It's enlightening to view Tim Burton's Mars Attacks! as his twisted satire of the blockbuster film Independence Day, which was released earlier the same year, although the movies were in production simultaneously. Burton's eye-popping, schlock tribute to 1950s UFO movies actually plays better on video than it did in cinemas. The idea of invading aliens ray-gunning the big-name movie stars in the cast is a cleverly subversive one, and the bulb-headed, funny-sounding animated Martians are pretty nifty, but it all seemed to be spread thin on the big screen. On video, however, the movie's kooky humour seems a bit more concentrated. The Earth actors (most of whom get zapped or kidnapped for alien science experiments) include Jack Nicholson, Glenn Close, Annette Bening, Pierce Brosnan, Danny DeVito, Martin Short, Sarah Jessica Parker, Rod Steiger, Michael J Fox, Lukas Haas, Jim Brown, Tom Jones and Pam Grier. --Jim Emerson
Acclaimed filmmaker Christopher Nolan directs an international cast in this sci-fi actioner that travels around the globe and into the world of dreams. Dom Cobb (Leonardo DiCaprio) is the best there is at extraction: stealing valuable secrets inside the subconscious during the mind's vulnerable dream state. His skill has made him a coveted player in industrial espionage but has also made him a fugitive and cost him dearly. Now he may get a second chance if he can do the impossible: inception, planting an idea rather than stealing one. If they succeed, Cobb and his team could pull off the perfect crime. But no planning or expertise can prepare them for a dangerous enemy who seems to predict their every move. An enemy only Cobb could have seen coming. Features: The Inception of Inception Christopher Nolan Shapes His Unusual Concepts for the Movie The Japanese Castle: The Dream Is Collapsing Creating and Destroying the Castle Sets Constructing Paradoxical Architecture Designing the Staircase to Nowhere The Freight Train Constructing the Street-Faring Express Train And More!
Michael Pitt stars in a Seattle-set rock & roll drama as a musician whose life and career is reminiscent of Kurt Cobain's
The Trout is an exuberant explosion of youthful enjoyment in music: first from Schubert himself who wrote his famous Trout quintet when he was 22 years old and then from five young artists of the highest rank. They pick up the spirit of Schubert's music magnificently both in preparation and rehearsal and in their 1969 performance of the work which has become one of the most remembered ever given.The Greatest Love and the Greatest Sorrow is a film which sets out to bring the viewer closer not to the details of Schubert's life but to the spirit of what he was trying to express with what he called his creative gift and with which he tried to brighten the world. The film begins with the funeral of Beethoven at which Schubert was a torch-bearer and the story is told almost entirely in music that Schubert wrote in the twenty months that remained to him after that date together with quotations from his letters and diaries and the words that he chose to set in some of his songs.
Inside the secret CIA drone war. Intimate stories from the war on terror. People living under drones in Pakistan and drone pilots struggling with killing through joysticks in the US. The film covers diverse and integral ground from the recruitment of young pilots at gaming conventions and the re-definition of going to war, to the moral stance of engineers behind the technology, the world leaders giving the secret green light to engage in the biggest targeted killing program in history, and the people willing to stand up against the violations of civil liberties and fight for transparency, accountability and justice. This is just the beginning. In the midst of fast advancement of technology and lagging international legislation the film shows how drones change wars and possibly our future.
Elephant (2003): Winner of the Palme d'Or and Best Director prizes at the 2003 Cannes Film Festival Gus Van Sant's realistic drama takes us inside an American high school on one single ordinary day that very rapidly turns tragic... Last Days (2005): Introspective artist Blake is buckling under the weight of fame professional obligations and a mounting feeling of isolation. Many people are looking for Blake - his friends his managers and record label even a private
One of the best directors of IMAX films, Stephen Low (Titanica) has always been a race fan. After obtaining permission from CART, a governing body of Indy car racing and Newman/Haas racing (a Championship team co-owned by Paul Newman), Low found his stars for Super Speedway: the racing Andrettis, father Mario and son Michael. Mounting cameras fore and aft on the Andrettis' cars, IMAX offers a better vantage point than an ESPN camera, at a superior grade of clarity. Add to that the excellent sound and you can "feel" the bumps on the asphalt as the cars zoom in and out of corners. The large format can turn a pit stop into a dramatic 12 seconds as we see the driver's eyes dart away from his cockpit for a few brief seconds. We watch Michael Andretti on oval tracks and exciting road courses going over hills and sharp turns. There's even a spin--probably staged--from an angle we've never seen before. Although true race conditions were impossible (the camera is just too bulky), Low sneakily edits his film to stretch the imagination. On race day, several Indy cars drove alongside the camera car hours before the main event, passing and drafting each other with crowds whizzing past them. When edited with footage of the race, it feels like the real thing. Low takes a few off-beat choices in setting up his story. The first image is the biggest chicken you've ever seen. The last shot is a 1950s car (lovingly restored during the film) racing through perfect golden foliage on an autumn day. It gives his movie of modern technology a wonderful sense of nostalgia. --Doug Thomas, Amazon.com
One of the best directors of IMAX films, Stephen Low (Titanica) has always been a race fan. After obtaining permission from CART, a governing body of Indy car racing and Newman/Haas racing (a Championship team co-owned by Paul Newman), Low found his stars for Super Speedway: the racing Andrettis, father Mario and son Michael. Mounting cameras fore and aft on the Andrettis' cars, IMAX offers a better vantage point than an ESPN camera, at a superior grade of clarity. Add to that the excellent sound and you can "feel" the bumps on the asphalt as the cars zoom in and out of corners. The large format can turn a pit stop into a dramatic 12 seconds as we see the driver's eyes dart away from his cockpit for a few brief seconds. We watch Michael Andretti on oval tracks and exciting road courses going over hills and sharp turns. There's even a spin--probably staged--from an angle we've never seen before. Although true race conditions were impossible (the camera is just too bulky), Low sneakily edits his film to stretch the imagination. On race day, several Indy cars drove alongside the camera car hours before the main event, passing and drafting each other with crowds whizzing past them. When edited with footage of the race, it feels like the real thing. Low takes a few off-beat choices in setting up his story. The first image is the biggest chicken you've ever seen. The last shot is a 1950s car (lovingly restored during the film) racing through perfect golden foliage on an autumn day. It gives his movie of modern technology a wonderful sense of nostalgia. --Doug Thomas, Amazon.com
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