Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavour of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-coloured suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighbourhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice and Batman) are visual spectacles with elements of fantasy but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's child-like vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret Fetzer On the DVD: Tim Burton is famed for his visual style not his ability as a raconteur, so it's no surprise to find that his directorial commentary is a little sparse. When he does open up it is to confirm that Edward Scissorhands remains his most personal and deeply felt project. The second audio commentary is by composer and regular Burton collaborator Danny Elfman, whose enchanting, balletic score gets an isolated music track all to itself with his remarks in-between cues. Again, for Elfman this movie remains one of his most cherished works, and it is a real musical treat to hear the entire score uninterrupted by dialogue and sound effects but illuminated by Elfman's lucid interstitial remarks. Also on the disc are some brief interview clips, a "making of" featurette and a gallery of conceptual artwork. The anamorphic widescreen print looks simply gorgeous. --Mark Walker
ABC presents its second action packed series from the creative minds at Marvel in Marvel's Agent Carter, inspired by the feature films Marvel's Captain America: The First Avenger and Marvel's Captain America: The Winter Soldier, along with the short Marvel One-Shot: Agent Carter. Years before Agent Phil Coulson and his S.H.I.E.L.D. team swore to protect those who cannot protect themselves from threats they cannot conceive, there was Agent Peggy Carter (Hayley Atwell, Marvel's Captain America: The First Avenger, Marvel's Captain America: The Winter Soldier) who pledged the same oath but lived in a different time when women weren't recognized as being as smart or as tough as their male counterparts. But no one should ever underestimate Peggy. It's 1946 and peace has dealt Peggy a serious blow as she finds herself marginalized when the men return home from fighting abroad. Working for the covert SSR (Strategic Scientific Reserve), Peggy finds herself stuck doing administrative work when she would rather be back out in the field putting her vast skills into play and taking down the bad guys. But she is also trying to navigate life as a single woman in America, in the wake of losing the love of her life, Steve Rogers aka Captain America. When old acquaintance Howard Stark (Dominic Cooper, Marvel's Captain America: The First Avenger) finds himself being framed for unleashing his deadliest weapons to anyone willing to pony up the cash, he contacts Peggy the only person he can trust to track down those responsible, dispose of the weapons and clear his name. He empowers his butler, Edwin Jarvis (James D'Arcy, Master and Commander: The Far Side of the World), to be at her beck and call when needed to help assist her as she investigates and tracks down those responsible for releasing these weapons of mass destruction. But Jarvis, who is a creature of habit and sticks to a rigid daily routine, is going to have to make some major life changes if he's going to be able to keep up with Peggy. If caught going on these secret missions for Stark, Peggy could be targeted as a traitor and spend the rest of her days in prison or worse. And as she delves deeper into her investigation, she may find that those she works for are not who they seem, and she might even begin to question whether Stark is as innocent as he claims.
A woman seeking revenge for her murdered father hires a formerly famous gunman but he's very different from what she was expecting!
WORLD-CLASS ACTION. With cases involving local cyber-terrorists to international pirates and elusive serial killers, the NCIS team keeps adventure in the line of fire. Led by Special Agent Jethro Gibbs (Mark Harmon), this expert squad hunts down humanity's most notorious enemies in the name of freedom and justice for all. Co-starring Michael Weatherly, Sean Murray, Pauley Perrette, Rocky Carroll, Brian Dietzen, David McCallum and Emily Wickersham, this 6-disc, 24-episode set showcases suspense at its nail-biting, pulse-pounding best. For the first time on DVD, NCIS Season 12is reporting for duty.
As beautiful as it is heart-breaking, The Light Between Oceans features an incredible cast including Michael Fassbender, Alicia Vikander and Rachel Weisz. This breath-taking story is set to remind us all of the infinite power of love, the overwhelming fear of loss and the complexities of human nature that bind the two. When lighthouse keeper Tom Sherbourne (Michael Fassbender) and his adored wife Isabel (Alicia Vikander) discover a baby adrift in a boat off the remote coast off Western Australia, they must make a choice. When they decide to raise the child as their own, the shattering consequences of this choice will change their lives forever.
