Kingdom Hospital is horror novelist Stephen Kings adaptation of Danish director Lars Von Triers cult mini-series The Kingdom, geared very much for an American audience. The story unfolds across 15 hours, telling the story of a hospital in Maine thats been built on the site of a 19th Century mill fire that killed most of its young occupants--themes that King fans will be familiar with. In the present day, Kingdom Hospital is haunted by the ghost of ten-year-old child labourer Mary and, even more bizarrely, a fearsome giant anteater-like creature called Antubis. It falls to the ace doctor Hook (Andrew McCarthy), the paraplegic artist Jack Coleman (Peter Rickman) and the hypochondriac psychic Sally Druse (Diane Ladd) to enlist the help of a surreal assortment of hospital staff and patients to help Mary and save Kingdom Hospital itself from certain doom. Fans of Stephen King will probably enjoy the blend of black comedy, spectral horror and general weirdness, which owes a big debt to previous television series like Twin Peaks and even ER. But too often, Kingdom Hospital seems to be trying too hard to make itself into a cult series, something which King is just not a subtle enough writer to carry off. But Kingdom Hospital looks good, especially the CGI Antubis, who steals every scene in which he appears. Generally, though, the series is more of an entertaining experiment than a cult-in-the-making. --Ted Kord
The Hills Have Eyes:Based on the original 1977 film by fright-master Wes Craven, The Hills Have Eyes is the story of a family road trip that goes terrifyingly awry when the travellers become stranded in a government atomic zone. Miles from nowhere, the Carter clan soon realizes the seemingly uninhabited wasteland is actually the breeding ground of a bloodthirsty mutant family... and they are the prey! The Hills Have Eyes 2:As part of a routine mission...
The Doors is Oliver Stone's epic, typically portentous homage to the band that soundtracked his youth. As is generally the case with Stone's films, its scope is impressively wide. He places The Doors at the eye of a 1960s cultural and political maelstrom through which passes Andy Warhol, Martin Luther King Jr and Robert Kennedy among others. But the details and dialogue often jar badly: the scenes in which various gilded youths imbibe the young Jim Morrison's early efforts at lyrics as if they were anything beyond dreadful sophomoric doggerel are a particular strain on the credulity. The film's central conceit--that Morrison's body was somehow inhabited at an early age by the spirit of a Navajo medicine man--makes the deranged conspiracies of JFK seem plausible by comparison. The Doors is redeemed by Stone's ability with ambitious set-pieces (the concert scenes are terrific) and a tremendous performance from Val Kilmer, who plays Jim Morrison as a pompous, self-regarding oaf who treats bandmates, friends and women appallingly. While this may well have been the case it is debatable whether Stone intended to show his hero in such an unflattering light: the closing scenes in Pere Lachaise cemetery, which linger over the graves of Wilde, Molière and Flaubert before arriving at Morrison's witlessly vandalised plot, certainly suggest a belief on Stone's part that the author of the ridiculous "American Prayer" has earned a place in the literary pantheon. This film fails to make a convincing case for that but, like Morrison's own work, is a compelling, cautionary illustration of what a supremely ordinary singer and songwriter is allowed to get away with if he looks good in leather trousers. On the DVD: The Doors Special Edition has the benefit of a bewildering array of special features, though many are less impressive than their billing: the "Behind the Scenes" documentary is eight minutes of apparently random footage of the film being made, and the making-of documentary isn't much more illuminating. The interviews with the cast are also on the desultory side. There is a conventional scene selector and another that allows the viewer to choose from the songs that appear in the soundtrack. There are also several sound options and subtitles. Most useful of all is the illuminating and engaging running commentary by Oliver Stone. --Andrew Mueller
A road trip goes terrifyingly awry when a family become stranded in a government atomic zone.
Dramatic biopic focusing on the progression of one of the most influential rock bands ever; The Doors, as well as the private life of lead singer Jim Morrison and his relationship with his girlfriend Pamela Courson (Meg Ryan). From three time Academy Award Winner Oliver Stone (Platoon, JFK). Extras“Back to the Roots” - An exclusive documentary highlighting the journey of one of the most influential bands in rock and roll history. “Jim Morrison - A Poet In Paris” – The last moments of Jim Morrison in Paris
A road trip goes terrifyingly awry when a family become stranded in a government atomic zone.
