killed under mysterious circumstances the official reports list him as an I.R.A. accomplice. But Ingrid and British policeman Paul Kerrigan (Cox) question the findings and begin to uncover a shocking high-level conspiracy. Now with their safety in jeopardy they must decide whether to risk
The debut film of director Joel Coen and his brother-producer Ethan Coen, 1983's Blood Simple is grisly comic noir that marries the feverish toughness of pulp thrillers with the ghoulishness of even pulpier horror. (Imagine the novels of Jim Thompson somehow fused with the comic tabloid Weird Tales and you get the idea.) The story concerns a Texas bar owner (Dan Hedaya) who hires a seedy private detective (M Emmett Walsh) to follow his cheating wife (Frances McDormand in her first film appearance) and then kill her and her lover (John Getz). The gumshoe turns the tables on his client, and suddenly a bad situation gets much, much worse, with some violent goings-on that are as elemental as they are shocking. (A scene in which a character who has been buried alive suddenly emerges from his own grave instantly becomes an archetypal nightmare.) Shot by Barry Sonnenfeld before he became an A-list director in Hollywood, Blood Simple established the hyperreal look and feel of the Coens' productions (undoubtedly inspired a bit by filmmaker Sam Raimi, whose The Evil Dead had just been coedited by Joel). Sections of the film have proved to be an endurance test for art-house movie fans, particularly an extended climax that involves one shock after another but ends with a laugh at the absurdity of criminal ambition. This is definitely one of the triumphs of the 1980s and the American independent film scene in general. --Tom Keogh
Darkman: Dr Peyton Westlake (Liam Neeson) is on the verge of realising a major breakthrough in synthetic skin when a gang led by the sadistic Robert G Durant (Larry Drake) obliterates his laboratory. Burned beyond recognition and altered by an experimental medical procedure Westlake attempts to rebuild his laboratory and re-establish ties with his former girlfriend Julie (Frances McDormand). But his most challenging task lies within himself. Torn between his desire to create a new life with Julie and his quest for revenge the man known as Darkman begins to assume alternate identities in this stunning fast-paced action thriller from director Sam Raimi. (Dir. Sami Raimi 1990) Darkman 2: Dr Peyton Westlake alias the crime-fighting master of disguise Darkman is still trying to find a way of healing his disfigured features. But a tragic turn of events causes him to re-live the nightmare that disfigured him... (Dir. Bradford May 1994) Darkman 3: The Darkman pits himself against a drug dealer as he attempts to protect his research and his team. (Dir. Bradford May 1996)
Jennifer Aniston stars in this drama about three married women, their husbands and their lone single friend.
Charlize Theron stars in this sci-fi spectacular based on the hit MTV series.
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