Definitely one of the best action movies of the 80s - and there were a lot of them too! In the annals of action movies few can compare with Mad Max 2 a full-throttle epic of speed and carnage that rockets you into a dreamlike landscape where the post-nuclear future meets the mythological past. More simply it's also one of the most mind-blowing stunt movies ever made. Max the heroic loner who drives the roads of outback Australia in an unending search for gasoline. Arrayed against him and the other scraggly defenders of a fuel-depot encampment are the bizarre warriors commanded by the Humungus notorious for never taking prisoners when they can pulverise them instead. When the battle is joined the results are savage spectacular and with Mad Max 2 on your side screen action doesn't get any better.
May the farce be with you in this hysterically funny space oddity created by comic genius Mel Brooks that will send you into hyperspace with fits of laughter! Lampooning everything from 'Star Wars' to 'Planet Of The Apes' and 'Alien' this is an outrageous send-up of epic sci-fi movies. Fearless and clueless space heroes Lone Starr (Bill Pullman) and his half-man/half-dog sidekick Barf (John Candy) wage interstellar warfare to free Princess Vespa (Daphne Zuniga) from the evil clutches of Dark Helmet (Rick Moranis). On the way to the rescue in their Winnebago they confront the huge gooey Pizza The Hutt (voiced by Dom De Luise) sassy robot Dot Matrix (voiced by Joan Rivers) and a wise little creature named Yogurt (Mel Brooks) who teaches them the mystical power of 'The Schwartz' in order to bring peace - and merchandising rights - to the entire galaxy!
If nothing else, the powers that be behind this terrible sequel to the 1989 hit Look Who's Talking will be divinely punished for abusing John Lennon's "Jealous Guy" on the soundtrack. Until then, it's better to push memories of this movie to the back of one's memory. John Travolta and Kirstie Alley reprise their roles from the earlier film, but this time their married relationship is in trouble for sundry reasons. Adding to that complication is the arrival of a new baby (whined by Roseanne Barr) to join the previous one (quipped by Bruce Willis). Mel Brooks and Damon Wayans add their voices to those of some other kids, but this hastily patched-together follow-up wouldn't be funny no matter how may comic minds you threw in the mix. Between the shoddy script and miscasting of Barr, there's enough doom to go around in this thing, but an opening-credits sequence that manages, through crummy special effects, to turn a sperm's path toward an egg into a nauseating experience doesn't help. Stick with the original. --Tom Keogh
Set in the 1960s, Billy Covington (Robert Downey Jr.) is a big-city chopper pilot who reports traffic conditions for a radio station but ends up losing his license due to a traffic incident on the freeway. Longing to do some real flying, Billy is recruited by the government for a secret and safe (he thinks) civilian airline in Laos. Knowing that by agreeing to do it he'll get his license back, he signs up. Upon arrival in Laos, he soon befriends ace pilot Gene Ryack (Mel Gibson) and realises that Air America isn't quite what it seems, instead of transporting civilians, it's food, money, ammunition and napalm that are the real cargo and the pilots are risking their lives daily.
The three nostalgic British musicals in the Cliff Richard DVD Collection are a good reminder that, thanks to a few short years in the 1960s, Sir Cliff can legitimately include "film star" on his already exceptional show business CV. The Young Ones (1961), Summer Holiday (1963) and Wonderful Life (1964) would make tame fare for a teen audience today, but they retain a polished and honest charm which might surprise the sharpest of cynics. First and foremost, of course, they were Cliff Richard vehicles: designed to showcase his all-round talents and capitalise on his first, heady wave of pop chart success. They are also unashamed homages to the heyday of the MGM B-musical with familiar themes: let's put on a show/save the youth club/make a film. But with up-and-coming directors Sidney Furie and Peter Yates making imaginative and sophisticated use of wide-angle camera work and fresh, snappy choreography by Herbert Ross and Gillian Lynne, they also have plenty of assets other than Cliff's wholesome appeal. There are some fine set pieces and surreal flashes, notably the history of cinema in Wonderful Life and the extraordinary mime sequence in Summer Holiday. They also tap into the very British energy of a group of young actors and dancers including Una Stubbs, Susan Hampshire, Melvyn Hayes and Richard O'Sullivan, as well as Cliff's band at the time, The Shadows. For sheer verve, they deserve to be seen on their own merits. On the DVD: The Cliff Richard DVD Collection has been pristinely restored; the colours and clarity, not to mention the use of Cinemascope, leap off the screen (aspect ratio 2.35:1). The mono soundtrack recreates the authentic bandbox sound of the 1960s. Aside from theatrical trailers, the most notable extras are directors' commentaries: actually Furie and Yates in occasionally long-winded conversation with film and music writers. Both men give fascinating insight into the film-making climate in Britain in the early 1960s.--Piers Ford
In 1776 South Carolina, widower and legendary war hero Benjamin Martin finds himself thrust into the midst of the American Revolutionary War as he helplessly watches his family torn apart by the savage forces of the British Redcoats. Unable to remain silent, he recruits a band of reluctant volunteers, including his idealistic patriot son, Gabriel, to take up arms against the British. Fighting to protect his family's freedom and his country's independence, Martin discovers the pain of betrayal, the redemption of revenge and the passion of love.
