From master story teller, Guillermo del Toro, comes 'The Shape Of Water' - an other-worldly fairy tale, set against the backdrop of Cold War era America circa 1963.
In 1935, when it is more common for Irish families to leave their famine-stricken country for America, the impoverished McCourt family do the reverse.
From master storyteller, Guillermo del Toro, comes an other-worldly fairy tale, set against the backdrop of Cold War era America circa 1962. In the hidden government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of silence and isolation. Elisa's life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment.
From master storyteller, Guillermo del Toro, comes an other-worldly fairy tale, set against the backdrop of Cold War era America circa 1962. In the hidden government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of silence and isolation. Elisa's life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment.
An old school father and his plugged-in, filmmaker daughter struggle to relate as their family embarks on a road trip to her new college. Their drive is interrupted A by a machine apocalypse that threatens to tear these unlikely heroes apart unless they can find a way to join forces and save humanity. Product Features How A Group Of Passionate Weirdos Made A Big Animated Movie How To Make Sock Puppets How To Make Katie Face Cupcakes Katie's Cabinet Of Forgotten Wonders!
Despite voluminous protest and nitpicking criticism from loyal fans of the original TV series (1978-80), the 2003 version of Battlestar Galactica turned out surprisingly well for viewers with a tolerance for change. Originally broadcast on the Sci-Fi Channel in December 2003 and conceived by Star Trek: The Next Generation alumnus Ronald D Moore as the pilot episode for a "reimagined" TV series, this four-hour mini series reprises the basic premise of the original show while giving a major overhaul to several characters and plot elements. Gone are the flowing robes, disco-era hairstyles, and mock-Egyptian fighter helmets, and thankfully there's not a fluffy "Daggit" in sight... at least, not yet. Also missing are the "chrome toaster" Cylons, replaced by new, more formidable varieties of the invading Cylon enemy, including "Number Six" in hot red skirts and ample cleavage, who tricks the human genius Baltar! into a scenario that nearly annihilates the human inhabitants of 12 colonial worlds. Thus begins the epic battle and eventual retreat of a "ragtag fleet" of humans, searching for the mythical planet Earth under the military command of Adama (Edward James Olmos) and the political leadership of Laura Roslin (Mary McDonnell), a former secretary of education, 43rd in line of succession and rising to the occasion of her unexpected Presidency. As directed by Michael Rymer (Queen of the Damned), Moore's ambitious teleplay also includes newfangled CGI space battles (featuring "handheld" camera moves and subdued sound effects for "enhanced realism"), a dysfunctional Col. Tigh (Michael Hogan) who's provoked into action by the insubordinate Starbuck (Katee Sackhoff), and a father-son reunion steeped in familial tragedy. To fans of the original BG series, many of these changes are blasphemous, but for the most part they work--including an ominous cliffhanger ending. The remade Galactica is brimming with smart, well-drawn characters ripe with dramati! c potential, and it readily qualifies as serious-minded science fiction, even as it gives BG loyalists ample fuel for lively debate. --Jeff Shannon
An old school father and his plugged-in, filmmaker daughter struggle to relate as their family embarks on a road trip to her new college. Their drive is interrupted by a machine apocalypse that threatens to tear these unlikely heroes apart unless they can find a way to join forces and save humanity.
During World War II a British Army officer is despatched to Borneo to train the local tribesmen to fight the Japanese and is surprised to discover the tribal king is an American. The two train the tribe and fight in a series of battles but both are sadly aware that their destruction is imminent...
This wonderfully animated feature of The Wind In The Willows the charismatic band of friends Rat Mole Badger and the inimitable Toad are brought beautifully to the screen in this adaptation of the enchanting novel by Kenneth Grahame. The voices of Rik Mayall as Toad Michael Palin as Rat Alan Bennett as Mole and Michael Gambon as Badger are joined with the superb animation techniques of some of Britain's finest artists. Follow the adventures along the river bank and enjoy the thrill of the chase as a manic Mr Toad escapes from the police in a stolen car. Cheer on Badger and Rat as they lead the battle to reclaim Toad Hall from a band of evil weasels. Packed with comedy fun and high drama The Wind In The Willows is a true classic of animation - a universally loved tale brought to life. Poop Poop - The Making of The Wind In The Willows invites you into the intriguing world of the artists producers directors and of course the voices who breath life into all The Wind In The Willows characters. Award Winning producer John Coates explains how 40 000 separate pieces of artwork are used for each half hour of film every piece is done entirely by hand. Over 12 000 different colours and over 2 000 pencils were used by the animators. A fascinating insight into how this magnificent production was created.
