Since it's first publication in 1908 Kenneth Grahame's THE WIND IN THE WILLOWS has become a best-seller throughout the world. In this unique film the award-winning animators of Cosgrove Hall have brought Grahame's characters Badger Mole Ratty and the flamboyant Toad of Toad Hall magically to life in a beautiful Edwardian country scene. Join these four lively characters in a wonderful production that captures all the fun and enchantment of a fairy tale adventure.
Saving the world... one episode at a time Now available for the first time the complete Stargate SG-1 Seasons 1-10 including over 200 episodes spanning 10 years of the hit Science Fiction show. Also included is the amazing 2008 feature The Ark Of Truth - This thrilling feature-length film picks up where Stargate SG-1 left off thrusting the Stargate team - Daniel Jackson (Michael Shanks) Vala (Claudia Black) Teal'c (Christopher Judge) Sam (Amanda Tapping) and Cam (Ben Browder) - into their most exciting adventure yet. In search of an ancient artefact they hope can defeat the oppressive Ori the team learns that the Ori are set to launch a final assault on Earth and a double-crossing I.O. operative is aboard the Odyssey! This amazing box set also features a whole host of bonus features - you'll get up close and personal with the stars learn what brought this amazing series to life from the minds behind it see how spectacular visual effects were created and much more. Please see indvidual season listings for episode information.
Friendship and courage take center stage when Charlie and his friends stumble upon the headquarters of the Guard (Owen Wilson) and realise the world's most powerful superhero is Charlie's dad. When an evil businessman (Michael Peña) sends in a team to infiltrate the lair and retrieve the Guard's energy source, the youngsters spring into action and turn the tables on the intruders. Secret Headquarters is a very entertaining ride * for the whole family! Product Features The Secret Headquarters Gag Reel Deleted and Extended Scenes
Shia LaBeouf stars as a budding Wall Street broker taken under the wing of the financial district's prodigal son, Gordon Gekko (Michael Douglas).
Soul Food is the kind of movie that seems to have been blessed throughout its low-budget production and it has got a quality of warmth and charm that fits perfectly with its authentic drama about a large African-American family in Chicago. Twenty-eight-year-old writer-director George Tillman Jr. drew autobiographical inspiration from his upbringing in Milwaukee, and on a well-spent $6.5 million budget he succeeded where similar films (including Waiting to Exhale and How Stella Got Her Groove Back) fell short: he depicts his many characters with such depth and sympathy that, by the time they have weathered several family crises, we've come to care and feel for them and the powerful ties that bind them together. As seen through the eyes of Tillman's young alter ego Ahmad (Brandon Hammond), the film primarily focuses on the rivalries and affections that rise and fall among Ahmad's mother (Vivica A. Fox) and her two sisters (Vanessa L. Williams and Nia Long). Through them, and through the weekly Sunday dinners cooked with love by their mother, Big Mama (Irma P. Hall), we witness marital bliss and distress, infidelity, success, failure ... in short, the spices of life both bitter and sweet. But when Big Mama falls into a diabetic coma, Ahmad watches as his family begins to fall apart without the stability and love that Big Mama provided with every Sunday meal. Tillman's touch can be overly nostalgic, melodramatic and cloyingly sentimental, but never so much that the movie loses its firm grip on reality. As a universal portrait of family life, Soul Food ranks among the very best films of its kind--believable, funny, emotional and always approaching its characters (well-played by a uniformly excellent cast) with a generous spirit of forgiveness and understanding. As satisfying as one of Big Mama's delicious dinners, Soul Food is the kind of movie that keeps you coming back for more. --Jeff Shannon
To condemn Dressed to Kill as a Hitchcock rip-off is to miss the sheer enjoyment of Brian De Palma's delirious thriller. Homages to Hitchcock run rampant through most of De Palma's earlier films, and this one's chock-full of visual quotes, mostly cribbed from Vertigo and Psycho. But De Palma's indulgent depravity transcends simple mimicry to assume a vitality all its own. It's smothered in thickly atmospheric obsessions with sex, dread, paranoia, and voyeurism, not to mention a heavy dose of Psycho-like psychobabble about a wannabe transsexual who is compelled to slash up any attractive female who reminds him--the horror--that he's still very much a man. Angie Dickinson plays the sexually unsatisfied, forty-something wife who's the killer's first target, relaying her sexual fantasies to her psychiatrist (Michael Caine) before actually living one of them out after the film's celebrated cat-and-mouse sequence in a Manhattan art museum. The focus then switches to a murder witness (De Palma's then-girlfriend Nancy Allen) and Dickinson's grieving whiz-kid son (Keith Gordon), who attempt to solve the murder while staying one step ahead (or so they think) of the crude detective (Dennis Franz) assigned to the case. Propelled by Pino Donaggio's lush and stimulating score, De Palma's visuals provide seductive counterpoint to his brashly candid dialogue, and the plot conceals its own implausibility with morbid thrills and intoxicating suspense. If you're not laughing at De Palma's shameless audacity, you're sure to be on the edge of your seat. --Jeff Shannon, Amazon.com
