Three more gems from the Golden Age of Noir In Not Guilty, a sadistic yet brilliant doctor (Michel Simon, The Train) spins a web of lies and causes havoc in a small town. Peter Lorre (M) directs and stars as a troubled man navigating post-war Germany while haunted by a terrible secret in The Lost One. Considered one of the great films of Swedish cinema, Hasse Ekman's Girl with Hyacinths twisty thriller explores the fallout from a mysterious suicide. BLU-RAY LIMITED EDITION BOX SET SPECIAL FEATURES: 4K restoration of Not Guilty by Tf1 presented on Blu-ray for the first time with English subtitles High-Definition digital transfer of The Lost One, presented on Blu-ray for the first time with English subtitles 2K restoration of Girl with Hyacinths, presented on Blu-ray for the first time outside of Sweden Original uncompressed mono PCM audio for all films Optional English subtitles for all films Newly designed artwork based on original posters Limited edition 80-page perfect bound book featuring archival pieces and new writing by critics and experts including Farran Nehme, Martyn Waites, Elena Lazic, Jourdain Searles, and more Limited Edition of 3,000 copies presented in a rigid box with full-height Scanavo cases for each film and removable OBI strip leaving packaging free of certificates and markings NOT GUILTY New interview with critic Imogen Sara Smith on Not Guilty (2025) Archival Michael Simon radio interview (1947) Archival behind the scenes radio documentary (1947) Alternate ending Reversible sleeve featuring original and newly commissioned artwork THE LOST ONE Commentary by film noir expert Alan Rode and Peter Lorre biography Stephen D Youngkin (2025) Interview with critic and historian Pamela Hutchinson on Peter Lorre and The Lost One (2025) Interview with programmer and historian Margaret Deriaz on post-war German cinema (2025) Trailer Reversible sleeve featuring original and newly commissioned artwork GIRL WITH HYACINTHS Audio commentary by Peter Jilmstad (2025) Interview with Hasse Ekman (1993, 63 mins) Visual essay by Julia Armfield (2025) Reversible sleeve featuring original and newly commissioned artwork
In this complete collectable collection, this box set contains all three series starring Lacey Turner in Series One and Michelle Keegan in Series Two along with her brand new tour of duty in Nepal. Includes behind the scenes features, outtakes and a deleted scene.
This ground-breaking collection brings together Walerian Borowczyk's key films from a twenty-five-year period stretching from 1959 through to 1984. This unique release includes five of Borowczyk s provocative feature films: Theatre de Monsieur et Madame Kabal, Goto, l ile d amour, Blanche, Contes Immoraux and La Bête as well as his ground-breaking short films from this period, in digital high definition restorations approved by the director s widow, Ligia Branice. In addition to exclusive documentaries featuring cast and crew, an hour long portrait of Borowczyk is included, featuring the director s musings on painting, animation and sex. Arrow Academy's Walerian Borowczyk Collection is a vital addition to the collection of anyone interested in either world cinema, animation or experimental film. 5-DISC SPECIAL EDITION CONTENTS HD restorations of the five features High Definition Blu-ray (1080p) presentations Original uncompressed mono 1.0 audio English subtitles for the deaf and hard of hearing Reversible sleeves featuring Borowczyk s original poster designs and artwork THEATRE OF MR AND MRS KABAL The short films Astronauts (1959), The Concert (1962), Grandmother s Encyclopaedia (1963), Renaissance (1963), Angels Games (1964), Joachim s Dictionary (1965), Rosalie (1966), Gavotte (1967), Diptych (1967), The Phonograph (1969), The Greatest Love of All Time (1978) and Scherzo Infernal (1984) Introduction by filmmaker and animator Terry Gilliam Film is Not a Sausage, a documentary about Borowczyk s animated work featuring Borowczyk, producer Dominique Duvergé-Ségrétin, assistant André Heinrich and composer Bernard Parmegiani Blow Ups, a visual essay by Daniel Bird about Borowczyk s works on paper Commercials by Walerian Borowczyk: Holy Smoke (1963), The Museum (1964) and Tom Thumb (1966) GOTO, ISLE OF LOVE Introduction by artist and Turner Prize nominee Craigie Horsfield The Concentration Universe, a new interview programme featuring actor Jean-Pierre Andréani, cameraman Noël Véry and camera assistant Jean-Pierre Platel The Profligate Door, a new documentary about Borowczyk s sound sculptures