"Actor: Michael Baseleon"

• A Man Called Horse | DVD | (07/06/2004) from £5.99   |  Saving you £10.00 (166.95%)   |  RRP £15.99

  American Indians were "cool" in 1970, the year A Man Called Horse made its vigorous, feverishly real, and occasionally shocking debut alongside Little Big Man and Soldier Blue. Unlike the latter two films, however, Horse is less an allegory for Vietnam-era America and more of a vision quest for historical identity. In one of his defining roles, Richard Harris plays an English aristocrat captured by Dakota Sioux in 1825. Over time, he adopts their way of life and eventually becomes tribal leader--but not before undergoing savage initiation rituals, the most famous of which involves being suspended by blades inserted beneath Harris's pectoral muscles. Horse looks clunky, quaint, and inadvertently demeaning in some respects today, but the film's Native-American milieu is at least defined on its own terms, making no concessions to familiar Western conventions. The real draw is Harris, whose performance has a soulful integrity. --Tom Keogh

• A Man Called Horse (New to Blu-Ray) | Blu Ray | (11/06/2018) from £7.00   |  Saving you £N/A (N/A%)   |  RRP £N/A

  In 1825, an English aristocrat is captured by Native Americans. He lives with them and begins to understand their way of life. Eventually, he is accepted as part of the tribe and aspires to become their leader.

• The Grissom Gang | DVD | (08/04/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

  The Grissom Gang is director Robert Aldrich's take on British author James Hadley Chase's once-notorious novel No Orchids for Miss Blandish, which was itself a synthesis of the plot of William Faulkner's Sanctuary with the lurid exposes of the criminal rampage of Arizona Clark "Ma" Barker and her alleged criminal brood. Aldrich sticks surprisingly close to Chase's plot, although he considerably deepens all the characterisations and cuts through the prurient sex sensation to create a surprisingly moving and complicated relationship between kidnapped heiress Barbara Blandish (Kim Darby) and the homicidally psychopathic but also childish Slim Grissom (Scott Wilson), the most feared member of the gang headed by the grotesquely horrible Ma (Irene Dailey). Barbara is abducted after a jewel heist gone wrong by a trio of inept small-timers, who are swiftly rubbed out by the more organised Grissom mob, and though Ma insists that after the girl's father has come across with the million-dollar ransom she will be mercilessly put down, Slim becomes enchanted with the girl, who eventually becomes his lover. In the book, the girl was drugged and raped, but here we get a delicate, creepy shifting of power to the point when Miss Blandish can browbeat her fearsome captor into mixing her a perfect martini, and the new attachment between crook and captive creates a rift with the rest of the gang that inevitably pays off in various hails of machine gunfire as the plan falls apart and the authorities close in. Aldrich manages the kind of claustrophobic black comedy games of terror and flirtation he perfected in What Ever Happened to Baby Jane?, but attacks the rat-tat-tat tommy gun scenes with action skills honed on The Dirty Dozen. Most of these films trusted costumes, cars and music to evoke the 1920s, but screenwriter Leon Griffiths takes care with period slang and the supporting cast have a real Depression era Warner Brothers feel, with Connie Stevens as a dumb but ferocious blonde showgirl, Tony Musante as the slick-haired official ladykiller in the gang and Robert Lansing as an impeccably down-at-heel but compassionate private detective. On the DVD: The advertised extras--notes, trivia and photo gallery--are disappointingly thin, but the 16:9 letterboxed print is almost flawless, with lovely pastels for the clothes and sets and bright scarlet for the many bursts of blood. --Kim Newman