Disney sets a record for bringing out a direct-to-video sequel after the initial film. Stitch: The Movie arrives only a year after the enjoyable Lilo & Stitch and reunites the title character (otherwise known as Experiment 626) with his earth-bound family in the warm Hawaiian sun. The story has a nice set-up: since Stitch is Experiment 626, where are the first 625 invented by Dr Jumba Jookiba? Odds are the island paradise will soon be spaceport central for many more aliens. As with other made-for-video Disney titles, the animation is not as complex or rich. This hurts this sequel even more since the original film had such a unique, pastel beauty. Unfortunately, the other elements of the film are just as flat. Even though most of the original voice cast returns, the entire production lacks the same spirit and charm, and the story's theme is recycled (get ready for more "Ohana means family"). On the plus side, the film starts with an Elvis Presley song ("Slicin' Sand") and is only 64 minutes long. The movie sets up the Disney TV series The Adventures of Lilo & Stitch. --Doug Thomas
The Bluebeard legend has been adapted many times through the years. This classic film noir variation on the tale incorporates influences from Daphne du Maurier s Rebecca into the mix, with gripping results. Soon after architect Mark Lamphere (Michael Redgrave, Dead of Night) marries Celia (Joan Bennett, Suspiria), she gradually begins to suspect that he has a past life that he s been keeping from her. But she doesn t know the half of it, and when he leaves on a business trip, she starts to uncover the sinister secret of his purpose-designed house and its apparent surplus of rooms, the seventh of which is kept firmly locked. What lies beyond its door? From the strongly expressionist use of symbolic flowers and shadows in the opening sequence, legendary director Fritz Lang (Metropolis, M) stamps his artistic signature on every frame, helped by suitably high-contrast cinematography by Stanley Cortez (The Night of the Hunter) and a score by composer Miklós Rósza (The Killers) that insinuates itself into every emotional nook and cranny. SPECIAL EDITION CONTENTS: High Definition Blu-ray (1080p) presentation transferred from original film elements Uncompressed mono 1.0 PCM audio soundtrack Optional English subtitles for the deaf and hard of hearing Commentary by film noir expert Alan K. Rode Barry Keith Grant on Secret Beyond the Door, the author and scholar introduces the film The House of Lang, a visual essay on Fritz Lang s style by filmmaker David Cairns with a focus on his noir work Bluebeard (1947), a radio play aimed at children drawing on the same source as Secret Beyond the Door International poster gallery Trailer for Lang s 1943 noir, Hangmen Also Die! Reversible sleeve featuring original and newly commissioned artwork by Scott Saslow
As Tarzan and Jane's first anniversary of wedded jungle bliss approaches, Jane ponders what gift would be appropriate--necessitating three flashbacks from the Disney television series explaining why various celebrations are out of the question. First Jane remembers when her old British school chums came to rescue her from the bush and whisk her back to civilization. Then Terk and Tantor help her recall the time diamond miners hired Tarzan only to double-cross him. The final remembrance features Jane's old neighbour Robert who flies to Africa to recover a music box he gave her--and to betray England. Michael T. Weiss and Olivia D'Abo do the honours as the voices of Tarzan and Jane and Mandy Moore and Phil Collins provide the vocals for two new songs. Like many of Disney's straight-to-video "sequels", the animation and story aren't up to par with the original; but the kids won't care. Ages 3 and up. --Kimberly Heinrichs, Amazon.com
Judy Holliday stars as Gladys Glover a young woman who wants to make a name for herself so she rents a billboard on Columbus Circle and advertises her name. When a wealthy soap manufacturer tries to wrestle the billboard away from Gladys he finds himself falling in love with her. Can an aspiring model find happiness on a billboard?
This animated work stays close to the original story by Kenneth Grahame which follows Toad Rat Mole and Badger as they pursue their lives along the river bank defeat the animals of the wild wood and reclaim Toad's ancestral home from the Weasels.
