A stupendous historical saga, Braveheart won five Oscars, including Best Picture and Best Director for star Mel Gibson. He plays William Wallace, a 13th-century Scottish commoner who unites the various clans against a cruel English King, Edward the Longshanks (Patrick McGoohan). The scenes of hand-to-hand combat are brutally violent, but they never glorify the bloodshed. There is such enormous scope to this story that it works on a smaller, more personal scale as well, essaying love and loss, patriotism and passion. Extremely moving, it reveals Gibson as a multitalented performer and remarkable director with an eye for detail and an understanding of human emotion. (His first directorial effort was 1993's Man Without a Face.) The film is nearly three hours long and includes several plot tangents, yet is never dull. This movie resonates long after you have seen it, both for its visual beauty and for its powerful story. --Rochelle O'Gorman
A fast-paced thriller with action playing out on both sides of the Atlantic, Slayground is a story of relentless pursuit, savage revenge and cold-blooded murder. Starring Peter Coyote, Mel Smith and Billie Whitelaw and scripted by Sweeney and Callan contributor Trevor Preston, this hard-hitting thriller is presented here in a brand-new digital transfer from original film elements in its original aspect ratio. Things begin to go wrong for Stone, a highly professional criminal with a st...
Based on the hilarious novel by Tom Sharpe and starring Grif Rhys-Jones and Mel Smith, "Wilt" is a story of a disappearance, mistaken identity and a blow-up doll.
Gemma Jones stars as Louisa Trotter a cook for the upperclass at a fancy hotel. Very similar in style to 'Upstairs Downstairs' this classic British TV series first aired in 1976.
Forever Young: It's 1939 and test pilot Daniel McCormick (Mel Gibson) has the world by the tail. He has a terrific job flying B-25s a devoted soul mate (Isabel Glasser) and a long time pal and confidant (George Wendt). In fact he has everything. Almost. Despite his ability to confront danger he can't look his girlfriend in the face and propose. He always decides to wait till tomorrow to pop the question but in one terrible instant he runs out of tomorrows. Tragedy takes his
Two Weeks Notice Attorney Lucy Kelson wants to save the world. Instead she's choosing ties and interviewing prospective girlfriends for her handsome and hapless billionaire boss George Wade. Is this why she got a Harvard Law degree? Lucy's fed up so she submits her notice. But Wade - with an assist from Cupid - has other plans. Something's Gotta Give Harry Sanborn (Jack Nicholson) is a perennial playboy with a libido much younger than his years. During a romantic weekend with his latest infatuation Marin (Amanda Peet) at her mother's Hamptons beach house Harry develops chest pains. He winds up being nursed by Marin's reluctant mother Erica Barry (Diane Keaton) a successful divorced New York playwright. In the process Harry develops more heart pangs - the romantic kind - for Erica a woman appropriately the same age whom he finds beguiling. Yet when Harry hesitates his charming thirtysomething doctor (Keanu Reeves) steps in and starts to pursue Erica. Harry who has always had the world on a string finds his life unraveling... What Women Want Meet Nick Marshall (Mel Gibson). A successful advertising executive Nick has the world and its women at his fingertips. Or so he thinks. The world of advertising is fast becoming a woman's world and slick-talking chauvinistic womanising Nick is out of touch. Enter Darcy McGuire (Helen Hunt). Darcy is hired by the agency as Nick's superior to bring a woman's perspective to the agency in a bid to win new clients from the untapped female market. But Nick's problems are just beginning. To his dismay a freak accident allows him to hear the thoughts of all the women around him. After consulting a psychiatrist (Bette Midler) he decides to use his newfound ability to his advantage both professionally and personally. However Darcy McGuire is no pushover and romance inevitably gets in the way.
Based on real events this story follows a special needs teacher's efforts to break down the barriers of silent aggression in a highly-disturbed child.
Los Angeles is being ripped to shreds by terrorist bombs so the CIA turn to former agent turned bounty hunter Josh Randall (Rutger Hauer). When the terrorist Malak (Gene Simmons) kills two of Randall's close friends he forgoes thoughts of the bounty and the quest becomes driven by revenge.
