Michael Caine is Jack Carter, the London gangland enforcer who returns to his hometown of Newcastle to investigate his brother's death. Rarely has the criminal underworld been so realistically portrayed as in this 1971 masterpiece. Shot on location, resulting in a devastatingly authentic snapshot of life in the north east of England, Get Carter remains arguably the grittiest and greatest of all British crime films. Newly restored in 4K from the original camera negative by the BFI, and approved by director Mike Hodges, Get Carter is back, and looking and sounding better than ever.Extras ¢ Presented in High Definition ¢ Introduction by Michael Caine (2022, 3 mins) ¢ Audio commentary featuring Mike Hodges, Michael Caine and Wolfgang Suschitzky (2000) ¢ Audio commentary featuring Kim Newman and Barry Forshaw (2022) ¢ Isolated score by Roy Budd ¢ Mike Hodges in Conversation (2022, 60 mins): the director discusses his long career ¢ Klinger on Klinger (2022, 24 mins): Tony Klinger recalls and evaluates the career of his father, Michael Klinger ¢ Don't Trust Boys (2022, 22 mins): actor Petra Markham reflects upon her career on stage and screen, and recalls her role in Get Carter ¢ The Sound of Roy Budd (2022, 17 mins): Jonny Trunk explores the varied career of Roy Budd, and revisits his iconic score for Get Carter ¢ BBC Look North location report (1970, 5 mins) ¢ Roy Budd Plays Get Carter' (1971, 4 mins) ¢ Michael Caine's message to premiere attendees (1971, 1 min) ¢ The Ship Hotel Tyne Main (1967, 33 mins): Philip Trevelyan's evocative documentary ¢ International trailer (1971) ¢ Rerelease trailer (2022) ¢ Script gallery ¢ Audio description track (feature only)
In the summer of 2014, Bernard Jordan (Michael Caine) made global headlines. He had staged a great escape from his care home to join fellow war veterans on a beach in Normandy, commemorating their fallen comrades at the D-Day Landings 70th anniversary. It was a story that captured the imagination of the world as Bernie embodied the defiant, can-do spirit of a generation that was fast disappearing. But of course, it wasn't the whole story. It was an inspirational but sanitised retelling of one man's need to come to terms with the lasting trauma of war. Bernie's adventure, spanning a mere 48 hours, also marked the culmination of his 60-year marriage to Rene (Glenda Jackson) - THE GREAT ESCAPER celebrates their enduring love but always with an eye to the lessons we might learn from the Greatest Generation.
Of all the "most anticipated" movies ever claiming that title, it's hard to imagine one that has caused so much speculation and breathless expectation as Christopher Nolan's final chapter to his magnificently brooding Batman trilogy, The Dark Knight Rises. Though it may not rise to the level of the mythic grandeur of its predecessor, The Dark Knight Rises is a truly magnificent work of cinematic brilliance that commandingly completes the cycle and is as heavy with literary resonance as it is of-the-moment insight into the political and social affairs unfolding on the world stage. That it is also a full-blown and fully realized epic crime drama packed with state-of-the-art action relying equally on immaculate CGI fakery and heart-stopping practical effects and stunt work makes its entrée into blockbuster history worthy of all the anticipation and more. It deserves all the accolades it will get for bringing an opulently baroque view of a comic book universe to life with sinister effectiveness. Set eight years after the events of The Dark Knight, TDK Rises finds Bruce Wayne broken in spirit and body from his moral and physical battle with the Joker. Gotham City is at peace primarily because Batman took the fall for Harvey Dent's murder, allowing the former district attorney's memory to remain as a crime-fighting hero rather than the lunatic destructor he became as Two-Face. But that meant Batman's cape and cowl wound up in cold storage--perhaps for good--with only police commissioner Jim Gordon in possession of the truth. The threat that faces Gotham now is by no means new; as deployed by the intricate script that weaves themes first explored in Batman Begins, fundamental conflicts that predate his own origins are at the heart of the ultimate struggle that will leave Batman and his city either triumphant or in ashes. It is one of the movie's greatest achievements that we really don't know which way it will end up until its final exhilarating moments. Intricate may be an understatement in the construction of the script by Nolan and