Join the master adventurer and iconic director Werner Herzog (Grizzly Man, Rescue Dawn) in this extraordinary 3D blu-ray, as he ventures on a new epic journey.Overcoming considerable challenges, Herzog captures the stunning majesty of the Chauvet Cave in southern France, where the world's oldest cave paintings have been discovered. Herzog reveals a breathtaking subterranean world including the 32,000-year-old artworks. With his humorous and engaging narration Herzog refelcts on our primal desire to communicate and represent the world around us, evolution and our place within it, and ultimately what it means to be human.
The most famous film by Italian provocateur Marco Ferreri (Dillinger is Dead) La Grande bouffe was reviled on release for its perversity decadence and attack on the bourgeoisie yet won the prestigious FIPRESCI prize after its controversial screening at the Cannes Film Festival. Four friends played by international superstars Marcello Mastroianni (Fellini’s 8½) Michel Piccoli (Belle de jour) Ugo Tognazzi (Barbarella) and Philippe Noiret (Zazie dans le métro) retreat to a country mansion where they determine to eat themselves to death whilst engaging in group sex with prostitutes and a local school teacher (Andréa Ferréol The Tin Drum) who seems to be up for anything… At once jovial and sinister the film’s jet-black humour has a further twist as the reputed actors (whose characters use their own names) buck their respectable trend for a descent into fart-filled chaos that delivers a feast for the eyes and mind. SPECIAL EDITION CONTENTS: Brand new 2K restoration of the original camera negative High Definition Blu-ray (1080p) and Standard Definition DVD presentation Original French audio (uncompressed PCM on the Blu-ray) Newly translated English subtitles The Farcical Movie – A French television profile of Marco Ferreri from 1975 in which the director discusses among other things the influence of Tex Avery Luis Buñuel and Tod Browning’s Freaks Behind-the-scenes footage of the making of La Grande bouffe containing interviews with Ferrari and actors Marcello Mastroianni Michel Piccoli Ugo Tognazzi and Philippe Noiret Extracts from the television series Couleurs autour d'un festival featuring interviews with the cast and crew recorded during the Cannes Film Festival A visual essay on the film with by Italian film scholar Pasquale Iannone Select scene audio commentary by Iannone News report from the Cannes Film Festival where La Grande bouffe caused a controversial stir including Ferreri at the press conference Original Trailer Reversible sleeve featuring original and newly commissioned artwork by Gilles Vranckx Booklet featuring new writing on the film by Johnny Mains illustrated with original archive stills and posters
Influential director Jacques Becker's final film, Le Trou is also amongst his very best. Hailed as a masterpiece by Truffaut, it remains a compelling work, superbly directed and photographed with a remarkable attention to detail. 1947. A young man, Gaspard Claude (Marc Michel), is convicted for the attempted murder of his wife, although he is innocent of the crime. He is sent to the notorious Santé Prison in Paris and is placed in a cell with four hardened criminals. The latter have decided to escape from the prison by digging their way out of their cell. Reluctantly, they take Gaspard into their confidence and labour digging their way out of their cell. Then, just when escape appears certain, Gaspard is called away to see the prison governor
White is the second of witty Polish director Krzysztof Kieslowki's "three colours" trilogy Blue, White, and Red--the three colours of the French flag, symbolising liberty, equality and fraternity. White is an ironic comedy brimming over with the hard laughs of despair, ecstasy, ambition and longing played in a minor key. Down-and-out Polish immigrant Karol Karol is desperate to get out of France. He's obsessed with his French soon-to-be ex-wife (Before Sunrise's Julie Delpy), his French bank account is frozen, and he's fed up with the inequality of it all. Penniless, he convinces a fellow Pole to smuggle him home in a suitcase--which then gets stolen from the airport. The unhappy thieves beat him and dump him in a snowy rock pit. Things can only get better, right? The story evolves into a wickedly funny anti-romance, an inverse Romeo and Juliet. Because it's in two foreign languages, the dialogue can be occasionally hard to follow, but some of the most genuinely funny and touching moments need no verbal explanation. --Grant Balfour
Alfred Hitchcock hadn't made a spy thriller since the 1930s, so his 1969 adaptation of Leon Uris's bestseller Topaz seemed like a curious choice for the director. But Hitchcock makes Uris's story of the West's investigation into the Soviet Union's dealings with Cuba his own. Frederick Stafford plays a French intelligence agent who works with his American counterpart (John Forsythe) to break up a Soviet spy ring. The film is a bit flat dramatically and visually, and there are sequences that seem to occupy Hitchcock's attention more than others. A minor work all around, with at least two alternative endings shot by Hitchcock. --Tom Keogh
Adapted from the George Simenon novel 'Les Fiancailles De M. Hire' it tells the story of old Monsieur Hire who lives a lonely existence in an apartment block. He spies on a woman called Alice who also lives there and he knows everything about her until one evening he sees something he shouldn't and his life changes for ever.
