"17 Again" offers the question; what if you could go back and do things a little differently? Well, a man heading nowhere fast wishes exactly that and one morning wakes up as his 17-years-old self with a chance at rewriting history!
From Walt Disney Ice Princess is an hilarious heart warming coming of age comedy everyone will love! Though she longs to become a graceful champion figure skater gawky Casey Carlyle is only a brainy misfit with a strong willed mother pushing her towards a top university. But when Casey uses her head and follows her heart she'll find herself transformed beyond her wildest dreams. Ice Princess is an uplifting and laugh packed story your family will piroue
From the makers of "Roadtrip" and "Old School" comes another raucous comedy about a group of US students taking a grand European tour that gives new meaning to the phrase "foreign relations."
A group of eight sorority sisters find themselves being harassed by threatening and intimidating mystery phone-calls during Christmas break.
The fifth season of Joss Whedon's hit series started out in excellent form as slayer extraordinaire Buffy Summers (Sarah Michelle Gellar) did battle with the most famous of vampires (that Dracula guy) and then went on to spar with another nemesis, little sister Dawn (Michelle Trachtenberg). Wait--Buffy has a teenage sister? Where has she been the past four years? And why is everyone acting like she's always been around? Turns out that young Dawn is actually "The Key," a form of pure energy that, true to its name, helps open the gates between different dimensions. To protect said key from falling into the wrong hands, a group of monks gave it human form and sent it to the fiercely protective Buffy for safekeeping, creating new memories of Dawn for everyone as if she'd existed... well, always. Why all the super secrecy? There's this very, very, very bad girl named Glory (Clare Kramer) who wants the key very badly, and will do anything to get it. Oh, and by the way, Glory isn't just a run-of-the-mill demon... she's way worse. Some fans will tell you that Buffy "jumped the shark" with the introduction of Dawn, when in actuality this season was the pinnacle of the show's achievement, as there was superb comedy to be had ("Buffy Vs. Dracula," the double-Xander episode "The Replacement," the introduction of the "Buffybot" in "Intervention") as well as some of television's best drama. The Whedon-scripted and -directed "The Body" remains one of Buffy's best episodes, when the young woman who faces down supernatural death on a daily basis finds herself powerless in the wake of her mother's sudden passing. The first third or so of the season was a bit choppy, but once the evil Glory came into her own, Buffy was a television force to be reckoned with. Kramer was the show's best villain (after the evil Angel, natch), and the supporting cast was never better. But as always, it was the superb Gellar who was the powerful centre of the show, sparking opposite lovelorn vampire Spike (James Marsters) and wrestling with moral dilemmas rarely seen on television. With this season, Buffy Summers became, like Tony Soprano, one of television's true greats. --Mark Englehart
Strictly for kids, this 1999 live-action feature version of the popular cartoon series seems long even at 80 minutes. As a video, it's easier to take and appreciate for what works best in the story: the special effects. Matthew Broderick plays the security guard who is physically transformed into a multi-use cyborg with a zillion attachments, from stilts to helicopter blades to skis. A crime fighter in raincoat and fedora, and equipped with a nifty Gadgetmobile, the hero investigates the death of a man linked to the villainous Sanford Scolex (Rupert Everett). Scolex, who blames Gadget for having to wear a prosthetic hand, develops an evil robot twin of the good inspector, causing much mischief and giving Broderick an opportunity to poke fun at his own performance of the virtuous Inspector. The action is shaky, the script plods along and the effects soon take over; Everett has to go to the extremes of overacting just to be seen above it. But children of a certain age will almost certainly engage with the more clever stuff and forgive the rest. --Tom Keogh
Harriet M. Welsch (Michelle Trachtenberg) is probably the world's most accomplished 11-year-old spy. Harriet dreams of being a writer and her nanny and best friend Golly (Rosie O'Donnell) told her to start by writing down everything she sees. It's all in good fun until Harriet's friends find her secret spy notebook. They don't like what Harriet's written. And they don't like Harriet that much either. Can Harriet win back her friends or is she doomed to be an outsider a rejected wr
Inspector GadgetWowser! Disney's Inspector Gadget turbo charges to life in a wild adventure comedy with a thousand moving parts. During a daring rescue attempt, John Brown (MATTHEW BRODERICK), a naive and clueless security guard, experiences the wrath of Dr. Claw (RUPERT EVERETT). Jumping at the chance to put her robotics expertise to the test, the brilliant Dr. Brenda Bradford (JOELY FISHER) transform him into Inspector Gadget - the ultimate crime-fighting tool. And Gadget is going to need every techno-trick reduces our hero to spare parts and wreaks havoc on the world. Nonstop action, seamless special effects and a gazillion gizmos make Inspector Gadget a hilarious techno-thrill ride the whole family will enjoy over and over again.Inspector Gadget 2Get ready for more wild adventures packed with double the special effects, double the gadgets and double the fun of the original! Just when things are quieting down in Riverton, everything goes wrong. Inspector Gadget is put on probation. Claw stages a daring escape from prison and plots a new Crime of the Century. And the Mayor unveils a new and improved G2 - an all-robot, all-tech, all-female gadget! Could it get any worse for our hero? Mishaps, miscues stakeouts and showdowns ensue as Inspector Gadget (French Stewart - Love Stinks) and G2 (Elaine Hendrix - The Parent Trap) set off to go-go save the world with a little help from their friends - Brain, niece Penny and the wildly tricked-out Gadgetmobile!
