Two peerless masters of Japanese cinema Kinji Fukasaku (Battles without Honor and Humanity, Battle Royale) and Takashi Miike (Dead or Alive, Audition) present their own distinctive adaptations of yakuza expert Goro Fujita's gangster novel Graveyard of Honor, each tapping into the zeitgeist of a distinct period of Japanese history. Set during the turbulent post-war years, Fukasaku's original 1975 film charts the rise and fall of real-life gangster Rikio Ishikawa (Tetsuya Watari, Outlaw Gangster VIP). Shot through with the same stark realism and quasidocumentarian approach as Fukasaku's earlier Battles Without Honor and Humanity, Fukasaku nonetheless breaks new ground through his portrayal of a gangster utterly without honor or ethics, surviving by any means necessary in a world of brutal criminality. Meanwhile, Miike's 2002 retelling transplants the story to Tokyo at the turn of the millennium. Less a direct remake of Fukasaku's film than a radical reimagining of the same overarching premise, Miike's film captures both the hedonism and nihilism of the modern Japanese crime scene in deliriously stylish fashion, resulting in a fascinating companion piece to the original that nonetheless stands as its own entity. Arrow Video is proud to present these two intertwined but unique crime thrillers from two celebrated filmmakers at the peak of their creative powers. Special Features Two-disc set featuring two different versions of Graveyard of Honor, the 1975 film by Kinji Fukasaku and the 2002 film by Takashi Miike Special edition packaging featuring newly commissioned artwork by Ian MacEwan Reversible sleeves featuring original and newly commissioned artwork by Ian MacEwan DISC ONE GRAVEYARD OF HONOR (1975) High Definition Blu-ray⢠(1080p) presentation Original lossless Japanese PCM 1.0 mono soundtrack Optional English subtitles Audio commentary by author and critic Mark Schilling Like a Balloon: The Life of a Yakuza, a visual essay by critic and Projection Booth podcast host Mike White A Portrait of Rage, an archival appreciation of Fukasaku and his films, featuring interviews with filmmakers, scholars, and friends of the director On the Set with Fukasaku, an archival interview with assistant director Kenichi Oguri Theatrical trailer Imagery gallery DISC TWO GRAVEYARD OF HONOR (2002) High Definition Blu-ray⢠(1080p) presentation Original lossless Japanese PCM 2.0 stereo soundtrack Optional English subtitles Audio commentary by Miike biographer Tom Mes Men of Violence: The Male Driving Forces in Takashi Miike's Cinema, a visual essay by author and critic Kat Ellinger Archival interview special featuring Miike and cast members Goro Kishitani and Narimi Arimori Archival making-of featurette Archival making-of teaser Archival press release interviews featuring Miike, Kishitani and Arimori Archival premiere special featuring Miike, Kishitani and Arimori Theatrical trailer Imagery gallery
Love samurai films? Wish they were... dirtier? Welcome to Hanzo the Razor'sderanged world of crazy swordplay and sexploitation set to a 1970s funk soundtrack. Uncut for the first time ever in the UK this cult 1970s Japanese pinku trilogy was seemingly influenced by Dirty Harry and Shaft but there's no doubt who has the 'longer arm of the law'! Shintaro Katsu (best known as the blind swordsman in the original Zatoichi) stars as Hanzo - a rebellious yet obsessively moral samurai police officer who slashes his way through the backbone of crime uncovers corruption at higher levels and tortures relentlessly using his own unique techniques. Shocking audiences even today the hardest man in Edo regularly unleashes his special weapon in the form of his oversized penis which he uses to 'interrogate' female suspects into pleasured compliance. Despite the knuckle-biting graphic violence there is an underlying social commentary testifying to the noble honour of the samurai and emphasising Hanzo's status as the people's champion. In Sword of Justice Hanzo overturns his own gutless superiors; in The Snare he breaks into a temple used by local magistrates for the sadistic torture of young girls. In Who's Got the Gold? the shogunate treasury is being looted by its own officials. From the creator of the Lone Wolf and Cub series (used as the basis for Shogun Assassin and a direct influence on Tarantino's Kill Bill) the Hanzo the Razor trilogy is presented here for the first time in the UK complete and uncut.