5 disc DVD set. 4 film collection plus bonus Madness of Max feature-length documentary and 4 exclusive artcards in a rigid slipcase. The Madness of Max is a feature-length documentary on the making of arguably the most influential movie of the past thirty years.With over forty cast-and-crew interviews hundreds of behind-the-scenes photographs and never-before-seen film footage of the shoot this is without a doubt the last word on Mad Max. Interviews include: George Miller Byron Kennedy Mel Gibson Hugh Keays-Byrne Steve Bisley Roger Ward Joanne Samuel David Eggby Jon Dowding and many more. From the Producers to the Bike Designers to the Traffic Stoppers this is the story of how Mad Max was made.
This action-comedy from 1990 makes the critical mistake of trying to mix a potentially suspenseful plot with the kind of humour that Mel Gibson can only get away with in his Lethal Weapon movies. It doesn't work here because the movie's supposed to be a Hitchcockian thriller and Mel's wisecracking--not to mention some implausible plot twists and ridiculous chase scenes--makes it impossible to take any of this movie seriously. It works best as a lightweight vehicle for Gibson and Goldie Hawn, who bring their own established appeal to their roles as old lovers who are reunited under unexpectedly dangerous circumstances. After testifying against some drug-running killers, Mel's been safe under the protection of the FBI's witness relocation program, and Goldie coincidentally enters his life again just as the bad guys are hot on Mel's trail. They join up and go on the run from the villains and ... well, let's just say director John Badham doesn't have any big surprises up his sleeve. Goldie and Mel are enjoyable, as always, but you'd have to be their biggest fan to watch this movie more than once. --Jeff Shannon, Amazon.com
Mel Gibson is a chauvinistic advertising executive who suddenly develops the ability to understand what women are thinking.
A sleeper hit when released in 1992, this romantic fantasy works as a comedic adventure and a gentle tearjerker thanks to Mel Gibson's appealing performance. He plays Daniel, a daring test pilot who is deeply distraught by the apparent death of his girlfriend, Helen, in 1939. Feeling little reason to live, he volunteers for a pioneering cryogenics experiment and is thawed out 50 years later by two young boys. They bring the confused pilot home to Nat's single mom, Claire (Jamie Lee Curtis). There's a hint of romance, but Daniel desperately needs to know if Helen really died in 1939, and he discovers that love has a way of surviving a half-century leap in time. The premise of Forever Young is hokey and certain plot details are conveniently ignored, but Gibson, Curtis, and Elijah Wood (as Nat) hold it together with irresistible charm and just the right balance of fantasy and drama. --Jeff Shannon
Screenwriter William Goldman's novel The Princess Bride earned its own loyal audience on the strength of its narrative voice and its gently satirical, hyperbolic spin on swashbuckled adventure that seemed almost purely literary. For all its derring-do and vivid over-the-top characters, the book's joy was dictated as much by the deadpan tone of its narrator and a winking acknowledgement of the clichés being sent up. Miraculously, director Rob Reiner and Goldman himself managed to visualize this romantic fable while keeping that external voice largely intact: using a storytelling framework, avuncular Grandpa (Peter Falk) gradually seduces his sceptical grandson (Fred Savage) into the absurd, irresistible melodrama of the title story. And what a story: a lowly stable boy, Westley (Cary Elwes), pledges his love to the beautiful Buttercup (Robin Wright), only to be abducted and reportedly killed by pirates while Buttercup is betrothed to the evil Prince Humperdinck. Even as Buttercup herself is kidnapped by a giant, a scheming criminal mastermind, and a master Spanish swordsman, a mysterious masked pirate (could it be Westley?) follows in pursuit. As they sail toward the Cliffs of Insanity... The wild and woolly arcs of the story, the sudden twists of fate, and, above all, the cartoon-scaled characters all work because of Goldman's very funny script, Reiner's confident direction, and a terrific cast. Elwes and Wright, both sporting their best English accents, juggle romantic fervor and physical slapstick effortlessly, while supporting roles boast Mandy Patinkin (the swordsman Inigo Montoya), Wallace Shawn (the incredulous schemer Vizzini), and Christopher Guest (evil Count Rugen) with brief but funny cameos from Billy Crystal, Carol Kane, and Peter Cook. --Sam Sutherland