If you don't think Austin Powers: International Man of Mystery (1997) is one of the funniest movies of the 1990s, maybe you should be packed into a cryogenic time chamber and sent back to the decade whence you came. Perhaps it was the 1960s - the shagadelic decade when London hipster Austin Powers scored with gorgeous chicks as a fashion photographer by day, crime-fighting international man of mystery by night. Yeah, baby, yeah! But when Powers's arch nemesis, Dr. Evil, puts himself into a deepfreeze and travels via time machine to the late 1990s, Powers must follow him and foil Evil's nefarious scheme of global domination. Mike Myers plays dual roles as Powers and Dr. Evil, with Elizabeth Hurley as his present-day sidekick and karate-kicking paramour. A hilarious spoof of '60s spy movies, this colourful comedy actually gets funnier with successive viewings, making it a perfect home video for gloomy days and randy nights. Oh, behave! "I put the grrr in swinger, baby!" a deliciously randy Powers coos near the beginning of The Spy Who Shagged Me (1999), and if the imagination of Austin creator Mike Myers seems to have sagged a bit, his energy surely hasn't. This friendly, go-for-broke sequel finds our man Austin heading back to the '60s to keep perennial nemesis Dr. Evil (Myers again) from blowing up the world - and, more importantly, to get back his mojo, that man-juice that turns Austin into irresistible catnip for women, especially American spygirl Felicity Shagwell (a pretty but vacant Heather Graham). The plot may be irreverent and illogical, the jokes may be bad, and the scenes may run on too long, but it's all delivered sunnily and with tongue firmly in cheek. Myers teams Dr. Evil with a diminutive clone, Mini-Me (Verne J. Troyer), then pulls a hat trick by playing a third character, the obese and disgusting Scottish assassin Fat Bastard. Despite symptoms of sequelitis, Austin Powers in Goldmember (2002) is must-see lunacy for devoted fans of the shagadelic franchise. Unfortunately, the law of diminishing returns is in full effect: for every big-name cameo and raunchy double-entendre, there's an equal share of redundant shtick, juvenile scatology, and pop-cultural spoofery. All is forgiven when the hilarity level is consistently high, and Mike Myers -returning here as randy Brit spy Austin, his nemesis Dr. Evil, the bloated Scottish henchman Fat Bastard, and new Dutch disco-villain Goldmember - thrives by favouring comedic chaos over coherent plotting. Once they've tossed Austin into the disco fever of 1975 (where he's sent to rescue his father, gamely played by Michael Caine), Myers and director Jay Roach seem vaguely adrift with old and new characters, including Verne Troyer's Mini-Me and pop star Beyoncé Knowles as Pam Grier-ish blaxpo-babe Foxxy Cleopatra. A bit tired, perhaps, but Powers hasn't lost his mojo.
The controversy that surrounded Stanley Kubrick's adaptation of Anthony Burgess's dystopian novel A Clockwork Orange while the film was out of circulation suggested that it was like Romper Stomper: a glamorisation of the violent, virile lifestyle of its teenage protagonist, with a hypocritical gloss of condemnation to mask delight in rape and ultra-violence. Actually, it is as fable-like and abstract as The Pilgrim's Progress, with characters deliberately played as goonish sitcom creations. The anarchic rampage of Alex (Malcolm McDowell), a bowler-hatted juvenile delinquent of the future, is all over at the end of the first act. Apprehended by equally brutal authorities, he changes from defiant thug to cringing bootlicker, volunteering for a behaviourist experiment that removes his capacity to do evil.It's all stylised: from Burgess' invented pidgin Russian (snarled unforgettably by McDowell) to 2001-style slow tracks through sculpturally perfect sets (as with many Kubrick movies, the story could be told through decor alone) and exaggerated, grotesque performances on a par with those of Dr Strangelove (especially from Patrick Magee and Aubrey Morris). Made in 1971, based on a novel from 1962, A Clockwork Orange resonates across the years. Its future is now quaint, with Magee pecking out "subversive literature" on a giant IBM typewriter and "lovely, lovely Ludwig Van" on mini-cassette tapes. However, the world of "Municipal Flat Block 18A, Linear North" is very much with us: a housing estate where classical murals are obscenely vandalised, passers-by are rare and yobs loll about with nothing better to do than hurt people. On the DVD: The extras are skimpy, with just an impressionist trailer in the style of the film used to brainwash Alex and a list of awards for which Clockwork Orange was nominated and awarded. The box promises soundtracks in English, French and Italian and subtitles in ten languages, but the disc just has two English soundtracks (mono and Dolby Surround 5.1) and two sets of English subtitles. The terrific-looking "digitally restored and remastered" print is letterboxed at 1.66:1 and on a widescreen TV plays best at 14:9. The film looks as good as it ever has, with rich stable colours (especially and appropriately the orangey-red of the credits and the blood) and a clarity that highlights previously unnoticed details such as Alex's gouged eyeball cufflinks and enables you to read the newspaper articles which flash by. The 5.1 soundtrack option is amazingly rich, benefiting the nuances of performance as much as the classical/electronic music score and the subtly unsettling sound effects. --Kim Newman
What's a young ghost couple to do when their quaint New England home is overturn by trendy New Yorkers? They hire a freelance bio-exorcist to spook the intruders. And everyone gets more than he she or it bargained for! Alec Baldwin Geena Davis Winona Ryder and Sylvia Sidney share starring honours with the movie's wondrous production design Harry Belafonte soundtrack tunes and Academy Award winning Best Makeup. So exorcise your right to fun. Say the word three times and have a wonderful Day-O!
