A fictional tale of English gangsters, inspired by the actual murder of three men killed in a Range Rover in Essex.
Sergeant Dolokhov leads his team of fearless Russian Spetsnaz through the Eastern Front of Europe. After a ferocious raid on a Nazi convoy, Dolokhov unearths details of the shocking research being taken out by the Nazis.
Like a fine gourmet meal, the BBC's 1999 adaptation of David Copperfield has something to suit every taste: a well-paced screenplay that keeps the tale bowling along without losing the delights of some of Dickens' most sparkling dialogue; a rich gallery of characters; and a cast which features many of Britain's favourite actors. There is, of course, plenty of high comedy but some very tight direction checks any tendencies to over-ripe performance. The whole production is tightly integrated: from David's idyllic if cloistered childhood with his beloved mother and their devoted servant Peggotty, through the shattering arrival of a sadistic stepfather, rescue by his eccentric Aunt Betsey Trotwood and a journey into maturity where his very innocence makes him the unwitting agent of tragedy before all is resolved. Ciaran McMenamin is the mature David, his youthful face increasingly clouded by the gathering of experience. Trevor Eve oozes evil as his stepfather Mr Murdstone, ultimately neutralised by Maggie Smith's Aunt Betsey, a comic performance of true genius that gives frequent flashes of the vulnerable human being beneath. In other inspired pieces of casting, Nicholas Lyndhurst's incubus-like Uriah Heep haunts every scene he's in, and Pauline Quirke's Peggotty exudes the motherly warmth that sustains David during his darkest moments. Three hours of classic drama heaven. --Piers Ford
Inspired by Stephen Sayers' rise from the backstreets of Newcastle's West End to the top of the criminal ladder and the authorities subsequent attempt to bring him crashing back down again.
Although the superhero comic book has been a duopoly since the early 1960s, only DC's flagship characters, Superman and Batman (who originated in the late 1930s) have established themselves as big-screen franchises. Until now--this is the first runaway hit film version of the alternative superhero X-Men universe created for Marvel Comics by Stan Lee, Jack Kirby and others. It's a rare comic-book movie that doesn't fall over its cape introducing all the characters, and this is the exception. X-Men drops us into a world that is closer to our own than Batman's Gotham City, but it's still home to super-powered goodies and baddies. Opening in high seriousness with paranormal activity in a WW2 concentration camp and a senatorial inquiry into the growing "mutant problem", Bryan Singer's film sets up a complex background with economy and establishes vivid, strange characters well before we get to the fun. There's Halle Berry flying and summoning snowstorms, James Marsden zapping people with his "optic beams", Rebecca Romijn-Stamos shape-shifting her blue naked form, and Ray Park lashing out with his Toad-tongue. The big conflict is between Patrick Stewart's Professor X and Ian McKellen's Magneto, super-powerful mutants who disagree about their relationship with ordinary humans, but the characters we're meant to identify with are Hugh Jackman's Wolverine (who has retractable claws and amnesia), and Anna Paquin's Rogue (who sucks the life and superpowers out of anyone she touches). The plot has to do with a big gizmo that will wreak havoc at a gathering of world leaders, but the film is more interested in setting up a tangle of bizarre relationships between even more bizarre people, with solid pros such as Stewart and McKellen relishing their sly dialogue and the newcomers strutting their stuff in cool leather outfits. There are in-jokes enough to keep comics' fans engaged, but it feels more like a science fiction movie than a superhero picture. --Kim Newman
MIT: Murder Investigation Team was the second post-watershed series spawned by The Bill, the UK's longest-running police procedural. Sharing its parent show's realism but stripped of soap-style content, this compelling and altogether darker spin-off centres on an elite unit tackling homicide in the capital - from drive-by shootings to ritual murder. Impressively researched (former Metropolitan DCI Jackie Malton acting as story consultant) with high-profile guests, the this compelling, CSI-sty...
Although the superhero comic book has been a duopoly since the early 1960s, only DC's flagship characters, Superman and Batman (who originated in the late 1930s) have established themselves as big-screen franchises. Until now--this is the first runaway hit film version of the alternative superhero X-Men universe created for Marvel Comics by Stan Lee, Jack Kirby and others. It's a rare comic-book movie that doesn't fall over its cape introducing all the characters, and this is the exception. X-Men drops us into a world that is closer to our own than Batman's Gotham City, but it's still home to super-powered goodies and baddies. Opening in high seriousness with paranormal activity in a WW2 concentration camp and a senatorial inquiry into the growing "mutant problem", Bryan Singer's film sets up a complex background with economy and establishes vivid, strange characters well before we get to the fun. There's Halle Berry flying and summoning snowstorms, James Marsden zapping people with his "optic beams", Rebecca Romijn-Stamos shape-shifting her blue naked form, and Ray Park lashing out with his Toad-tongue. The big conflict is between Patrick Stewart's Professor X and Ian McKellen's Magneto, super-powerful mutants who disagree about their relationship with ordinary humans, but the characters we're meant to identify with are Hugh Jackman's Wolverine (who has retractable claws and amnesia), and Anna Paquin's Rogue (who sucks the life and superpowers out of anyone she touches). The plot has to do with a big gizmo that will wreak havoc at a gathering of world leaders, but the film is more interested in setting up a tangle of bizarre relationships between even more bizarre people, with solid pros such as Stewart and McKellen relishing their sly dialogue and the newcomers strutting their stuff in cool leather outfits. There are in-jokes enough to keep comics' fans engaged, but it feels more like a science fiction movie than a superhero picture. --Kim Newman
An oily, amoral estate agent is preyed upon by one of his victims, who quietly moves into his flat and, unseen, begins a deliciously malicious campaign of revenge. Two Pigeons is a dark comedy with a sinister streak.
A spin-off from 'The Bill' this gripping crime drama series focusing on the UK's case-cracking Metropolitan Police Special Crimes Unit. Two women officers (Spiro Coulson) head up the all-male team leaving no stone unturned as they put murder under the microscope... Includes all eight episodes from the first series: 1. Moving Targets 2. Daddy's Little Girl 3. Rubbish 4. Reading Writing And Gangbanging 5. Red Heads 6. Lambs To The Slaughter 7. Models And Millionaires 8. Th
When local London gangster and ex-boxer Tom Sheridan (Ian Pirie, Da Vinci's Demons) agrees to hire his strip club out to lifelong friend and colleague Ian Levine (Michael Mckell, Essex Boys) he soon discovers the private party involves something so atrocious and unspeakable that it sparks a bloody feud between the two old friends and their foot soldiers in a story of morality, loyalty and betrayal.
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