The seventh and final season of Buffy's vampire vanquishing adventures. Episodes Comprise: 1. Lessons 2. Beneath You 3. Same Time Same Place 4. Help 5. Selfless 6. Him 7. Conversations With Dead People 8. Sleeper 9. Never Leave Me 10. Bring On The Night 11. Showtime 12. Potential 13. The Killer In Me 14. First Date 15. Get It Done 16. Storyteller 17. Lies My Parents Told Me 18. Dirty Girls 19. Empty Places 20. Touched 21. End Of Days 22. Chosen
In its fourth season, Buffy the Vampire Slayer had to change its formula radically. Two major characters--the vampire-with-a-soul Angel and Cordelia, the queen bitch of Sunnydale High--had gone off to be in their own show, Angel, and soon after the start of the season Willow's werewolf boyfriend Oz left when Seth Green needed to concentrate on his film career. Buffy and Willow started college, where they met new characters like Riley, the All-American Boy with a double life, and Tara, the sweet stuttering witch; but Xander and Giles found themselves at something of a loose end. Several characters were subjected to the radical re-envisioning possible in a show that deals with the supernatural: the blond vampire Spike came back and soon found himself with an inhibitor chip in his head, forced into reluctant alliance with Buffy; the former vengeance demon Anya became passionately smitten with Xander. Not all fans were happy with the central story arc about the sinister Dr Walsh (Lindsay Crouse) and her Frankensteinian creation Adam, though Crouse's performance was memorable. The strength of Season Four was perhaps most in impressive stand-alone episodes like the silent "Hush", the multiple dream sequence "Restless" and the passionate, moving "New Moon Rising", in which Oz returns, apparently cured, only to find that Willow is no longer waiting for him. This was one of the high points of the show as a vehicle for intense acting, perhaps only equalled by "Who Are You?", in which the evil slayer Faith takes over Buffy's body and Sarah Michelle Gellar gets to play bad girl for once. --Roz KaveneyOn the DVD: Buffy Season 4 was a hit and so is this sublime box set. The commentaries for "The Initiative", "This Year'sGirl", "Superstar" and "Primaveral" are all well above average, but are nothing compared to "Hush" and "Restless" where Joss Whedon gives out all the information and insights any fan would dream of. The four featurettes included are a pleasure to watch, especially the evolution of the sets for the show. The scripts, trailers and cast biographies complete the set and make for a decent addition to your Buffy archive. The soundtrack is in 2.0 Dolby surround, but the image is as grainy and dark as the previous seasons on DVD. --Celine Martig
The complete fifth season of Buffy's vampire vanquishing adventures. Episodes comprise: 1. Buffy Vs. Dracula 2. Real Me 3. The Replacement 4. Out Of My Mind 5. No Place Like Home 6. Family 7. Fool For Love 8. Shadow 9. Listening To Fear 10. Into The Woods 11. Triangle 12. Checkpoint 13. Blood Ties 14. Crush 15. I Was Made To Love You 16. The Body 17. Forever 18. Intervention 19. Tough Love 20. Spiral 21. The Weight Of The World 22. The Gift
The seventh and final series of Buffy the Vampire Slayer begins with a mystery: someone is murdering teenage girls all over the world and something is trying hard to drive Spike mad. Buffy is considerably more cheerful in these episodes than we have seen her during the previous year as she trains Dawn and gets a job as student counsellor at the newly rebuilt Sunnydale High. Willow is recovering from the magical addiction which almost led her to destroy the world, but all is not yet well with her, or with Anya, who has returned to being a Vengeance demon in "Same Time, Same Place" and "Selfless", and both women are haunted by their decisions. Haunting of a different kind comes in the excellent "Conversations with Dead People" (one of the show's most terrifying episodes ever) where a mysterious song is making Spike kill again in spite of his soul and his chip. Giles turns up in "Bring on the Night" and Buffy has to fight one of the deadliest vampires of her career in "Showtime". In "Potential" Dawn faces a fundamental reassessment of her purpose in life. Buffy was always a show about female empowerment, but it was also a show about how quite ordinary people can decide to make a difference alongside people who are special. And it was also a show about people making up for past errors and crimes. So, for example, we have the excellent episodes "Storyteller", in which the former geek/super villain Andrew sorts out his redemption while making a video diary about life with Buffy; and "Lies My Parents Told Me", in which we find out why a particular folk song sends Spike crazy. Redemption abounds as Faith returns to Sunnydale and the friends she once betrayed, and Willow finds herself turning into the man she flayed. Above all, this was always Buffy's show: Sarah Michelle Gellar does extraordinary work here both as Buffy and as her ultimate shadow, the First Evil, who takes her face to mock her. This is a fine ending to one of television's most remarkable shows. --Roz Kaveney
"17 Again" offers the question; what if you could go back and do things a little differently? Well, a man heading nowhere fast wishes exactly that and one morning wakes up as his 17-years-old self with a chance at rewriting history!