The lightest of the first three films, Lethal Weapon 3 finds everyone occupying comfortable positions like students who always choose to sit in the same classroom seats. Mel Gibson and Danny Glover return as LAPD partners whose working method consists of the former diving into danger and the latter holding back. (The sequence set in the parking garage of a building, in which Gibson inadvertently trips a switch that makes a timed explosive device speed up, is priceless.) Joe Pesci once again plays a motor-mouth pest, and while the story is pretty much forgettable, it does introduce the best new dynamic in the series, a romance between Gibson and Rene Russo's equally tough but attractive cop. --Tom Keogh
A remake of 'Valley Of The Giants' 'The Big Trees' features Kirk Douglas as an ambitious lumberman who wants to make a fortune from the Redwood Forest by pushing a religious sect off their land. His many adventures include organising the religious sect to take action and leading them against their enemies as well as saving a heroine from a runaway train.
The exuberant atmosphere of the Broadway blockbuster is captured in Recording The Producers: A Musical Romp With Mel Brooks a new 85 minute film from the Emmy Award-winning director Susan Froemke and Maysles Films. The film candidly captures the excitement of translating the show into a complete experience for the recording's audience and showcases the antics of the entire cast and crew including director Susan Stroman plus stars Nathan Lane and Matthew Broderick with Roger Bart
What Women Want: Meet Nick Marshall (Mel Gibson). A successful advertising executive Nick has the world and its women at his fingertips. Or so he thinks. The world of advertising is fast becoming a woman's world and slick-talking chauvinistic womanising Nick is out of touch. Miss Congeniality: Sandra Bullock stars as a bumbling female FBI agent assigned to go undercover as a participant in the Miss United States beauty pageant when it is discovered that one of the contestants is being targeted for murder. Benjamin Bratt leads the undercover team while also playing the reluctant love interest. Candice Bergen and William Shatner manage the pageant and hire Michael Caine to turn Bullock from rough and tumble agent to stunning beauty queen. The physical transformation is impressive although the klutzy personality remains. Everything seems to be fine once the killer is suddenly caught but Bullock suspects there is more to this story and the truth eventually unfolds with an unexpected twist. Heartbreakers: Max (Sigourney Weaver) and Page (Jennifer Love Hewitt) are a mother and daughter con team with a devious routine. Max targets wealthy men lures them into marriage and then the equally gorgeous Page seduces them leaving Max to discover their infidelity and reap huge divorce settlements which tide them over until they target their next victim.
A brilliantly simple and effective method for the younger recorder player. Using plain language and clear exciting musical examples renowned UK teacher Mel Reeves shows you: Fingering Tonguing Reading Music Tunes to Play Tunes include:- When The Saints Go Marching In Go Tell Aunt Rhody and Jingle Bells. Mel's easy going style clear explanations and easy to follow computer graphics will have you playing the recorder from the moment you press the 'PLAY' button. Learning the recorder was never as easy or so much fun.
In THE EXPENDABLES 3, Barney (Stallone), Christmas (Statham) and the rest of the team comes face-to-face with Conrad Stonebanks (Gibson), who years ago co-founded The Expendables with Barney.
The Naked Gun series must be the only successful big-screen franchise to have been a spin-off from a spectacularly unsuccessful TV series. Although Police Squad went on to become a cult favourite, at the time the American TV network was so unimpressed they only showed four of the six episodes before cancelling it. But Leslie Nielsen's bumbling Lt Frank Drebin just wouldn't go away. Supported in masterly deadpan style by George Kennedy and Priscilla Presley, Nielsen cemented his reputation as a gifted comic actor with The Naked Gun decades after he had first become known as a minor Hollywood leading man (in 1955's Forbidden Planet for example). The first movie appeared in 1988 and spawned two sequels that replayed exactly the same routines: in The Naked Gun series sight gags (some of which are worthy of the Marx Brothers, some not) combine with excruciating puns and lots of toilet humour to follow the same hit formula as the creators' earlier slapstick masterpiece, Airplane. By the third film the formula may have become more than a little overworked, and few including the filmmakers cared much about the increasingly creaky scenarios, but Nielsen's easygoing idiotic charm goes a long way towards saving the day. There are still a lot of laughs to be found in all three Naked Gun movies, even if some of them are the unintentional result of seeing OJ Simpson before notoriety overtook his budding film career. On the DVDs: All three features are anamorphically enhanced 1.78:1 widescreen ratios, with Dolby Digital 5.1 sound. Each disc also has a jovial ensemble commentary featuring co-creator David Zucker with other producers and writers, which is only intermittently informative but is at least intermittently funny, too. --Mark Walker
Dr Henry Jekyll (John Hannah) a great scientist renowned throughout the scientific community is developing a formula that will revolutionise human nature by isolating criminal elements. He experiments on himself and intoxicated by the drug he undergoes a monstrous transformation. He is released from conventions of the social order and his own moral code into euphoric remorseless wickedness - the villainous Mr Hyde. What follows is the gripping and terrifying stuggle of two opposing personalities battling for the soul of one man...