his brother Jonathan. The multilayered story includes a battle for control of Wayne Industries and the decimation of Bruce Wayne's personal wealth; a destructive yet potentially earth-saving clean energy source; a desolate prison colony on the other side of the globe; terrorist attacks against people, property, and the world's economic foundation; the redistribution of wealth to the 99 percent; and a virtuoso jewel thief who is identified in every way except name as Catwoman. Played with saucy fun and sexy danger by Anne Hathaway, Selina Kyle is sort of the catalyst (!) for all the plot threads, especially when she whispers into Bruce's ear at a charity ball some prescient words about a coming storm that will tear Gotham asunder. As unpredictable as it is sometimes hard to follow, the winds of this storm blow in a raft of diverse and extremely compelling new characters (including Selina Kyle) who are all part of a dance that ends with the ballet of a cataclysmic denouement. Among the new faces are Marion Cotillard as a green-energy advocate and Wayne Industries board member and Joseph Gordon-Levitt as a devoted Gotham cop who may lead Nolan into a new comic book franchise. The hulking monster Bane, played by Tom Hardy with powerful confidence even under a clawlike mask, is so much more than a villain (and the toughest match yet for Batman's prowess). Though he ends up being less important to the movie's moral themes and can't really match Heath Ledger's maniacal turn as Joker, his mesmerizing swagger and presence as demonic force personified are an affecting counterpoint to the moral battle that rages within Batman himself. Christian Bale gives his most dynamic performance yet as the tortured hero, and Michael Caine (Alfred), Gary Oldman (Gordon), and Morgan Freeman (Lucius Fox) all return with more gravitas and emotional weight than ever before. Then there's the action. Punctuated by three or four magnificent set pieces, TDKR deftly mixes the cinematic process of providing information with punches of pow throughout (an airplane-to-airplane kidnap/rescue, an institutional terrorist assault and subsequent chase, and the choreographed crippling of an entire city are the above-mentioned highlights). The added impact of the movie's extensive Imax footage ups the wow factor, all of it kinetically controlled by Nolan and his top lieutenants Wally Pfister (cinematography), Hans Zimmer (composer), Lee Smith (editor), and Nathan Crowley and Kevin Kavanaugh (production designers). The best recommendation TDKR carries is that it does not leave one wanting for more. At 164 minutes, there's plenty of nonstop dramatic enthrallment for a single sitting. More important, there's a deep sense of satisfaction that The Dark Knight Rises leaves as the fulfilling conclusion to an absorbing saga that remains relevant, resonant, and above all thoroughly entertaining. --Ted Fry
Michael Caine is Jack Carter, the London gangland enforcer who returns to his hometown of Newcastle to investigate his brother's death. Rarely has the criminal underworld been so realistically portrayed as in this 1971 masterpiece. Shot on location, resulting in a devastatingly authentic snapshot of life in the north east of England, Get Carter remains arguably the grittiest and greatest of all British crime films. Restored in 4K from the original camera negative by the BFI, and approved by director Mike Hodges, Get Carter is back, and looking and sounding better than ever.Product FeaturesExtras4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible)Introduction by Michael Caine (2022, 3 mins)Audio commentary featuring Mike Hodges, Michael Caine and Wolfgang Suschitzky (2000)Audio commentary featuring Kim Newman and Barry ForshawIsolated score by Roy BuddMike Hodges in Conversation (2022, 60 mins): the director discusses his career in this interview recorded at BFI SouthbankThe Sound of Roy Budd (2022, 17 mins): film music expert Jonny Trunk explores the varied career of Roy Budd, and revisits Budd's iconic, minimalist score for Get CarterRoy Budd Plays 'Get Carter' (1971, 4 mins)BBC Look North location report (1970, 5 mins): surviving footage of a 1971 report on Get Carter's making, from the BBC's regional news programmeDon't Trust Boys(2022, 22 mins): actor Petra Markham reflects upon her career on stage and screen, and recalls her role in Get CarterKlinger on Klinger (2022, 24 mins): Tony Klinger recalls and evaluates the career of his father, Michael Klinger, Producer of Get CarterThe Ship Hotel - Tyne Main (1967, 33 mins): Philip Trevelyan's evocative documentary film about a pub on the banks of the River TyneInternational trailer (1971)Rerelease trailer (2022)Michael Caine's message to premiere attendees (1971, 1 min)Script galleryEnglish language with optional descriptive subtitlesAudio description track