The sixth series of Buffy the Vampire Slayer followed the logic of plot and character development into some gloomy places. The year begins with Buffy being raised from the dead by the friends who miss her, but who fail to understand that a sacrifice taken back is a sacrifice negated. Dragged out of what she believes to have been heavenly bliss, she finds herself "going through the motions" and entering into a relationship with the evil, besotted vampire Spike just to force her emotions. Willow becomes ever more caught up in the temptations of magic; Xander and Anya move towards marriage without ever discussing their reservations; Giles feels he is standing in the way of Buffy's adult independence; Dawn feels neglected. What none of them need is a menace that is, at this point, simply annoying--three high school contemporaries who have turned their hand to magical and high-tech villainy. Added to this is a hungry ghost, an invisibility ray, an amnesia spell and a song-and-dance demon (who acts as rationale for the incomparable musical episode "Once More With Feeling"). This is a year in which chickens come home to roost: everything from the villainy of the three geeks to Xander's doubts about marriage come to a head, often--as in the case of the impressive wedding episode--through wildly dark humour. The estrangement of the characters from each other--a well-observed portrait of what happens to college pals in their early 20s--comes to a shocking head with the death of a major character and that death's apocalyptic consequences. The series ends on a consoling note which it has, by that point and in spite of imperfections, entirely earned. --Roz Kaveney
Once More With Feeling", a much needed shaft of lightness in Buffy the Vampire Slayer's dark sixth series, demonstrates that a "special" episode can be genuinely special. It preserves the show's continuity for its regular watchers and also delights people who have never experienced it before. This is creator Joss Whedon's tribute to all the masters of the stage musical whom he admires--most obviously Stephen Sondheim--and a chance for his talented cast to display their usual tight ensemble and sing and dance while doing it. The premise is typical Buffy both in its whimsy and its emotional truth--a demon forces the inhabitants of Sunnydale to express their emotions truthfully and uncovers a variety of embarrassing secrets. The actual musical ability of the Buffy cast is variable--Amber Benson as Tara and Anthony Stewart Head as Giles are perhaps the only ones with enough musical talent to carry purely lyrical tunes, but Sarah Michelle Gellar as Buffy is a game little trooper who delivers her various patter songs with her usual efficiency and charm. Emma Caulfield as the ex-demon Anya is the big surprise, her short paranoid riff on the subject of that ultimate evil, bunny rabbits is quite extraordinary; Broadway hoofer Hinton Battle is fabulous as Sweet: "I can bring whole cities to ruin and find time to get some soft shoe in." --Roz Kaveney
Vampire-slayer Buffy Summers moves to Sunnydale, a Californian community located above the "Hellmouth", a phenomenon which explains the local graveyard's overpopulation of vampires and other supernatural beings. Angel, a mysterious loiterer, starts flirting with Buffy and gives her helpful tips on how to cope with the local nasties. However, he turns out to be a vampire, which complicates the future of their relationship. Buffy makes friends with school outcasts Willow, a computer nerd, and geeky Xander. But she excites the enmity of high-school princess Cordelia. The season's prime villain is the Master, a Nosferatu-looking vampire lurking under the town. Giles, Buffy's mentor, looks things up in books and demonstrates the exact same look of puzzlement actor Anthony Head used to demonstrate in those horrifying instant coffee ads. --Kim Newman
Off-beat indie drama. Brian Lackey (Brady Corbet) went missing for five hours when he was eight-years-old an event that he remains convinced was the result of alien abduction. In the same small Kansas town teenage hustler Neil McCormick (Joseph Gordon Levitt) is a confused outsider with a promiscuous mother (Elisabeth Shue) and who was abused as a child by his Little League coach (Bill Sage). Locked into their own obsessions both young men pursue a self-destructive path that will lead them towards each other and will result in each of them trying to exorcise the demons of their past. Also starring Michelle Trachtenberg.
