She's the One is actor-writer-director Edward Burns' second film, following the widely acclaimed The Brothers McMullen. Given a slightly larger budget to play with ($3m as against his debut project's $25,000), Burns revisits much the same territory--love and sibling rivalry within a New York Irish-American family--but rather more expansively. This time, too, he can run to a few stars-in-the-making (Cameron Diaz, Jennifer Aniston, and John Mahoney from Frasier) to jazz up his cast of relative unknowns. Burns himself plays Mickey, a cab-driver in the Big Apple, with Mike McGlone as his yuppie stockbroker brother, and Maxine Bahns as Hope, the girl Mickey falls for and impulsively marries, much to the romantic delight of Francis' neglected wife Renee (Aniston). Francis, meanwhile, is having a clandestine affair with Heather (Diaz), Mike's former girlfriend--something Mike has yet to learn. Dispensing flawed wisdom and generally muddying the waters yet further is the lads' blunt-spoken father (Mahoney). Plotwise that's about it. Burns relies on his appealing cast and some amiably barbed repartee to hold our interest in what's essentially a dialogue-driven movie. He makes shrewd and sometimes unexpected use of his New York locations, too--it's a fair bet most people's mental image of Brooklyn wouldn't include a waterfront fishing community. This is a good-natured, slightly old-fashioned movie whose benevolent view of the battle of the sexes (where the women are invariably smarter than the men) never digs too deep or hits too hard. On the DVD: She's the One is presented on disc in its original widescreen ratio (1.85:1) and Dolby 4.0 sound that does the movie fair justice. Along with the original trailer, we get a seven-minute "making-of" featurette and a music video of the title song "Walls" from Tom Petty, who composed the film's score. Burns provides an unpretentious voice-over commentary, dealing mainly with matters of casting and the problems of shooting on location. --Philip Kemp
After the drudgery of Sudden Impact, the third and worst sequel to Dirty Harry, no one could have expected the fourth to have any signs of life. But The Dead Pool is fairly inspired, even playful--check out a "chase" scene between Clint Eastwood's Harry Callahan character and a remote-controlled toy car wielding a bomb--and it ended the long-running series on an unexpectedly positive note. This time, Callahan investigates a series of murders that appears to be on a "death list," while becoming romantically involved with a television reporter (Patricia Clarkson). Jim Carrey has a small but memorable part as a doped-up rock star, and Liam Neeson is on board, too. IT is directed by Eastwood-surrogate Buddy Van Horn (Any Which Way You Can). --Tom Keogh
A Caribbean Dream is a re-imagining of William Shakespeare's romantic comedy, A Midsummer Night's Dream. Set in modern day Barbados, Theseus and Hippolyta are returning Nationals. This traditional tale takes a twist with the creation of new characters where Mechanicals are re-imagined as Fishermen, and Bottom as a Black Belly Sheep, along with Birdman and a Changeling Boy. Chaos and madness unfolds at night, exploring Caribbean folklore and culture. This is a unique and entertaining re-imagination of one of Shakespeare's most beloved comedies.
Based on a true story about the Bloods and the Crips. The story follows Poobear a 17 year-old high-ranking member of the Bloods. Poobear has the bad luck of being at the wrong place at the wrong time - when the the Crips are out to avenge one of their members who was gunned down in a drive-by shooting. Filmed on location in South Central Los Angeles and featuring a largely non-professional cast comprised of real gang members this fact-based urban drama offers a moving unforgettable account of the effect a drive-by shooting has upon the community from the families to the friends and neighbors of the victims and the perpetrators.
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