A successful novelist faced with writer's block invites a handsome young German poet into to his home to provide input for his troubled screenplay. However little does the author know that the guest had previously embarked on an affair with his wife and wishes to continue their relationship...
Eddy Kay is wired to explode! Director Avi Nesher (Turn Left At The End Of The World The Taxman) demonstrates his flair for suspense and adrenaline-pumping spectacle in this gripping story of one man's quest for the truth. When watchmaker Eddie Kaye played by action veteran Michael Biehn survives a mysterious attempt on his life he begins to suffer flashbacks to a violent past he can't remember. Fearing for his sanity he turns to psychiatrist Dr Anna Nolmar (Patsy Ken
Chronicle is an unconventional and slightly darker take on the superhero genre where three ordinary teenagers suddenly gain super powers and are able to do things they never imagined possible. Initially they have fun but their pranks become ever more dangerous and they must face the inevitable question of whether they can handle the responsibility that comes with extraordinary powers.
Airwolf appeared only two years after Knight Rider and, perplexingly, the same year as the short-lived Blue Thunder series. However, creator Donald P Bellisario had spent more than a little time in fully conceptualising this series. Although the format allowed for stories-of-the-week, a B-plot always ran as background motivation for the individual tales. This was a trick Bellisario would also use to good effect later in Magnum P.I. and Quantum Leap. The hook that sustains the audience here is an extremely bitter sub-plot: Stringfellow Hawke (Jan-Michael Vincent) is a peculiar anti-hero to root for since he is effectively being held to ransom and doing the same in return. His brother St. John is held captive somewhere and until his release the Airwolf chopper is Hawke's to keep hidden and use under the covert instructions of "Archangel". His best friend Dominic Santini (the ever-appealing Ernest Borgnine) is a surrogate father figure caught up in the family history. All this pre-determined angst means this is never a show that plays itself for laughs. Very specific character flaws are upfront from the beginning. We are hammered over the head with the idea of Hawke being a tortured intellectual; hence the cello, log cabin retreat and inability to smile. Of course the real star is the spurious technology showcased in the Mach One helicopter armed to the teeth and able to defy the laws of physics on a regular basis. As the mid-80s looked increasingly to the lighter side in most television successes, Airwolf is a rare display of aggression. Justice is fought, but dig only a little way and the moral motivations are often in question. Toward the end of its third season things began to lose coherence and after a year's pause the show was magically resurrected with an all-new cast. It didn't last. --Paul Tonks
The ultimate in Eighties action! Stringfellow Hawke (Vincent) and his irascible mentor Dominic Santini (Borgnine) continue their fight for freedom justice and liberty with the mighty Airwolf experimental helicopter at their disposal... Includes the episodes Dambreakers Random Target and The American Dream.
Airwolf appeared only two years after Knight Rider and, perplexingly, the same year as the short-lived Blue Thunder series. However, creator Donald P Bellisario had spent more than a little time in fully conceptualising this series. Although the format allowed for stories-of-the-week, a B-plot always ran as background motivation for the individual tales. This was a trick Bellisario would also use to good effect later in Magnum P.I. and Quantum Leap. The hook that sustains the audience here is an extremely bitter sub-plot: Stringfellow Hawke (Jan-Michael Vincent) is a peculiar anti-hero to root for since he is effectively being held to ransom and doing the same in return. His brother St. John is held captive somewhere and until his release the Airwolf chopper is Hawke's to keep hidden and use under the covert instructions of "Archangel". His best friend Dominic Santini (the ever-appealing Ernest Borgnine) is a surrogate father figure caught up in the family history. All this pre-determined angst means this is never a show that plays itself for laughs. Very specific character flaws are upfront from the beginning. We are hammered over the head with the idea of Hawke being a tortured intellectual; hence the cello, log cabin retreat and inability to smile. Of course the real star is the spurious technology showcased in the Mach One helicopter armed to the teeth and able to defy the laws of physics on a regular basis. As the mid-80s looked increasingly to the lighter side in most television successes, Airwolf is a rare display of aggression. Justice is fought, but dig only a little way and the moral motivations are often in question. Toward the end of its third season things began to lose coherence and after a year's pause the show was magically resurrected with an all-new cast. It didn't last. --Paul Tonks
