The grimy criminal underworld and hedonistic rock-and-roll counterculture of late-1960s London collide in this mind-scrambling, kaleidoscopic freak-out. On the run from his vengeful boss, a ruthless gangster (James Fox) hides out in the Notting Hill home of a reclusive rock star (Mick Jagger) and his companions (Anita Pallenberg and Michele Breton), who open the doors of his perception as the lines between reality and fantasy, male and female, persona and self, dissolve in a hallucinogenic haze. Built around Jagger's most magnetic narrative-film performance, this visionary collaboration between Donald Cammell and Nicolas Roeg is a daringly transgressive, endlessly influential journey to the dark side of bohemia.Film Info¢ United Kingdom¢ 1970¢ 105 minutes¢ Color¢ 1.85:1¢ English¢ Spine #1252
Chas a violent and psychotic East London gangster needs a place to lie low after a hit that should never have been carried out. He finds the perfect cover in the form of guest house run by the mysterious Mr. Turner a one-time rock superstar who is looking for the right spark to rekindle his faded talent...
The grimy criminal underworld and hedonistic rock-and-roll counterculture of late-1960s London collide in this mind-scrambling, kaleidoscopic freak-out.4K UHD + BLU-RAY SPECIAL EDITION FEATURES¢ New 4K digital restoration, approved by producer Sandy Lieberson, with uncompressed monaural original-UK-version soundtrack¢ [UHD ONLY] One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features¢ Donald Cammell: The Ultimate Performance (1998), a documentary by Kevin Macdonald and Chris Rodley¢ Influence and Controversy: Making Performance (2007), a documentary about the making of the film¢ The True Story of David Litvinoff, a new visual essay by Keiron Pim, biographer of dialogue coach and technical adviser David Litvinoff¢ Performers on Performance, a documentary featuring actors James Fox, Mick Jagger, Anita Pallenberg, and others¢ The Two Cockneys of Harry Flowers, a program on the dialogue overdubbing done for the U.S. version of the film¢ Memo from Turner, a program featuring behind-the-scenes footage¢ Trailer¢ English subtitles for the deaf and hard of hearing¢ PLUS: An essay by film critic Ryan Gilbey and a 1995 article by filmmaker and scholar Peter Wollen¢ New cover by Fred Davis
First screened on BBC2 in 1978, at a time when the standing of The Beatles was at its lowest, The Rutles--All You Need is Cash is the original and (pace This is Spinal Tap) best "rockumentary" spoof. Codirector Eric Idle was then enjoying success with Rutland Weekend Television, while his script displays the same feeling for the inane non-sequitur evident in his Monty Python work. The band's progress from "penniless, untalented nobodies" to "rich, untalented somebodies" is vividly brought to life--with dialogue adapted from actual Beatles interviews and newsreels, and a roster of songs sounding uncannily close to Beatles originals thanks to "Nasty" Neil Innes' genius for pastiche. Interviews with a suitably primed Mick Jagger and Paul Simon give added realism, as do cameos from George Harrison (one-time Beach Boy Rikki Fataar plays his Rutles double Stig) and Stones guitarist Ron Wood. Dan Ackroyd and John Belushi make characterful, pre-Blues Brothers appearances. On the DVD: The Rutles--All You Need is Cash has come up well in this DVD transfer. The fullscreen 4:3 ratio picture and mono sound wear their age well, enhanced by the extra scenes included. There's further interview material with Jagger and Simon, and a specially recorded, though wholly unfunny, DVD introduction from Idle, who also contributes a running commentary. All in all, this is an ideal way to get to know, or renew acquaintance with, a film that brings the swinging 60s back down to earth. --Richard Whitehouse
A career-spanning documentary on the Rolling Stones, with concert footage from their "A Bigger Bang" tour.
The greatest show on earth and a gargantuan humanitarian effort to help those starving in Africa Live Aid took place on July 13th 1985 and brought together some of the biggest music stars of all time! ""Twenty years ago they not only played 'real good for free ' they took an issue that was nowhere on the agenda of the political world and placed it at the very top "" says concert organizer Bob Geldof. ""By buying the Live Aid DVD that day continues far off into some distant but hopeful
A story 50 years in the making that will resonate deeply with anyone captivated by the magic of John Lennon and the complexities of human relationships. 'The Lost Weekend: A Love Story' explores the romantic relationship between John Lennon and his assistant turned lover May Pang, a naive 23-year-old experiencing her first unforgettable love. Featuring amazing, never-seen-before archival footage, and exclusive interviews with a huge list of global superstars including Elton John, Alice Cooper, Mick Jagger and Paul McCartney, this is a fascinating insight into a lesser-known chapter in Lennon's life and the relationship that shaped a prolific period for him post-Beatles, a time which included the hit albums 'Mind Games' and 'Walls and Bridges'.