Despite its manipulative grandiosity, this film is completely irresistible, for several reasons: it recounts the greatest air battle in history, creating the greatest aerial battle scenes in film history; it has a terrific cast (Harry Andrews, Michael Caine, Trevor Howard, Curt Jurgens, Laurence Olivier, Nigel Patrick, Christopher Plummer, Michael Redgrave, Ralph Richardson, Robert Shaw, Patrick Wymark and Edward Fox); and it's technically very well made, thanks to the Bond team of producer Harry Saltzman and director Guy Hamilton and the great cinematographer Freddie Young. --Bill Desowitz
This massive 1977 adaptation by director Richard Attenborough (Gandhi) of Cornelius Ryan's novel features an all-star cast in an epic rendering of a daring but ultimately disastrous raid behind enemy lines in Holland during the Second World War. A lengthy and exhaustive look at the mechanics of warfare and the price and futility of war, the film is almost too large for its aims but manages to be both picaresque and affecting, particularly in the performance of James Caan. The impressive cast includes Robert Redford, Gene Hackman, Anthony Hopkins, Laurence Olivier, Dirk Bogarde, Sean Connery, and Liv Ullmann among others. While not a classic war film, it nevertheless manages to be a consistently interesting and exciting adventure. --Robert Lane, Amazon.com
The Caped Crusader returns in this eagerly anticipated sequel to "Batman Begins". A new terror is coursing through Gotham courtesy of The Joker.
Miss Congeniality Sandra Bullock stars as a bumbling female FBI agent assigned to go undercover as a participant in the Miss United States beauty pageant when it is discovered that one of the contestants is being targeted for murder. Benjamin Bratt leads the undercover team while also playing the reluctant love interest. Candice Bergen and William Shatner manage the pageant and hire Michael Caine to turn Bullock from rough and tumble agent to stunning beauty queen. The physica
Of all the "most anticipated" movies ever claiming that title, it's hard to imagine one that has caused so much speculation and breathless expectation as Christopher Nolan's final chapter to his magnificently brooding Batman trilogy, The Dark Knight Rises. Though it may not rise to the level of the mythic grandeur of its predecessor, The Dark Knight Rises is a truly magnificent work of cinematic brilliance that commandingly completes the cycle and is as heavy with literary resonance as it is of-the-moment insight into the political and social affairs unfolding on the world stage. That it is also a full-blown and fully realized epic crime drama packed with state-of-the-art action relying equally on immaculate CGI fakery and heart-stopping practical effects and stunt work makes its entrée into blockbuster history worthy of all the anticipation and more. It deserves all the accolades it will get for bringing an opulently baroque view of a comic book universe to life with sinister effectiveness. Set eight years after the events of The Dark Knight, TDK Rises finds Bruce Wayne broken in spirit and body from his moral and physical battle with the Joker. Gotham City is at peace primarily because Batman took the fall for Harvey Dent's murder, allowing the former district attorney's memory to remain as a crime-fighting hero rather than the lunatic destructor he became as Two-Face. But that meant Batman's cape and cowl wound up in cold storage--perhaps for good--with only police commissioner Jim Gordon in possession of the truth. The threat that faces Gotham now is by no means new; as deployed by the intricate script that weaves themes first explored in Batman Begins, fundamental conflicts that predate his own origins are at the heart of the ultimate struggle that will leave Batman and his city either triumphant or in ashes. It is one of the movie's greatest achievements that we really don't know which way it will end up until its final exhilarating moments. Intricate may be an understatement in the construction of the script by Nolan and his brother Jonathan. The multilayered story includes a battle for control of Wayne Industries and the decimation of Bruce Wayne's personal wealth; a destructive yet potentially earth-saving clean energy source; a