Recently blinded in a horse riding accident, young Sarah (Mia Farrow) returns to her uncle's English country home, unaware that a psychopathic killer is stalking the family. This wonderfully creepy suspense-thriller from director Richard Fleischer (10 Rillington Place), from a script by British writer Brian Clemens (The Avengers, The Golden Voyage of Sinbad), features a note-perfect performance by Mia Farrow, and sterling support from a cast of formidable British character actors. Released in America as See No Evil and in the UK and Europe as Blind Terror (with subtle differences between the cuts), Indicator is delighted to present both versions of the film for the first time ever. Extras High Definition remaster Original mono audio Two presentations of the film: See No Evil, the US theatrical cut (89 mins); and Blind Terror, the alternative UK theatrical cut (88 mins) Norman Eshley on 'See No Evil' (2017, 11 mins): a new interview with the British actor The Two Versions: a detailed comparison of the differences between the US and UK cuts Alternative Italian title sequence Original theatrical trailer Image galleries: extensive on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing
Simon is a timid man scratching out an isolated existence in an indifferent world. He is overlooked at work scorned by his mother and ignored by the woman of his dreams. He feels powerless to change any of these things. The arrival of a new co-worker James serves to upset the balance. James is both Simon's exact physical double and his opposite - confident charismatic and good with women. To Simon's horror James slowly starts taking over his life.
Top Gun A hip heart-pounding combination of action music and incredible aerial photography helped make Top Gun the blockbuster hit of 1986. Top Gun takes a look at the danger and excitement that awaits every pilot at the Navy's prestigious fighter weapons school. Tom Cruise is superb as Maverick Mitchell a daring young fighter who's out to become the best. And Kelly McGillis sizzles as the civilian instructor who teaches Maverick a few things you can't learn in a classroom.
A multi-layered enigmatic portrait of the employees and patrons of a Toronto strip club Atom Egoyan's bold erotic thriller is a stunning combination of directorial flair and keen humanistic insight.
Five times the Love! Lust! Laughs! Longing! The Complete Fifth Season of The L Word the critically acclaimed groundbreaking Showtime drama arrives on DVD. Unresolved romances and a long-simmering film project finally bear fruit in this season's 12 episodes. Dreams come true and new life paths are forged for many of the series' characters but not without The L Word's trademark provocative storylines sizzling sexuality and heart-rending emotion.
The story of a famous children's author suffering from writers block who has a msyterious woman suffering from amnesia turn up on his doorstep. Little do they both know she is in fact a real live fairy!
A college class tackles a bizarre project - splitting up a mannequin they each decorate a piece. The net result is an exquisite corpse they name 'Jigsaw'. After a night of drunken confessions the group burns the lifeless body but their darkest secrets come back to haunt them when their brainchild rises from the ashes targeting each of the creators for a brutal death that is in keeping with their own fears!
From the imagination of Oscar-winning director Guillermo del Toro (Pan's Labyrinth, The Shape of Water) comes Crimson Peak, a lavish, stunningly realised journey into the dark heart of Gothic romance... Beginning in Buffalo, New York, during the 1880s, Crimson Peak stars Mia Wasikowska (Alice in Wonderland, Stoker) as Edith Cushing, an aspiring writer who is haunted by the death of her mother. Edith's falls in love with seductive stranger Thomas Sharpe (Tom Hiddleston, Avengers Assemble), who whisks her off to Allerdale Hall, his baronial, yet dilapidated English mansion built upon a mountain of blood-red clay. Here Edith meets Lucille (Jessica Chastain, Zero Dark Thirty), Thomas's sister who at times seems hostile and jealous. As Edith struggles to feel at home in the imposing residence, she gradually uncovers a horrendous family secret and encounters supernatural forces that will help her discover the terrible truth behind Crimson Peak. Boasting incredibly intricate and ornate production design and a rich visual style, del Toro's film is a grandiose, boldly baroque triumph of Gothic decadence, which expertly combines and contrasts the sublimely beautiful with the shockingly grotesque. Crimson Peak is presented here in sumptuous special packaging, with a wealth of extra features, affording unprecedented insight in to the making of this modern Gothic classic. Limited Edition Contents: High Definition Blu-ray (1080p) presentation Original 5.1 and 7.1 DTS-HD Master Audio and optional English 2.0 DTS Headphone:X Audio Optional English subtitles for the deaf and hard of hearing Optional Descriptive Video Service® (DVS®) for the visually impaired Audio commentary by co-writer and director Guillermo Del Toro The House is Alive: Constructing Crimson Peak, a newly edited, feature-length documentary with cast and crew interviews and extensive