Located alongside the Tennessee River Muscle Shoals Alabama is the unlikely breeding ground for some of America's most creative and defiant music. Under the spiritual influence of the 'Singing River' as Native Americans called it the music of Muscle Shoals changed the world and sold millions upon millions of copies. At its heart is Rick Hall who founded FAME Studios. Overcoming crushing poverty and staggering tragedies he brought black and white together in Alabama's cauldron of racial hostility to create music for the generations while giving birth to the 'Muscle Shoals Sound' and 'The Swampers'. Mick Jagger Keith Richards Percy Sledge Gregg Allman Clarence Carter Etta James Alicia Keys Bono and others bear witness to Muscle Shoals' magnetism mystery and why it remains influential today.
Originally hatched in 1978 as a short film parody, The Rutles was later expanded into a 70-minute mockumentary about a trend-setting quartet of British mop-tops and became one of Eric Idle's better projects outside Monty Python. Taking the career (and hagiography) of The Beatles and inverting them quite nicely, Idle conjures up four doppelgangers who offer the familiar mannerisms but practically none of the intelligence of their models. If that sounds like the same gag that powered This is Spinal Tap (which emerged six years later), it is, with the crucial difference that Idle's lampoon is precise where Tap was consciously generic. In telling the saga of the Rutles, Idle (who doubles as earnest narrator and McCartney-esque Rutle Dirk McQuigley) works from a rich and immediately familiar trove of pop lore, and he has a ball revisiting and reinventing milestones from the Fab Four's fabled history. The attention to period detail helps elevate the gags further, but Idle's real secret weapon is Neil Innes, standing in as Ron Nasty, the Rutles' answer to John Lennon: it's Innes who serves as the musical architect for the wonderful Beatles parodies that give All You Need is Cash a delicious kick, and Innes--a one-time principal in the legendary Bonzo Dog Band--is gifted enough to capture the band's lyricism and energy as well as their shifting sense of style. With the blessing and on-camera participation of George Harrison, and wry cameos from Mick Jagger and Paul Simon, All You Need is Cash is a perfect companion to the Beatles' own glorious screen comedies and a great antidote to sanctimonious pop documentaries. --Sam Sutherland, Amazon.com
Bent is a powerful and moving film adaptation of Martin Sherman's award winning stage play. Set amidst the decadence of pre-war fascist Germany Bent is an emotional tale of love as three homosexual men fight for survival in the face of persecution. The story begins during the 'Night of the Long Knives'. Max (Clive Owen) and Rudi (Brian Webber) are enjoying an evenings entertainment in Greta's Club. Whilst watching Greta/George (Mick Jagger) perform the two men fall into the hands of Hitler's men. Their escape forces them to spend two years on the run begging for help from reluctant friends and relatives such as Uncle Freddie (Ian McKellen). Finally they are caught and sent to a detention camp. Within the confines of the camp Max meets and falls in love with Horst (Lothaire Bluteau). Their secret love affair which begins under the most extreme regime is as inspirational as it is emotional. Bent illustrates how the selfless love of one person for another can overcome oppression even under the most extreme circumstances.
Directed by acclaimed Swedish filmmaker Göran Hugo Olsson, That Summer centres on the film project artist Peter Beard initiated together with the incandescent Lee Radziwill about her relatives: the Beales of Grey Gardens. Lost for decades, this extraordinary footage re-emerges in Olsson s documentary, which focuses on Peter Beard and his family of friends, who formed a vibrant and profoundly influential creative community in Montauk (Long Island) in the 1970s. Featuring Peter Beard, Lee Radziwill, Edith Ewing Bouvier Beale, Edith Bouvier Beale (Little Edie and Big Edie) and Andy Warhol.
Set amidst the decadence and terror of Fascist Germany the multi award-winning Bent is above all a powerful and moving love story recounting the fate of three homosexual men during the rise of Nazism. The film is a harrowing but inspirational tale of struggle against oppression starring Clive Owen Lothaire Bluteau Ian McKellen and Mick Jagger and with original music by Philip Glass.