desolate prison colony on the other side of the globe; terrorist attacks against people, property, and the world's economic foundation; the redistribution of wealth to the 99 percent; and a virtuoso jewel thief who is identified in every way except name as Catwoman. Played with saucy fun and sexy danger by Anne Hathaway, Selina Kyle is sort of the catalyst (!) for all the plot threads, especially when she whispers into Bruce's ear at a charity ball some prescient words about a coming storm that will tear Gotham asunder. As unpredictable as it is sometimes hard to follow, the winds of this storm blow in a raft of diverse and extremely compelling new characters (including Selina Kyle) who are all part of a dance that ends with the ballet of a cataclysmic denouement. Among the new faces are Marion Cotillard as a green-energy advocate and Wayne Industries board member and Joseph Gordon-Levitt as a devoted Gotham cop who may lead Nolan into a new comic book franchise. The hulking monster Bane, played by Tom Hardy with powerful confidence even under a clawlike mask, is so much more than a villain (and the toughest match yet for Batman's prowess). Though he ends up being less important to the movie's moral themes and can't really match Heath Ledger's maniacal turn as Joker, his mesmerizing swagger and presence as demonic force personified are an affecting counterpoint to the moral battle that rages within Batman himself. Christian Bale gives his most dynamic performance yet as the tortured hero, and Michael Caine (Alfred), Gary Oldman (Gordon), and Morgan Freeman (Lucius Fox) all return with more gravitas and emotional weight than ever before. Then there's the action. Punctuated by three or four magnificent set pieces, TDKR deftly mixes the cinematic process of providing information with punches of pow throughout (an airplane-to-airplane kidnap/rescue, an institutional terrorist assault and subsequent chase, and the choreographed crippling of an entire city are the above-mentioned highlights). The added impact of the movie's extensive Imax footage ups the wow factor, all of it kinetically controlled by Nolan and his top lieutenants Wally Pfister (cinematography), Hans Zimmer (composer), Lee Smith (editor), and Nathan Crowley and Kevin Kavanaugh (production designers). The best recommendation TDKR carries is that it does not leave one wanting for more. At 164 minutes, there's plenty of nonstop dramatic enthrallment for a single sitting. More important, there's a deep sense of satisfaction that The Dark Knight Rises leaves as the fulfilling conclusion to an absorbing saga that remains relevant, resonant, and above all thoroughly entertaining. --Ted Fry
In the spy-crazed film world of the 1960s, Len Deighton's antihero Harry Palmer burst onto the scene as an antidote to the James Bond films. Here was a British spy who had a working-class accent and horn-rimmed glasses and above all really didn't want to be a spy in the first place. As portrayed by Michael Caine, Palmer was the perfect antithesis to Sean Connery's 007. Unlike that of his globetrotting spy cousin, Palmer's beat is cold, rainy, dreary London, where he spends his days and nights in unheated flats spying on subversives. He does charm one lady, but she's no Pussy Galore, just a civil servant he works with, sent to keep an eye on him. Eventually he's assigned to get to the bottom of the kidnapping and subsequent "brain draining" of a nuclear physicist, all the while being reminded by his superiors that it's this or prison. Things begin to get pretty hairy for Harry. Produced by Harry Saltzman in his spare time between Bond movies, the film also features a haunting score by another Bond veteran, composer John Barry. --Kristian St. Clair, Amazon.com
Michael Caine stars in this 60s classic as the leader of a team of thieves who plan to use minis to help them perform the heist of the century.
This is no ordinary soccer match: this is war! The battlefield: a stadium in occupied Paris. The armies: German all-stars vs. ragtag Allied POWs. The objective: demonstrate another proof of Aryan superiority. Guess who wins? Better yet guess who cleverly uses the match as a means of escape? Sylvester Stallone Michael Caine and Max von Sydow star in this rouser directed by the legendary John Huston. The climatic match is a heart-in-the-throat hat-in-the-air exhibition of brute force and balletic grace featuring soccer legends Pele Bobby Moore Osvaldo Ardiles Co Prins Mike Summerbee and more. Score a splendid entertainment goal for 'Victory'!