behind the scenes footage Previously unseen Spanish language interview with Guillermo Del Toro The Gothic Corridor, The Scullery, The Red Clay Mines, The Limbo Fog Set; four featurettes exploring different aspects of Allerdale Hall A Primer on Gothic Romance, the director and stars talk about the key traits of Gothic romance. The Light and Dark of Crimson Peak, the cast and crew talk about the film's use of colour Hand Tailored Gothic, a featurette on the film's striking costumes A Living Thing, a look at the design, modelling and construction of the Allerdale Hall sets. Beware of Crimson Peak, a walking tour around Allerdale Hall with Tom Hiddleston Crimson Phantoms, a featurette on the film's amazing ghosts Kim Newman on Crimson Peak and the Tradition of Gothic Romance, a newly filmed interview with author and critic Violence and Beauty in Guillermo Del Toro's Gothic Fairy Tale Films, a new video essay by the writer Kat Ellinger Deleted scenes Original trailers and TV spots Double-sided, fold-out poster Six double-sided, postcard-sized lobby card reproductions Limited edition 80-page, hard-bound book featuring new writing by David Jenkins and Simon Abrams, an archival interview with Guillermo del Toro, and original conceptual design illustrations by artists Guy Davis and Oscar Chichoni
The third season of the hit show The L Word follows a group of friends - both gay and straight - through stories of career family inner struggle friendship and romantic relationships. Episodes Comprise: Labia Majora Lost Weekend Lobsters Light My Fire Lifeline Lonestar Latecomer Lead Follow or Get Out of the Way Losing the Light Last Dance Left Hand of the Goddess
Johnny Depp, Helena Bonham Carter, Mia Wasikowska, Crispin Glover, Anne HathawayDirector: Tim Burton
Stoker is a masterful psychodrama that teems with unsettling vibrations that hark directly back to Alfred Hitchcock, but also to the wave of contemporary cinema that has been surging in South Korea for the past decade. It is the first American feature by the auteur Park Chan-wook, whose widely seen trilogy of "revenge" films, Sympathy for Mr. Vengeance, Oldboy, and Lady Vengeance, paved the way for the meticulous craftsmanship of Stoker. The inspiration for Wentworth Miller's haunting script was Hitchcock's Shadow of a Doubt, though Stoker makes for an altogether creepier tale of a mysterious uncle, his melancholy niece, and the deadly interplay of family secrets slowly revealed. Park's delicate weaving of style transforms the material into a narrative symphony, with thematic elements conveyed in the smallest details of composition, art direction, and graceful cinematography. Mia Wasikowska is India Stoker, the teenage niece who just lost her father to a violent auto accident. It's a complete surprise to India and her mother Evelyn (Nicole Kidman) when his handsome younger brother Charlie (Matthew Goode) shows up at the brooding family mansion (itself a character that is integral to the story). Charlie's enigmatic smirk signals both calm and danger, and his presence is a catalyst that ratchets up the emotional turmoil India and Evelyn are already experiencing. India senses the danger even as she is drawn to Charlie, and her mother's repressed sexuality turns into a bonfire under his mysterious charm. He tempts and teases them both in an expertly choreographed dance of menace that fuels the rage building in India and puts further pressure on her mother's cataclysmic despair. Charlie's psychopathic presence infests the brooding, yet deceptively airy surroundings of the Stoker estate with a sense of peril that is just out of reach. Several key scenes unfold at the family dinner table, where poison lurks in Freudian undercurrents and maybe in the food and wine, too. The most mesmerising sequence captures a visit from the sheriff, who's investigating the murder of one of India's schoolmates. The crime is just one of many acts of deadly violence that erupt with jarring force in the past, present, and future of Stoker's disturbing timeline. As the sheriff talks to India and Charlie, the camera swirls around to the rhythm of the scene, separating, uniting, then retreating from them in a virtuosic room-to-room sweep. The extended take says much more about the interplay of India and Charlie's dread connection than the oblique dialogue. It's also a breathtaking illustration of Park's obsessive attention to shot design. But Stoker is much more than an exercise in style; it is also an unnerving and understated thriller that gives big rewards for all that attention to detail. To say that there are plot twists is an understatement for a movie whose elegant creativity is the biggest twist of all. --Ted Fry
In this teen movies parody the local highschool is full of bitchy cheerleaders, dumb ass jocks, the new girl, and the undercover reporter!
The Morrison's Hotel hides many secrets and the unassuming and dedicated butler, Albert (Glenn Close), is just one of them. In 19th Century Ireland, with employment for women scarce, a young impoverished girl made a radical decision to masquerade as a man to ensure her survival. Many years later, her four walls come crashing down as secrets are uncovered leading to tension, drama, heartache and tragedy.