Discover this stunning, new 4K restoration of Oliver Stone's psychedelic music biopic, brought to life with Dolby Atmos®, that will take audiences back into the world and sounds of one of the most iconic rock bands in history. A sonic journey that brilliantly captured the furious energy of the 60s and the myth of The Doors' iconic front man, Jim Morrison -the man whose music shaped an era. This brand new 4K restoration of THE DOORS in Dolby Atmos® will provide far greater overall clarity and dimension for the audience ( ) I wanted the film to be as immersive as possible to a real 60s Doors experience. - Oliver Stone - Extras: Includes two versions of the film the Theatrical 1991 Cut and brand new The Final Cut New interview with Oliver Stone New interview with Lon Bender, mixer for new Dolby Atmos mix Deleted Scenes Jim Morrison: A Poet in Paris THE ROAD TO EXCESS documentary THE DOORS IN LA Audio commentary with Oliver Stone Selected EPK highlights
German filmmaker Volker Schlöndorff's 1985 production of Arthur Miller's most famous play Death of a Salesman appeared squarely and quite hauntingly in the middle of the go-go economy of the Reagan-Bush years. Miller's story, set during the post-war boom period of the late 1940s, concerns an ageing travelling salesman named Willy Loman (Dustin Hoffman), who despairs that his life his been lived in vain. Facing dispensability and insignificance in a heated, youthful economy, Willy is not ready to part with his cherished fantasies of an America that loves and admires him for personable triumphs in the marketplace. But the reality is far more pitiable than that, and the measure of Willy's self-delusion and contradictions is found in his two sons, one (Stephen Lang) a ne'er-do-well gliding on inherited hot air and repressed feelings, and the other (John Malkovich) a mousy, retiring sort unable to reconcile--or forgive--the difference between his father's desperate impersonation of success and the truth. Schlöndorff's remarkable cast explores Miller's rich subtext to great effect, though Hoffman--despite giving us a new model of Willy to contrast with Lee J Cobb's definitive portrayal a generation before--is a bit insect-like and shrill in his approach. Malkovich, Lang, and Kate Reid (as Willy's long-suffering wife) are perfect, however, and the production is atmospheric and strong. --Tom Keogh, Amazon.com
A cross-country road trip takes a deadly turn in this chilling remake of Wes Craven's classic horror film about a stranded family that falls prey to a freakish clan of blood-thirsty mutants in the New Mexico desert. Packed with gut-wrenching gore and heart-stopping suspense The Hills Have Eyes will keep you on the edge of your seat!
A road trip goes terrifyingly awry when a family become stranded in a government atomic zone.
It's the last day of school and the unthinkable is about to happen. Distraught by constant bullying and verbal abuse from their peers two senior high school students plan to take weapons to school to murder the bullies that torment them then end their own lives in a horrific suicide pact... Based on the tragic events at Columbine High School.
On this exclusive VH1 Storytellers compilation some of rock's biggest names come together to pay tribute to The Doors - the band that would forever change music in the 1960s. Jim Morrison's poetic and controversial lyrics combined with the band's dark hypnotic sound continue to influence artists and fans from all walks of music. This DVD is a mere sampling of The Doors' monumental impact on the rock world. Tracklisting: L.A. Woman (Excerpt) - Perry Farrell from Jane's Addiction Love Me Two Times - Pat Monahan from Train Whiskey Bar - Ian Astbury from The Cult The End - Travis Meeks from Days of the New Break On Through - Scott Weiland from Stone Temple Pilots Five To One - Scott Weiland from Stone Temple Pilots Light My Fire - Scott Stapp from Creed Roadhouse Blues - Scott Stapp from Creed Bonus Tracks: Wild Child - Ian Astbury from The Cult Riders On The Storm - Scott Stapp from Creed.
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