Kingsman: The Secret Service: Based upon the acclaimed comic book and directed by Matthew Vaughn (Kick Ass, X-Men First Class), KINGSMAN: THE SECRET SERVICE tells the story of a super-secret spy organization that recruits an unrefined but promising street kid into the agency's ultra-competitive training program just as a global threat emerges from a twisted tech genius. Kingsman: The Golden Circle: Kingsman: The Secret Service introduced the world to Kingsman - an independent, international intelligence agency operating at the highest level of discretion, whose ultimate goal is to keep the world safe. In Kingsman: The Golden Circle, our heroes face a new challenge. When their headquarters are destroyed and the world is held hostage, their journey leads them to the discovery of an allied spy organization in the US called Statesman, dating back to the day they were both founded. In a new adventure that tests their agents' strength and wits to the limit, these two elite secret organizations band together to defeat a ruthless common enemy, in order to save the world, something that's becoming a bit of a habit for Eggsy
Batman BeginsAs a young boy Bruce Wayne watched in horror as his millionaire parents were slain in front of him - a trauma that leads him to become obsessed with revenge. But the opportunity to avenge his parents' deaths is cruelly taken away from him by fate. Fleeing to the East where he seeks counsel with the dangerous but honorable ninja cult leader known as Ra's Al-Ghul Bruce returns to his now decaying Gotham City which is overrun by organized crime and other dangerous individuals manipulating the system. Meanwhile Bruce is slowly being swindled out of Wayne Industries the company he inherited. The discovery of a cave under his mansion along with a prototype armored suit leads him to assume a new persona one which will strike fear into the hearts of men who do wrong; he becomes Batman! In the new guise and with the help of rising cop Jim Gordon Batman sets out to take down the various nefarious schemes in motion by individuals such as mafia don Falcone the twisted doctor/drug dealer Jonathan 'The Scarecrow' Crane and a mysterious third party who is quite familiar with Wayne and waiting to strike when the time is right. Special Features: Inner Demons Comic Batman: The Journey begins Shaping Mind and Body Batman: The Tumbler Gotham City Rises Saving Gotham City Genesis of the Bat Confidential Files The Dark KnightChristopher Nolan returns to direct the follow up to his own 2005 blockbuster 'Batman Begins' with Christian Bale once again suited up as 'The Dark Knight'. Gotham City previously a playground for organised crime and petty thieves has been cleaned up under the ever watchful eye of Batman. With the continued help of Lt James Gordon (Gary Oldman) and determined District Attorney Harvey Dent (Aaron Eckhart) Batman continues to round up the remaining criminals plaguing it. As the opening sequence quickly shows a new threat has emerged. The Joker! Brought to life again this time by the late Heath Ledger (Best Supporting Actor Oscar winner). With his eerie grin and wicked laugh mixed with psychotic madness he unleashes a new danger to the people of Gotham amidst all his chaos. As Batman struggles to bring the madman to justice his alter-ego Bruce Wayne is caught in a love triangle as Rachel Dawes' (Maggie Gyllenhaal) relationship with Harvey Dent grows stronger. Knowing that Harvey may be the 'White Knight' required to bring continued peace to Gotham Batman hopes that for the last time his skills and arsenal of equipment will be needed to stop the crazed villain before the city falls back into turmoil! - (Michael Woodhall) Special Features: Gotham Uncovered - How Christopher Nolan and his team developed the new Bat-suit and Bat-pod and composer Hans Zimmer musically characterized The Joker's reign of chaos Behind the Film - Including stunt staging filming in IMAX and the new bat suit and bat pod The Dark Knight IMAX Scenes - View these 6 action-packed sequences Gotham Tonight - 6 episodes of Gotham Cable's premier news programme The Galleries - Poster art and production stills The Dark Knight RisesIt has been eight years since Batman vanished into the night turning in that instant from hero to fugitive. Assuming the blame for the death of D.A. Harvey Dent the Dark Knight sacrificed everything for what he and Commissioner Gordon both hoped was the greater good. For a time the lie worked as criminal activity in Gotham City was crushed under the weight of the anti-crime Dent Act. But everything will change with the arrival of a cunning cat burglar with a mysterious agenda. Far more dangerous however is the emergence of Bane a masked terrorist whose ruthless plans for Gotham drive Bruce out of his self-imposed exile. But even if he dons the cape and cowl again Batman may be no match for Bane. Special Features: The Batmobile - Witness all five Bat mobiles together for the first time in history. Dive deep into every aspect of the most awe-inspiring pinnacle of technology as the most awe-inspiring weapon in birth and evolution of this technological marvel and cultural icon The Prologue: High-Altitude Hijacking - Ending the Knight - See how Christopher Nolan and his filmmaking team staged the film's high-flying opening sequence Return to the Batcave - Witness the reconstruction of the Batcave with time-lapse