In the sequel to the 2015 global smash, father Dusty (Mark Wahlberg) and stepfather Brad (Will Ferrell) have joined forces to provide their kids with the perfect Christmas. Their newfound partnership is put to the test when Dusty's old-school, macho Dad (Mel Gibson) and Brad's gentle Dad (John Lithgow) arrive just in time to turn the holidays upside down.
Suzy's a soldier born and bred but fitting back into civilian life after being on tour in Iraq isn't easy. On arriving home to a hero's welcome it's clear from the moment she sets foot in her house that something's not right. After Suzy and a fellow soldier Paul took part in a hearts and minds mission that resulted in the death of a child she's unable to escape the immense weight of the guilt on her shoulders. Once at home Suzy is haunted by the memory of the Iraqi girl and becomes obsessively protective of her own child perceiving threats where there seem to be none... As Suzy's paranoia builds her behaviour becomes more and more erratic until finally she puts her own child in serious danger.
Even by Roger Corman's thrifty standards, The Little Shop of Horrors was a masterpiece of micro-budget movie-making. Scripted in a week and shot, according to Corman, in two days and one night, it made use of a pre-existing store-front set that serves as the florist's shop where most of the action takes place. Our hero is shambling loser Seymour Krelboined, sad-sack assistant at Mushnick's skid-row flower shop and who is hopelessly in love with Audrey, his fellow worker. Threatened with the sack by Mushnick, Seymour brings in a strange plant he's been breeding at home, hoping it'll attract the customers. It does, and the store starts to prosper, but Seymour is horrified to discover that the only thing the plant will thrive on is blood, fresh, human blood at that. The sets are pasteboard, the acting is way over the top, and altogether Little Shop is an unabashed high-camp spoof, not to be taken seriously for a second. Even so, Corman notes that this was the movie "that established me as an underground legend". Charles Griffith, the film's screenwriter, plays the voice of the insatiable plant ("FEED ME!"), and billed way down the cast list is a very young Jack Nicholson in a bizarre, giggling cameo as Wilbur Force, a masochistic dental patient demanding ever more pain. The film's cult status got it turned into an off-Broadway hit musical in the 1980s, with a great pastiche doo-wop score by Alan Menken, which was subsequently filmed in 1986. The musical remake is a lot of fun, but it misses the ramshackle charm of the original. On the DVD: Little Shop of Horrors on disc does not even boast a trailer, just some minimal onscreen background info about the production. The clean transfer, 4:3 ratio, and digitally remastered mono sound faithfully recapture Corman's bargain-basement production values. --Philip Kemp
Man On Fire (Dir. Tony Scott 2004): Denzel Washington stars as a government operative/soldier of fortune who has pretty much given up on life. In Mexico City he reluctantly agrees to take a job to protect a child whose parents are threatened by a wave of kidnappings. He eventually becomes close to the child and their relationship reawakens and rekindles his spirit. When she is abducted his fiery rage is unleashed on those he feels responsible and he stops at nothing to save her. Braveheart (Dir. Mel Gibson 1995): Mel Gibson stars on both sides of the camera playing the lead role plus directing and producing this brawling richly detailed saga of fierce combat tender love and the will to risk all that's precious: freedom. In an emotionally charged performance Gibson is William Wallace a bold Scotsman who used the steel of his blade and the fire of his intellect to rally his countrymen to liberation... The Thomas Crown Affair (Dir. John Mctiernan 1999): Thrill-seeking billionaire Thomas Crown (Brosnan) loves nothing more than courting disaster - and winning! So when his world becomes too stiflingly ""safe"" he pulls off his boldest stunt ever: stealing a priceless painting - in broad daylight - from one of Manhattan's most heavily-guarded Museums. But his post-heist excitement soon pales beside an even greater challenge: Catherine Banning (Russo). A beautiful insurance investigator hired to retrieve the artwork Catherine's every bit as intelligent cunning and hungry for an adventure as he is. And just when Thomas realises he's finally met his match she skillfully leads him into a daring game of cat and mouse that's more intoxicating and dangerous than anything either of them as ever experienced before!
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