featuring curator Maurice Corbet BLANCHE Introduction by Schalcken the Painter director Leslie Megahey Ballad of Imprisonment, a documentary about the film featuring producer Dominique Duvergé-Ségrétin, assistant director André Heinrich, camera operator Noël Véry and assistant Patrice Leconte Obscure Pleasures: A Portrait of Walerian Borowczyk, a newly edited archival interview in which Borowczyk discusses painting, cinema and sex Gunpoint, a documentary short by Peter Graham produced and edited by Borowczyk IMMORAL TALES Introduction by Borowczyk expert Daniel Bird Love Reveals Itself, a video essay about the film featuring production manager Dominique Duvergé-Ségrétin and cinematographer Noël Véry Obscure Pleasures: A Portrait of Valerian Borowczyk, a newly edited archival interview in which the filmmaker discusses painting, cinema and sex Blow Ups, a visual essay by Daniel Bird about Borowczyk s works on paper Theatrical trailer THE BEAST An introduction by film critic Peter Bradshaw Borowczyk s erotic short film Venus on the Half-Shell (1975) The Making of the Beast, an hour-long documentary with rare on-set footage, narrated by cameraman Noël Véry Frenzy of Ecstasy, a visual essay about The Beast s design and the film s unmade sequel Original theatrical trailer
Inspired by a true incident during World War II in 'The Train' Burt Lancaster plays a French Resistance fighter doggedly attempting to stop a train used by the Nazis (led by Paul Scofield as Colonel Von Waldheim) to steal precious French art treasures in the summer of 1944. Featuring spectacular action sequences expertly directed by John Frankenheimer 'The Train' is a truly thrilling war film. The Oscar-nominated screenplay by Franklin Coen and Frank Davis superbly recreates the te
British films about sex are fairly rare, and mostly embarrassing: from the painfully anxious (Brief Encounter) to the hopelessly naff (the Carry On films). What a treat then is Rita, Sue and Bob Too, Alan Clarke's filming of a stage play by young Andrea Dunbar. It's an unsentimental, gleefully lewd comedy about shagging. Tagged for its cinema release in 1987 as "Thatcher's Britain with its knickers down", it even provoked a minor moral hullabaloo in the newspapers. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two giggly Bradford lasses stuck on a ramshackle housing estate. They keep themselves in fags by occasional baby-sitting for nouveau riche couple Bob (George Costigan) and Michelle (Lesley Sharp). Bob fancies himself rotten, but Michelle has ruled that sex is off the menu. So one night, driving Rita and Sue home, Bob detours to the Yorkshire moors and offers the girls a little something extra in his front seat. Rita and Sue decide to grab it while they can. Alan Clarke's cult following is founded on his bleak, brilliant films about violent young men (Scum, The Firm, Made in Britain). But Rita, Sue is a tribute to Clarkey's ribald sense of humour. It even sports a cameo from novelty pop-act Black Lace, performing their non-hit "Gang-Bang". Teenage debutantes Holmes and Finneran are terrific--just watch them dancing lustily around Bob's red leather sofa to Bananarama. In support, Clarke wisely cast skilled northern comedians like Patti Nicholls and Willie Ross, as Sue's foul-mouthed mum and dad. Amid the laughs, Clarke as usual doesn't stint from showing us the harsh, unlovely side of life. He shot the film on location at Bradford's Buttershaw estate, where Andrea Dunbar grew up and where, tragically, she died of a brain haemorrhage only a few years after the film's release. --Richard Kelly
In the first of three new tours of duty, Our Girl Georgie Lane, the Stockport-born army medic with Two Section, has been flown out to Nepal to provide humanitarian support following a massive earthquake. Under the watchful eye of Captain James, Georgie is helping coordinate medical facilities while mentoring Maisie, a reckless young recruit, and liaising with Milan, a local engineer. The aftershocks of the earthquake are nothing compared to the tremors she feels when she runs into Elvis or the unexpected feelings she soon develops for Milan. But alongside their immediate duties, Georgie and Two Section swiftly find themselves on a different and more challenging mission as they stumble across a case of child-trafficking. This soon leads them into conflict with a dangerous criminal gang and a crime boss who rules in a world where no one can be trusted and any move can be deadly. Special features Include Outtakes and a Deleted Scene.