This is no ordinary soccer match: this is war! The battlefield: a stadium in occupied Paris. The armies: German all-stars vs. ragtag Allied POWs. The objective: demonstrate another proof of Aryan superiority. Guess who wins? Better yet guess who cleverly uses the match as a means of escape? Sylvester Stallone Michael Caine and Max von Sydow star in this rouser directed by the legendary John Huston. The climatic match is a heart-in-the-throat hat-in-the-air exhibition of brute force and balletic grace featuring soccer legends Pele Bobby Moore Osvaldo Ardiles Co Prins Mike Summerbee and more. Score a splendid entertainment goal for 'Victory'!
In this wildly entertaining sci-fi thriller, Sarah (Tatiana Maslany) is an outsider, orphan, and street-wise chameleon who finds herself thrust into a kaleidoscopic mystery when she discovers she's one of a series of clones. The clones are all played by Maslany in an incredible Emmy Award-winning performance. Not knowing who created them or why, the identical sestras forge deep bonds with each other. As this unusual family unravels the insidious conspiracy behind the clone experiment, the sisters place themselves at great risk to attain freedom for themselves, their families, and the host of clones they have yet to meet. Extras: SERIES 3: Series 3 trailer Male Clones Insider Series 1 & 2 Recap SERIES 4: Back to the Beginning Beth, MK and Ira Body Horror Closer Looks SERIES 5: Closer Look x 10 Clone-Centric The Epic Clone Shot The Beginning of the End Island of Lost Souls Out of the Black
Derivative fluff from 1987, The Secret of My Success is made tolerable by its bawdy exuberance and an appealing performance by Michael J Fox, who was still enjoying TV stardom and the career momentum he earned by travelling Back to the Future. Here he plays a Kansas farm boy who dreams of scoring big in New York City... but reality turns out to be brutal to his ambition. When his uncle (Richard Jordan) gives him a mail-room job in the high-rise headquarters of a major corporation, Fox occupies an empty office and poses as a young executive, winning the attention of a lovely young colleague (Helen Slater) and having an affair with his boss's wife (Margaret Whitton). Sporadically amusing as a yuppie comedy and rather off-putting as a wannabe sex farce, the film's still recommendable for its lively cast and a breezy style that almost succeeds in updating the conventions of vintage screwball comedy. Whitton is a standout performer here, so you may wonder why her comedic talent has been underrated, apart from a good role in the first two Major League movies. This may be little more than a big-screen sitcom, but it's not without its charms. --Jeff Shannon, Amazon.com
""I never knew that love could hurt so much yet I love you and all I want is to love you."" This cry from the heart comes from bachelor Oxford don C.S.Lewis (Hopkins) who discovers exquisite happiness in later life through his marriage to American Joy Davidman (Winger). His beliefs and new found fulfillment are shattered by Joy's struggle against an unexpected and devastating illness. Based on the true-life love story of C.S.Lewis the author of 'The Lion The Witch and the W
After tragedy forces yound Prince T'Challa to assume Wakanda's throne, he is faced with the ultimate test, putting the fate of his country and the entire world at risk. Pitted against his own family, the new king must rally his allies and release the full power of Black Panther to defeat his foes and embrace his future as an Avenger. Features: Play Movie With Director Ryan Coogler's Intro Featurettes From Page To Screen: A Roundtable Discussion Marvel Studios: The First Ten Years - Connecting The Universe Exclusive Sneak Peek At Ant-Man And The Wasp Gag Reel Deleted Scenes Audio Commentary
If you're looking for the definitive example of dry wit, look no further than this 1952 version of The Importance of Being Earnest. Of course, it helps to have Oscar Wilde's beloved play as source material, but this exquisite adaptation has a charmed life of its own, with a perfectly matched director and a once-in-a-lifetime cast. Mix these ingredients with Wilde's inimitable repartee, and you've got a comedic soufflé that's cooked to perfection. Opening with a proscenium nod to its theatrical origins, the film turns Wilde's comedy of clever deception and mixed identities into a cinematic treat, and while the 10-member cast is uniformly superb, special credit must be given to Dame Edith Evans, reprising her stage role as the imperiously stuffy Lady Bracknell. To hear her Wilde-ly hilarious inflections and elongated syllables is to witness British comedy in its purest form. --Jeff Shannon, Amazon.com
