Enjoyable on many levels ... OK, it's enjoyable on only one level--if you're a big fan of Mike Myers's screwball idea of funny. That this script had been through a lot of hands in Hollywood before Myers agreed to star in it (using his Wayne's World clout) seems amazing as most of the truly funny bits here seem to be straight from Myers. Most memorable is his role as his own irascible Scottish father, screaming at his youngest son and talking about the Bay City Rollers. But Myers also plays Charlie, a bookshop owner/poet who falls in love with a "hardhearted harbinger of haggis", the local butcher (Nancy Travis), who may also be a serial killer. Mostly enjoyable, but there's also some weird stuff here. Try as you might, you may never rid yourself of the image of Brenda Fricker and Anthony LaPaglia making out. Also features a great soundtrack with Soul Asylum and Toad the Wet Sprocket. --Keith Simanton
'Smokey and the Bandit' is one of the all-time big box office hits. Burt Reynolds is the Bandit a king-of-the-road trucker hero who has accepted a challenge to pick up a truckload of Coors beer in Texarkana the closest place it can be legally sold and bring it back to Atlanta in 28 hours. The reward? $80 000. The result? The wildest series of car chases and crashes ever filmed because a Texas Smokey has become maniacally obsessed with apprehending the Bandit who has joined force
King Of The Hill is another animation hit from Beavis and Butthead creator Mike Judge who also voices the starring character Hank Hill a propane gas salesman in the fictional town Arlen Texas. Hank is often besieged by the idiosyncrasies of society but he finds (some) serenity in his home-life with his wife substitute Spanish teacher Peggy his awkward son Bobby and his live-in niece-in-law Luanne Platter. Adding flavor to the ordinary dish the series serves are Han
Morecambe and Wise, undoubtedly the best-loved double act that Britain has ever produced, first achieved their phenomenal television success in the early 1960s with this long-running hit series for ATV. Showcasing their mildly anarchic humour, impeccable sense of timing and keen eye for the absurd in a feast of uproarious sketches, onstage antics and musical entertainment, Two of a Kind propelled Morecambe and Wise towards superstardom in no uncertain terms. Each show features fast-moving skits and musical parodies, with Eric and Ernie giving us their inimitable versions of television favourites Supercar, Face to Face and Candid Camera - in addition to memorable interpretations of key scenes from Macbeth and Hamlet, Eric's ongoing battle to get his lines right in Samson and Delilah, and undoubtedly the most ambitious attempt ever seen to recreate the 'fight sequence' in Seven Brides for Seven Brothers! Among the many guest stars are Roy Castle, Joe Brown, Kathy Kirby, Susan Maughan, The Bachelors and Acker Bilk. This eight disc set contains all 48 editions of Two of a Kind (aka The Morecambe and Wise Show) alongside a wealth of special features including an exceptionally rare early performance from 1957, several appearances on Val Parnell's Saturday Spectacular and the two surviving editions of Piccadilly Palace.
Get ready for Thirds -the greatest fairy tale never told continues with a hilarious comedy of royal proportions. When his frog-in-law suddenly croaks, Shrek embarks on another whirlwind adventure with Donkey and Puss in Boots to find the rightful heir to the throne. Everyone's favorite cast of charactersis back, along with a magical misguided Merlin, an awkward Arthur, a powerful posse of princesses, and a bundle of unexpected arrivals. Only Shrek can tell a tale where everyone lives happily ever laughter!
The Sandlot (Dir. David Mickey Evans 1993): It's the early 1960's and 5th grader Scotty Smalls has just moved into town with his folks. Kids call him a dork because he can't even throw a baseball. But that changes when the leader of the neighborhood gang recruits him to play on the nearby sandlot field. It's the beginning of a magical summer of baseball wild adventures first kisses and fearsome confrontations with the dreaded beast and its owner who live behind the left field fence... The Sandlot 2 (Dir. David M. Evans 2005): Ten years after the original story the local dirt field is now 'home' to a new group of neighbourhood kids who get together to share laughs show off...and play baseball! Yet the gang faces their toughest challenge yet as they try to retrieve an irreplaceable model rocket that has landed in the junkyard behind left field; a forbidden territory guarded by the legendary slobbering beast known as 'The Great Fear'. The Sandlot 3 (Dir. William Dear 2007): Major league baseball superstar Tommy Santorelli (Perry) racks up great numbers at the plate but his me-first attitude drags his team down. But Tommy gets a second chance when he's knocked unconscious by a pitch and wakes up as a 12-year-old on his childhood playing field...the sandlot! Now with a greedy developer Earl Needman threatening to bulldoze the sandlot unless Tommy's ragtag friends can beat Needman's much-better team Tommy must decide whether to put his own interests first by switching teams...or stay true to his friends by leading them to their greatest victory yet!