When Wallis Simpson meets Edward Prince of Wales he is charmed by her flirtatious and straight-talking manner and begs her to divorce her husband Ernest. George V dies and Edward becomes King but he has no desire to give up Wallis for a life of Royal duty. As a constitutional crisis grips the nation Edward and the British Government lock horns. The Prime Minister Stanley Baldwin insists that Wallis cannot become Queen. Despite Wallis's pleas for him to remain King Edward feel
Julien Duvivier taps into postwar France's paranoia in a long unavailable thriller, adapted from a Georges Simenon novel Proud, eccentric, and antisocial, Monsieur Hire (Michel Simon) has always kept to himself. But after a woman turns up dead in the Paris suburb where he lives, he feels drawn to a pretty young newcomer to town (Viviane Romance), discovers that his neighbours are only too ready to be suspicious of him, and is framed for the murder. Based on a novel by Georges Simenon, the first film made by Julien Duvivier after his return to France from Hollywood, finds the acclaimed poetic realist applying his consummate craft to darker, moodier ends. Propelled by its two deeply nuanced lead performances, the tensely noirish Panique exposes the dangers of the knivesout mob mentality, delivering a pointed allegory of the behaviour of Duvivier's countrymen during the war. SPECIAL EDITION FEATURES: New 2K digital restoration, with uncompressed monaural soundtrack The Art of Subtitling, a new short documentary by Bruce Goldstein, founder and copresident of Rialto Pictures, about the history of subtitles New interview with author Pierre Simenon, the son of novelist Georges Simenon Conversation from 2015 between critics Guillemette Odicino and Eric Libiot about director Julien Duvivier and the film's production history Rialto Pictures rerelease trailer New English subtitle translation by Duvivier expert Lenny Borger PLUS: Essays by film scholar James Quandt and Borger
Tom Cruise returns as Special Agent Ethan Hunt, who faces the mission of his life.
Series OneJohn Major had it all: wife, best friend, glittering career in the police force... when his cover was blown and he met an untimely death. One year later, he's back - part AI and better than ever... or so he'd like to believe. Full of glitches, he's got to track down the person who shot him, prove himself as a cop so as not to get shut down, save his marriage and his friendship with his partner to boot.Series TwoDI John Major and DI Roy Carver were the top crime fighting duo in the Unit but when an undercover sting went horribly wrong, Major was gunned down on the job and killed. As an asset' considered too valuable to lose, his body was fast-tracked into an experimental Artificial Intelligence project to bring him back from the dead. The only problem is, Major 2.0 may look like and sound like the original, but something was lost in translation - quite a lot actually.Oh, and if that wasn't enough, thinking her husband is dead, Major's wife has fallen in love with Carver. Somehow, Major's error-strewn hunches and Carver's scrambling to make good allows them to just about scrape by but for how long?
The discovery of furry remains believed to be the Devil sparks a barrage of evil un-doings in a small town. Soon after their discovery the Devil's remains disappear hampering the investigation by the local Judge (Patrick Wymark). But the evil forces that take over are frightening proof that the Devil may indeed be among the villagers...
L'Atalante (1934):This intoxicatingly inventive masterpiece is one of the world's great films. A simple and engaging plot is transformed into a kaleidoscope of dazzling digressions and offbeat characterizations complete with tour-de-force scenes that still seem fresh and startling. propos de Nice (1930):What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Cote d'Azur, especially its wealthy inhabitants.Taris (1931):An Inventive short portrait of a swimming champion Zero de Conduite (1933):A radical, delightful tale of boarding-school rebellion that has influenced countless film-makers.