Zombies! Werewolves! Atomic Mutation! Intergalactic Avians! Let this quartet of classic terrors take you back to the golden age of B-Movie Monsters! A mob boss hires an ex-Nazi scientist to reanimate his dead thugs in Creature with the Atom Brain. An auto-accident survivor is used as an experimental subject to create a vaccine for nuclear fall-out with hair-raising side-effects in The Werewolf. Treasure hunters get more than they bargained for in the search for a cargo of diamonds that went down with a sunken ship when they discover the zombified crew members are guarding the loot in Zombies of Mora Tau. Meanwhile, an enormous bird from outer-space descends to chow down on the people of planet Earth in The Giant Claw! Four fantastic feature presentations from prolific producer Sam Katzman with a bounty of brand new extras and a raft of new writing by a range of respected raconteurs. These Cold War Creatures are coming for you! Special Features: High Definition Blu-ray (1080p) presentations of all 4 films Original uncompressed mono audio for all films Optional English subtitles for the deaf and hard of hearing Fully illustrated 60-page collector's book featuring extensive new writing by Laura Drazin Boyes, Neil Mitchell, Barry Forshaw, Jon Towlson and Jackson Cooper 80-page collector's art book featuring reproduction stills and artwork from each film and new writing by historian and critic Stephen R. Bissette 2 double-sided posters featuring newly commissioned artwork by Matt Griffin Reversible sleeves featuring original and newly commissioned artwork for each film by Matt Griffin Disc 1 - Create with the Atom Brain Brand-new introduction by historian and critic Kim Newman Brand-new audio commentary by critic Russell Dyball Sam Katzman: Before and Beyond the Cold War Creatures, a brand-new feature-length illustrated presentation on the life, career and films of Sam Katzman by historian and critic Stephen R. Bissette Condensed Super 8mm version of Creature with the Atom Brain, produced for home cinema viewing Theatrical Trailer Image Gallery Disc 2 - The Werewolf Brand-new introduction by critic Kim Newman Brand-new audio commentary by critic Lee Gambin Beyond Window Dressing, a brand-new visual essay exploring the oft-overlooked role of women in the films of Sam Katzman by historian and critic Alexandra Heller-Nicholas Condensed Super 8mm version of The Werewolf, produced for home cinema viewing Theatrical Trailer Image Gallery Disc 3 - The Zombies of Mora Tau Brand-new introduction by critic Kim Newman Brand-new audio commentary by critic Kat Ellinger Atomic Terror: Genre in Transformation, a brand-new visual essay exploring the intersection of mythical horror creatures and the rational world of science in the films of Sam Katzman by critic Josh Hurtado. Theatrical Trailer Image Gallery Disc 4 - The Giant Claw Brand-new introduction by critic Kim Newman Brand-new audio commentary by critics Emma Westwood and Cerise Howard Family Endangered!, a brand-new visual essay examining the theme of Cold War paranoia in Sam Katzman monster movies, by critic Mike White Condensed Super 8mm version of The Giant Claw, produced for home cinema viewing. Theatrical Trailer Image Gallery
Much like Richard Adams' wonderful novel this animated tale of wandering rabbits is not meant for small children. It is, however, rich storytelling, populated with very real individuals inhabiting a very real world. The animation is problematic, sometimes appearing out of proportion or just below par; but it seems to stem from an attempt at realism, something distinguishing the film's characters from previous, cutesy, animated animals. A band of rabbits illegally leave their warren after a prophecy of doom from a runt named Fiver (voiced by Richard Briers). In search of a place safe from humans and predators, they face all kinds of dangers, including a warren that has made a sick bargain with humankind, and a warren that is basically a fascist state. Allegories aside, Down is engaging and satisfying, and pulls off the same amazing trick that the novel did--you'll forget that this is a story about rabbits. --Keith Simanton, Amazon.com
The words of the opening song pretty much describe the menu in A Funny Thing Happened on the Way to the Forum--"Something familiar, something peculiar, something for everyone: a comedy tonight!"--a frantic adaptation of the stage musical by Larry Gelbart and Burt Shevelove. The wild story, based on the Latin comedies of Plautus and set in ancient Rome, follows a slave named Pseudolus (Zero Mostel, snorting and gibbering) as he tries to extricate himself from an increasingly farcical situation; Mostel and a bevy of inspired clowns, including Phil Silvers, Jack Gilford and Buster Keaton, keep the slapstick and the patter perking. The cast also includes the young Michael Crawford as a love-struck innocent. This project landed in the lap of Richard Lester, then one of the hottest directors in the world after his success with the Beatles' films. Lester telescoped the material through his own joke-a-second sensibility, and also ripped out some of the songs from Stephen Sondheim's Broadway score. The result is very close to the vaudeville spirit suggested by the title--though anyone with a low tolerance for Zero Mostel's overbearing buffoonery may be in trouble. Oddly enough, amid all the frenzy, Lester creates a grungy, earthy Rome that seems closer to the real thing than countless respectable historical films on the subject. Frankie Howerd, who played Pseudolus on the London stage, kept the tradition going with his Up Pompeii TV series. --Robert Horton
Written by barrister and playwright Sir John Mortimer Paradise Postponed takes in all of the upheavals of post-war British society. Why does the left-wing cleric Rev. Simeon Simcox leave the Simcox brewery millions to the morally loathsome Leslie 'The Toad' Titmuss? Titmuss is a city developer and Conservative cabinet minister who has wheeled and dealed his way through life. Simeon's sons set out to unravel the truth behind the will. Episodes comprise: 1. Death Of A Saint
The world is over. The fight is just beginning. ""The Cylons were created by man. They rebelled. They evolved. They look and feel human. Some are programmed to think they are human. There are many copies. And they have a plan."" Welcome to the radical re-imagining of 1970s sci-fi favourite 'Battlestar Galactica'! Episodes comprise: 1. 33 2. Water 3. Bastille Day 4. Act of Contrition 5. You Can't Go Home Again 6. Litmus 7. Six Degrees Of Separation 8. Fles
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