Both of the hit animated movies in one package. Full of verve and wit, Shrek is a computer-animated adaptation of William Steig's delightfully fractured fairy tale. Our title character (voiced by Mike Myers) is an agreeable enough ogre who wants to live his days in peace. When the diminutive Lord Farquaad (John Lithgow) evicts local fairy tale creatures (including the now-famous Seven Dwarfs, Pinocchio and the Gingerbread Man), they settle in the ogre's swamp and Shrek wants answers from Farquaad. A quest of sorts starts for Shrek and his new pal, a talking donkey (Eddie Murphy), where battles have to be won and a princess (Cameron Diaz) must be rescued from a dragon lair in a thrilling action sequence. The story is stronger than most animated fare but it's the jokes that make Shrek a winner. The PG rating is stretched when Murphy and Myers hit their strides. The mild potty humour is fun enough for the 10-year-old but will never embarrass their parents. Shrek is never as warm and inspired as the Toy Story films, but the realistic computer animation and a rollicking soundtrack keeps the entertainment in fine form. Produced by DreamWorks, the film also takes several delicious stabs at its cross-town rival, Disney. --Doug Thomas In Shrek 2, the newlywed Shrek and Princess Fiona are invited to Fiona's former kingdom, Far Far Away, to have their marriage blessed by Fiona's parents--which Shrek thinks is a bad, bad idea, and he's proved right: the parents are horrified by their daughter's transformation into an ogress, a fairy godmother wants her son Prince Charming to win Fiona, and a feline assassin is hired to get Shrek out of the way. The computer animation is more detailed than ever, but it's the acting that make the comedy work--in addition to the return of Mike Myers, Eddie Murphy, and Cameron Diaz, Shrek 2 features the flexible voices of Julie Andrews, John Cleese and Antonio Banderas, plus Jennifer Saunders as the gleefully wicked fairy godmother. --Bret Fetzer
Sister George" within The Killing of Sister George is Britain's best-loved soap opera character, played by actress June Buckeridge (Beryl Reid). Buckeridge has become so identified with her character--a sweet old Miss Marple-ish nurse who putters around her quaint little village on a motor scooter--even her friends call her George. But outside the studio she's a hard-drinking, hot-tempered, foul-mouthed lesbian living with an immature young thing she's nicknamed "Childie" (Susannah York, who makes her memorable entrance in a sheer baby-doll nightie). At her worst Sister George is an abusive monster (in a moment of rage she forces Childie to eat the butt of her cigar) but beneath the bluster is an insecure television actress. When the studio decides to kill her character off and an executive makes a play for Childie, the soap star desperately clings to her young lover. Director Robert Aldrich, best known for his tough action films and gothic thrillers, brings his fierce vision of human nature to Frank Marcus's play . In its best moments the film simmers in angry suspicion and helpless frustration, brought to life by Reid's vivacious performance but other scenes are overlong and stage-bound and would have benefited greatly from judicious trimming and tightening. The caricatured portrayals of lesbian life have aged rather poorly--an inevitable sign of the times--but this acidic show-biz drama still carries a hefty emotional punch. --Sean Axmaker, Amazon.com
The Sandlot (Dir. David Mickey Evans 1993): It's the early 1960's and 5th grader Scotty Smalls has just moved into town with his folks. Kids call him a dork because he can't even throw a baseball. But that changes when the leader of the neighborhood gang recruits him to play on the nearby sandlot field. It's the beginning of a magical summer of baseball wild adventures first kisses and fearsome confrontations with the dreaded beast and its owner who live behind the left fie
A likeable drifter whose talents lie just outside the law heads to Hawaii for a change of scenery but soon discovers that whether he is looking for a new con or a little romance, temptation is everywhere.
Full of verve and wit Shrek is a computer-animated adaptation of William Steig's delightfully fractured fairy tale. Our title character (voiced by Mike Myers) is an agreeable enough ogre who wants to live his days in peace. When the diminutive Lord Farquaad (John Lithgow) evicts local fairy tale creatures (including the now-famous Seven Dwarfs, Pinocchio and the Gingerbread Man), they settle in the ogre's swamp and Shrek wants answers from Farquaad. A quest of sorts starts for Shrek and his new pal, a talking donkey (Eddie Murphy), where battles have to be won and a princess (Cameron Diaz) must be rescued from a dragon lair in a thrilling action sequence. The story is stronger than most animated fare but it's the jokes that make Shrek a winner. The PG rating is stretched when Murphy and Myers hit their strides. The mild potty humour is fun enough for the 10-year-old but will never embarrass their parents. Shrek is never as warm and inspired as the Toy Story films, but the realistic computer animation and a rollicking soundtrack keeps the entertainment in fine form. Produced by DreamWorks, the film also takes several delicious stabs at its cross-town rival, Disney. --Doug Thomas, Amazon.com On the DVD: DVD could have been invented to showcase Shrek's stunning computer animation--admirably served here by 16:9 anamorphic widescreen presentation--while the exuberant soundtrack comes alive in 5.1 Dolby Digital. There are plenty of extras to choose from on this DVD, from The Tech of Shrek and fake Character Interviews to the amusing Swamp Karaoke Dance Party featuring the whole cast. However, none of these features have much depth, nor do they last long and it would be easy to feel slightly disappointed--were it not for the excellent Shrek's ReVoice Studio. This first-of-its-kind feature requires a computer running Microsoft Windows 98SE or higher, Microsoft Internet Explorer 5.0 or higher, an Internet connection and a DVD-ROM drive. However, once the DVD-ROM is up and running, the instructions could not be clearer and within minutes the whole family will be dubbing their voices over favourite characters and scenes--rendering the other extras almost irrelevant.--Helen Baker
Picking up where 'I'm 'Bout It' left off this sequel opens with Pistol P's (Master P) release from prison and his reunion with his pal Vito (Silkk the Shocker). P decides to go legit moving in with his aunt taking a job as a dish washer and even meeting the love of his life. Things change quickly however after a run-in with drug lord Trouble and his Cut Mob causes Pistol to go gangster once again in order to clean up his neighbourhood.
The Concise Elvis: Memphis
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