Influential director Jacques Becker's final film, Le Trou is also amongst his very best. Hailed as a masterpiece by Truffaut, it remains a compelling work, superbly directed and photographed with a remarkable attention to detail. 1947. A young man, Gaspard Claude (Marc Michel), is convicted for the attempted murder of his wife, although he is innocent of the crime. He is sent to the notorious Santé Prison in Paris and is placed in a cell with four hardened criminals. The latter have decided to escape from the prison by digging their way out of their cell. Reluctantly, they take Gaspard into their confidence and labour digging their way out of their cell. Then, just when escape appears certain, Gaspard is called away to see the prison governor
Characteristically breaking with tradition director Robert Bresson presents a realistic unique view of the life and death of Joan of Arc. Using a script based on the actual transcript notes taken during her trial Bresson focuses on the psychological and physical torture that Joan had to endure showing how these techniques were used to break her resolve and cause her to eventually recant her faith. With impeccable historical accuracy Bresson re-creates the story of the peasant gi
Cave of Forgotten Dreams shows the dramatic results of Herzog's exclusive access to the recently discovered Chauvet caves in the South of France, and their truly extraordinary cave paintings, dating back 32,000 years.
This film dramatizes the last years of a political leadership and a private life: that of Francois Mitterrand.
The "widow" referred to in the title of La Veuve de Saint-Pierre isn't a woman, but a mechanism--to be exact, the guillotine, (though the title does take on a second meaning in the tragic final moments of the film). We're on the island of Saint-Pierre, a tiny forgotten French colony off the coast of Newfoundland, midway through the 19th century. A senseless drunken murder is committed and the killer is condemned to death, but zut alors!, there's no guillotine on the island. So one must be requested from the slow, bureaucratic authorities in Paris and, once approved, laboriously shipped over. Meanwhile the killer, a simple-minded giant of a man, is placed in the custody of the Captain, whose beautiful wife starts taking an interest in the prisoner. Director Patrice Leconte has always had an acute feel for place and period--he directed the mordantly witty costume drama Ridicule--and La Veuve vividly captures the sense of remoteness and resentful isolation of this blizzard-swept community. The brooding landscape, all slate-blues and greys, is beautifully framed by Eduardo Serra's camera, and Leconte draws affecting performances from his central trio of actors: Daniel Auteuil, with his intriguingly lopsided face, as the Captain; Juliette Binoche, radiantly vulnerable as his wife; and, in an unexpected but remarkably successful bit of casting, Serbian film director Emir Kusturica as the condemned man. La Veuve de Saint-Pierre may be a touch over-solemn at times, and its message is hardly unexpected; but it's an intelligent, engrossing and richly atmospheric piece of filmmaking. --Philip Kemp
Grard Blain and Jean-Claude Brialy star in the first of their collaborations with the great Claude Chabrol. The director's masterful feature debut - ironic, funny, unsparing - is a revelation: another of that rare breed of film where the dusty formula might be used in full sincerity: Le Beau Serge marks the beginning of the Chabrol touch. In this first feature film of the French New Wave, one year before Truffaut's The Four Hundred Blows, the dandyish Franois (Brialy, of Godard's A Woman Is a Woman, Rohmer's Claire's Knee, and countless other cornerstones of 20th-century French cinema) takes a holiday from the city to his home village of Sardent, where he reconnects with his old chum Serge (Blain), now a besotted and hopeless alcoholic, and sly duplicitous carnal Marie (Bernadette Lafont). A grave triangle forms, and a tragic slide ensues. From Le Beau Serge onward up to his final film Bellamy in 2009, the revered Chabrol would come to leave a significant and lasting impression upon the French cinema - frequently with great commercial success. It is with great pride that we present Le Beau Serge, the kickstart of the Nouvelle Vague and of Chabrol's enormous body of work, on Blu-ray and DVD in the UK for the first time. Special Features: Gorgeous new Gaumont restoration of the film in its original aspect ratio New and improved English subtitles Original theatrical trailer A 56-minute documentary about the making of the film L'Avarice [Avarice], Chabrol's 1962 short film A lengthy booklet with a new and exclusive essay by critic Emmanuel Burdeau; excerpts of interviews and writing by Chabrol; and more
Grard Blain and Jean-Claude Brialy star in the first of their collaborations with the great Claude Chabrol. The director's masterful feature debut - ironic, funny, unsparing - is a revelation: another of that rare breed of film where the dusty formula might be used in full sincerity: Le Beau Serge marks the beginning of the Chabrol touch. In this first feature film of the French New Wave, one year before Truffaut's The Four Hundred Blows, the dandyish Franois (Brialy, of Godard's A Woman Is a Woman, Rohmer's Claire's Knee, and countless other cornerstones of 20th-century French cinema) takes a holiday from the city to his home village of Sardent, where he reconnects with his old chum Serge (Blain), now a besotted and hopeless alcoholic, and sly duplicitous carnal Marie (Bernadette Lafont). A grave triangle forms, and a tragic slide ensues. From Le Beau Serge onward up to his final film Bellamy in 2009, the revered Chabrol would come to leave a significant and lasting impression upon the French cinema - frequently with great commercial success. It is with great pride that we present Le Beau Serge, the kickstart of the Nouvelle Vague and of Chabrol's enormous body of work, on Blu-ray and DVD in the UK for the first time. Special Features: Gorgeous new Gaumont restoration of the film in its original aspect ratio, presented in 1080p on the Blu-ray New and improved English subtitles Original theatrical trailer A 56-minute documentary about the making of the film L'Avarice [Avarice], Chabrol's 1962 short film A lengthy booklet with a new and exclusive essay by critic Emmanuel Burdeau; excerpts of interviews and writing by Chabrol; and more
After witnessing the death of her parents at the hands of the Nazis a young Jewish girl tries to survive by taking shelter from an old friend. The gestapo soon track her down and she is forced to flee once more to the support of a childhood vacation friend who passes her off as an employee of the family business. However the girls presence soon gets her protectors into trouble themselves.