Considered by many to be director Kinji Fukasaku's greatest single-film achievement in the yakuza genre, Cops vs Thugs was made at the height of popularity of Toei Studios' jitsuroku boom: realistic, modern crime movies based on true stories taken from contemporary headlines. Returning to the screen after completing their Battles Without Honor and Humanity series together, Fukasaku joined forces once again with screenwriter Kazuo Kasahara, composer Toshiaki Tsushima and star Bunta Sugawara to create one of the crowning achievements of his career, and a hard-boiled classic which is still ranked as one of the best Japanese films of the 1970's. It's 1963 in the southern Japanese city of Kurashima, and tough-as-nails detective Kuno (Sugawara) oversees a detente between the warring Kawade and Ohara gangs. Best friends with Ohara lieutenant Hirotani (Hiroki Matsukata), he understands that there are no clear lines in the underworld, and that everything is colored a different shade of gray. But when random violence interrupts the peace and an ambitious, by-the-books lieutenant (Tatsuo Umemiya) comes to town, Kuno's fragile alliance begins to crumble. Greedy bosses and politicians alike seize the opportunity to wipe out their enemies, and Kuno faces the painful choice of pledging allegiance to his badge and keeping a promise to his brother. Echoing the great crime films of Sidney Lumet and Jean-Pierre Melville, in Fukasaku's world, there's no honor among thieves or lawmen alike, and the only thing that matters is personal honor and duty among friends. Kasahara's shattering screenplay and Fukasaku's dynamic direction support an all-star, ensemble cast to create one of the most exciting, and deeply moving films about cops and criminals ever made. SPECIAL EDITION CONTENTS: High Definition digital transfer High Definition Blu-ray (1080p) and Standard Definition DVD presentations Original uncompressed mono audio Optional English subtitles Audio commentary by film scholar Tom Mes New video interview with film scholar & Fukasaku biographer Sadao Yamane Sympathy for the Underdog, a new visual essay on Fukasaku's career by Marc Walkow Reversible sleeve featuring original and newly commissioned artwork by Ian MacEwan FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing on the film
Yakuza Graveyard was one of the stylish, morally ambivalent movies with which director Kinji Fukasaki revolutionised the Japanese gangster genre in the 1970s. These days more famous for his brilliant teen exploitation film Battle Royale, Fukasaki has a proven flair for unsettlingly violent scenes in which the camera dips and twirls as his characters throw each other down stairs and across rooms. An honest cop (Tetsuya Watari) is stationed in Osaka and finds himself caught up in a nightmare world where his superiors launder money and carry out hits for several rival gangs. His sense of honour--already supporting the drunken, promiscuous widow of a man he killed--ties him ever closer to the principal heavy of the gang his superiors are gradually destroying and to the man's half-sister, with whom he falls passionately in love. A torrid interlude as waves beat on the shore--waves that somehow manage to be something other than a cliché--is just a break in the gloomy spiral of degradation and death. This is in some ways as corny as anything, in other ways a minor classic. On the DVD: Yakuza Graveyard is presented in 16:9 widescreen and comes with a short text essay explaining the importance of the film in the development of Fukasaki's career and the yakuza genre. --Roz Kaveney
An avenging angel... or a seductive siren? Conceive of her as you like - either way she walks alone this woman wronged by the world... this Scorpion with a taste for vengeance! Meiko Kaji (femme fatale extraordinaire of the Stray Cat Rock and Lady Snowblood series) returns as Female Prisoner #701 - now escaped from the very authority that would grind her down. With one severed arm dangling from one handcuffed wrist Kaji takes refuge in the home of a kindred soul... a latchkey slut in want of all the world's sympathy... forced into a back-alley living for the sake of supporting her retarded brother... whose baby grows ever quick in her womb - oh life! No it's not long until old enemies rearrive new adversaries are inaugurated... and this waking nightmare gives way to a new dawn... soiled by indiscriminate abortion! This third instalment of the Female Prisoner series is perhaps also the finest and in its concise layout it represents both a fitting conclusion to the Scorpion story as directed by Shunya It and a stand-alone work requiring no familiarity with the preceding episodes. Female Prisoner #701 Scorpion: Beast Stable exemplifies the grindhouse ethos in its haunting depiction of beauty...
It is 1963 and the police of Kurashima City have spent the past seven years eradicating the Yakuza gangs which have caused so much strife in the city. The last two remaining gangs Ohara and Kawade are in tatters with the Ohara Boss in prison. But with the police force full of corrupt officers the gangs begin to flourish once again. The Kawade gang sensing the opportunity to strike their enemies while their leader is incarcerated decide to stage a raid on a club owned by their rivals but the attention of the police is drawn to both gangs again. Ken Hirotani is running the Ohara gang while the Boss is in jail and he soon discovers that a childhood friend Kuno is now a police detective assigned to clean up the underworld. But Kuno's loyalties lay more with his friend than his career and his honour is tested time and time again. When a major property deal goes bad the police are able to persuade the two gangs to come to a truce but there are elements of both sides who don't like what their superiors are negotiating. Soon it's not only Cops vs Cops as loyalties are strained and honour pushes the boundaries of the law with an epic showdown looming.
Zipang is a sumptuous visual feast. Set in a kind of alternative Japan where modern technology meets ancient legend the film tells of the quest for the mythical Zipang land of gold. A motley band of renegades discover the keys to this magical kingdom. Unfortunately they also attract the attention of a beautiful female bounty hunter who has her sights set on their leader the handsome Jigoku. With supernatural ninja warriors astonishingly choreographed sword-play and wildly unpr
The ruthless Lord Danjo is determined to rule Japan and learns of a prophecy that whoever wins the love of Princess Ukio shall succeed in that task. Enlisting the help of an evil wizard and his five monk warriors Danjo seeks a way of seducing Ukio through diabolical magic. Enter Jotaro in love with Ukio's twin who is captured and killed by the monks. Jotaro now seeks to put an end to Danjo's sinister plot but he can't do it alone--he needs the help of samurai swordsman Muneyoshi
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