When their malicious wager to seduce and abandon two trusting coeds ends in a draw Jason (Nathan Wetherington) and Patrick (Kerr Smith) - the two most amoral students at Prestridge College - set their sights on the ultimate prize: Cassie Merteuil (Kristina Anapau) a woman so cold and calculating she takes sexual manipulation to a whole new level of pleasure and pain!
HALLOWEEN Jamie Lee Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago. Master of horror John Carpenter joins forces with director David Gordon Green and producer Jason Blum (Get Out, Split) for this follow up to Carpenter's 1978 classic. HALLOWEEN KILLS The Halloween night when Michael Myers returned isn't over yet. Laurie Strode (Jamie Lee Curtis) left masked monster Michael Myers caged and burning in Laurie's basement but when Michael manages to free himself from the trap, his ritual bloodbath resumes. As Laurie fights her pain and prepares to defend herself against him, she inspires all of Haddonfield to rise up against their unstoppable monster. Evil dies tonight.
Between his high-octane debut, Bad Boys, and 1998's wannabe blockbuster Armageddon, hotshot director Michael Bay forged his dubious reputation with this crowd-pleasing action extravaganza. In Rock, a psychotically disgruntled war hero (Ed Harris) seizes the island prison of Alcatraz and threatens to wage chemical warfare against nearby San Francisco unless the government publicly recognises the men who were killed under Harris's top-secret command. Nicolas Cage plays the biochemist who teams up with the only man ever to have escaped from Alcatraz (Sean Connery) in an attempt to foil Harris's terrorist scheme. As one might expect, what follows is an action-packed barrage of bullets, bodies, and climactic confrontations, replete with enough plot contrivances to give even the most jaded action fan cause for alarm. It's a load of hooey, but the cast is obviously having a grand old time, and there's enough wit to make the recycled action sequences tolerable. --Jeff Shannon
A big Oscar winner in 1975, One Flew Over the Cuckoo's Nest still holds up remarkably well. Ken Kesey's novel, an allegory of repression and rebellion set in a mental hospital in the early 1960s, is cannily adapted by Czech director Milos Forman into a comedy drama with a cool, unassuming, near-documentary look. Jack Nicholson has his most jacknicholsonian role as Randle P McMurphy, a livewire troublemaker who unwisely cons his way out of prison and into a mental institution without realising he has switched from serving a sentence with a release date to being committed until adjudged sane by the same people he is winding up on a daily basis. Louise Fletcher, in a career-defining turn, is Nurse Ratched, the soft-spoken sadist who represents the worst type of matronly authoritarianism and clashes with Randle all down the line. Taking another look at the picture after all these years, it's a surprise that all the unknown actors who seemed like real mental patients have graduated to becoming prolific character actor stars: Danny DeVito, Christopher Lloyd, Vincent Schiavelli, Brad Dourif, the late Will Sampson, Sidney Lassick, Michael Berryman. Unlike many Best Picture Oscar winners, this deals with profound subject matter without seeming self-important: Forman's approach and all-round great acting make it play as a small character story as well as a Big Statement about the human condition. Full marks also for Jack Nitzsche's musical saw-based score. On the DVD: One Flew Over the Cuckoo's Nest comes to DVD in a two-disc special edition with a great-looking anamorphic 1.85:1 print and 5.1 Dolby Digital soundtrack, plus tracks in French and Italian and optional subtitles in half a dozen languages. Disc 2 has the trailer, about 13 minutes of deleted scenes (mostly from the first third of the film, and all pretty good) and a making-of retrospective documentary with interesting material from producers Michael Douglas (who inherited the rights from Kirk) and Saul Zaentz, Forman, screenwriter Bo Goldman and many cast-members (though not Nicholson). There's also a commentary track by Forman, Douglas and others which repeats a few things from the documentary but also goes into more scene-specific detail about the development and shooting. --Kim Newman
Set against the backdrop of 1950s New York, Motherless Brooklyn follows Lionel Essrog (Edward Norton), a lonely private detective afflicted with Tourette's Syndrome, as he ventures to solve the murder of his mentor and only friend, Frank Minna (Bruce Willis). Armed only with a few clues and the powerful engine of his obsessive mind, Lionel unravels closely-guarded secrets that hold the fate of the whole city in the balance. In a mystery that carries him from gin-soaked jazz clubs in Harlem to the hard-edged slums of Brooklyn and, finally, into the gilded halls of New York's power brokers, Lionel contends with thugs, corruption and the most dangerous man in the city to honour his friend and save the woman who might be his own salvation.