In a Paris prison cell five inmates use every ounce of their tenacity and ingenuity in an elaborate attempt to tunnel to freedom. Based on the novel by Jose Giovanni Jacques Becker's Le Trou (The Hole) balances lyrical humanism with a tense unshakable air of imminent danger.
Jacques Demy's haunting romantic musical is an enchanting, one-of-a-kind musical experience. It's basically a movie operetta, in which the characters sing all the dialogue (or, rather, lyrics--by director Demy) to Michel Legrand's lovely score. The story spans five years (1957-1962) in the life of Geneviéve (the ethereally beautiful Catherine Deneuve in the role that launched her to international stardom), the teenage daughter of a woman who owns a Cherbourg umbrella shop. After Geneviéve's boyfriend Guy (Nino Castelnuovo) is drafted and sent off to Algeria, she discovers she's pregnant and complications ensue. With its dazzling candy-coloured palette, The Umbrellas of Cherbourg looks sweet and dreamy. Restored and re-released in 1995 to rapturous acclaim and the renewed delight of all who got the chance to see it. The video release is taken from the restored version. --Jim Emerson, Amazon.com
Frederic leads a bourgeois life; he is a partner in a small Paris office and is happily married to Helene a teacher expecting her second child. In the afternoons Frederic daydreams about other women but has no intention of taking any action. One day Chloe who had been a mistress of an old friend begins dropping by his office. They meet as friends irregularly in the afternoons till eventually Chloe decides to seduce Frederic causing him a moral dilemma.
Marco Ferreri's greatest international success La Grande Bouffe scandalized audiences when it was released in 1973. Audiences were shocked by its tale of four world-weary middle-aged men (superbly portrayed by Marcello Mastroianni Ugo Tognazzi Michel Piccoli and Philippe Noiret) who decide to gorge themselves to death in one final orgiastic weekend full of gourmet food call girls and a hefty lusty schoolteacher. This blackly humorous parable of modern society's collaps
In Les Noces Rouges Claude Chabrol extends his usual stinging examination of the French bourgeoisie family into the exaggerated realm of the tragi-comic all the while maintaining his signature elements of psychological terror and thrilling yet detached suspense. Based on an actual French murder case Les Noces Rouges is the story of two lovers each stuck in loveless marriages. Lucienne (Stephane Audran) is married to the frigid and obtuse Paul who is the semi-corrupt mayor of their small town. Pierre (Michel Piccoli) is Paul's deputy mayor and is married to a chronically ill and lifeless wife. An illicit affair of exaggerated passion explodes between Pierre and Lucienne and for a while their passion is enough for them. However when Pierre's wife mysteriously dies and Lucienne's husband discovers her infidelity the plot switches from its seemingly sleepy bourgeois tale of marital troubles and delves into the film noir stylings that could be compared to The Postman Always Rings Twice. The political duplicitousness enacted by Paul and Pierre behind closed doors in the small town's government offices is mirrored and magnified in the fractured narrative of the deranged and depraved transaction between the three players in this tale of love and lust gone sour.
Tales Of Ordinary Madness (1981): Based on stories by Charles Bukowski like much of his work there's an overtly autobiographical feel throughout. Ben Gazzara stars as Charles Serking the archetypal Bukowski protagonist; moving through a variety of drunken scenarios bedding a bevy of increasingly bizarre women in the process... Don't Touch The White Woman! (1974): Marcello Mastroianni stars as General George Armstrong Custer in this bizarre French farce where Nixon i
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