Titles Comprise:Jane Eyre: In a bold new feature version of Jane Eyre, director Cary Joji Fukunaga (Sin Nombre) and screenwriter Moira Buffini (Tamara Drewe) infuse a contemporary immediacy into Charlotte Bront's timeless, classic story. Mia Wasikowska (Alice in Wonderland) and Michael Fassbender (Inglourious Basterds) star in the iconic lead roles of the romantic drama, the heroine of which continues to inspire new generations of devoted readers and viewers.In the 19th Century-set story, Jane Eyre (played by Mia Wasikowska) suddenly flees Thornfield Hall, the vast and isolated estate where she works as a governess for Adle Varens, a child under the custody of Thornfield's brooding master, Edward Rochester (Michael Fassbender). The imposing residence - and Rochester's own imposing nature - have sorely tested her resilience. With nowhere else to go, she is extended a helping hand by clergyman St. John Rivers (Jamie Bell) and his family. As she recuperates in the Rivers' Moor House and looks back upon the tumultuous events that led to her escape, Jane wonders if the past is ever truly past...Sense And Sensibility: This is the story of two sisters; pragmatic Elinor (Emma Thompson) and passionate, wilful Marianne (Kate Winslet).When their father, Henry Dashwood, dies, by law his estate must pass to the eldest son from his first marriage. Suddenly homeless and impoverished, his current wife and daughters find themselves living in a simple country cottage.The two sisters are soon accepted into their new society. Marianne becomes swept up in a passionate love affair with the dashing Willoughby (Greg Wise), while Elinor struggles to keep a tight rein on the family purse strings and to keep her feelings for Edward Ferrars (Hugh Grant), whom she left behind, hidden from her family. Despite their different personalities, they both experience great sorrow in their affairs, but they learn to mix sense with sensibility in a society that is obsessed with both financial and social status.Pride And Prejudice Box Set: A romance ahead of its time...The five Bennet sisters - Elizabeth, or Lizzie (Keira Knightley), Jane (Rosamund Pike), Lydia (Jena Malone), Mary (Talulah Riley) and Kitty (Carey Mulligan) - have been raised well aware of their mother's (Brenda Blethyn) fixation on finding them husbands and securing set futures. The spirited and intelligent Elizabeth, however, strives to live her life with a broader perspective, as encouraged by her doting father (Donald Sutherland).When wealthy bachelor Mr. Bingley takes up residence in a nearby mansion, the Bennets are abuzz. Amongst the man's sophisticated circle of London friends and the influx of young military officers, surely there will be no shortage of suitors for the Bennet sisters. Eldest daughter Jane, serene and beautiful, seems poised to win Mr. Bingley's heart. For her part, Lizzie meets with the handsome and, it would seem, snobbish Mr. Darcy (Matthew Macfadyen), and the battle of the sexes is joined.Their encounters are frequent and spirited yet far from encouraging. Lizzie finds herself even less inclined to accept a marriage proposal from a distant cousin, Mr. Collins (Tom Hollander) and, supported by her father, stuns her mother and Mr. Collins by declining. When the previously good-natured Mr. Bingley abruptly departs for London leaving a devastated Jane, Lizzie holds Mr. Darcy culpable for contributing to the heartbreak. But a crisis involving youngest sister Lydia soon opens Lizzie's eyes to the true nature of her relationship with Mr. Darcy...
The Survivalist' is the near future story of a man (Martin McCann) eking out a meagre existence on a secluded smallholding deep in the forest. When a starving woman (Olwen Fouere) and her teenage daughter (Mia Goth) discover his farm his loneliness drives him to strike a bargain with them in return for bed and board. But as desire becomes stronger than necessity the exchange becomes an uneasy ongoing arrangement, which threatens not only his carefully constructed world but also his life.
Writer/director Todd Solondz ('Welcome to the Dollhouse', 'Happiness') examines the irretrievability of youth in the hilariously dark and idiosyncratic comedy Dark Horse, featuring an all-star cast led by Jordan Gelber ('Boardwalk Empire'), Selma Blair ('Cruel Intentions'), Academy Award winner Christopher Walken, Mia Farrow ('Rosemary's Baby') and Justin Bartha ('The Hangover').Tempering his trademark lacerating humour with unexpected tenderness, Solondz creates a poignant and provocative portrait of two dysfunctional thirty-somethings, their plans to marry and a besieged man-child and his fractured family.