Vin Diesel stars as an extreme sports athlete called Triple X hired by a government agency who turn him into a secret agent and send him on a covert mission to destroy a dangerous terrorist cell.
This set comprises both The Hanged Man and Turtle's Progress, devised and scripted by The Power Game's Edmund Ward. THE HANGED MAN After three attempts to kill him, Lew Burnett, owner of an international construction company, decides to stay 'dead' in order to stay alive... Undercover and on borrowed time, he must draw his enemies out while confronting some painful truths. Starring Colin Blakely and Michael Williams, this powerful eight-part thriller also features appearances from Jane Seymour and Gareth Hunt. TURTLE'S PROGRESS Adopting a lighter tone, this spin-off charted the exploits of the petty crook first encountered in The Hanged Man, with Turtle and his accomplice Razor Eddie in accidental possession of a van containing eighty safe deposit boxes the proceeds of a bank job. Guest starring Antony Sher, Joss Ackland and Peter Bowles, Turtle's Progress prefigured Minder in its gritty London setting and sharp humour.
The One That Got Away is the remarkable true story of the only German prisoner of war captured in Britain who managed to escape and successfully return to his homeland. Hardy Kruger – one of Germany's leading actors and himself a prisoner of war who escaped from the Americans on three occasions – stars as the charismatic Lieutenant Franz von Werra; a strong supporting cast includes Michael Goodliffe Colin Gordon and Terence Alexander. This classic feature directed by Golden Globe winner Roy Ward Baker is presented here in a High Definition transfer from the original film elements. With the Battle of Britain at its height a German fighter pilot is shot down over England and taken into custody. Though confined to a POW camp his captivity cannot deter him from the single aim of escaping back to his homeland. After several months he sees his chance and takes it... Special Features Image Gallery Original Theatrical Trailer
This Box Set includes: Educating Rita (Dir. Lewis Gilbert) (1983): Rita a hairdresser with a sharp wit is married to Danny and at 26 doesn't want a baby. She wants to discover herself - so she joins the Open University. Dr Frank Bryant is a disillusioned university professor of literature. His marriage has failed his girlfriend is having an affair with his best friend and he can't get through the day without downing a bottle or two of whiskey. He refers to himself as an appalling teacher of appalling students. What Frank needs is a challenge - and along comes Rita. In this hilarious and often moving drama the story tells how two people find a new lease of life through each other. The Fourth Protocol (Dir. John Mackenzie) (1987): On July 1 1968 America Britain and Russia signed a treaty to halt the spread of nuclear weapons. The powers then added four extra clauses. The most secret of them was and remains the final. One winter the Chairman of the KGB hatches a plan to breach this Fourth Protocol and destroy NATO. He sends an agent Major Petrofsky to assemble the operation. It is now up to MI6 agent John Preston who now must race against an unknown deadline to stop him and his devasting mission. The Eagle Has Landed (Dir. John Sturges) (1977): A Nazi Strike Force plots to assassinate Winston Churchill while he is resting in a desolate Norfolk Village. Colonel Radl masterminds the plot which if successful would change the outcome of the war. He enlists the help of Colonel Steiner and Liam Devlin. Disguised as Polish airmen German paratroopers land in England. Radl's plan appear to be going smoothly until an unforeseeable incident exposed the Germans. But the kidnap continues and Steiner Luger in hand approaches the unmistakable figure of Churchill... The Ipcress File (Dir. Sidney J. Furie) (1965): The tense spy thriller by Len Deighton that turned Michael Caine into a superstar. Cynical and rebellious ex-army sergeant Harry Palmer has been blackmailed into working for Britain's security service. Hot on the trail of a kidnapped scientist Palmer finds himself enmeshed in a sinister conspiracy involving horrifying brainwashing techniques murder and treachery that reaches up to the highest levels of the security service itself... Without A Clue (Dir. Thom Eberhardt) (1988): A madcap comedy which takes a fresh look at the classic Sherlock Holmes and Dr. Watson escapades. Holmes is actually a figment of Dr. Watson's own success in crime detection a character who Watson uses when he writes in `The Strand' magazine. But when the printing plates for five pound notes are stolen Queen Victoria calls for the country's greatest detective.