CREEDAdonis Johnson (Michael B. Jordan), son of deceased world heavyweight champion Apollo Creed, has boxing in his blood. Looking to win his own title, Adonis heads to Philadelphia and convinces his father's rival-turned-friend, Rocky Balboa (Sylvester Stallone), to train him - even as Rocky battles his own deadly opponent outside the ring. Now Adonis has a shot, but first he must develop the heart of a true fighter in this new chapter of the Rocky story from critically acclaimed director Ryan Coogler.CREED IIIn 1985, Russian boxer Ivan Drago killed former U.S. champion Apollo Creed in a tragic match that stunned the world. Against the wishes of trainer Rocky Balboa, Apollo's son and current champ Adonis Creed accepts a challenge from Drago's son - another dangerous fighter. Under guidance from Rocky, Adonis trains for the showdown of his life - a date with destiny that soon becomes his obsession. Now, Creed and Balboa must confront their shared legacy as the past comes back to haunt each manCREED IIIAfter dominating the boxing world, Adonis Creed (Michael B. Jordan) has been thriving in both his career and family life. When a childhood friend and former boxing prodigy, Damian (Jonathan Majors), resurfaces after serving a long sentence in prison, he is eager to prove that he deserves his shot in the ring. The face-off between former friends is more than just a fight. To settle the score, Adonis must put his future on the line to battle Damian - a fighter who has nothing to lose. Creed III is the third instalment in the successful franchise and is Michael B. Jordan's directorial debut.
Based on a true story this film tells of the tireless efforts of a US naval ship crew to save an abandoned Korean / American baby from the post-Korean War political fallout.
Disney sets a record for bringing out a direct-to-video sequel after the initial film. Stitch: The Movie arrives only a year after the enjoyable Lilo & Stitch and reunites the title character (otherwise known as Experiment 626) with his earth-bound family in the warm Hawaiian sun. The story has a nice set-up: since Stitch is Experiment 626, where are the first 625 invented by Dr Jumba Jookiba? Odds are the island paradise will soon be spaceport central for many more aliens. As with other made-for-video Disney titles, the animation is not as complex or rich. This hurts this sequel even more since the original film had such a unique, pastel beauty. Unfortunately, the other elements of the film are just as flat. Even though most of the original voice cast returns, the entire production lacks the same spirit and charm, and the story's theme is recycled (get ready for more "Ohana means family"). On the plus side, the film starts with an Elvis Presley song ("Slicin' Sand") and is only 64 minutes long. The movie sets up the Disney TV series The Adventures of Lilo & Stitch. --Doug Thomas
First appearing on our screens in late 1979, Minder was a vehicle for ex-Sweeney sidekick Denis Waterman, but its lasting contribution to TV culture was rehabilitating George Cole, whose lovable but unscrupulous "entrepreneur" (an older version of the spiv he portrayed in the St Trinians films) mockingly reflected the values of 1980s Thatcherite Britain. The series is fondly set in a rough demimonde of small-time gangsters and ageing dolly birds, and against a backdrop of seedy London pubs and dubious business dealings. Waterman plays Terry McCann, ex-boxer and ex-con trying to stick to the straight and narrow, but persuaded against his better judgement to become involved in murky capers set up by his employer, "Arfur", who regularly sublets him to dodgy associates of his. In this, the first series, Arthur Daley is more in control, not quite the figure of fun he would later become. In the opening episode, for instance, as Terry is held hostage by wannabe black militants in a launderette, Arthur is negotiating his "exclusive" story to a tabloid. Though aspects of these episodes are a little creaky and dated--Terrys flares especially--the interplay between the too softhearted hard man Terry and his dapper but slippery boss is both priceless and timeless. This DVD has a scene selection feature and individual episode guides. --David Stubbs
Tally Atwater (Michelle Pfeiffer) has a dream: to be a prime-time network newscaster. She pursues this dream with nothing but ambition raw talent and a homemade demo tape. Warren Justice (Robert Redford) is a brilliant hard edged veteran newsman. He sees Tally has talent and becomes her mentor. Tally’s career takes a meteoric rise and she and Warren fall in love. The romance that results is as intense and revealing as television news itself. Yet each breaking story ev
Two corrupt cops in New Mexico set out to blackmail and frame every criminal unfortunate enough to cross their path. Things take a sinister turn, however, when they try to intimidate someone who is more dangerous than they are. Or is he?