28 DAYS, the story of Gwen Cummings (Sandra Bullock), a successful New York writer living in the fast lane and everyone's favorite party girl.
Few actresses can play frothy and ditzy as well as Anna Faris, star of the fizzy What's Your Number?. Faris's easy ability to fly along on the wispiest of plot threads, staying likable all the way, is harder than it looks, and Faris's talent makes What's Your Number? a fun, saucy date-night trifle. Faris plays Ally Darling, a woman who's had 20 boyfriends, and makes the mistake of reading a women's magazine article that says that a woman who has had more than 20 lovers has a harder time ultimately marrying. Ally then wonders if one of her "magic 20" might have been The One, and sets about to track them all down. What's Your Number? has a talented cast surrounding Faris, including Blythe Danner as her wedding-obsessed mum, Joel McHale as a former boss (and possible new "number"), and the gorgeous Chris Evans as Colin, Ally's neighbour. Ally and Colin strike up a friendship while she tries to track down her exes, and of course the viewer can see they are perfect for each other long before the script allows them to. Faris and Evans are winning and cunning, and manage to rise above the script that emulates the raunch of Bridesmaids but mostly sidesteps that film's giant heart. But it's not for lack of Faris's trying--she's irresistible, hilarious, and touchingly vulnerable. Her performance in What's Your Number? is a perfect 10. --A.T. Hurley
Conceived as a spin-off of comedy classic Romany Jones Yus My Dear concentrates on the previous series' funny trailer dweller couple Lil and Wally Brigs. As Wally gets a new job as a bricklayer and their caravan site gets a makeover the couple decides to move to a council house. But not everything is rosy as Wally's younger brother petty scoundrel Benny enters the scene bringing with him a good dose of mayhem...
TT Tribute honours Mike Hailwood's impressive career including his awe-inspiring wins at two of the most memorable races in TT history. The double feature begins with the highly acclaimed film Diamond Senior which reviews Mike's toughest ever race against Italian superstar Giacomo Agostini during the 1967 TT. Twelve years later we see him making an amazing comeback in the 1979 programme Winning Formula. Mike was unlucky on a Ducati in the Formula One event but his fortunes changed at the Senior race on a Suzuki RG500. The skill of a maestro is fully evident when you witness what was to be Hailwood's last great race.
Recorded in 1979 at the Wembley Conference Centre as part of the exposed tour this DVD contains the full gig. For this tour a 50 piece ensemble orchestra were used and with a road crew of 25 requiring 3 articulated trucks to transport the shows hardware it was indeed a spectacular show. Newly re-mastered and digitally enhanced the audio on the release is of the highest quality and there is multi angle viewing options allowing the viewer a unique insight into the time when Oldfield
From executive producer Steven Spielberg and based on the best-selling novel by Stephen King, Under the Dome is the story of a small New England town that is suddenly and inexplicably sealed off from the rest of the world by an enormous transparent dome. The town's inhabitants must deal with surviving the post-apocalyptic conditions while searching for answers to what this barrier is, where it came from and if and when it will go away.
Charlie Mackenzie (Mike Myers) is a love-shy poet living in San Francisco who frequents neighborhood coffee houses reciting his tortured odes to unrequited love. Burned by a string of failed relationships Mackenzie's fear of commitment has intensified into outrageous extremes of paranoia. When he finds himself falling for the sweet-faced butcher (Nancy Travis) at his local meat shop he sees it as a final chance for love to overcome his painful cynicism. Feeling he has squelched his nagging fears Mackenzie marries the woman. But his anxiety quickly manifests itself in the conviction that his wife is actually an infamous axe murderer whose antics are described in juicy detail in each week's issue of the Weekly World News...
The Triumph Bonneville has the most famous name in motorcycling. Its's 40 years since the first Bonnies went on sale yet it's very name still conjures up images of speed style and performance. This film features specially recorded footage of Bonnevilles past and present including the 1965 Thruxton TSX Bonneville Executive and Millenium's Bonneville. There are also interviews with those who rode Bonnevilles for pleasure the `Ton Up Boys' and also those that raced them including Clyde Cardy Mick Barton and Freddie Cooper - the first person to exceed 200mph on a motorcycle in Britain. Today the Bonneville is still manufactured at Hinkley Leicestershire and is Triumph's best-selling bike ensuring that a new generation of riders will carry the Bonneville legend and great tradition well into the 21st century. So put on your leathers climb on and enjoy this exhilarating 60-minute ride through the history of this most charismatic and prestigious of motorcycles.