Librarians, Stuart Goodson (Emilio Estevez) and Myra (Jena Malone) see their regular winter day shaken up when a collection of homeless patrons decide to take shelter in their library overnight as temperatures outside drop to deadly levels of freezing. What starts as a peaceful sit-in quickly escalates into a full-on face-off, orchestrated on one side by city prosecutor and mayoral candidate, Josh Davis (Christian Slater) and on the other by increasingly impatient crisis negotiator, Bill Ramstead (Alec Baldwin), resulting in a growing media storm and what can only be described as a mini-miracle.
Cute but silly, this 1983 cautionary fantasy stars Matthew Broderick as a teenage computer genius who hacks into the Pentagon's defence system and sets World War III into motion. All the fun is in the film's set-up, as Broderick befriends Ally Sheedy and starts the international crisis by pretending while online to be the Soviet Union. After that, it's not hard to predict what's going to happen: government agents swoop in, but the story ends up in the "hands" of machines talking to one another. Thus we're stuck with flashing lights, etc. John Badham (Saturday Night Fever) directs in strict potboiler mode. Children still like this movie, though. --Tom Keogh, Amazon.com
John Wick When a retired hit man is forced back into action by a brutal Russian mobster, he hunts down his adversaries with the ruthlessness that made him a crime underworld legend in John Wick, a stylish tale of revenge and redemption. After the sudden death of his beloved wife, John Wick receives one last gift from her, a beagle puppy named Daisy, and a note imploring him not to forget how to love. But John's mourning is interrupted when his 1969 Boss Mustang catches the eye of sadistic thug Iosef Tarasov who breaks into his house and steals it, beating John unconscious and leaving Daisy dead. Unwittingly, they have just reawakened one of the most brutal assassins the underworld has ever seen. John's search for his stolen vehicle takes him to a side of New York City that tourists never see, a hyper-real, super-secret criminal community, where John Wick was once the baddest guy of all. John Wick: Chapter Two In this next chapter following the 2015 hit, legendary hitman John Wick [Keanu Reeves] is forced back out of retirement by a former associate plotting to seize control of a shadowy international assassins' guild. Bound by a blood oath to help him, John travels to Rome where he squares off against some of the world's deadliest killers.
The Alien Quadrilogy is a nine-disc box set devoted to the four Alien films. Although previously available on DVD as the Alien Legacy, here the films have been repackaged with vastly more extras and with upgraded sound and vision. For anyone who hasn't been in hypersleep for the last 25 years this series needs no introduction, though for the first time each film now comes in both original and "Special Edition" form. Alien (1979) was so perfect it didn't need fixing, and Ridley Scott's 2003 Director's Cut is fiddling for the sake of it. Watch once then return to the majestic, perfectly paced original. Conversely the Special Edition of James Cameron's Aliens (1986) is the definitive version, though it's nice finally to have the theatrical cut on DVD for comparison. Most interesting is the alternative Alien3 (1992). This isn't a "director's cut"--David Fincher refused to have any involvement with this release--but a 1991 work-print that runs 29 minutes longer than the theatrical version, and has now been restored, remastered and finished-off with (unfortunately) cheap new CGI. Still, it's truly fascinating, offering a different insight into a flawed masterpiece. The expanded opening is visually breathtaking, the central firestorm is much longer, and a subplot involving Paul McGann's character adds considerable depth to the story. The ending is also subtly but significantly different. Alien Resurrection (1997) was always a mess with a handful of brilliant scenes, and the Special Edition just makes it eight minutes longer. On the DVD: Alien Quadrilogy offers all films except Alien3 with DTS soundtracks, the latter having still fine Dolby Digital 5.1 presentation. All four films sound fantastic, with much low-level detail revealed for the first time. Each is anamorphically enhanced at the correct original aspect ratio, and the prints and transfers are superlative. Every film offers a commentary that lends insight into the creative process--though the Scott-only commentary and isolated music score from the first Alien DVD release are missing here--and there are subtitles for hard of hearing both for the films and the commentaries. Each movie is complemented by a separate disc packed with hours of seriously detailed documentaries (all presented at 4:3 with clips letterboxed), thousands of photos, production stills and storyboards, giving a level of inside information for the dedicated buff only surpassed by the Lord of the Rings extended DVD sets. A ninth DVD compiles miscellaneous material, including a Channel 4 hour-long documentary and even all the extras from the old Alien laserdisc. Exhaustive hardly beings to describe the Alien Quadrilogy, a set which establishes the new DVD benchmark for retrospective releases and which looks unlikely to be surpassed for some time. --Gary S Dalkin
The New Founding Fathers of America invite you to celebrate the annual PURGE. The sequel to 2013's runaway sleeper hit.
