It's graduation day at Alfea, but Bloom has something else on her mind. She's determined to find her birth parents - no matter what! Now, on a fantastical movie journey that takes her and the Winx Club to a strange planet with evil lurking around every corner, Bloom will learn to trust her true friends... and herself.
In the not-so-distant future strong-willed and beautiful Kate (Richardson) possesses a precious commodity that most women have lost and most men want to control... fertility. Forced into a brain-washing bootcamp that turns fertile women into surrogate mothers for social-elite men and their infertile wives Kate thinks she's made out well when she's assigned to an eminent party leader (Duvall). But when she learns that he's sterile she's faced with the impossible choice: produce him an heir or die!
The crushing pressures of social conformity have always been a central concern of Terence Davies' movies, so Edith Wharton's astringent novel of innocence destroyed makes an ideal choice for him. Set in the edgy, nouveau riche ambience of 1900s New York, the story traces the downfall of the lovely but imprudent Lily Bart (Gillian Anderson) in a world where hypocrisy and predatory vice lurk behind genteel facades. Wharton (whose later novel The Age of Innocence was brilliantly filmed by Martin Scorsese) has an acute feel for the subtleties of social nuance, the way insiders and outsiders are defined, and Davies skilfully renders these hints and insidious judgments in cinematic terms. Working to a tighter budget than most period dramas, he turns his limitations to advantage. The film's never in danger of being swamped by the gorgeousness of its sets and costumes, or turned into an exercise in easy nostalgia. The northern austerity of Glasgow effectively stands in for New York. Throwing off the mantle of Scully (from The X-Files), Gillian Anderson gives a powerful and wholly convincing performance as Lily, movingly despairing as her options are closed off one by one; and there's a fine portrayal of self-satisfied brutality from Dan Aykroyd as the chief agent of her downfall. --Philip Kemp
Suspecting that the Pimpernal is an English aristocrat Chauvelin is sent to England to discover the identity of the mystery man. Once there Chauvelin meets his former lover the beautiful French actress Marguerite who is married to a foppish English aristocrat. Marguerite reluctantly gives Chauvelin information to find the elusive Pimpernel and has unwittingly betrayed him...
On one level, True Blue is a distillation of the brutal physicality and unique focus demanded of participants in the annual University Boat Race between Oxford and Cambridge. Based on legendary oarsman and Oxford coach Dan Topolksi's book about the 1987 race, it is also a tale of revenge; dominant Oxford had been defeated the year before and wanted the title back. More than that, though, it is a story of sporting obsession and the Machiavellian resources required to last the course in an event shrouded in ritual. When a clutch of lantern-jawed American international rowers muscle in on the Oxford team and threaten, quite literally, to rock the boat with their disregard for any of the tradition surrounding the race or Topolski's coaching methods, the fragile concept of team spirit is splintered. Ferdinand Fairfax's film, full of fine performances, builds the tension through a series of confrontations and a constantly shifting balance of power over the year leading up to the race. The intuitive relationship between the besieged Topolski (the excellent Johan Leysen) and the President of the College Captains, Donald McDonald (the quietly impassioned Dominic West) is particularly well drawn. With more than a hint of Chariots of Fire, not least in the Vangelis-like soundtrack, this is a moving and beautifully observed film about sporting passion.On the DVD: True Blue is presented in widescreen with a 16:9 anamorphic video aspect ratio that makes excellent use of the sweeping vistas of the Thames for the racing and training scenes which dominate the film. Stanislas Syrewicz's brooding score underpins the action at every stage and, thanks to the quality of the Dolby Surround soundtrack, helps to bring an appropriately epic, theatrical feel to your home viewing. --Piers Ford
This time last year Jake and Kristi were two crazy single kids in love. Now they're two crazy married adults in transition. Their dreams of a perfect life in a perfect house have turned into a series of hilarious marital mishaps. And Kristi just got some news that really ought to make things interesting: she's having a baby! Kevin Bacon and Elizabeth McGovern are Jake and Kristi a perfect couple in an imperfect world. Their solutions to real-life problems make 'She's Having A Baby
Series 1 Downton is the home of the Crawleys, who have been the Earls of Grantham since 1772. The family live in oppulence with tall windows looking across the park. Below stairs at Downton live the servants; some loyal to the family and committed to Downton, and others just moving through, on the look out for new opportunities, love or adventure. The Crawleys know so little about the lives of their staff, but the servants hold both the family's secrets and their own. Series 2 Julian Fellowes' hit drama Downton Abbey returns for a second series with all the regular cast including Maggie Smith, Hugh Bonneville, Elizabeth McGovern, Brendan Coyle, Joanne Froggatt and Dan Stevens. Returning to Downton Abbey in 1916, we see the effects of The First World War on the lives of the Crawley family and the servants who work for them. The new series sees the return of all the much loved characters whose intertwined lives are rendered more complicated by wartime and its impact on the great house itself. And when the storms of war have finally cleared, will the way of life known by all the inhabitants of Downton have changed forever?