In an oeuvre permeated with ambivalence toward bourgeois life director Jean Renoir speculates on the result of the abandonment of those values in Boudu Saved From Drowning. Producer Michel Simon stars as Boudu a vagabond who attempts suicide by throwing himself into the Seine grieving over the loss of his dog. But Eduaord Lestingois (Charles Granval) a humane bookseller rescues him and takes him into his home hoping to reform the shaggy bum. Shortly thereafter anarchy
Shot in English and budgeted higher than any of his previous Asian features, Jackie Chan's last film under his Hong Kong contract is an action-packed, globe-trotting adventure shot with the American audience in mind. The spies and secret agent-laden plot is packed with car chases, explosions, gunfire aplenty and of course Jackie's own brand of gymnastic martial arts. But the flood of his older films between his hits Rumble in the Bronx and Rush Hour had sated American viewers and Who Am I? wound up being sold directly to cable. It's our loss, for this mix of goofy slapstick and jaw-dropping action is his most impressive film since Drunken Master II. Playing a special forces agent (named, naturally, Jackie) struck with amnesia and adopted by an African bush tribe following a failed assassination attempt, he embarks on a quest to discover his true identity while armies of killers pour after him. After an explosive opening, the story gets momentarily bogged down in the kind of mugging humour that leaves most American audiences scratching their heads, but once Jackie kicks into gear the film is a high-speed action flurry that culminates in a furious battle atop a Rotterdam skyscraper. Jackie is at his most charmingly naive (he berates the villains, pleading "Why do you want to destroy when you can make things better?") and athletically impressive: the marvellous stunts--including a flight down the side of the skyscraper--and fight choreography make Rush Hour look like a Sunday drive. --Sean Axmaker
A military deserter finds love and trouble (and a small dog) in a smoky French port city.
One of the greatest of all medieval films not least for its utterly distinctive realisation of a recognisable yet alien world Walerian Borowczyk’s third feature was widely hailed as a masterpiece from the moment it first appeared and is still regarded as one of his greatest films. Based on Juliusz S?owacki’s 19th-century play Mazepa but relocated to 13th-century France Blanche tells the story of the beautiful young wife (Ligia Branice) of a nobleman many decades older (French acting legend Michel Simon). As innocent as her name suggests Blanche becomes the unwilling centre of attention in a power struggle between her husband the visiting King and his page the latter a notorious womaniser. Its unique visual style resembles a medieval fresco and its period-instruments soundtrack adapting the ancient ‘Carmina Burana’ song book was years ahead of its time. Blanche is presented in a brand new high-definition restoration from original 35mm elements. Bonus Features: New high definition digital transfers of the feature and the shorts Uncompressed Mono 2.0 PCM Audio Optional English subtitles where necessary Introduction by Schalcken the Painter director Leslie Megahey Ballad of Imprisonment a documentary about the film featuring producer Dominique Duvergé-Ségrétin assistant director André Heinrich camera operator Noël Véry and assistant Patrice Leconte Obscure Pleasures: A Portrait of Walerian Borowczyk a newly edited archival interview in which Borowczyk discusses painting cinema and sex Gunpoint a documentary short by Peter Graham produced and edited by Borowczyk Reversible sleeve featuring original poster designs Collector’s booklet
From the legendary director of Dawn Of The Dead, George A. Romero comes a new take on his terrifying world of the undead.
Sky One's hit comedy returns. DI John Major and DI Roy Carver were the top crime fighting duo in the Unit but when an undercover sting went horribly wrong, Major was gunned down on the job and killed. As an asset' considered too valuable to lose, his body was fast-tracked into an experimental Artificial Intelligence project to bring him back from the dead. The only problem is, Major 2.0 may look like and sound like the original, but something was lost in translation - quite a lot actually. Oh, and if that wasn't enough, thinking her husband is dead, Major's wife has fallen in love with Carver. Somehow, Major's error-strewn hunches and Carver's scrambling to make good allows them to just about scrape by but for how long?
Based on the novel by Pierre Mac Orlan, the inimitable team of director Marcel Carne and writer Jacques Prevert deliver a quintessential example of poetic realism, one of the classics of the golden age of French cinema.Down a foggy, desolate road to the port city of Le Havre travels Jean (Jean Gabin), an army deserter looking for another chance to make good on life. Fate, however, has a different plan for him, when acts of both revenge and kindness turn him into front-page news.Also starring the blue-eyed phenomenon Michele Morgan in her first major role, and the menacing Michel Simon, Port Of Shadows (Le Quai des brumes) starkly portrays an underworld of lonely souls wrestling with their own destinies.
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