One last blowout before reality sets in: it's Labour Day 1988, and although they graduated from high school four years earlier, the kids from the class of '84 get together for a party that will surely (because we're watching a movie about it) settle old scores and kindle new romance. But a little creative improvisation will be necessary for Matt Franklin (Topher Grace, who also co-produced and co-wrote the story), who is wasting his degree from MIT on a summer job at Suncoast Video; he's just told his secret high-school crush (Teresa Palmer) that he works for Goldman Sachs--and she's going to be at the party. Throw in Matt's loud and newly unemployed buddy (Dan Fogler), who has just found a baggie of cocaine in the glove compartment of the car he "borrowed" from his former job, as well as Matt's ambivalent sister (Anna Faris, not quite unleashed enough), and the ingredients are there for an epic night. That's clearly the intention for this movie, and while the ideas are all in place, its grasp of comedy and drama feels generally forced. Forced in its song list, too: all the lumbering behemoths of '80s rock are rolled out, from "Der Kommissar" to Dexy's Midnight Runners. For anybody with a nostalgia jones for the 1980s, there are enough funny bits along the way to justify a look, and the supporting cast has its share of craziness: Chris Pratt as the clueless host of the party, Demetri Martin as a disgruntled classmate, Michael Ian Black as the dream girl's douche-bag boss. And any movie that sets Balls of Fury cutup Fogler on a toot will not lack in energy. But nope, Take Me Home Tonight falls short of the realm of American Graffiti and Dazed and Confused, to which it obviously aspires, and no amount of Wang Chung on the soundtrack is going to hide that. --Robert Horton
One last blowout before reality sets in: it's Labour Day 1988, and although they graduated from high school four years earlier, the kids from the class of '84 get together for a party that will surely (because we're watching a movie about it) settle old scores and kindle new romance. But a little creative improvisation will be necessary for Matt Franklin (Topher Grace, who also co-produced and co-wrote the story), who is wasting his degree from MIT on a summer job at Suncoast Video; he's just told his secret high-school crush (Teresa Palmer) that he works for Goldman Sachs--and she's going to be at the party. Throw in Matt's loud and newly unemployed buddy (Dan Fogler), who has just found a baggie of cocaine in the glove compartment of the car he "borrowed" from his former job, as well as Matt's ambivalent sister (Anna Faris, not quite unleashed enough), and the ingredients are there for an epic night. That's clearly the intention for this movie, and while the ideas are all in place, its grasp of comedy and drama feels generally forced. Forced in its song list, too: all the lumbering behemoths of '80s rock are rolled out, from "Der Kommissar" to Dexy's Midnight Runners. For anybody with a nostalgia jones for the 1980s, there are enough funny bits along the way to justify a look, and the supporting cast has its share of craziness: Chris Pratt as the clueless host of the party, Demetri Martin as a disgruntled classmate, Michael Ian Black as the dream girl's douche-bag boss. And any movie that sets Balls of Fury cutup Fogler on a toot will not lack in energy. But nope, Take Me Home Tonight falls short of the realm of American Graffiti and Dazed and Confused, to which it obviously aspires, and no amount of Wang Chung on the soundtrack is going to hide that. --Robert Horton
Action-packed Season Three develops major characters and plot lines brewing over the last couple of years. The Mayor, this season's major baddie, wants to become an invincible demon by slaughtering everyone at Sunnydale High's graduation ceremony but he's going to torture them all by giving his speech first. Bad-girl vampire-slayer Faith wants to get one over on Buffy and becomes even more rotten. Angel comes back from hell but isn't sure what to do about his girlfriend. Willow meets her evil gay vampire duplicate from another dimension. Xander loses his virginity but still has to contemplate his essential uselessness. Cordelia gets less whiny and has to work in a dress-shop when her father becomes bankrupt. Giles wears tweed and drinks tea, though it is revealed that he used to be a warlock and in a punk band. Besides the soap opera, there are monsters, curses and vampires (inevitably). --Kim Newman On the DVD: The DVDs are presented in a standard television 4:3 picture ratio and in a clear Dolby sound that does full justice both to the sparkling dialogue and to the always impressive indie-rock and orchestral scores. Special features include an overview of Season Three by its creator Joss Whedon, and by writers Marti Noxon, David Fury, Doug Petrie and Jane Espenson and documentaries on the weapons, clothes special effects of the show and the speech/verbal tone which makes it what it is-"Buffyspeak". The episodes "Helpless", "Bad Girls", "Consequences" and "Earshot" have commentaries by, Fury, Petrie, director James Gershman and Espenson, in which we find out some fascinating details about the way the scripts mutate and about the particular illuminations added to scripts by actors' performances. After complaints about the Season 2 DVD packaging, the disc envelopes include a protective coating. --Roz Kaveney
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