The four films in this Agatha Christie Murder Mystery Collection demonstrate exactly why Christie's reassuringly formulaic whodunits have been extraordinarily resilient source material. In each we find a corpse (or several), an assorted group of suspects gathered in a self-contained location, all with a motive to commit murder, and the coincidental presence of the totem detective (Poirot or Miss Marple). Between 1974 and 1981, producers John Brabourne and Richard Goodwin mined the Christie seam for some of its ripest riches. Murder on the Orient Express (1974), directed by Sidney Lumet, features a cavalcade of stars including Ingrid Bergman, Lauren Bacall, John Gielgud and Sean Connery; while Christie herself gave Albert Finney's Poirot her blessing. The Art Deco setting exudes glamour; the plot is preposterously diverting; the lighting, silvery and washed-out, giving the suspects an appropriately grim and ghoulish air. With a superior Anthony Shaffer screenplay Death on the Nile (1978) saw Peter Ustinov taking over as Poirot. The backdrop of ancient Egyptian monuments helps bring this adaptation a touch of class, complemented by composer Nino Rota's epic theme tune. The Mirror Crack'd (1980) features Elizabeth Taylor and Kim Novak as rival Hollywood legends descending on a quaint English village to make a film, with Rock Hudson as Taylor's husband and Angela Lansbury as a rather unconvincingly robust Miss Marple. Shaffer returned to the fray, adapting Evil Under the Sun (1981) and moving Poirot from the Cornish Riviera to an island off the coast of Albania. Ustinov reprises his role and Maggie Smith returns, camper than ever, as the hotel owner inconvenienced by murder. On the DVD: It's a pity that the sound quality hasn't been sharpened up, though: Murder on the Orient Express sometimes evokes memories of the muffled incoherence of an old fleapit. Apart from trailers, extras are few and far between. There are no cast lists or filmographies. But Death on the Nile and Evil Under the Sun both feature interesting short promotional "'making of"' documentaries in 4:3 format. --Piers Ford
""Rich! Deliciously eccentric! [A] brazen irrepressible original!"" -The New York Times. ""Lovely! Poignant!"" (The Wall Street Journal) and laugh-out-loud funny Shadows and Fog confirms Woody Allen's ""genius"" with its brilliant portrait of the hopeless - but hilarious - tragicomedy of human existence. Boasting a dazzling ""galaxy of stars"" (Leonard Maltin) including Woody Allen Mia Farrow John Malkovich Madonna Donald Pleasence Lily Tomlin Jodie Foster Kathy Bates John Cusack
Annie Hall Considered to be the movie that kick-started Woody Allen's long and inspiring career, Annie Hall won four Oscars including Best Picture and established Allen as the premier auteur filmmaker. Alvy Singer (Allen) is one of Manhattan's most brilliant comedians, but when it comes to romance, his delivery needs a little work. When he falls in love with the ditzy but delightful nightclub singer Annie Hall (Diane Keaton), his own insecurities sabotage the affair, and Annie is forced to leave Alvy for a new life - and lover (Paul Simon) - in Los Angeles. Knowing he may have lost Annie forever, Alvy's willing to go to any lengths to recapture the only thing that ever mattered... true love. Manhattan Nominated for two Academy Awards, and widely considered as one of the greatest movies ever made, Manhattan is a wry, touching and finely rendered portrait of modern relationships set against the backdrop of urban alienation. Forty-two-year-old Manhattan native Isaac Davis (Allen) has a job he hates, a seventeen-year-old girlfriend, Tracy (Mariel Hemingway), he doesn't love, and a lesbian ex-wife, Jill (Meryl Streep), whom he'd like to strangle. But when he meets his best friend's sexy intellectual mistress, Mary (Diane Keaton), Isaac falls head over heels in lust! Leaving Tracy, bedding Mary and quitting his job is just the beginning of Isaac's quest for romance in a city where sex is as intimate as a handshake - and the gateway to true love... is a revolving door. Hannah And Her Sisters Hannah and Her Sisters spins a tale of three unforgettable women and showcases Woody Allen with his most emotionally charged film to date. The eldest daughter of show-biz parents, Hannah (Mia Farrow) is a devoted wife, loving mother and successful actress. A loyal supporter of her two aimless sisters Lee (Barbara Hershey) and Holly (Dianne Wiest), she's also the emotional backbone of a family that seems to resent her stability almost as much as they depend on it. But when Hannah's world is sabotaged by sibling rivalry, she finally begins to see that she's as lost as everyone else, and in order to find herself, she'll have to choose - between the independence her family can't live with... and the family she can't live without. Everything You Always Wanted To Know About Sex* But Were Afraid To Ask Woody Allen pushes the frontiers of comedy by consolidating his madcap sensibility and wickedly funny irreverence with his developing penchant for visually arresting humour. Giving complete indulgence to the zany eccentricity of his medium, Allen reveals himself as a filmmaker of true wit and sophistication. Allen rises to the occasion with aphrodisiacs that prove effective for a court jester (Allen) who finds the key to the Queen's (Lynn Redgrave) heart. Unnatural acts get wild and woolly when a good doctor (Gene Wilder) falls for a fickle sheep. Jack Barry gives fetishism 20 questions on a wacky TV show called What's My Perversion? Sex research goes under the microscope when a mad scientist (John Carradine) unleashes a marauding breast. And the absurdity comes to a frenzied climax with Tony Randall, Burt Reynolds and Allen as sperm... having second thoughts about ejaculation!
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