Out-of-work actor Victor Bukowski (Douglas Henshall) is desperate to stop his ex-girlfriend Sylvia (Lena Headey) from marrying another man. Then miraculously he is given a second chance to go back and correct the mistakes which led to their relationship breaking down. But will turning back the clock really change anything at all?
1989 and the Berlin Wall is about to fall. But the small matter of the end of the Cold War doesn't seem to stop soldier Ray Elwood's blackmarket shenanigans in a base in Germany.
Richard E. Grant stars as the foppish English aristocrat Sir Percy Blakeney who has a secret identity as the daring and swashbuckling Scarlet Pimpernel rescuing noblemen from the clutches of the guillotine during the height of the French Revolution...
The Scarlet Pimpernel: Richard E. Grant stars as the foppish English aristocrat Sir Percy Blakeney who has a secret identity as the daring and swashbuckling Scarlet Pimpernel rescuing noblemen from the clutches of the guillotine during the height of the French Revolution... The Scarlet Pimpernel: Valentin Gautier In this second of three adventures the Scarlet Pimpernel may have met his match when he is forced to confront Gabrielle Damiens alias Mademoiselle Guillotine the French Revolution's most feared whip-wielding killer... The Scarlet Pimpernel: A King's Ransom In this final film of the series The Scarlet Pimpernel is drawn into a mystery which threatens to destroy the French monarchy forever whilst putting his own life in grave danger. The heir to the French throne 10 year old Dauphin is under the control of Robespierre but is kidnapped by a sinister masked character. As Sir Percy gets close to witnesses who might identify the Dauphin's kidnapper they are killed before they can reveal the truth. However all the signs point to the legendary swordsman Chevalier D'Orly - the only person with the skill and strength needed for the daring kidnap...
A 4 DVD box set comprising of 19 film adaptations of plays by Samuel Beckett. Includes: 1. Waiting for Godot (director Michael Lindsay-Hogg) 2. Not I (director Neil Jordan) 3. Rough for Theatre I (director Kieron J Walsh) 4. Ohio Impromptu (director Charles Sturridge) 5. Krapp's Last Tape (director Atom Egoyan) 6. What Where (director Damien O'Donnell) 7. Footfalls (director Walter Asmus) 8. Come and Go (director John Crowley) 9. Act Without Words I (director Karel Reisz) 10. Happy
Once Upon a Time in America has a chequered history, having been chopped from its original 229-minute director's cut to 139 minutes for its theatrical release. The longer edition presented here benefits from having the complete story (the short version has huge gaps) about turn-of-the-century Jewish immigrants in America finding their way into lives of crime, as told in flashback by an ageing Jewish gangster named Noodles (Robert De Niro). On the other hand, it's almost four hours long, and this sometimes-indulgent Sergio Leone film is no Godfather. Still, it is notable for the contrast between Leone's elegiac take on the gangster film and his occasional explosive action, as well as for the mix of the stoic, inexpressive De Niro and the hyperactive James Woods as his lifelong friend and rival. --Marshall Fine
The small working-class town of Angels Crest is a tight-knit community resting quietly in the stunningly beautiful Rocky Mountains. Ethan (Thomas Dekker), one of the town's residents, is a young father but not much more than a kid himself. He has no choice but to look after his three-year-old son Nate, since mom Cindy is an alcoholic. But one snowy day, Ethan's good intentions are thwarted by a moment of thoughtlessness, resulting in tragedy. A local prosecutor (Jeremy Piven) haunted by his past goes after Ethan, and the ensuing confusion and casting of blame begins to tear the town apart.
The story is set just after the second world war and is based on personal letters and biographies of Daphne which highlight her obsession for a glamorous Heiress called Ellen. It shows her inner turmoil and struggle with her sexuality that influenced her writing.
Ted Striker: ""Surely you can't be serious?"" Dr. Rumack: ""I am serious... and don't call me Shirley."" Voted ""one of the ten funniest movies ever made"" by the American Film Institute Airplane! is a masterpiece of off-the-wall comedy. Featuring Robert Hays as an ex-fighter pilot forced to take over the controls of an airliner when the flight crew succumbs to food poisoning; Julie Hagerty as his girlfriend/ stewardess/ co-pilot; and a cast of all-stars inclu
Searching a desolate area of the Irish coast for driftwood lonely sculptor Sarah (Brochet) discovers an injured man (Spader) lying unconscious on the shore. She rescues the stranger and takes him to her cottage where she begins nursing him back to health. When she learns the man is suffering from amnesia with no knowledge of who or where he is she decides to tell him they are isolated on a remote island visited only by a supply boat every few months. Totally dependent on Sarah the man believes her story and slowly comes to trust and even love her. But when his hunger for more information and a desire to return to civilisation threaten to draw him away the obsessed and seriously disturbed Sarah must take increasingly drastic measures to keep her lover...
When the world turns upside down the trick is coming out on top. The saga adapted from the memoirs of A.E. Hotchner based on his own childhood in St.Louis. The story follows twelve year old Aaron who perseveres with his family amid the strange characters and persistent dangers of a transient hotel.
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