All four series of the classic BBC comedy starring Robert Lindsay as revolutionary leader Wolfie Smith of the Tooting Popular Front. Hoping to emulate his icons, Wolfie forms the TPF with a small group of his friends. However, he soon finds himself struggling to get his ambitious plans off the ground due to his laid back attitude and lack of organisation. Series 1 episodes are: 'Pilot', 'Crocodile Tears', 'Guess Who's Coming to Dinner', 'Abide With Me', 'The Weekend', 'The Hostage', 'The Path of True Love', 'But Is It Art?' and 'A Story for Christmas'. Series 2 episodes are: 'Speed's Return', 'Rebel Without a Pause', 'The Tooting Connection', 'Working Class Hero' and 'Rock Bottom'. Series 3 episodes are: 'Spanish Fly', 'Don't Look Down', 'Only Fool and Horses...', 'The Big Job', 'Tofkin's Revenge', 'We Shall Not Be Moved', 'The Party's Over' and 'The Glorious Day'. Series 4 episodes are: 'Bigger Than Guy Fawkes', 'Changes', 'The Final Try', 'The Letter of the Law', 'Prisoners', 'Casablanca Was Never Like This', 'Sweet Sorrow' and 'Buon Natale'.
There's footage from every major stage of 'Mike the Bike's' two and four-wheeled career as well as film from the Hailwood family archive. The programme also includes many tributes from other great riders including Woods Read Agostini and six time World Champion Geoff Duke.
The Little Polar Bear is a wonderfully sweet movie adaptation of the bestselling children's book by Dutch author and illustrator Hans de Beer. Lars--the bear of the title--lives in the North Pole with his father Mika, who warns him that he should not mix with any walruses. Unfortunately, Lars is already best friends with Robby. The two of them just can't understand what all the fuss is about, raising issues of tolerance and understanding to viewers of all ages. This isn't to say the film heavy-handedly throws messages at its young viewers. Subtle points made about society and environment are there to be interpreted, but it's the friendship tale that's at the heart of the movie. Along the pair encounter four hilariously depressed lemmings, the happy snow goose Pieps, Lena the Arctic hare, Caruso the singing penguin and the pretty bear Greta, to whom Lars finds himself curiously attracted. No violence. No pessimism. --Paul Tonks
It was the Olympic Games we'll never forget and this Official London 2012 release will ensure we relive every golden memory. Featuring over nine hours of footage, it marks some of the best of the BBC's Olympic coverage including the amazing successes from Team GB, and the key moments from the rest of the games. In addition to this it will also include, highlights from Danny Boyle's unforgettable opening ceremony and the musical extravaganza of the closing ceremony.
Sister George" within The Killing of Sister George is Britain's best-loved soap opera character, played by actress June Buckeridge (Beryl Reid). Buckeridge has become so identified with her character--a sweet old Miss Marple-ish nurse who putters around her quaint little village on a motor scooter--even her friends call her George. But outside the studio she's a hard-drinking, hot-tempered, foul-mouthed lesbian living with an immature young thing she's nicknamed "Childie" (Susannah York, who makes her memorable entrance in a sheer baby-doll nightie). At her worst Sister George is an abusive monster (in a moment of rage she forces Childie to eat the butt of her cigar) but beneath the bluster is an insecure television actress. When the studio decides to kill her character off and an executive makes a play for Childie, the soap star desperately clings to her young lover. Director Robert Aldrich, best known for his tough action films and gothic thrillers, brings his fierce vision of human nature to Frank Marcus's play . In its best moments the film simmers in angry suspicion and helpless frustration, brought to life by Reid's vivacious performance but other scenes are overlong and stage-bound and would have benefited greatly from judicious trimming and tightening. The caricatured portrayals of lesbian life have aged rather poorly--an inevitable sign of the times--but this acidic show-biz drama still carries a hefty emotional punch. --Sean Axmaker, Amazon.com
Family Guy shouldn't work at all. Even by the witless standards of modern television, it is breathtakingly derivative: does an animated series about the travails of a boorish, suburban yob with a saintly wife, a hopeless son, a clever daughter and a baby sound familiar at all? Even the house in Family Guy looks like it was built by the same architects who sketched the residence of The Simpsons. However, Family Guy does work, transcending its (occasionally annoyingly) obvious influences with reliably crisp writing and the glorious sight gags contained in the surreal flashbacks which punctuate the episodes. Most importantly, the show's brilliance comes from two absolutely superb characters: Stewie, the baby whose extravagant dreams of tyrannising the world are perpetually thwarted by the prosaic limitations of infanthood, and the urbane family dog Brian--Snoopy after attendance at an obedience class run by Frank Sinatra. Family Guy does not possess the cultural or satirical depth of The Simpsons--very little art in any field does. But it is a genuinely funny and clever programme. --Andrew Mueller
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