ChronicleIf you should come upon a glowing, possibly extraterrestrial object buried in a hole, go ahead and touch the thing--you might just get superpowers. Or so it goes for the three high-school buds in Chronicle, an inventive excursion into the teenage sci-fi world. Once affected by the power, the guys exercise the joys of telekinesis: shuffling cars around in parking lots, moving objects in grocery stores, that kind of thing. Oh yeah--they can fly, too: and here director Josh Trank takes wing, in the movie's giddiest sequence, as the trio zips around the clouds in a glorious wish-fulfillment. It goes without saying that there will be a shadow side to this gift, and that's where Chronicle, for all its early cleverness, begins to stumble. Broody misfit Andrew (Dane DeHaan), destined to be voted Least Likely to Handle Superpowers Well by his graduating class, is documenting all this with his video camera, which is driving him even crazier (the movie's in "found footage" style, so everything we see is from a camcorder or security camera, an approach that gets trippy when Andrew realises he can levitate his camera without having to hold it). Trank and screenwriter Max Landis (son of John) seem to lose inspiration when the last act rolls around, so the movie settles for weightless battles around the Space Needle and a smattering of mass destruction. Still, let's give Chronicle credit for an offbeat angle, and a handful of memorable scenes. --Robert Horton JumperAs preposterous action movies go, Jumper is pleasantly unpretentious and breezily entertaining. A young man named David (Hayden Christensen) discovers he has the power to teleport (or "jump") anywhere he can visualise. After using this power to steal and make a comfortable life for himself, he pursues the girl he longed for in school (Rachel Bilson, The O. C.). But as he does so, another jumper (Jamie Bell, Billy Elliot) and a pack of fanatical jumper-hunters called paladins (led by a white-haired Samuel L. Jackson) crashes into David's freewheeling life. Jumper wastes no time trying to explain how jumping works or delving into the hows and whys of the paladins; this is an alluring fantasy of power directed at a pell-mell pace by Doug Liman (The Bourne Identity, Mr. and Mrs. Smith, Go). There's a brief moment when it feels like the movie will bog down in romance and vague gestures towards character development--happily, that's the moment when Bell appears and the whole movie shifts into overdrive. You might wish that Bell and Christensen had swapped roles; Bell has a far more engaging personality, and Christensen's bland good looks might better suit a more aggressive character. Nonetheless, Jumper has oodles of dynamism and nifty visual effects to propel its comic-book storyline forward. A variety of recognisable actors in bit parts (such as Diane Lane and Kristen Stewart, Panic Room) suggest that the filmmakers are laying the groundwork for sequels. Based on a critically-acclaimed science-fiction novel by Steven Gould. --Bret Fetzer, Amazon.com
Made in 1989 and set 15 years after the end of the Vietnam War, Jacknife tells the story of alcoholic trucker Dave (Ed Harris) who lives with his sister Martha (Kathy Baker). Robert De Niro is Megs, Dave's ex-'Nam sidekick who re-enters his life on the promise of a fishing trip. Megs and Martha embark on a tentative courtship to the seething fury of Dave, who considers Megs "bad news". However, through wartime flashbacks it soon becomes clear that his hitting the bottle is a means of bottling up his feelings about Vietnam, Megs and their mutual buddy Bobby, killed in action. Ruminative and romantic, Jacknife slow-burns its predictable though satisfying way to its resolution, the three main players carrying the burdens of their roles with admirable restraint, especially Ed Harris, whose rage is internalised at the expense of his liver. There are echoes of The Deerhunter but this is not a film of that order or scale, as its low-budget synthesiser soundtrack signifies, feeling at times like a superior made-for-TV affair. On the DVD: A full-screen version with a ratio of 4:3. Neither sound nor picture quality are exactly a showcase for DVD technology, both being a little fuzzy, while the dubbing goes noticeably awry on 42 minutes. Special features are decidedly un-special: the original, lugubrious trailer plus "talent profiles" which are merely lists of the main players' previous films. --David Stubbs
Elephant (2003): Winner of the Palme d'Or and Best Director prizes at the 2003 Cannes Film Festival Gus Van Sant's realistic drama takes us inside an American high school on one single ordinary day that very rapidly turns tragic... Last Days (2005): Introspective artist Blake is buckling under the weight of fame professional obligations and a mounting feeling of isolation. Many people are looking for Blake - his friends his managers and record label even a private
Never Been Kissed (Dir. Raja Gosnell 1999): Josie Geller is ready for a change. As the youngest copy editor at a big-city newspaper she longs to be taken seriously as a journalist. But while Josie excels as the nerdy brain at work her personal life is another story still plagued by her teenager reputation as a 'geek to the core' Josie is a 25-year-old who has never ever had a serious love relationship - she has never really been kissed. Against all odd Josie lands her fir
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