When happy-go-lucky milkman Jimmy (Orlando Bloom) accidentally puts out of action the UK's contender for the boxing World title, he finds himself thrust into the ring and onto the world stage as Britain's new hope.
QUARTET is a high-drama comedy about temperamental divas and old grudges, passion and pride, romance and Rigoletto, starring Maggie Smith, Tom Courtenay, Billy Connolly and Pauline Collins as four retired opera singers.
A 1991 comedy, Delirious stars John Candy as the head writer on a soap opera set in the fictional small town of Ashford Falls, whose naff power dressing and power wrangling is distinctly reminiscent of Dynasty. Candy has a crush on the somewhat imperious and Joan Collins-esque star of the show, played by Emma Samms, although waiting in the wings to be written into the show is the more wholesome and unaffected actress Mariel Hemingway. Delirious takes a turn when Candy is felled in an accident and awakes, supernaturally, to find himself in the very world of his own soap, with Ashford Falls a real town and its fictional characters, including Samms, now real people. Candy discovers, however, that in this world he has the power to "write" situations as they suit him--in this case, by casting himself as a dashing, wealthy and mysterious Wall Street hero, able to sweep Samms off her feet. The film is in some ways a precursor of Pleasantville (in which two teens are sucked into the world of a "Honey, I'm home" black and white 1950s sitcom). However, between them the star, writers and director (Tom Mankiewicz) make a ham fist of Delirious. The parody of soap mores is quite well done but quickly palls in its obviousness; Candy's performance is misjudged, as if trying too hard to make the best of a bad job; while overall, the film feels cheap, tacky and broad, once again raising the question why in the 1980s and 90s America produced such great sitcoms but such poor film comedies. On the DVD: Delirious is presented in 1.85:1 anamorphic widescreen. It's a decent enough edition but looks its age in places, in terms of colour definition in particular. The only extra is the original trailer. --David Stubbs
Jeffrey Waging (Russel Crowe) was a central witness in the lawsuits filed by Mississippi and 49 other states against the tobacco industry which were eventually settled for $246 billion.
November 1902. Fog and shadows engulf the city. The murky world of the menacing London docks collide with the glamour and glitter of Edwardian high society as sleuth Sherlock Holmes and Dr John H Watson are reunited to solve a case which threatens to overwhelm the privilege and tranquillity of aristocratic society. When the murder of a penniless shop-girl is linked to the body of debutante Lady Alice Burnham Holmes immediately begins to piece together the clues: a pair of dancing sho
Queen of the costume drama Helena Bonham Carter finally got a chance to loosen her corset a bit with this exquisitely mounted (Sandy Powell's costumes were nominated for an Academy Award) romantic drama based on Henry James's classic novel. Set in turn-of-the-century London and Venice, Wings of the Dove is a stately departure--more PBS than MTV--for Iain Softley, director of Hackers and the birth-of-the-Beatles biopic Backbeat. But there's enough romantic intrigue to perhaps fuel a week's worth of daytime TV talk shows: My Lover Seduced a Dying Heiress for Her Money. Bonham Carter, who won several critics association honours for her performance (she was nominated for a Golden Globe and Oscar as well) stars as Kate, who is engaged in a secret affair with Merton (Linus Roache), a journalist whose poor financial standing makes marriage impossible. Kate's manipulative aunt (Charlotte Rampling) threatens to disown her unless she marries the more suitable Lord Mark (Alex Jennings). Opportunity--admittedly sordid--arrives in the form of Millie (Alison Elliott), an American heiress whom Kate befriends. When Kate learns that Millie is dying, she suggests to Merton that he seduce her to make her last days happy, and ensuring that Millie will leave Merton her money when she dies. Merton reluctantly agrees, just as Kate begins to have second thoughts that threaten to sabotage the scheme. One of the most rapturously reviewed films in recent years, Wings of the Dove is a must-own video for the Merchant-Ivory crowd. But guys: don't dismiss this as a "chick flick". Beneath its Masterpiece Theatre exterior beats the wild and untamed heart of Dawson's Creek. --Donald Liebenson
Arthur Bishop (Bronson) is a mob hit man who operates in a world of his own an uncompromising world where conventional rules of morality don't apply and where one wrong move could cost him his life! He's always worked alone but as age catches up with him Bishop takes on a competent and ruthless apprentice (Jan-Michael Vincent) and teaches him everything he knows. Together they become an unmatchable team of globetrotting killers until the pupil's ruthlessness puts him on a colli
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