photography Beneath Gotham - Director Christopher Nolan and the production designers discuss the design and build of Bane's lair The Bat Pod - Director Christopher Nolan gives Batman a new mode of transportation in The Dark Knight Rises Batman Vs. Bane - The filmmakers and actors reveal how they planned and shot the epic fight sequence between Batman and Bane Armory Accepted - See how special effects and a miniature unit were used to simulate the demolition drop of the Tumbler through the ceiling Gameday Destruction - The filmmakers describe the production plan that went into executing the jaw-dropping demolition sequence at Gotham Stadium Demolishing a City Street - Learn how a series of practical special effects were used to simulate the complete destruction of a city street The Pit - The filmmakers explain the design and construction of two giant vertical sets: the underground prison and the well The Chant - Christopher Nolan and Hans Zimmer discuss the creation of the chant that formed the basis of the scores The War on Wall Street - Get a glimpse behind the coordination and production of the epic battle for Gotham City Race to the Reactor - Watch how the filmmakers orchestrated the film's climactic chase sequence with multiple Tumblers and the Batpod The Journey of The Dark Knight Character - Get insight into story and thematic choices that structured the final chapter of Bruce Wayne's journey as Batman. Supported by interviews with Christopher Nolan Jonah Nolan and David Goyer Gotham's Reckoning - The filmmakers reflect on their reinvention of Bane and all the elements that went into making him Batman's most lethal enemy and his wardrobe A Girls Gotta Eat - The filmmakers discuss the challenge of bringing an iconic character to life detailing the acting choices fashion training and her tactical-ego of Catwoman Shadows and Light in Large Format - Discover the philosophy and methodology of capturing The Dark Knight Rises on the grand canvas of Imax film. The End of a Legend - The filmmakers give their final thoughts on working on The Dark Knight Rises and what it was like to be a part of Trailer Archive
One of the last of the classic-era widescreen epics, Zulu was also one of the last war movies to celebrate the virtues of the famous British stiff upper lip. At Rorke's Drift in 1879 a handful of British soldiers, hopelessly outnumbered by 4,000 Zulu warriors, fought one of the most celebrated defensive actions in military history. Zulu tells the story on an epic scale, bringing to life the heroism, courage, loyalty and sacrifice of those desperate hours. This is truly cast-of-thousands filmmaking, with vast action wonderfully captured in widescreen Technirama. John Barry, who also scored Goldfinger in the same year, provides a telling musical accompaniment. The superb cast includes Stanley Baker and Jack Hawkins, but Zulu's final claim to fame is that it made an instant international superstar of a young actor whose name is Michael Caine. A belated sequel arrived in 1979 in Zulu Dawn, which despite even more spectacular action and a great cast died at the box-office. It is nevertheless well worth seeing. On the DVD: Zulu on disc has excellent prologic stereo considering the age of the film, while the anamorphically enhanced 2.35:1 transfer is crystal-clear, boasting rich colours, strong contrast and detail and only occasional minor print flaws. The original American trailer, also presented anamorphically enhanced at 2.35:1, is a worthwhile addition. There is a very good new 45-minute "making of" (1.77:1 anamorphic, in stereo), curiously split into two parts. The heart of the programme consists of interviews with survivors from the film, focusing on Stanley Baker's widow. The only let down is lack of input from Michael Caine and composer John Barry. The commentary by film historian Sheldon Hall, author of a forthcoming book on the movie, and Second Unit Director Robert Porter is serious and packed with information. --Gary S Dalkin
Sandra Bullock is an FBI agent who goes undercover as Miss New Jersey at a national beauty pageant after a terrorist group threatens to bomb the event.
The tense spy thriller by Len Deighton that turned Michael Caine into a superstar. Cynical and rebellious ex-army sergeant Harry Palmer has been blackmailed into working for Britain's security service. Hot on the trail of a kidnapped scientist Palmer finds himself enmeshed in a sinister conspiracy involving horrifying brainwashing techniques murder and treachery that reaches up to the highest levels of the security service itself. Often hailed as Len Deighton's finest spy story
When young doctor Edward Newgate (Jim Sturgess) arrives at 'Stonehearst Asylum' in search of an apprenticeship, he is warmly welcomed by superintendent Dr. Lamb (Ben Kingsley) and a mesmerizing woman by the name of Eliza Graves (Kate Beckinsale).
""Warmhearted wise and fiercely funny!"" -The New York Times Brimming with laughter tears and subtle beauty Hannah And Her Sisters is a magnificent ""summation of (Woody Allen's) career to date"" (The New York Times). Winner of three Oscars and featuring a brilliant all-star cast Hannah And Her Sisters spins a tale of three unforgettable women and showcases Allen ""at his most emotionally expansive working on his broadest canvas with masterly ease"" (Newsweek)! The eldest daught
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