September Song: Series 1
Set on a Pacific island in 1942, Too Late the Hero is a hard-as-nails "men on a mission" war movie: a group of British soldiers have to traverse the New Hebrides to destroy a Japanese radio transmitter, then get back to safety while being hunted all the way. Inevitably everything goes wrong, but director Robert (The Dirty Dozen) Aldrich turns the book of WWII movie clichés on its head and springs some unnerving surprises. Even the token American star, Cliff Robertson--echoing William Holden's grafted-on role in The Bridge on the River Kwai--proves less than obviously heroic, while an outstanding Michael Caine brings considerable depth to his usual cynical cockney. Henry Fonda gets heavily billed for a brief guest appearance, but there are star performances such fine British character actors as Denholm Elliot, Ian Bannen, Ronald Fraser and Lance Percival. This portrait of battle-worn men offers greater complexity than Spielberg's Saving Private Ryan, while the jungle trek was more recently paralleled in Terrence Malick's The Thin Red Line. Only the attitudes--more 1970 than 1942--detract from Aldrich's tellingly realistic vision, which with a thoughtfully ironic script and a succession of tense set pieces and brutal firefights, builds to a harrowing climax. On the DVD: The picture is presented at approximately 1.7:1, reformatted from the original 2.2:1 70mm theatrical presentation. Despite approximately 25 per cent of the original image being missing, this loss is only really noticeable in a few scenes. Apart from the occasional fleck, the print is in superb condition, and despite the lack of anamorphic enhancement the picture is sharp, detailed and has excellent colour. The surround sound (not mono as listed on the packaging) is highly effective, with the tension being increased by a considerable amount of the music coming from the rear speakers. The special features are simply a few static pages of biographical and production notes. --Gary S. Dalkin
Forbidden love and impossible dreams intertwine when the handsome working class Holt brothers are drawn to the beautiful and wealthy Abbott sisters. Sparks fly passions flare and family loyalties are suddenly torn and tested against a small town backdrop of social boundaries and dark secrets...
Don't Say A Word Michael Douglas is tremendous (Tribune New Services) in this psychological thriller in the classic Hitchcock tradition (The New York Observer). When the daughter of a prominent New York psychiatrist (Douglas) is kidnapped his only hope for her safe return is to pry a 6-digit number from the memory of a troubled teenage girl; time is running out... One Hour Photo In this unnerving thriller an employee in a one-hour photo lab (Robin Williams) becomes obsessed with a young suburban family... What Lies Beneath It had been a year since Dr. Norman Spencer (Ford) betrayed his beautiful wife Claire (Pfeiffer). But with Claire oblivious to the truth and the affair over Norman's life and marriage seemed perfect. So perfect that when Claire tells him that she is hearing mysterious voices and seeing a young woman's ghostly image in their home he dismisses her mounting terror as delusion. However as Claire moves closer to the truth it becomes clear that this apparition will not be dismissed and has come back for Dr. Norman Spencer... and his beautiful wife.
It's Die Hard on a plane in this action thriller, starring Wesley Snipes as an anti-terrorist specialist whose early retirement is interrupted when his flight is overtaken by a bloodthirsty villain (Bruce Payne). Watching this at home is pretty much an excuse to order pizza and kick back, as the familiar rhythms of maverick-cop-versus-international-criminal take over and nothing new or fresh in the formula emerges. The supporting cast includes Elizabeth Hurley (Austin Powers: International Man of Mystery) as a gun-wielding, junior terrorist, which is fun simply for being unexpected. The release includes optional full-screen and widescreen presentations, Dolby sound, production notes and optional English, French and Spanish subtitles. --Tom Keogh
In October of 1994, three student filmmakers disappeared in the woods near Burkittsville, Maryland while shooting a documentary. A year later the footage was found.
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