The juggernaut four-disc set that is the Rolling Stones Four Flicks is taken from their unique three-in-one 2001 tour when they combined a stadium tour, an arena tour and a theatre tour into one 54-truck peregrination. It's the kind of epic endeavour that brings to mind William Burroughs' remark on Laurie Anderson's Home of the Brave: "Y'know, I prefer to watch this kind of thing on TV. Tones it down." Of the four discs, there's one devoted to each of the three sets plus another of documentary footage which is every bit as entertaining as the concerts, with the chaps coming across as the bunch of lovable old monkeys they resemble these days. The track listings speak for itself, but there are quite a few nice insights into the way in which the band operates musically. Jagger's voice is nowhere near as strong as it was, yet, like Miles Davis did when his chops began to desert him, he simply knits any shortcomings into his style of delivery. One side-effect of this, though, is that the more recent material, presumably written with this in mind, is much more effective here than the classics; "Brown Sugar", for example, its lyrics now neutered to avoid giving offence, finds him resorting to all sorts of shortcuts. No matter, though, the Stones still put on an incomparable show. Keith "the Human Riff" Richards is in fact playing better now than he ever has. It's well worth getting yer ya-yas out for. On the DVD: Four Flicks presents its material in such an integrated way that it's hard to say where the main event ends and the extras begin. As well as the concerts, you get to see the band working with AC/DC, Sheryl Crow and various other associates, there's a fun feature which allows you to zoom in on any individual member on a few tracks (revealing the secret of Charlie Watts's propulsive drumming to the percussion-minded observer) plus a great deal more. --Roger Thomas
The Rolling Stones frontman Mick Jagger makes his dynamic screen debut in this explosive tale from the British Academy Award-winning director Tony Richardson. Based on the fascinating true-life story of the 19th century Australian 'Armoured Bandit.' When their mother is unfairly persecuted by police Ned Kelly (Jagger) and his brother Dan earn money for her defence by selling homemade liquor. But what begins as a simple moonshine operation escalates into a series of armed robbe
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An action drama set in the year 2009. A race car driver who is about to die in a crash in 1991 suddenly finds himself alive and transported to the future. But his troubles aren't over: a wealthy man on the verge of death needs the driver's body to stay alive and he'll stop at nothing to get it...
The Rolling Stones are widely known as the Greatest Rock 'n' Roll band in the world they are currently on the best selling concert tour of all time and now they have teamed up with the biggest record company in the world Universal Music! The Rolling Stones have joined forces with Universal to release The Biggest Bang DVD Box set which will be coming to living rooms across the world as one of the most ambitious music DVD sets in history! This is a four-DVD set featuring seven
Like any good brand, the Rolling Stones know to preserve the formula even when updating the package, and this long-form concert video underscores that market strategy. As with each of their tours since the early 1980s, the quartet, augmented by a discreet auxiliary of backup musicians, gives the fans new eye-candy while dishing up a familiar set list spiked with Mick Jagger's lip-smacking vocals and Keith Richards' signature guitar riffs. The visual twists are at once spectacular and conservative: a cyclopean main stage design with massive pillars (presumably the Babylonian connection), a vast oval video screen (shades of Big Brother), and a hydraulic bridge enabling a mid-concert sortie into the audience, with the Stones playing a more stripped-down, intimate set on a small satellite stage. That huge physical setting doubtless made the live shows eye-filling rock spectacles, but the video crew necessarily accepts the limitations of the small screen, focusing more on close-ups of the band, rapid cuts, and racing, hand-held tracking shots to convey excitement while keeping the viewer close to the action. The evening's repertoire sticks to the band's most familiar hits, and if the Glimmer Twins occasionally slip their masks to let the routine show, the real wonder is how effectively they keep the playing focused. During the first half of the programme, the band's newest songs (especially "Saint of Me" and "Out of Control") elicit conspicuously higher energy from the band, if not the audience. But just as the show seems doomed to a certain anonymity, the escape onto the smaller, no-frills stage pumps up players and crowd alike, particularly when they launch into "Like a Rolling Stone", a cover that winds up sounding like a great idea too long deferred. --Sam Sutherland, Amazon.com
Two fabulous classic programs giving you an insight into arguably one of the greatest Rock bands of all time. Rock of Ages is packed full of interviews and rare footage of how these legends of Rock remain actively involved and passionate about their music and about performing. Rolling Stones On A Roll takes us right back to how the band first came together, exploring not only Brian Jones' pivotal role in the early days, but also how the events leading up to his tragic death, and the formation of a new line up, propelled the band to even greater stardom.
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