INCLUDES ALL 25 EPISODES Available to own for the very first time this prestigious and acclaimed 1970s BBC drama series follows the lives of the daring young pilots of the Royal Flying Corps during the First World War. Wings Series One Spring 1915. In an England still largely untouched by the horrors of the Great War young men like Alan Farmer (Tim Woodward) and Charles Gaylion (Michael Cochrane) - join the RFC to earn their wings still believing in the 'camaraderie of the air'. Their instructor Captain Triggers (Nicholas Jones) knows the truth. German and British airmen are beginning to shoot at each other - and the air war is changing. Soon it will be 'kill or be killed'... Wings Series Two The air war on the Western Front is becoming ever more violent and brutal. A new German Fokker monoplane is devastating the obsolete British BE2s and the fledgling RFC is in danger of being decimated... Unofficially Captain Triggers' C Flight are given 'Forward Action' status - and told to develop new weapons and tactics to take on and destroy the German fighters...
Brains and beauty meet in one wildly explosive night. When Marilyn Monroe and Albert Einstein meet one sweltering night in New York City in 1953 the result is an evening of mistaken identities and marital misgivings. Gary Busey Theresa Russell and Tony Curtis star in this turbulent comedy of secrets and lies from which no one emerges unscathed.
Decades after the first, fateful encounters between elite American forces and the extra-terrestrial Predators who hunt humans for honour and sport, Special Forces Captain Quinn McKenna (Boyd Holbrook) encounters a Predator marooned in the Mexican wilderness. But soon after the captive Predator becomes the centrepiece of a top-secret study under evolutionary biologist Casey Brackett (Olivia Munn), a deadly new breed of Predator arrives on Earth, with plans that could threaten the entire planet's future. Now Brackett, McKenna, his son, and a squad of military misfits have to band together to fend off both the alien threat and a human conspiracy - making surprising allies in the process.
Martin Scorsese does not sound like the logical choice to direct The Age of Innocence, an adaptation of Edith Wharton's novel about the manners and morals in New York society in the 1870s. But these are mean streets, too, and the psychological violence inflicted between characters is at least as damaging as the physical violence perpetrated by Scorsese's usual gangsters. At the centre of the tale is Newland Archer (Daniel Day-Lewis), a somewhat diffident young man engaged to marry the very respectable May Welland (Winona Ryder). But Archer is distracted by May's cousin, the Countess Olenska (a radiant Michelle Pfeiffer), who has recently returned from Europe. As a married woman seeking a divorce, the Countess is an embarrassment to all of New York society. But Archer is fascinated by her quick intelligence and worldly ways. Scorsese closely observes the tiny details of this world and this impossible situation; this is a film in which the shift of someone's eyes can be as significant as the firing of a gun. The director's sense of colour has never been keener, and his work with the actors is subtle. --Robert Horton, Amazon.com
From David Simon creator and co-writer of HBO's triple Emmy-winning mini-series 'The Corner' this unvarnished highly realistic HBO series follows a single sprawling drug and murder investigation in Baltimore. Told from the point of view of both the police and their targets the series captures a universe of subterfuge and surveillance where easy distinctions between good and evil and crime and punishment are challenged at every turn. Episodes comprise: 1. The Target 2.
Ridley Scott returns to the universe he created in ALIEN with ALIEN: COVENANT, the second chapter in a prequel trilogy that began with PROMETHEUS -- and connects directly to Scott's 1979 seminal work of science fiction. Bound for a remote planet on the far side of the galaxy, the crew of the colony ship Covenant discovers what they think is an uncharted paradise, but is actually a dark, dangerous world -- whose sole inhabitant is the synthetic David (Michael Fassbender), survivor of the doomed Prometheus expedition.
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