James Belushi stars as Thomas Dooley an unorthodox narcotics cop who teams with an independently minded police dog in this hilarious action-comedy. Headstrong Dooley is one step away from nailing a prominent socialite in a $50 million cocaine bust. But branded as too crazy to partner with no one will work with him except Jerry Lee a superbly trained German Shepherd police dog with the best nose in the drug-busting business. The unconventional pairing pleases neither partner but a
In the sequel to the 2015 global smash, father Dusty (Mark Wahlberg) and stepfather Brad (Will Ferrell) have joined forces to provide their kids with the perfect Christmas. Their newfound partnership is put to the test when Dusty's old-school, macho Dad (Mel Gibson) and Brad's gentle Dad (John Lithgow) arrive just in time to turn the holidays upside down. Bonus Features Making a Sequel The New Dads in Town: Mel & John Look Who's Back Gag Reel
It's been a bad day for Driver (Gibson) and it's not getting any better. He just made a big haul of millions that would give him a nice summer vacation on easy street. A good idea that went south - literally.
The joined-at-the-hip team of director Richard Donner and star Mel Gibson (all the Lethal Weapon movies and Conspiracy Theory) had obvious fun resurrecting the Wild Western comedy television series about a roguish rambler-gambler. In Maverick, Gibson assumes the role of cardsharp Bret Maverick, equally quick with a pair of aces and a pair of guns. Good sport James Garner (who played Maverick on TV) takes another role, as a lawman who travels alongside the hero to a big-money poker game on a riverboat. The real peach in this fruit salad of satire and broad jokes, however, is Jodie Foster, who plays a crafty Southern belle quite adept at poker herself. Sexy, funny, and (from the onscreen evidence) a great kisser, Foster has never been more of a delight. Written by William Goldman (Butch Cassidy and the Sundance Kid). --Tom Keogh
From the cult director of Bone Tomahawk and Brawl in Cell Block 99, and starring Mel Gibson, Vince Vaughn and Tory Kittles, Dragged Across Concrete follows two police detectives who find themselves suspended when a video of their strong-arm tactics is leaked to the media. With little money and no options, the embittered policemen descend into the criminal underworld and find more than they wanted waiting in the shadows.
The story of Mel Gibson's stately anti-hero begins in Mad Max, George Miller's low-budget debut, in which Max is a "Bronze" (cop) in an unspecified post-apocalyptic future with a buddy-partner and family. But, unlike most films set in the devastated future, Mad Max is notable because it is poised between our industrialised world and total regression to medieval conditions. The scale tips towards disintegration when the Glory Riders burn into town on their bikes like an overcharged cadre of Brando's Wild Ones. Representing the active chaos that will eventually overwhelm the dying vestiges of civil society they take everything dear to Max, who then has to exact due revenge. His flight into the same wilds that created the villains artfully sets up the morally ambiguous character of the subsequent films. --Alan E Rapp
In THE EXPENDABLES 3, Barney (Stallone), Christmas (Statham) and the rest of the team comes face-to-face with Conrad Stonebanks (Gibson), who years ago co-founded The Expendables with Barney.
The original movie of this classic black comedy/horror about a rather dim-witted young man Seymour (Jonathan Haze) working for $10 a week in Mushnick's flower shop on skid row who develops an intelligent bloodthirsty plant. He names the plant ""Audrey 2"" and as it grows it demands human meat for sustenance and Seymour is forced to kill in order to feed it. Jack Nicholson has a notable cameo part as an undertaker Wilbur Force who is a masochistic dental patient and the film also features the writer Charles Griffith as the hold-up man and the voice of 'Audrey Jr'...
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